1.1

Studied Recordings Listed by Chronology of Violinists’ Year of Birth.

19

3.1

Definition of Stylistic Features as Listed in Column Headings in Table 3.3.

110

3.2

Movement by Movement Tendency of Selected Violinists’ Interpretative Styles.

112

3.3

Average scores of subjectively rated HIP and MSP performance features in forty selected recordings.

114

4.1

Summary of Tempo Trends 1977-2010.

132

4.2

Average MSP and HIP Tempos across All Studied Recordings Made since 1903 (Joachim).

132

4.3

Average Tempos in Recordings Made Pre and Post 1978 (before or after Luca).

134

4.4

Vibrato Rate, Width (depth) and Frequency of Use.

141

4.5

Most Embellished Movements Listed in Order of Amount of Ornamentation.

154

4.6

Summary of Solutions in the Penultimate Bars of the A minor Grave.

168

4.7

Average Dotting Ratios in the D minor Corrente, C Major Adagio, and B minor Allemanda.

174

4.8

Summary of Basic Difference in Executing Bars 35-41 of the G minor Fuga.

187

4.9

Summary of Modifications in the B minor Sarabande.

191

5.1

E Major Gavotte en Rondeau, A Generalized Summary of Performance Characteristics.

208

5.2

Violinists who made more than one recording of the Solos between 1977 and 2010.

217

5.3

Standard Deviations of Zehetmair’s tempo choices in the E Major Partita.

248

5.4

Standard Deviations of Monica Huggett’s tempo choices in Sonata movements.

252

5.5

Standard Deviations of Monica Huggett’s tempo choices in Partita movements.

252

5.6

Structural Subdivisions of the E Major Preludio according to Dario Sarlo.

255

5.7

E Major Preludio—Summary of Aural Analysis of selected recordings according to the 8 sections identified by Sarlo.

260