Arrington, Lauren,

W B. Yeats, The Abbey Theatre, Censorship, and the Irish State: Adding the Halfpence to the Pence (Oxford: Oxford University Press [Oxford English Monographs Series], 2010), pp. x + 210.

Fran Brearton and
Alan Gillis (eds.),

The Oxford Handbook of Modern Irish Poetry (Oxford: Oxford University Press, 2012), pp. xx + 723. Contains numerous Yeats-related articles, e.g., Matthew Campbell, ‘Recovering Ancient Ireland’, 3-19; Warwick Gould ‘Yeats and Symbolism’, 20-41; Edna Longley, ‘W. B. Yeats: Poetry and Violence’, 95-110; Edward Larissy, ‘Yeats, Eliot, and the Idea of Tradition’, 113-29; Neil Corcoran, ‘Modern Irish Poetry and the Visual Arts: Yeats to Heaney’, 251-65; Hugh Huaghton, ‘The Irish Poet as Critic’, 513-33; Steven Matthews, ‘The Poet as Anthologist’, 534-47; Jahan Ramazani, ‘Irish Poetry and the News’, 548-64; Stephen Regan, ‘Irish Elegy after Yeats’, 588-606, etc. DOI, http://dx.doi.org/10.1093/oxfordhb/9780199561247.001.0001.

Foley, Declan (ed.),

The Only Art of Jack B. Yeats: Letters and Essays (Dublin: Lilliput, 2009), pp. xviii + 204.

Higgins, Geraldine,

Heroic Revivals from Carlyle to Yeats (New York and Basingstoke: Palgrave, 2012), pp. x + 226.

Tagore, Rabindranath,

Gitanjali: A New Translation by William Radice, with an Introduction and a new text of Tagore’s translation based on his manuscript (New Dehli: Penguin Books India, 2012), pp. lxxxvi + 256.

Timoney, Martin A. (ed.),

Dedicated to Sligo: Thirty Four Essays on Sligo’s Past (Sligo: Publishing Sligo’s Past, 2013), pp. 304. Contains Joyce Raftery Enright’s ‘“Here you are Somebody”: The Sligo Relatives of W. B. Yeats’, pp. 259-86. Profusely Illustrated.

Van Hulle, Dirk, and
Mark Nixon,

Samuel Beckett’s Library (Cambridge, Cambridge University Press, 2013), pp. xviii + 311.

Richard Whittington-Egan,

Lionel Johnson: Victorian Dark Angel (Great Malvern: Cappella Archive, 2013), pp. 370.