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Discography of Recordings Studied1

Bach, Johann Sebastian: Sonatas and Partitas for Unaccompanied Violin

Barton Pine, Rachel (1999). Complete set. Concert – WFMT 98.7 FM Broadcast, Chicago [recording sourced from the artist].

Barton Pine, Rachel (2004). Baroque bow. G minor Sonata, D minor Partita. Cedille 90000 078.

Barton Pine, Rachel (2007). Baroque bow. Complete set. Concert, Montreal Chamber Music Festival: ‘The majesty of Bach: The complete six Sonatas and Partitas’, May 12, 2007 [private recording sourced from the artist].

Beznosiuk, Pavlo (2011 (Rec. 2007)). Baroque violin. Complete set. Linn Records CKD 366.

Brooks, Brian (2001). Baroque violin. Complete set. Arts Music 47581-2.

Buswell, James (1995 (Rec. 1989). Centaur CRC 2147/48.

Edinger, Christiane (1991). ‘Sonatas and Partitas Volume 2’, D minor partita, C Major sonata, E Major Partita. NAXOS 8.55057.

Ehnes, James (1999). Complete set. Analekta Fleurs de lys FL 23147-8.

Faust, Isabelle (2010). ‘Sonatas and Partitas BWV 1004-1006 Volume 1’, D minor, C Major, E Major. Harmonia Mundi HMC 902059 [vol. 2 issued in 2012: HMC 902124].

Fischer, Julia (2005). Complete set. PentaTone Classics 5186072.

Gähler, Rudolf (1999). Curved ‘Bach-bow’. Complete set. Arte Nova Classics 74321 67501-2.

Gringolts, Ilya (2001). ‘Bach’, B minor Partita, A minor Sonata, E Major Partita. Deutsche Grammophone DG 474 235-2.

Hahn, Hilary (1999). D minor Partita, C Major Sonata, E Major Partita. SONY SK 62793.

Holloway, John (2006 (Rec. 2004)). Baroque violin. Complete set. ECM New Series 1909/10 B0007621-02.

Huggett, Monica (1995). Baroque violin. Complete set. Virgin Veritas 5452052.

Ibragimova, Alina (2009). Complete set. Hyperion CDA67691/2.

Khachatryan, Sergey (2010). Complete set. Naïve V5181.

Kremer, Gidon (1980). Complete set. Philips 416651-2.

Kremer, Gidon (2005). Complete set. ECM New Series 1926/27.

Kuijken, Sigiswald (1983 (Rec. 1981)). Baroque violin. Complete set. Deutsche Harmonia Mundi DHM 77043.

Kuijken, Sigiswald (2001). Baroque violin. Complete set. Deutsche Harmonia Mundi DHM 5472775272.

Lev, Lara (2001). ‘Bach: Sonatas and Partitas Volume 2’, D minor partita, C Major Sonata, E Major Partita. Finlandia Records, Warner Classics APEX 092-4808-2.

Luca, Sergiu (1977). Baroque violin. Complete set. Nonesuch 7559-73030-2.

Matthews, Ingrid (2001 (Rec. 1997)). Baroque violin. Complete set. Centaur CRC 2472/2473.

Mintz, Shlomo (1984). Complete set. Deutsche Grammophone DG 413810-2.

Mullova, Viktoria (1990 (Rec. 1987)). B minor Partita. Philips 420948.

Mullova, Viktoria (1992-3). Three Partitas. Philips 4757451.

Mullova, Viktoria (2009 (Rec. 2007-2008)). Baroque bow. Complete set. Onyx 4040.

Perlman, Itzhak (1986). Complete set. EMI Classics 7 49483 2.

Podger, Rachel (1999). Baroque violin. Complete set. Channel Classics CCS 12198.

Poppen, Christoph (2000). Baroque violin. D minor Partita. ‘Morimur.’ ECM 1765.

Poulet, Gerard (1996). Complete set. Arion 268296.

Ricci, Ruggiero (1988). Concert: A minor Sonata, D minor Partita. ‘Ricci: Celebrating Six Decades on Stage’. One-Eleven URS 92033.

Ricci, Ruggiero (1991). Concert: B minor Partita. ‘Ricci: Celebrating Six Decades on Stage’. One-Eleven URS 92033.

Schmid, Benjamin (1999). Complete set. Arte Nova 74321 72113 2.

Schröder, Jaap (2005 (Rec. 1985)). Baroque violin. Complete set. NAXOS 8.557563-64.

Shumsky, Oskar (1983). Complete set. Musical Heritage Society Recording ASV ALHB 306. [According to a NIMBUS 2010 release (NI2557), the original recording was made in 1979 by Amreco Inc.]

St John, Lara (2007 (Rec. 2006-7)). Complete set. Ancalagon AR 132.

Szenthelyi, Miklós (2002). Complete set. Hungaroton HCD 32071-72.

Tetzlaff, Christian (1996). Complete set. Virgin Veritas 545089-2.

Tetzlaff, Christian (2005). Complete set. Virgin Classics 545668-2.

Tognetti, Richard (2005). Complete set. ABC Classics 476 8051.

van Dael, Lucy (1996). Baroque violin. Complete set. NAXOS 8.554423.

Wallfisch, Elizabeth (1997). Baroque violin. Complete set. Hyperion Dyad CDD 22009.

Zehetmair, Thomas (1984). Complete set. Teldec 903176138-2.

Other Recordings Mentioned

Bach, Johann Sebastian: Sonatas and Partitas for Solo Violin (BWV1001-1006)

Enescu, George (1999 (Rec. ca. 1949)). Instituto Discografico Italiano IDIS 328/29.

Menuhin, Yehudi (1989 (Rec. 1934-6)). EMI Reference (mono) CHS 763035 2.

Montanari, Stefano (2012 (Rec. 2011)). Amadeus Elite Paragon DDD AMS 108/109-2 SIAE.

Bach, Johann Sebastian: Selected Sonatas and Partitas

Busch, Adolf (1994 (Rec. 1929)). Partita in D minor. EMI Japan TOCE 6781-97.

Busch, Adolf (1983 (Rec. 1934)). G minor Sonata. Danacord DACO 136.

Huberman, Borislav (1997 (Rec. 1942)). Partita in D minor. Arbiter 105.

Heifetz, Jascha (1992 (Rec. 1935)). Sonata in G minor, Sonata in C Major, Partita in D minor. EMI References CDH 7 64494 2.

Szigeti, Joseph (1999 (Rec. 1927-1933)). Sonata in G minor, Sonata in A minor. Biddulph LAB 153.

Bach, Johann Sebastian: Goldberg Variations BWV 988

Gould, Glenn (1992 (Rec. 1955)). Sony SMK 52685.

Gould, Glenn (1981). CBS DBL 37779.

Leonhardt, Gustav (1992 (Rec. 1953)). Vanguard OVC 2004.

Leonhardt, Gustav (1995 (Rec. 1965)). Teldec DAW 4509-97994-2.

Leonhardt, Gustav (1990 (Rec. 1978)). Deutsche Harmonia Mundi GD 77149.

Bach, Johann Sebastian: Various Other Works

Accompanied Violin Sonatas (BWV 1014-1023). James Ehnes violin, Luc Beauséjour harpsichord, with Benoit Loiselle cello (2008 (Rec. 2004-2005)). Analekta AN 2 2016-7.

Accompanied Violin Sonatas (BWV 1014-1023). Viktoria Mullova violin, Ottavio Dantone harpsichord and organ, with Vittorio Ghielmi viola da gamba and Luca Pianca lute (2007). Onyx 4020.

Brandenburg Concertos Nos. 1-6 (BWV 1046-1051), soloistic recording with Sigiswald Kuijken violin, Frans Brüggen recorder, Anner Bijlsma cello, and Gustav Leonhardt harpsichord, among others (1999 (Rec. 1976-1977)). Sony Essential Classics SBK 61814-5.

Mass in B minor (BWV 232), Harnoncourt, Nikolaus conductor, Concentus Music Wien, Wiener Sängerknaben, Chorus Viennensis (1994 (Rec. 1968)). Teldec DAW 4509-95517-2.

Mass in B minor (BWV 232), Harnoncourt, Nikolaus conductor, Concentus Musicus Wien, Arnold Schoenberg Chor (1995 (Rec. 1986)). Teldec 2292-42676-2.

St Matthew Passion (BWV 244), Harnoncourt, Nikolaus conductor, Concentus Musicus Wien et al. (1994 (Rec. 1971). Teldec DAW 2292-42509-2.

Six Suites for Solo Cello (BWV 1007-1012), Wispelwey, Pieter (2012). Compact Disk Recording with DVD documentary. Evil Penguin Records Classics EPRC 0012.

Six Suites for Solo Cello (BWV 1007-1012), Angela East (2009 (Rec. 2001-2004)). Red Priest Recording RP006 2009.

Six Suites for Solo Cello (BWV 1007-1012), David Watkin (2015 (Rec. 2013)). Resonus Limited RES10147.

Bach—Violin and Voice (2010). Hilary Hahn violin, Mattias Goerne and Christine Schäfer voice, Munich Chamber Orchestra, Alexander Liebreich conductor. Deutsche Grammophon 477 8092.

Beethoven, Ludwig van: Violin Sonatas

Complete set. Rachel Barton Pine violin and Matthew Hagle piano (2005). Concert broadcast by WFMT Radio. Chicago [sourced from the artist].

Complete set. Isabelle Faust violin and Alexander Melnikov piano (2009). Harmonia Mundi 902025-27.

Complete set. Viktoria Mullova violin and Kristian Bezuidenhout piano (2010). Onyx 4050.

Complete set. Sophie Mutter violin and Lambert Orkis piano (1998). Deutsche Grammophon DG 457 623-2.

Sonatas Op. 23 and Op. 30 No. 2. Daniel Sepec violin and Andreas Staier piano (2006). Harmonia Mundi 901919.

Mozart, Wolfgang Amadeus

Sonatas for Fortepiano and Violin (3 vols). Malcolm Bilson fortepiano, Sergiu Luca classical violin (1985). Nonesuch Digital 9 79112.

Violin Concerto No. 5 in A Major (K219), Andrew Manze violin, The English Concert (2006). Harmonia Mundi HMU 807385.

Violin Concerto No. 5 in A Major (K219), Hilary Hahn violin, Deutsche Kammerphilharmonie Bremen, Paavo Järvi conductor (2015). Deutsche Grammophon 0289 479 3956 6 CD DDD GH.

Other

All’Improviso, L’Arpeggiata, Christina Pluhar (2004). Alpha Productions Alpha 512.

American Virtuosa: Tribute to Maud Powell (Miscellaneous works), Rachel Barton Pine violin, Matthew Hagle piano (2007). Cedille 9000 097.

Inspired by Bach: The Cello Suites, Yo Yo Ma in collaborations with other non-musician artists (2000). 3 Vols. DVD. Sony Pictures.

Officium, Jan Garbarek with The Hilliard Ensemble (1994). ECM New Series ECM 1523 NS.

O’Stravaganza – Vivaldi in Ireland, Hughes de Courson (2001). Virgin Classics VC 545494-2.

Red Priest: Johann I am only Dancing – Masterworks by J.S. Bach (2009). Red Priest Recordings RP007.

Reimaginings, Joe Chindamo piano and Zoe Black violin (2012). Which Way Music WWM013.

Powell Maud: Complete Recordings 1904-1917. Volumes 1-3, NAXOS Historical 8.110961-8.110963.

Schubert: Winterreise, Jonas Kaufmann tenor, Helmut Deutsch piano (2014). Sony Classical 88883795652.

Vivaldi [Five Violin Concertos], Viktoria Mullova, Il Giardino Harmonico, Giovanni Antonini conductor. (2004). Onyx 4001.

References

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Anonymous, ‘Viktoria Mullova and Kristian Bezuidenhout’, Concert Program Notes for concert presented on 12 March 2011 as part of the 2010-2011 Camerata Musica International Artists Series in Cambridge (UK), http://www.cameratamusica.org.uk/past-concerts/

Anonymous, ‘One to Watch: Sergey Khachatryan, Violinist’ [For the Record], Gramophone, 80/962 (January 2003), 11.

Applebaum, Samuel, ed., The Way They Play: Illustrated Discussions with Famous Artists and Teachers, Books 1, 4 (Neptune City, NJ: Paganini Publications, 1975-1983).

Ashley, Tim, ‘Viktoria Mullova – Concert Review’, The Guardian, Monday 10 April 2000, http://www.theguardian.com/culture/2000/apr/10/artsfeatures4

Auer, Leopold, Violin Master Works and Their Interpretation (New York: Carl Fischer, 2012).

Auslander, Philip, ‘Musical Personae’, The Drama Review, 50/1 (2006), 100-119, http://dx.doi.org/10.1162/dram.2006.50.1.100

Babbitt, Milton, ‘The Composer as Specialist’, reprinted in The Collected Essays of Milton Babbitt, ed. by Stephen Peles, Stephen Dembski, Andrew Mead, and Joseph Straus (Princeton: Princeton University Press, 2003), pp. 48-54 [originally published in High Fidelity (February 1958) as ‘Who Cares if you Listen’].

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Badel, James, ‘On Record: Christopher Hogwood’, Fanfare, 9/2 (November-December 2005), 90.

Bangert, Daniel, ‘Doing without Thinking: Processes of Musical Decision-Making in Period Instrument Performance’ (PhD Thesis, The University of New South Wales, 2012).

Bangert, Daniel, Dorottya Fabian, Emery Schubert, and Daniel Yeadon, ‘Performing Solo Bach: A Case Study of Musical Decision Making’, Musicae Scientiae, 18/1 (2014), 35-52, http://dx.doi.org/10.1177/1029864913509812

Barton Pine, Rachel, On-line Biography, http://industry.rachelbartonpine.com/bio_medium.php

Barton Pine, Rachel, The Rachel Barton Pine Collection: Original Compositions, Arrangements, Cadenzas and Editions for Violin (New York: Carl Fischer, 2009).

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Bazzana, Kevin, Wondrous Strange: The Life and Art of Glenn Gould (Toronto: McClelland and Stewart, 2003).

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Butt, John, ‘Bach Recordings since 1980: A Mirror of Historical Performance’, in Bach Perspectives 4, ed. by David Schulenberg (Lincoln and London: University of Nebraska Press, 1999), pp. 181-198.

Butt, John, Playing with History: The Historical Approach to Musical Performance (Cambridge: Cambridge University Press, 2002), http://dx.doi.org/10.1017/cbo9780511613555

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Clarke, Eric, ‘Structure and Expression’, in Musical Structure and Cognition, ed. by Peter Howell, Ian Cross, and Robert West (London: Academic Press, 1985), pp. 209-236.

Clarke, Eric, ‘Expression in Performance: Generativity, Perception and Semiosis’, in The Practice of Performance, ed. by John Rink (Cambridge: Cambridge University Press, 1995), pp. 21-54, http://dx.doi.org/10.1017/cbo9780511552366.003

Clarke, Eric, ‘Empirical Methods in the Study of Performance’, in Empirical Musicology: Aims, Methods, Prospects, ed. by Eric Clarke and Nicholas Cook (Oxford and New York: Oxford University Press, 2004), pp. 77-102, http://dx.doi.org/10.1093/acprof:oso/9780195167498.003.0005

Coulter, Todd J., ‘Editorial: Music as Performance—The State of the Field’, Contemporary Theatre Review, 21/3 (2011), 259-260, http://dx.doi.org/10.1080/10486801.2011.585983

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Cook, Nicholas, ‘The Domestic Gesamtkunstwerk, or Record Sleeves and Reception’, in Composition, Performance, Reception: Studies in the Creative Process in Music, ed. by Wyndham Thomas (Aldershot: Ashgate, 1998), pp. 105-117.

Cook, Nicholas, ‘Between Process and Product: Music and/as Performance’, Music Theory Online, 7/2 (April 2001), http://www.mtosmt.org/issues/mto.01.7.2/mto.01.7.2.cook.html

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Cook, Nicholas, ‘Bridging the Unbridgeable? Empirical Musicology and Interdisciplinary Performance Studies’, in Taking it to the Bridge: Music as Performance, ed. by Nicholas Cook and Richard Pettengill (Ann Arbor: University of Michigan Press, 2013), pp. 70-85.

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Couperin, François, Preface to Pièces de clavecin, Book 3 (Paris, 1722).

Cowan, Rob, ‘Bach: Violin Sonatas and Partitas, BWV 1001-1006, Julia Fischer vn, Pentatone PTC 5186072 (150 minutes DDD)’, Gramophone, 89/993 (June 2005), 72.

Creighton, James, Discopaedia of the Violin, 1889-1971 (Toronto: University of Toronto Press, 1974).

Crick, Jamie, ‘Classic FM speaks to Viktoria Mullova’, https://www.youtube.com/watch?v=Kf83eztSVtg.

Cross, Ian, and Iain Morley, ‘The Evolution of Music: Theories, Definitions and the Nature of the Evidence’, Communicative Musicality: Exploring the Basis of Human Companionship, ed. by Stephen Malloch and Colwyn Trevarthen (Oxford: Oxford University Press, 2009), pp. 61-81.

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Deleuze, Gilles, Difference and Repetition, Engl. trans. by Paul Patton (New York: Columbia University Press, 1994).

Deleuze, Gilles, and Felix Guattari, A Thousand Plateaus, Engl. trans. by Brian Massumi (London: Bloomsbury Academic, 2013).

Deutsch, Diana, ed., The Psychology of Music, 2nd edn (San Diego: Academia Press, 1999).

Dirst, Matthew, ‘Bach’s French Overtures and the Politics of Overdotting’, Early Music, 25/1 (1997), 35-44, http://dx.doi.org/10.1093/em/25.1.35

Distler, Jed, ‘Review: Bach 3 Sonatas and 3 Partitas, BWV1001-1006, Gidon Kremer vn, ECM New Series 4767291 (131 minutes: DDD)’, Gramophone, 83/1001 (January 2006), 63.

Doğantan-Dack, Mine, ‘Philosophical Reflections on Expressive Music Performance’, in Expressiveness in Music Performance: Empirical Investigations across Styles and Cultures, ed. by Dorottya Fabian, Renee Timmers, and Emery Schubert (Oxford: Oxford University Press, 2014), pp. 3-21, http://dx.doi.org/10.1093/acprof:oso/9780199659647.003.0001

Dolan, David, John A. Sloboda, Henrik Jeldtoft Jensen, Björn Crüts, and Eugene Feygelson, ‘The Improvisatory Approach to Classical Music Performance: An Empirical Investigation into its Characteristics and Impact’, Music Performance Research, 6 (2013), 1-38, http://mpr-online.net/Issues/Volume%206%20%5B2013%5D/MPR0073.pdf

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Duarte, John, ‘Reviews: Bach Partitas – No. 1 in B Minor, BWV 1002; No. 2 in D minor, BWV 1004; No. 3 in E, BWV 1006, Viktoria Mullova vn, Philips 434 075-2 PH (77 minutes DDD)’, Gramophone, 72/853 (June 1994), 80.

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Efrati, Richard, Treatise on the Execution and Interpretation of the Sonatas and Partitas for Solo Violin and the Suites for Cello by Johann Sebastian Bach (Zürich: Atlantis Verlag, 1979).

Eichler, Jeremy, ‘String Theorist: Christian Tetzlaff Rethinks How a Violin Should Sound’, The New Yorker (27 August 2012), 34-39.

Eisler, Edith, ‘Christian Tetzlaff from Bach to Bartók’, Strings (February-March 1999), 50-56.

Elste, Martin, Meilensteine der Bach-Interpretation 1750-2000: Eine Werkgeschichte im Wandel (Stuttgart and Weimar: Metzler; Kassel: Bärenreiter, 2000).

Erlmann, Veit, Reason and Resonance: A History of Modern Aurality (New York: Zone Books, 2010).

Fabian, Dorottya, Bach Performance Practice, 1945-1975: A Comprehensive Review of Sound Recordings and Literature (Aldershot: Ashgate, 2003).

Fabian, Dorottya, ‘Towards a Performance History of Bach’s Sonatas and Partitas for Solo Violin: Preliminary Investigations’, in Essays in Honor of László Somfai, ed. by László Vikárius and Vera Lampert (Lanham, MD: Scarecrow Press, 2005), pp. 87-108.

Fabian, Dorottya, ‘The Recordings of Joachim, Ysaÿe and Sarasate in Light of their Reception by Nineteenth-Century British Critics’, International Review of the Aesthetics and Sociology of Music, 37/2 (2006), 189-211.

Fabian, Dorottya, ‘Is Diversity in Performance Truly in Decline? The Evidence of Sound Recordings’, Context, 31 (2006), 165-180.

Fabian, Dorottya ‘Classical Sound Recordings and Live Performances: Artistic and Analytical Perspectives’, in Recorded Music: Philosophical and Critical Reflections, ed. by Mine Doğantan-Dack (London: Middlesex University Press, 2008), pp. 232-260.

Fabian, Dorottya, ‘Ornamentation in Recent Recordings of J. S. Bach’s Solo Sonatas and Partitas for Violin’, Min-Ad: Israel Studies in Musicology Online, 11/2 (2013), 1-21, http://www.biu.ac.il/hu/mu/min-ad/

Fabian, Dorottya, ‘Commercial Sound Recordings and Trends in Expressive Music Performance: Why Should Experimental Researchers Pay Attention?’, in Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures, ed. by Dorottya Fabian, Renee Timmers, and Emery Schubert (Oxford: Oxford University Press, 2014), pp. 58-79, http://dx.doi.org/10.1093/acprof:oso/9780199659647.003.0004

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1 Date refers to release.