The ‘real’ Rameau’s Nephew? Reproduction of a drawing by J.G. Wille, at present not traced. The photograph was first published by G. Isambert in his edition of Diderot, Le Neveu de Rameau, with notices, notes and bibliography (Paris: A. Quantin, 1883). By permission of the Taylorian Library, University of Oxford. |
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Portrait of Denis Diderot (1766), by Jean-Baptiste Greuze. Morgan Library and Museum, New York. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Greuze_Portrait_of_Diderot.jpg |
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The Palais Royal, detail from the Plan de Turgot (1734-39), by Michel-Étienne Turgot. Wikimedia Commons: http://commons.wikimedia.org/wiki/Turgot_map_of_Paris,_Kyoto_University_Library#Sectional_maps |
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Galerie et jardins du Palais Royal, Paris (late 18th century), artist unknown. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Jardin_du_Palais_Royal,_Galerie_de_Montpensier,_Paris,_18th_c..jpg |
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Frontispiece from A.D. Philidor, Analyse du jeu des échecs (Paris, 1803; first edition, London, 1748), artist unknown. The Internet Archive: https://archive.org/stream/analysedujeudes02philgoog#page/n8/mode/2up |
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The Champs-Elysées, detail from the Plan de Turgot (1734-39), by Michel-Étienne Turgot. Wikimedia Commons: http://commons.wikimedia.org/wiki/Turgot_map_of_Paris,_Kyoto_University_Library#Sectional_maps |
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Portrait of Jean-Philippe Rameau (c.1728), attributed to Jacques-André-Joseph Aved. Musée des Beaux-Arts de Dijon. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Attribué_à_Joseph_Aved,_Portrait_de_Jean-Philippe_Rameau_(vers_1728)_-_001.jpg |
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Portrait of Jean-Baptiste Lulli (early 18th century), by Henri Bonnart (1642-1711). Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Jean-Baptiste_Lully_Bonnart.jpg |
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Portrait of Pierre Carlet de Chamblain de Marivaux (1743), by Louis-Michel van Loo. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Van_Loo_Pierre_Carlet_de_Chamblain_de_Marivaux.jpg |
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Portrait of Claude-Prosper Jolyot de Crébillon (Crébillon fils) (second half of the 18th century), by Jean-Baptiste André Gautier-Dagoty (1740-86). Musée du Louvre, Paris. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:WP_Claude-Prosper_Jolyot_de_Crébillon.jpg |
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Mademoiselle Clairon en Médée (1760), by Charles-André van Loo. Reproduced in Poussin, Watteau, Chardin, David… – Peintures françaises dans les collections allemandes, XVIIe-XVIIIe siècles, ed. P. Rosenberg (Paris: Réunion des musées nationaux, 2005). Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Mademoiselle Clairon dans ‘L’Orphelin de la Chine’ de Voltaire (n.d.), by J.B. Le Prince. Photograph by M. Hobson with permission of the Institut et musée Voltaire, Bibliothèque de Genève, Geneva. |
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Diogenes (18th century), by Maurice Quentin de La Tour (1704-88). Musée Antoine Lécuyer, Saint-Quentin. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Maurice_Quentin_de_La_Tour_-_Diogenes.jpg |
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Drunken Silenus supported by Satyrs (c.1620), attributed to Anthony van Dyck. National Gallery, London. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Anthonis_van_Dyck_054.jpg |
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Portrait of Etienne-François de Choiseul (1763), by Louis-Michel van Loo. Palace of Versailles. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Duc_de_choiseul.jpg |
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Preparation for the Portrait of Voltaire (18th century), by Maurice Quentin de La Tour (1704-88). Nationalmuseum, Stockholm. WikiArt: http://www.wikiart.org/en/maurice-quentin-de-la-tour/preparation-to-the-portrait-of-voltaire |
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Portrait of Charles Pinot Duclos (first half of the 18th century), by Maurice Quentin de La Tour (1704-88). Musée Antoine Lécuyer, Saint-Quentin. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Charles_Pinot_Duclos_by_Maurice_Quentin_de_La_Tour.jpg |
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L’Abbé Trublet de l’Académie Française (Nicolas Trublet, Saint-Malo, 1697-1770). Anonymous wash drawing, late 18th century. Saint-Malo, Musée d’histoire. |
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Portrait of Pierre-Joseph Thoulier d’Olivet (n.d.), after Charles-André van Loo. New York Public Library. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:L’abbé_d’Olivet_after_Carle_van_Loo.jpg |
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Self-portrait of Jean-Baptiste Greuze (before 1785). Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Jean-Baptiste_Greuze_self-portrait_in_pastels.jpg |
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L’Accordée de village (1761), by Jean-Baptiste Greuze. © Art Museum of Estonia, all rights reserved. http://muis.ee/museaal |
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Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Portrait of Charles Palissot de Montenoy, in Oeuvres de M. Palissot, lecteur de S.A.S., Mgr. le duc d’Orléans, Revised edition (Paris: L’Imprimierie de Monsieur: Chez Moutard, 1788). Photograph by M. Hobson with permission of the Institut et musée Voltaire, Bibliothèque de Genève, Geneva. |
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Portrait of Antoine Alexandre Henri Poinsinet, in Oeuvres de Poinsinet (Paris: Bureau de la Petite Bibliotheque des Théatres, 1784). The Internet Archive: https://archive.org/details/oeuvres |
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Portrait of Élie Fréron in a medallion, engraving by Charles E. Gaucher, 1771, after a drawing by Charles-N. Cochin. By permission of the Musée des beaux-arts de Quimper, France. |
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Portrait of L.-M.S. Fréron by H. Rousseau (designer) and E. Thomas (engraver), in Album du Centenaire: Grands hommes et grands faits de la révolution française (1789-1804), illustrated by E. Bayard, H. Clerget, Yan’Dargent, et al. (Paris: Jouvet et Cie, éditeurs, 1889). Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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The Hôtel de Soubise, detail from the Plan de Turgot (1734-39), by Michel-Étienne Turgot. Wikimedia Commons: http://commons.wikimedia.org/wiki/Turgot_map_of_Paris,_Kyoto_University_Library#Sectional_maps |
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Portrait bust of Robbé de Beauveset, aged 51 years (1765), by Jean Baptiste II Lemoyne. By permission of the Museu Calouste Gulbenkian, Lisbon, inventory no. 553: http://museu.gulbenkian.pt/Museu/en/Collection/Sculpture/Piece?a=186 |
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Portrait of Mlle Hus, in F. Hillemacher and E.D. De Manne, Galerie historique des portraits des comédiens de la troupe de Voltaire, gravés à l’eau-forte, sur des documents authentiques (Lyon: N. Scheuring, 1861). Photograph by M. Hobson. |
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Avez vous Jamais vü le Celebre Rameau? (c.1740-c.1775), by Charles-Germain de Saint-Aubin, in Livre de Caricatures tant Bonnes que mauvaises; watercolour, ink and graphite on paper; 187 x 132. Waddesdon, The Rothschild Collection (The National Trust), acc. No. 675.240. Imaging Services Bodleian Library. © The National Trust, Waddesdon Manor, all rights reserved. |
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Portrait of Abbé Nicolas-Sylvestre Bergier (18th century), by Jacques-André-Joseph Aved (1702-66). Palace of Versailles. Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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A Polish-style dress in Le Rendez-vous pour Marly (c.1777), by Carl Gottlieb Guttenberg, after Jean-Michel Moreau. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Jean-Michel_Moreau_le_Jeune_Le_Rendez-vous_pour_Marly.jpg |
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Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Portrait of Samuel Bernard, Count of Coubert (1729), by Pierre Imbert Drevet, after Hyacinthe Rigaud. Yale University Art Gallery: http://artgallery.yale.edu/collections/objects/portrait-samuel |
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Les Enfants Bleus, detail from the Plan de Turgot (1734-39), by Michel-Étienne Turgot. Wikimedia Commons: http://commons.wikimedia.org/wiki/Turgot_map_of_Paris,_Kyoto_University_Library#Sectional_maps |
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Portrait of Pietro Locatelli (c.1733), by Cornelis Troost. Reproduced in Die Musik in Geschichte und Gegenwart: allgemeine Enzyklopädie der Musik, ed. F. Blume (Kassel: Bärenreiter-Verlag, 1949-86), vol. 8. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Locatelli.png |
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Portrait of Baldassare Galuppi (1751), artist unknown. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Baldassare_Galuppi,_Venetian_School_of_the_1750s.jpg |
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Portrait of Denis Diderot (1767), by Louis-Michel van Loo. Musée du Louvre, Paris. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Denis_Diderot_111.PNG |
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The Luxembourg Gardens, detail from the Plan de Turgot (1734-39), by Michel-Étienne Turgot. Wikimedia Commons: http://commons.wikimedia.org/wiki/Turgot_map_of_Paris,_Kyoto_University_Library#Sectional_maps |
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Portrait of Jean Le Rond de D’Alembert (1753), by Maurice Quentin de La Tour. Musée du Louvre, Paris. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Maurice_Quentin_de_La_Tour_-_Jean_Le_Rond_d’Alambert_-_WGA12353.jpg |
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Portrait of Sophie Arnould (c.1770), after Jean-Baptiste Greuze. Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Portrait of Pierre Louis Dubus, called Préville, of the Comédie française (n.d.), attributed to Jean-Baptiste Massé (1687-1767). The Metropolitan Museum of Art, New York: http://www.metmuseum.org/collection/the-collection-online/search/436983 |
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Mlle Dumesnil: Phèdre (1770-88) – coll. Comédie française (FW2-9), © Patrick Lorette, all rights reserved. |
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Mlle Dumesnil: Agrippine (1754) – coll. Comédie française (I 190), © Angèle Dequier, all rights reserved. |
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A Rake’s Progress: 2. The Levee (1732-33), by William Hogarth. Sir John Soane’s Museum, London. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:William_Hogarth_022.jpg |
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Portrait of C. Ernest Baron de Bagge (1781), by Charles-Nicolas Cochin the Younger, after Simon Charles Miger. Yale University Art Gallery: http://artgallery.yale.edu/collections/objects/porttrait- |
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Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Portrait of Marie-Madeleine Guimard (n.d.), artist unknown. Bibliothèque nationale de France. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:MM_Guimard.jpg |
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Casseuse de Porcelaine, chez le fermier Gal de Vilm…ou la Deshaps fameuse courtisanne, (1753?-1764?), by Charles-Germain de Saint-Aubin, in Livre de Caricatures tant Bonnes que mauvaises; watercolour, ink and graphite on paper; 187 x 132. Waddesdon, The Rothschild Collection (The National Trust), acc. No. 675.304. Imaging Services Bodleian Library. © The National Trust, Waddesdon Manor, all rights reserved. |
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Portrait of Georges Louis Leclerc, comte de Buffon (1753), by François-Hubert Drouais. Musée Buffon, Montbard. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Buffon_1707-1788.jpg |
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Portrait of Montesquieu (1728), artist unknown. Palace of Versailles. Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Les adieux de Calas à sa famille (n.d.), by Daniel Chodowiecki (1726- |
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Frontispiece from Jacques Rochette, chevalier de la Morlière, Contes du chevalier de la Morlière – Angola, ed. A. Uzanne (Paris: A. Quantin, 1879). Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Jacques_Rochette_de_La_Morlière.png |
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Seated figure (c.1715), Meissen Porcelain. Rijksmuseum, Amsterdam: http://hdl.handle.net/10934/RM0001.COLLECT.315437 |
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Mme de Bouvillon Tempts Fate by Asking Ragotin to Search for a Flea (early 18th century), by Jean-Baptiste Pater (1695-1736). Sanssouci Picture Gallery, Potsdam. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Jean-Baptiste_Pater_-_Mme._de_Bouvillon_Tempts_Fate_by_Asking_Ragotin_to_Search_for_a_Flea_-_WGA17114.jpg |
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Portrait of René-Augustin de Maupeou, chancellor of France (18th century), by Pierre Lacour (1745-1814). Palace of Versailles. Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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La Gimblette (1770-75), by Jean-Honoré Fragonard. Alte Pinakothek, Munich. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:1770_Fragonard_Maedchen_mit_Hund_anagoria.jpg |
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Portrait of Jean Victor de Rochechouart de Mortemart (1756), by Jean-Marc Nattier. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Nattier_-_Jean_Victor_de_Rochechouart_de_Mortemart.jpg |
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Turenne at the battle of the Dunes, 14 June 1658 (1837), by Charles-Philippe Larivière. Palace of Versailles. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:LariviereBatailleDunes.jpg |
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Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Portrait of Claudine Guérin de Tencin (n.d.), artist unknown. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Madame_de_Tencin.jpg |
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Study for portrait of Mademoiselle Dangeville (18th century), by Maurice Quentin de La Tour (1704-88). Musée Antoine Lécuyer, Saint-Quentin. WikiArt: http://www.wikiart.org/en/maurice-quentin-de-la-tour/study-for-portrait-of-mademoiselle- |
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Portrait of Jean-Jacques Rousseau (third quarter of the 18th century), by Maurice Quentin de La Tour. Musée Antoine Lécuyer, Saint-Quentin. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Jean-Jacques_Rousseau_(painted_portrait).jpg |
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Portrait of King Frederick II of Prussia aged 68 (1781), by Anton Graff. Charlottenburg Palace, Berlin. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Friedrich_Zweite_Alt.jpg |
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Portrait of Abbé Jean-Bernard Leblanc (18th century), by Maurice Quentin de La Tour (1704-88). Musée Antoine Lécuyer, Saint-Quentin. WikiArt: http://www.wikiart.org/en/maurice-quentin-de-la-tour/father-jean-bernard-le-blanc-art-critic |
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Portrait of Alexis Piron (1775), by Augustin de Saint-Aubin, after a bust by Jean-Jacques Caffieri. Reproduced in T.H. Thomas, French Portrait Engraving of the XVIIth and XVIIIth Centuries (London: G. Bell and Sons, 1910). Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Alexis_Piron.jpg |
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Portrait of Claude-Henri de Fusée de Voisenon (1760), by Louis Carrogis de Carmontelle. Musée Condé, Chantilly. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Voisenon_2.jpg |
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Fête donné à Louveciennes, le 2 septembre 1771, by Jean-Michel Moreau. Musée du Louvre, Paris. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Jean-Michel_Moreau_-_Banquet_Given_in_the_Presence_of_the_King_-_WGA16206.jpg |
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Claude-Joseph Dorat (on the left) and Alexandre-Frédéric-Jacques Masson de Pezay, in the uniform of dragoons (1764), by Charles Eisen. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Dorat_pezay.jpeg |
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Melancholia I (c.1514), by Albrecht Dürer. Anhaltische Gemäldegalerie, Dessau. Wikimedia Commons: http://commons.wikimedia.org/wiki/ |
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Physiognomic heads inspired by a camel (c.1670), by Charles Le Brun. Musée du Louvre, Paris. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Charles_Le_Brun_-_Physiognomic_Heads_Inspired_by_a_Camel_-_WGA12557.jpg |
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The Inquisition Trial (1812-19), by Francisco Goya. Real Academia de Bellas Artes de San Fernando, Madrid. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Goya_Tribunal.jpg |
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Portrait of Egidio Duni (c.1760), by Louis Carrogis de Carmontelle. Musée Condé, Chantilly. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Egidio_Duni_by_Carmontelle_circa_ |
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Frontispiece from William Hogarth, The Analysis of Beauty (London: J. Reeves, 1753). |
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Portrait of Giovanni Battista Pergolesi (n.d.), artist unknown. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Pergolesi.jpg |
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Vue de l’Opéra royal de Versailles lors de la representation d’Athalie de Racine, donnée le 23 mai 1770 dans le cadre des fêtes du mariage du Dauphin et de Marie-Antoinette (1770), by Jean-Michel Moreau. Musée du Louvre, Paris. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Opéra-vue_de_l’Opéra_1770.jpg |
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Portrait of Henri Louis Duhamel du Monceau (n.d.), by Ambroise Tardieu, after François-Hubert Drouais (1727-75). Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Henri_Louis |
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Les Petites Maisons, detail from the Plan de Turgot (1734-39), by Michel-Étienne Turgot. Wikimedia Commons: http://commons.wikimedia.org/wiki/Turgot_map_of_Paris,_Kyoto_University_Library#Sectional_maps |
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Portrait of Johann Adolf Hasse (1740), by Balthasar Denner. Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Portrait of Domenech Terradellas, artist unknown. Published in L’Avens: literari, artístich, científich: revista quinzenal ilustrada 22 (Barcelona, 1884), p. 126. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Domenec_tarradellas.jpg |
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Portrait of Tommaso Traetta (n.d.), artist unknown. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Tommaso_traetta.jpg |
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Portrait of Pietro Trapassi (Metastasio) (19th century), artist unknown. Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Portrait of Samuel von Pufendorf (17th century), by Joachim von Sandrart (1606-88). Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Samuel_von_Pufendorf2.jpg |
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Portrait of Hugo de Groot (also known as Hugo Grotius) (1631), by Michiel Jansz. van Mierevelt. Museum Het Prinsenhof, Delft. Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Portrait of Leonardo Leo (n.d.), artist unknown. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Leonardo_Leo_2.jpg |
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Portrait of Leonardo Vinci (n.d.), by Vincenzo Volpe (1855-1929). Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Portrait of Madame de Pompadour, detail (1756), by François Boucher. Alte Pinakothek, Munich. Wikimedia Commons: http://en.wikipedia.org/wiki/File:Boucher_Marquise_de_Pompadour_1756_detail.jpg |
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Luxor (Egypt): The Colossi of Memnon (31 January 2011). Photograph by Marc Ryckaert (MJJR). Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Colossi_of_Memnon_R02.jpg (CC-BY 3.0 Unported license). |
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Portrait of Giuseppe Tartini (n.d.), artist unknown. Reproduced in J. Lacroix, E. Ansermet, H. Rudolf Schweizer, et al., Die berühmten Musiker (Geneva: Kunstverlag Lucien Mazenod, 1946). Wikimedia Commons: http://commons.wikimedia.org/wiki/File:GTartini.JPG |
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Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Portrait of Jean-Georges Noverre (18th century), by Barthélémy Joseph Fulcran Roger, after Jean Urbain Guérin (1760-1836). Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Portrait of Abbé Ferdinando Galiani (18th century), artist unknown. Wikimedia Commons: http://en.wikipedia.org/wiki/File:Galiani_portrait.jpg |
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Pantalone (1550), artist unknown. Reproduced in Maurice Sand, Masques et bouffons (Comedie Italienne) (Paris: Michel Levy Freres, 1860). Wikimedia Commons: http://commons.wikimedia.org/wiki/File:SAND_Maurice_Masques_et_bouffons_06.jpg |
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Attic red-figure plate featuring a Satyr (520-500 BC), by Epiktetos. Département des Monnaies, Médailles et Antiques de la Bibliothèque nationale de France. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Satyros_Cdm_Paris_DeRidder509.jpg |
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Abbé en Sotane, in Nicolas Bonnart, Recueil des modes de la cour de France (Paris, c.1678-93). Los Angeles County Museum of Art: http://collections.lacma.org/node/208053 |
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Bust of Pericles bearing the inscription ‘Pericles, son of Xanthippus, Athenian’. Marble Roman copy after a Greek original of c.430 BC, artist unknown. Museo Pio Clementino, Vaitcan Museums. Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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The Concert (1774), by Antoine Jean Duclos. The Metropolitan Museum of Art, New York: http://metmuseum.org/collection/the- |
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Le Thé à l’anglaise servi dans le salon des Quatre-Glaces au palais du Temple à Paris en 1764, by Michel Barthélemy Ollivier. Palace of Versailles. Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Le_Thé_à_l’anglaise.jpg |
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Jardin et Palais des Tuileries (1770), in Theodor Josef Hubert Hoffbauer, Paris à travers les âges (Paris: Firmin-Didot et cie, 1885). Wikimedia Commons: http://commons.wikimedia.org/wiki/File: |
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Mlle Lionnois en Furie dans le pas de trois du 4ème acte de Polyxène d’Antoine d’Auvergne: maquette de costume (1763), by Louis René Boquet: http://gallica.bnf.fr/ark:/12148/btv1b8454853k.r=Mlle+Lionois.langEN. By permission of the Bibliothèque nationale de France. |