List of illustrations
1 |
Folio from a psalter, with a historiated initial showing Christ healing a blind man, Psalm 26. The Hague, Koninklijke Bibliotheek, Ms. 76 G 17, fol. 20v. http://manuscripts.kb.nl/zoom/BYVANCKB %3Amimi_76g17%3A020v |
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2 |
Modular book of hours, opened at the beginning of the Vigil for the Dead. Special Collections of the Universiteitsbibliotheek van Amsterdam, Ms. I G 54, fol. 32v-33r. Image © Universiteitsbibliotheek van Amsterdam, CC BY 4.0. |
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3 |
Opening in a book of hours, with a full-page miniature by the Masters of the Pink Canopies depicting the Presentation in the Temple, facing complines of the Hours of the Virgin. Cambridge, University Library, Ms. Ii.6.2, fol. 55v-56r. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/106 and http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/107 |
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4 |
Opening in a book of hours, with a full-page miniature by the Masters of the Pink Canopies depicting Christ as Man of Sorrows among the arma Christi, facing the Seven Penitential Psalms. Cambridge, University Library, Ms. Ii.6.2, fol. 75v-76r. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/144 and http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/145 |
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5 |
Opening in a book of hours, with a full-page miniature by the Masters of the Pink Canopies depicting the Mass for the Dead, facing the Vigil for the Dead. Cambridge, University Library, Ms. Ii.6.2, fol. 94v-95r. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/182 and http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/183 |
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6 |
Folio in a book of hours, with a full-page miniature by the Masters of the Pink Canopies depicting Christ as Man of Sorrows among the arma Christi, facing a prayer to be read before an image of the crucifix. London, British Library, Sloane Ms. 2683, fol. 65v. http://www.bl.uk/manuscripts/Viewer.aspx?ref=sloane_ms_2683_fs001r |
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7 |
Opening in a book of hours, with a full-page miniature by the Masters of the Pink Canopies depicting the Face of Christ, facing the prayer “Salve sancta facies.” Cambridge, University Library, Ms. Ii.6.2, fol. 12v-13r. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/30 and http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/31 |
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8 |
Opening in a book of hours with two blank folios in a row, immediately before the Face of Christ. Cambridge, University Library, Ms. Ii.6.2, fol. 11v-12r. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/28 and http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/29 |
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9 |
Text folio from the Book of Kells, gospels, written and illuminated ca. 800, possibly on Iona. Dublin, Trinity College, Ms. 58, fol. 89r. http://digitalcollections.tcd.ie/home/index.php?DRIS_ID=MS58_089r |
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10 |
Calendar folio from the Hours of Catherine of Cleves, with painted line endings and beginnings. New York, Morgan Library and Museum, Ms. M. 917, p. 17. Image © The Morgan Library and Museum, all rights reserved. |
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11 |
Opening in a book of hours, with a full-miniature by the Masters of the Pink Canopies depicting the Throne of Mercy, facing a prayer to the Trinity. Cambridge, University Library, Ms. Ii.6.2, fol. 10v. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/26 |
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12 |
Folio in a book of hours, the reverse of the Throne of Mercy miniature, with prayer texts added in an English hand of the fifteenth century. Cambridge, University Library, Ms. Ii.6.2, fol. 10r. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/25 |
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13 |
Opening in a book of hours, with a full-page miniature by the Masters of the Pink Canopies depicting the personal angel battling a dragon, facing a suffrage to the personal angel, inscribed in Bruges on a singleton. Cambridge, University Library, Ms. Ii.6.2, fol. 14v-15r. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/34 and http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/35 |
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14 |
Folio in a book of hours, with two prayer texts, written in an English hand of the fifteenth century, added to the blank back of a miniature. Cambridge, University Library, Ms. Ii.6.2, fol. 14r. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/33 |
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15 |
Folio in a book of hours, with birthdays added to the blank back of a miniature in an English sixteenth-century hand. Cambridge, University Library, Ms. Ii.6.2, fol. 33r. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/61 |
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16 |
Folio in a book of hours, with a full-page miniature by the Masters of the Pink Canopies depicting the Annunciation, painted on a singleton. Cambridge, University Library, Ms. Ii.6.2, fol. 33v. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/62 |
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17 |
Opening in a book of hours, with blank space filled with prayers in an English hand. Cambridge, University Library, Ms. Ii.6.2, fol. 15v-16r. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/36 and http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/37 |
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18 |
Masters of the Pink Canopies, St. George, full-page miniature painted on a singleton. Cambridge, University Library, Ms. Ii.6.2, fol. 22v. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/46 and http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/47 |
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19 |
Blank space in the book of hours, filled with prayers in an English hand. Cambridge, University Library, Ms. Ii.6.2, fol. 23v-24r. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/48 and http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/49 |
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20 |
End of the Hours of the Virgin (inscribed in Bruges), and prayer to St. Botolph (added in England). Cambridge, University Library, Ms. Ii.6.2, fol. 58v. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/112 |
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21 |
Jan Gossaert, Portrait of a Merchant, ca. 1530. Washington, National Gallery of Art. https://www.nga.gov/collection/gallery/gg41/gg41–50722.html |
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22 |
Opening from a “picture bible” or a prefatory cycle from a psalter. The Hague, Koninklijke Bibliotheek, Ms. 76 F 5, fol. 6v-7r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76f5%3A006v and |
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23 |
Book of hours made in the modular method, unbound. Special Collections of the Universiteitsbibliotheek van Amsterdam, Ms. I G 50. Image © Universiteitsbibliotheek van Amsterdam, CC BY 4.0. |
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24 |
Original production (left of the gutter) and an added quire, with incipit of an indulgenced prayer (right of the gutter). Special Collections of the Universiteitsbibliotheek van Amsterdam, Ms. I G 54, fol. 64v-65r. Image © Universiteitsbibliotheek van Amsterdam, CC BY 4.0. |
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25 |
Modular method at the convent of St. Ursula. Diagram showing the modules comprising Cambridge, Trinity College, Ms. B.1.46. Diagram © Author, CC BY 4.0. |
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26 |
Modular method at the convent of St. Ursula. Diagram showing the modules comprising Cambridge, Fitzwilliam Museum, Ms. 138. Diagram © Author, CC BY 4.0. |
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27 |
Matins of the Hours of the Virgin. Cambridge, University Library, Ms. Ff.6.8, fol. 23v-24r. http://cudl.lib.cam.ac.uk/view/MS-FF-00006–00008/47 and http://cudl.lib.cam.ac.uk/view/MS-FF-00006–00008/48 |
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28 |
Lauds of the Hours of the Virgin. Cambridge, University Library, Ms. Ff.6.8, fol. 28v. http://cudl.lib.cam.ac.uk/view/MS-FF-00006–00008/58 |
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29 |
Virgin of the Sun, full-page miniature inserted into a book of hours before the Salve Regina. Cambridge, University Library, Ms. Ff.6.8, fol. 51v-52r. http://cudl.lib.cam.ac.uk/view/MS-FF-00006–00008/104 and http://cudl.lib.cam.ac.uk/view/MS-FF-00006–00008/105 |
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30 |
End of the Hours of the Virgin (original scribe) and beginning of a text added in England. Cambridge, University Library, Ms. Ff.6.8, fol. 50r. http://cudl.lib.cam.ac.uk/view/MS-FF-00006–00008/101 |
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31 |
Prayer added to a formerly blank area. Cambridge, University Library, Ms. Ff.6.8, fol. 50v. http://cudl.lib.cam.ac.uk/view/MS-FF-00006–00008/102 |
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32 |
Added prayer to St. Ethelburga (below a prayer to St. Thomas of Canterbury, later crossed out). Cambridge, University Library, Ms. Ff.6.8, fol. 16v. http://cudl.lib.cam.ac.uk/view/MS-FF-00006–00008/34 |
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33 |
Prayer text added to the formerly blank parchment. Cambridge, University Library, Ms. Ff.6.8, fol. 97v-98r. http://cudl.lib.cam.ac.uk/view/MS-FF-00006–00008/196 and http://cudl.lib.cam.ac.uk/view/MS-FF-00006–00008/197 |
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34 |
Christ in Judgment, full-page miniature, formerly blank on the back, inserted before the Seven Penitential Psalms. Cambridge, University Library, Ms. Ff.6.8, fol. 98v-99r. http://cudl.lib.cam.ac.uk/view/MS-FF-00006–00008/198 and http://cudl.lib.cam.ac.uk/view/MS-FF-00006–00008/199 |
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35 |
Seam between hands. Cambridge, University Library, Ms. Ff.6.8, fol. 11r. http://cudl.lib.cam.ac.uk/view/MS-FF-00006–00008/23 |
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36 |
Folio of a child’s ABC, with expunctuation, made in the Southern Netherlands, ca. 1450–1500. New York, Columbia University, Rare Book and Manuscript Library, Plimpton Ms. 287, fol. 1r. http://vm133.lib.berkeley.edu:8080/xtf22/search?rmode=digscript;smode=basic;text=plimpton 287;docsPerPage=1;startDoc=1;fullview=yes |
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37 |
Writing over an erasure. Cambridge, University Library, Ms. Ii.6.2, fol. 93r. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/179 |
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38 |
Folio in a breviary made by the convent of St. Agnes in Delft revealing text painted out and corrected. Delft, Prinsenhof, no number. Image © Author, CC BY 4.0. |
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39 |
Folio with decoration and a correction glued on. New York, Columbia University, Rare Book and Manuscript Library, X 096.C286, fol. 1r. http://vm133.lib.berkeley.edu:8080/xtf22/search?rmode=digscript;smode=basic;text=X096.C286;docsPerPage=1;startDoc=1;fullview=yes |
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40 |
Lamentation, printed engraving, hand-colored with an inscription in Middle Dutch. London, British Museum Department of Prints and Drawings, inv. no. 1846,0709.49. http://www.britishmuseum.org/research/collection_online/collection_object_details/collection_image_gallery.aspx?partid=1&assetid=48947001&objectid=1361029 |
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41 |
Reverse of the Lamentation, with hand-written prayer text. London, British Museum Department of Prints and Drawings, inv. no. 1846,0709.49v. http://www.britishmuseum.org/research/collection_online/collection_object_details/collection_image_gallery.aspx?partid=1&assetid=378290001&objectid=1361029 |
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42 |
Flyleaf in a book of hours, inscribed with notes of ownership and practice letters. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 140r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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43 |
Folio in the Missal of the Guild of St. Mary Magdalene at Bruges, showing an iconic Mary Magdalene surrounded by scenes from her Life, made in 1475–76. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 16; inv. no. 285, fol. 201v. Image © The Huis Bergh Foundation, CC BY 4.0. |
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44 |
Final folio in the Missal of the Guild of St. Mary Magdalene at Bruges, listing the the patrons who paid for the manuscript. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 16; inv. no. 285, fol. 250v. Image © The Huis Bergh Foundation, CC BY 4.0. |
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45 |
Folio near the end of a book of hours, with a note of ownership. The Hague, Koninklijke Bibliotheek, Ms. 135 G 10, fol. 163v. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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46 |
Layman with a money bag (the original donor?) and two women in contemporary garb witnessing the elevation of the Eucharist. The Hague, Koninklijke Bibliotheek, Ms. 135 G 10, fol. 123v. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_135g10%3A123v |
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47 |
Family information added to the end of the calendar of a book of hours made in Enkhuizen. The Hague, Koninklijke Bibliotheek, Ms. 79 K 6, fol. 10v-11r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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48 |
Christ teaching in the temple, Book of hours from Delft, hand-colored prints instead of miniatures. Brussels, Koninklijke Bibliotheek van België, Ms. IV 142, fol. 47v. Image © Koninklijke Bibliotheek van België, all rights reserved. |
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49 |
Manumission document added to Gospel of Matthew. London, British Library, Royal Ms. 1 B VII, fol. 15v. http://www.bl.uk/catalogues/illuminatedmanuscripts/ILLUMIN.ASP?Size=mid&IllID=50424 |
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50 |
Christ crucified between Mary and John, full-page miniature in a missal. Zutphen, Regionaal Archief, Ms. 7, fol. 144v. Image © Regionaal Archief Zutphen, CC BY 4.0. |
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51 |
Formerly blank back of a full-page miniature of Christ crucified, with inscriptions added in the fifteenth and sixteenth centuries. Zutphen, Regionaal Archief, Ms. 7, fol. 144r. Image © Regionaal Archief Zutphen, CC BY 4.0. |
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52 |
Grinning waving figure added to a calendar, in a missal for the use of Beauvais, made in the early twelfth century, with the drawing added later. Paris, Bibl. Sainte-Geneviève, Ms. 95, fol. 5v-6r. http://initiale.irht.cnrs.fr/ouvrages/ouvrages.php?imageInd=5&id=3148 |
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53 |
Calendar with additions, in a missal made in Utrecht but used on Lopik. Utrecht, Universiteitsbibliotheek, Ms. 405, fol. 3r. Image © Utrecht, Universiteitsbibliotheek, CC BY 4.0. |
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54 |
Calendar with additions. Glasgow, University Library, Ms. Hunter, H186, fol. 7v-8r. Published by permission of University of Glasgow Library, Special Collections. |
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55 |
Necrology, filled in by various scribes. Utrecht, Museum Catharijneconvent, BMH h 127, fol. 7r. Reproduced with permission from the Museum Catharijneconvent, Utrecht. |
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56 |
Opening in a book of hours, showing a litany with added saints. Special Collections of the Universiteitsbibliotheek van Amsterdam, Ms. I G 54, fol. 26v-27r. Image © Universiteitsbibliotheek van Amsterdam, CC BY 4.0. |
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57 |
Folio in a book of hours, with morning prayers added as quire filler. Bruges, Stadsbibliotheek, Ms. 334, fol. 33v-34r. Image © Bruges, Stadsbibliotheek, all rights reserved. |
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58 |
Dove returning to Noah’s ark with an olive branch, folio with large miniature and added inscription, in a picture bible made ca. 1250. Manchester, Rylands Library, Ms. French 5, fol. 14r. http://luna.manchester.ac.uk/luna/servlet/detail/Man4MedievalVC~4~4~989875~142711 |
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59 |
Prayer added before calendar. The Hague, Koninklijke Bibliotheek, Ms. 135 K 17, fol. 1v-2r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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60 |
Folio from the Hours of the Virgin, with a writing lesson in the margin. The Hague, Koninklijke Bibliotheek, Ms. 135 K 17, fol. 112r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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61 |
Christ before Pilate, full-page miniature with a scribble added before prime. The Hague, Koninklijke Bibliotheek, Ms. 135 K 17, fol. 77v-78r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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62 |
Folio in a book of hours, with an alphabet added to the otherwise blank area at the end of a quire. Cambridge, University Library, Ms. Dd.15.25, fol. 66v. Image © Cambridge University Library, all rights reserved. |
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63 |
Opening in a book of hours, with prayers added by several English scribes. Cambridge, University Library, Ms. Ee.1.14, fol. 1v-2r. Image © Cambridge University Library, all rights reserved. |
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64 |
First opening from a psalter-hours first made in 1275–1280 in Liège. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 35. Image © The Huis Bergh Foundation, CC BY 4.0. |
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65 |
The Colnish Pater Noster added after the calendar. The Hague, Koninklijke Bibliotheek, Ms. 133 D 10, fol. 12v-13r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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66 |
Trinity, full-page miniature in a book of hours, with an added inscription. The Hague, Koninklijke Bibliotheek, Ms. 133 D 10, fol. 147v-148r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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67 |
Adoro te (5-verse version) with more verses added in the margin. The Hague, Koninklijke Bibliotheek, Ms. 75 G 2, fol. 250v-251r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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68 |
Opening of the Hours of the Virgin, with a full-page miniature depicting the Annunciation. The Hague, Koninklijke Bibliotheek, Ms. 133 H 30, fol. 16v-17r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_133h30%3A016v_017r |
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69 |
End of the Hours of the Virgin, with blank parchment at the end of the quire. The Hague, Koninklijke Bibliotheek, Ms. 133 H 30, fol. 54v-55r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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70 |
Adoro te, in its Dutch translation, used as quire filler. The Hague, Koninklijke Bibliotheek, Ms. 133 H 30, fol. 55v-56r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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71 |
A blank opening at the transition between text and image. The Hague, Koninklijke Bibliotheek, Ms. 133 H 30, fol. 56v-57r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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72 |
Prayer to St. Francis and his stigmata added to the back of the Crucifixion miniature in the Gouda Missal. The Hague, Koninklijke Bibliotheek, Ms. 135 H 45, fol. 101r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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73 |
Feasts added to the end of the Gouda Missal, the first of which is dedicated to the Immaculate Conception of the Virgin. The Hague, Koninklijke Bibliotheek, Ms. 135 H 45, fol. 215v-216r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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74 |
Incipit of the psalter with a border painted in an eastern Netherlandish style. Special Collections of the Universiteitsbibliotheek van Amsterdam, Ms. V H 26, fol. 1r. Image © Universiteitsbibliotheek van Amsterdam, CC BY 4.0. |
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75 |
Folio with a major psalm division, with an initial S decorated in two campaigns of work. Special Collections of the Universiteitsbibliotheek van Amsterdam, Ms. V H 26, fol. 64r. Image © Universiteitsbibliotheek van Amsterdam, CC BY 4.0. |
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76 |
Division within psalm 119, with penwork decoration added in North Holland. Special Collections of the Universiteitsbibliotheek van Amsterdam, Ms. V H 26, fol. 124v. Image © Universiteitsbibliotheek van Amsterdam, CC BY 4.0. |
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77 |
Hours of Easter, with decoration made in two campaigns of work: penwork from North Holland, and decoration supplemented with painted leaves. Oxford, Bodleian Library, Ms. Broxb. 89.10, fol. 193r. http://bodley30.bodley.ox.ac.uk:8180/luna/servlet/view/search/what/MS. Broxb. 89.10?q=broxb. 89.10 |
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78 |
Hours of Christmas, with two campaigns of decoration: penwork from North Holland, and decoration supplemented with painted leaves. Oxford, Bodleian Library, Ms. Broxb. 89.10, fol. 169r. http://bodley30.bodley.ox.ac.uk:8180/luna/servlet/view/search/what/MS. Broxb. 89.10?q=broxb. 89.10 |
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79 |
David with his harp, facing the incipit of the psalter, with painted decoration typical of Haarlem. Oxford, Bodleian Library, Ms. Broxb. 89.10, fol. 17v-18r. http://bodley30.bodley.ox.ac.uk:8180/luna/servlet/view/search/what/MS. Broxb. 89.10?q=broxb. 89.10 |
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80 |
Annunciation, and incipit of the Hours of the Virgin. The Hague, Koninklijke Bibliotheek, Ms. 131 G 3, fol. 13v-14r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_131g3%3A013v_014r |
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81 |
Christ as Salvator Mundi, and the incipit of the Hours of Eternal Wisdom. The Hague, Koninklijke Bibliotheek, Ms. 131 G 3, fol. 79v-80r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_131g3%3A079v_080r |
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82 |
Christ carrying the cross, and the incipit of the Hours of the Holy Cross. The Hague, Koninklijke Bibliotheek, Ms. 131 G 3, fol. 117v-118r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_131g3%3A117v_118r |
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83 |
Christ sitting on the cold stone, and the incipit of prayers to be said for the sacrament. The Hague, Koninklijke Bibliotheek, Ms. 131 G 3, fol. 157v-158r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_131g3%3A157v_158r |
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84 |
Folio from a typological Life of Christ in Middle Dutch, with an added marginal painting representing the Annunciation. Leiden, Universiteitsbibliotheek, Ms. Ltk 258, fol. 8v. Image © Leiden, Universiteitsbibliotheek, CC BY 4.0. |
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85 |
Folio from a typological Life of Christ in Middle Dutch, with an added marginal painting representing the Nativity. Leiden, Universiteitsbibliotheek, Ms. Ltk 258, fol. 14r. Image © Leiden, Universiteitsbibliotheek, CC BY 4.0. See also https://socrates.leidenuniv.nl/ (and search for “Ltk 258”). |
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86 |
Folio from a typological Life of Christ in Middle Dutch, with an added marginal painting representing the Magi. Leiden, Universiteitsbibliotheek, Ms. Ltk 258, fol. 20r. Image © Leiden, Universiteitsbibliotheek, CC BY 4.0. See also https://socrates.leidenuniv.nl/ (and search for “Ltk 258”). |
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87 |
Blank space on the back of a full-page miniature in a book of hours, with added doodles. Cambridge, University Library, Ms. Dd.15.25, fol. 40r. Image © Cambridge University Library, all rights reserved. |
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88 |
Nun praying before a crucifix, pen drawing with prayer, added to a calendar. The Hague, Koninklijke Bibliotheek, Ms. 76 G 22, fol. 3r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76g22%3A003r |
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89 |
Opening in the Van der Vlaest Hours from Ghent, at the end of terce and the beginning of sext, with a drawing on parchment sewn onto a blank area. Ghent, Universiteitsbibliotheek, Ms. 2750, fol. 55v-56r. Image © Universiteitsbibliotheek Ghent, CC BY-NC-SA 2.0. |
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90 |
Opening in a book of hours, with a blank folio before vespers that formerly had a rectangular object sewn onto it. Nijmegen, Radboud Universiteit, Ms. 283 fol. 91v-92r. © Radboud Universiteitsbibliotheek, CC BY 4.0. |
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91 |
Opening in a prayer book, with a blank folio before a rubric that formerly had an object glued to it. The Hague, Koninklijke Bibliotheek, Ms. 75 G 2, fol. 220v-221r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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92 |
Opening in a prayerbook that formerly had an object pasted to the verso folio. Heidelberg, Universitätsbibliothek, Cod. Sal. VII, 4d, fol. 67v-68r. See http://digi.ub.uni-heidelberg.de/diglit/salVII4d |
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93 |
Opening in a prayer book with an added rubrics inscribed on a separate sheet of parchment that has been slipped in behind the quire. Amsterdam Universiteitsbibliotheek, Ms. I G 35, fol. 37v-38r. Published with permission. |
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94 |
Parchment sheets with extra prayers pasted into the back inside cover of the Gouda missal. The Hague, Koninklijke Bibliotheek, Ms. 135 H 45, back inside cover. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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95 |
Folio from a prayerbook that has been heavily worn and trimmed. Tilburg, Universiteitsbibliotheek, Ms. 11 (formerly TFK 10), fol. 48r. Image © Tilburg Universiteitsbibliotheek, CC BY 4.0. |
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96 |
Binding with metal loops for suspending the book, early sixteenth century. Tilburg, Universiteitsbibliotheek, Ms. 11 (formerly TFK 10). Image © Tilburg Universiteitsbibliotheek, CC BY 4.0. |
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97 |
Opening with the beginning of the Hours of All Saints (on the right), and a prayer to one’s personal angel copied on a single, added leaf (on the left). Cambridge, Trinity College, Ms. B.1.46, fol. 110v-111r. Image © Trinity College Cambridge, CC BY 4.0. |
|
98 |
Opening revealing the stub from an added text leaf. Cambridge, Trinity College, Ms. B.1.46, fol. 105v-106r. Image © Trinity College Cambridge, CC BY 4.0. |
|
99 |
Single leaf with prayers for the feast of St. Anne, with a historiated initial painted by the Masters of the Dark Eyes (South Holland, ca. 1500), inserted into the Fagel missal (Delft, 1459–1460). Dublin, Trinity College, Ms. 81, fol. 186r. Image © Trinity College Library Dublin, all rights reserved. |
|
100 |
Incipit of the Sanctoral, with prayers for the feast of St. Andrew, with a historiated initial painted by the Master of the Fagel Missal (Delft, 1459–1460). Dublin, Trinity College, Ms. 81, fol. 187r. Image © Trinity College Library Dublin, all rights reserved. |
|
101 |
Added folio (inserted at the break between two quires), bearing a rubric relevant to the following prayer. Paris, Bibliothèque nationale de France, Ms. Néerl. 111, fol. 12v-13r. Image © Author, CC BY-NC 4.0. |
|
102 |
Calendar with a highly abbreviated Cisiojanus. Paris, Bibliothèque nationale de France, Ms. Néerl. 111, fol. 3r. Image © Author, CC BY-NC 4.0. |
|
103 |
Opening revealing the blank verso of an added folio (inserted at the break between two quires), and a prayer that’s part of the original campaign of work. Paris, Bibliothèque nationale de France, Ms. Néerl. 111, fol. 13v-14r. Image © Author, CC BY-NC 4.0. |
|
104 |
Opening revealing the blank recto of an added folio (inserted at the break between two quires), and the end of a prayer that’s part of the original campaign of work. Paris, Bibliothèque nationale de France, Ms. Néerl. 111, fol. 22v-23r. Image © Author, CC BY-NC 4.0. |
|
105 |
Opening revealing an added folio (inserted at the break between two quires), with a textual frame circumscribing a round object (now missing); and the beginning of a prayer that is part of the original campaign of work. Paris, Bibliothèque nationale de France, Ms. Néerl. 111, fol. 23v-24r. Image © Author, CC BY-NC 4.0. |
|
106 |
Folio added in the middle of the Hours of the Cross. The Hague, Koninklijke Bibliotheek, Ms. 133 D 1, fol. 99v-100r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
107 |
Christ Carrying the Cross, full-page miniature attributed to the Moerdrecht Masters, inserted into a book of hours. Tilburg, Universiteitsbibliotheek, Ms. KHS 12, fol. 39v-40r. Image © Tilburg Universiteitsbibliotheek, CC BY 4.0. |
|
108 |
Masters of the Dark Eyes, Mass of St. Gregory, full-page miniature inserted into a book of hours. The Hague, Koninklijke Bibliotheek, Ms. 76 G 16, fol. 149v-150r http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76g16%3A149v_150r |
|
109 |
Masters of the Dark Eyes, Opening at the Seven Penitential Psalms, with the Last Judgment on the left side of the opening, and the Psalms beginning with a large decorated initial on the right. The Hague, Koninklijke Bibliotheek, Ms. 76 G 16, fol. 52v-53r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76g16%3A052v_053r |
|
110 |
Mass of St. Gregory, opposite the incipit of the Adoro te in Middle Dutch. Brussels, Koninklijke Bibliotheek van België, Ms. IV 410, fol. 45v-46r. Image © Koninklijke Bibliotheek van België, all rights reserved. |
|
111 |
The Mass of St. Gregory, facing the incipit of the Verses of St. Gregory. The Hague, Koninklijke Bibliotheek, Ms. 133 E 22, fol. 186v-187r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
112 |
Souls in the bosom of Abraham, full-page miniature inserted to face the incipit of the Vigil for the Dead. The Hague, Koninklijke Bibliotheek, Ms. 133 E 22, fol. 101v-102r http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_133e22%3A101v_102r |
|
113 |
Mass of St. Gregory, full-page miniature inserted in a prayerbook. Copenhagen, Royal Library, Ms. Thott. 129 octavo, fol. 49v. Image © Royal Library Copenhagen, CC BY 4.0. |
|
114 |
Opening in a book of hours, with a full-page miniature of the Mass of St. Gregory inserted before the Verses of St. Gregory. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 18, fol. 153v-154r. Image © The Huis Bergh Foundation, CC BY 4.0. |
|
115 |
Opening in a book of hours, with a full-page miniature of the Virgin in Sole inserted before the Hours of the Virgin. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 18, fol. 17v-18r. Image © The Huis Bergh Foundation, CC BY 4.0. |
|
116 |
Opening in a book of hours, Southern Netherland or Northern France, ca. 1500, with a full-page image depicting a man being presented by John the Baptist, opposite the Crucifixion. Stockholm, National Library of Sweden, MS, A 233, fol. 56v-57r. Image © National Library of Sweden, CC BY 4.0. |
|
117 |
Woman in the garb of an Augustinian canoness (Lijsbett van Steengracht?) in prayer before the Virgin and Child, full-page miniature inserted in a prayerbook. Brussels, Koninklijke Bibliotheek van België, Ms. II 2348, fol. 130v-131r. Image © Koninklijke Bibliotheek van België, all rights reserved. |
|
118 |
Coat of arms (overpainted), full-page miniature added to a book of hours. The Hague, Koninklijke Bibliotheek, Ms. 133 E 17, fol. 1v. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_133e17%3A001v |
|
119 |
Added coat of arms. Cambridge, University Library, Ms. Ii.6.2, fol. 2v. http://cudl.lib.cam.ac.uk/view/MS-II-00006–00002/10 |
|
120 |
Annunciation opening in the Hours of Jacobus Johannes IJsbrands. Utrecht Universiteitsbibliotheek, Ms. 15 C 5, fol. 15v-16r. Image © Utrecht Universiteitsbibliotheek, CC BY 4.0. |
|
121 |
Coat of arms of Simon de Varie, full-page miniature added to the Hours of Simon de Varie. The Hague, Koninklijke Bibliotheek, Ms. 74 G 37a, fol. 1r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_74g37a%3A001r |
|
122 |
Opening of the Hours of Simon de Varie: Jean Fouquet, Virgin and Child, full-page miniature added to a book of hours with miniatures and marginal figures by artists in Paris. The Hague, Koninklijke Bibliotheek, Ms. 74 G 37a, fol. 1v-2r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_74g37a%3A001v_002r |
|
123 |
Parisian miniaturist, Simon de Varie kneeling in devotion before the Virgin, in the Hours of Simon de Varie. The Hague, Koninklijke Bibliotheek, Ms. 74 G 37, fol. 1r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
124 |
Crucifixion and beginning of the canon, with a printed initial. The Hague, Koninklijke Bibliotheek, Ms. 135 H 45, fol. 101v-102r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_135h45%3A101v_102r |
|
125 |
Masters of Otto van Moerdrecht, Crucifixion miniature inserted as a canon image in a missal copied in Delft. Heidelberg, Universitätsbibliothek, Ms. Trübner 21, fol. 96v-97r. Image © Heidelberg, Universitätsbibliothek, all rights reserved. |
|
126 |
Masters of Otto van Moerdrecht, Crucifixion miniature inserted as a canon image in a missal copied in Hulsbergen (near Hattem). Enschede, Rijksmuseum Twenthe, inv. no. 381, fol. 125v-126r (photography James H. Marrow, Princeton University). Image © Rijksmuseum Twenthe, Enschede, CC BY 4.0. |
|
127 |
Masters of the Delft Grisailles, Virgin and Child, full-page miniature inserted in a book of hours opposite the Obsecro te. Brussels, Koninklijke Bibliotheek van België, Ms. 21696, 116v-117r. Image © Koninklijke Bibliotheek van België, all rights reserved. |
|
128 |
Book of hours with text and decoration from Utrecht or the Eastern Netherlands, and a miniature added later depicting St. Andrew, made by the Masters of the Delft Grisailles. Nijmegen, Radboud Universiteit, Ms. 283, fol. 204v-205r. © Radboud Universiteitsbibliotheek, CC BY 4.0. |
|
129 |
Book of hours with text and decoration from Utrecht or the Eastern Netherlands, and a miniature added later, inscribed on the back (204r) with a prayer to St. Andrew. Nijmegen, Radboud Universiteit, Ms. 283 fol. 203v-204r. © Radboud Universiteitsbibliotheek, CC BY 4.0. |
|
130 |
Opening from the added calendar, revealing St. Hippolytus, patron of Delft, in red. Nijmegen, Radboud Universiteit, Ms. 283 fol. 4v-5r. © Radboud Universiteitsbibliotheek, CC BY 4.0. |
|
131 |
End of vespers of the Hours of the Virgin, with penwork border on one side (verso), and beginning of compline with a five-line painted and gilt initial and painted border on three sides (recto). Script and decoration applied in Delft. New Haven, Yale University, Beinecke Rare Book and Manuscript Library, Ms. 434, fol. 49v-50r. See http://brbl-dl.library.yale.edu/vufind/Record/3592299 |
|
132 |
Opening at the incipit of the Hours of the Virgin, with the Adoration of the Magi (full-page miniature executed by the Masters of the Dark Eyes on added parchment), and a text folio with script, penwork decoration, and a historiated initial executed in Delft, with borders overpainted to match the facing folio. New Haven, Yale University, Beinecke Rare Book and Manuscript Library, Ms. 434, fol. 14v-15r. Image in the Public Domain. |
|
133 |
Opening at the Seven Hours of the Holy Sacrament, with the Adoration of the Host by Angels (full-page miniature executed by the Masters of the Dark Eyes on added parchment), and a text folio with script, penwork decoration, and a painted and gilt initial executed in Delft, with borders overpainted to match the facing folio. New Haven, Yale University, Beinecke Rare Book and Manuscript Library, Ms. 434, fol. 55v-56r. Image in the Public Domain. |
|
134 |
Opening at the Vigil for the Dead, with the Raising of Lazarus (full-page miniature executed by the Masters of the Dark Eyes on added parchment), and a text folio with script, penwork decoration, and a painted and gilt initial executed in Delft, with borders overpainted to match the facing folio. New Haven, Yale University, Beinecke Rare Book and Manuscript Library, Ms. 434, fol. 149v-150r. Image in the Public Domain. |
|
135 |
Opening at the Hours of the Holy Spirit in a book of hours inscribed in Delft, with an added full-page miniature depicting the Mass of St. Gregory. The Hague, Meermanno Museum, Ms. 10 F 2, fol. 133v-134r. Image © Meermanno Museum, CC BY 4.0. |
|
136 |
Opening at an indulgenced prayer to the Virgin in a book of hours inscribed in Delft, with a blank left for an image that was never filled in. The Hague, Meermanno Museum, Ms. 10 F 2, fol. 162v-163r. Image © Meermanno Museum, CC BY 4.0. |
|
137 |
Opening at the Hours of the Virgin, with an added full-page miniature depicting the Annunciation. The Hague, Meermanno Museum, Ms. 10 F 2, fol. 14v-15r. Image © Meermanno Museum, CC BY 4.0. |
|
138 |
Opening before the Hours of the Virgin, revealing two blank folios. The Hague, Meermanno Museum, Ms. 10 F 2, fol. 13v-14r. Image © Meermanno Museum, CC BY 4.0. |
|
139 |
Detail of a blank folio with offsets of round badges. The Hague, Meermanno Museum, Ms. 10 F 2, fol. 13v (detail). Image © Meermanno Museum, CC BY 4.0. |
|
140 |
Mass of the Dead, full-page miniature made in the Netherlands, facing the incipit of the Office of the Dead, copied in Italy. The Hague, Koninklijke Bibliotheek, Ms. 133 D 15, fol. 65v-66r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_133d15%3A065v_066r |
|
141 |
Visitation, full-page miniature made in the Netherlands, facing the incipit of prime of the Hours of the Virgin. The Hague, Koninklijke Bibliotheek, Ms. 133 D 15, fol. 112v-113r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_133d15%3A112v_113r |
|
142 |
Male saint, full-page miniature inserted as a frontispiece (1400–1450). ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 11, fol. 1r. Image © The Huis Bergh Foundation, CC BY 4.0. |
|
143 |
Descent of the Holy Spirit, historiated initial, 1250–1300, pasted into a book’s back cover. The Hague, Koninklijke Bibliotheek, Ms. 133 E 22. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
144 |
Folio from the Murthly Hours, with a historiated initial enclosing a female patron kneeling before an altar. Edinburgh, National Library of Scotland, Ms. 21000, fol. 149v. Image © National Library of Scotland, all rights reserved. |
|
145 |
Folio from the Murthly Hours, formerly blank page, with a series of added inscriptions in French and Gaelic. Edinburgh, National Library of Scotland, Ms. 21000, fol. Iiv. Image © National Library of Scotland, all rights reserved. |
|
146 |
Lot’s wife turning into a pillar of salt. English miniature repurposed for a French book of hours used in Scotland (the Murthly Hours). Edinburgh, National Library of Scotland, Ms. 21000, fol. 5r. Image © National Library of Scotland, all rights reserved. |
|
147 |
Entombment of Christ. English miniature repurposed for a French book of hours used in Scotland, with two curtains sewn to the margins (the Murthly Hours). Edinburgh, National Library of Scotland, Ms. 21000, fol. 21r. Image © National Library of Scotland, all rights reserved. |
|
148 |
Opening of a book of hours from Haarlem, with an inserted full-page miniature depicting the Virgin and Child with female donor. Leiden, Universiteitsbibliotheek, Ms. Ltk 289, fol. 13v-14r. Image © Leiden, Universiteitsbibliotheek, CC BY 4.0. |
|
149 |
Christ before Pilate, full-page miniature, inserted in a book of hours from Haarlem. Leiden, Universiteitsbibliotheek, Ms. Ltk 289, fol. 71r. Image © Leiden, Universiteitsbibliotheek, CC BY 4.0. |
|
150 |
Note written in the fifteenth century indicating where one can find the text for vespers and compline. Leiden, Universiteitsbibliotheek, Ms. Ltk 289, fol. 112v. Image © Leiden, Universiteitsbibliotheek, CC BY 4.0. |
|
151 |
Presentation of Christ in the Temple, full-page miniature on parchment, added to a later manuscript on paper. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 3 (inv. no. 301), fol. 4v-5r. Image © The Huis Bergh Foundation, CC BY 4.0. |
|
152 |
Opening of a printed missal (early sixteenth century) revealing a full-page miniature on parchment depicting Christ crucified (twelfth century?) inserted as a canon page. Paris, Bibl. Sainte-Geneviève, inc. OE XV 698. http://bvmm.irht.cnrs.fr/consult/consult.php?mode=ecran&panier=false&reproductionId=13123&VUE_ID=1347929&carouselThere=false&nbVignettes=4x3&page=1&angle=0&zoom=petit&tailleReelle= |
|
153 |
Evangelist portrait of Matthew, part of the original campaign of work in the Egmond Gospels, executed in the ninth century in Northern France. The Hague, Koninklijke Bibliotheek, Ms. 76 F 1, fol. 16v-17r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76f1%3Ans_016v_017r |
|
154 |
Dedication miniatures, diptych made in Ghent ca. 975 and added to the Egmond Gospels. The Hague, Koninklijke Bibliotheek, Ms. 76 F 1, fol. 214v-215r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76f1%3Ans_214v_215r |
|
155 |
Opening from the Hours of Blanche of Savoy, including a miniature depicting Blanche of Savoy kneeling before the Trinity. New Haven, Yale University, Beinecke Rare Book and Manuscript Library, Ms. 390, fol. 1v-2r. http://brbl-media.library.yale.edu/images/10507295_quarter.jpg and http://brbl-media.library.yale.edu/images/10507296_quarter.jpg |
|
156 |
Opening from the Hours of Blanche of Savoy, including miniatures depicting Blanche kneeling before St. Louis, and Charles V before St. Anthony. New Haven, Yale University, Beinecke Rare Book and Manuscript Library, Ms. 390, fol. 3v-4r. http://brbl-media.library.yale.edu/images/10507299_quarter.jpg and http://brbl-media.library.yale.edu/images/10507300_quarter.jpg |
|
157 |
Original frontispiece from Guiard des Moulins, Grande Bible Historiale Complétée, showing God the Father enthroned in a quatrefoil surrounded by angels, with the four evangelists and their symbols in the corners. Made in Paris in 1371–72. The Hague, Meermanno Museum, Ms. 10 B 23, fol. 3r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_mmw_10b23%3A003r |
|
158 |
Folio from from Guiard des Moulins, Grande Bible Historiale Complétée, with a column miniature depicting the author presenting his work to William, archbishop of Sens. Made in Paris in 1371–72. The Hague, Meermanno Museum, Ms. 10 B 23, fol. 4v. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_mmw_10b23%3A004v |
|
159 |
Opening in Guiard des Moulins, Grande Bible Historiale Complétée, with a dedication of the manuscript by Jean de Vaudetar to King Charles V of France, and a full-page miniature depicting the presentation of the book to the king. The Hague, Meermanno Museum, Ms. 10 B 23, fol. 1v-2r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_mmw_10b23%3A001v_002r |
|
160 |
Opening in a book of hours that reveals the fissure between two campaigns of work. Cambridge, University Library, Ms. Ee.1.14, fol. 50v-51r. Image © Cambridge University Library, all rights reserved. |
|
161 |
Opening showing the end of the calendar, and a formerly blank folio filled with prayers in English and Latin by an early owner. London, British Library, Harley Ms. 2966, fol. 7v-8r. Image in the Public domain, see http://www.bl.uk/catalogues/illuminatedmanuscripts/ILLUMIN.ASP?Size=mid&IllID=36071 |
|
162 |
Female patron and St. Mary Magdalene at her hermitage near Baune, devotional diptych added to a book of hours. Stockholm, National Library of Sweden, MS, A 233, fol. 1v-2r. Image © National Library of Sweden, CC BY 4.0. |
|
163 |
Incipit of the Hours of the Virgin, with a historiated initial. Utrecht or Delft, ca. 1420s. Leiden, Universiteitsbibliotheek, Ms. BPL 3073, fol. 1r. https://socrates.leidenuniv.nl/ (then search for “BPL 3073”). |
|
164 |
Incipit from the original part of the manuscript, with decoration from Utrecht or Delft. Leiden, Universiteitsbibliotheek, Ms. BPL 3073, fol. 154v. https://socrates.leidenuniv.nl/ (then search for “BPL 3073”). |
|
165 |
Beginning of the added bifolium. Leiden, Universiteitsbibliotheek, Ms. BPL 3073, fol. 191r. https://socrates.leidenuniv.nl/ (then search for “BPL 3073”). |
|
166 |
Parchment diptych with the measurements of Christ’s length and side wound, inserted into a French book of hours. Paisley, Renfrew District Museum and Art Gallery, Ms. 1, fol. 13–14 forming a diptych. Image © Author, CC BY 4.0. |
|
167 |
Monk praying for the release of souls from purgatory, full-page miniature made as part of a diptych and inserted into a book of hours. The Hague, Koninklijke Bibliotheek, Ms. 133 D 5, fol. 86v-87r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
168 |
Opening in a book of hours, showing the original parchment and script (on the right side of the gutter) and the replaced incipit folio with text recopied in a different script (on the left side of the gutter). The Hague, Koninklijke Bibliotheek, Ms. 133 D 5, fol. 87v-88r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
169 |
The pricking along the outer edge of the bifolium only occurs on the added folios. The Hague, Koninklijke Bibliotheek, Ms. 133 D 5, detail of fol. 86–87. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
170 |
Cistercian breviary, made in the thirteenth century, photographed from the bottom to isolate a quire added in 1491. Perth, St. John’s Kirk, Ms. 3. Image © Author, CC BY 4.0. |
|
171 |
Opening in a Cistercian breviary, with original thirteenth-century parts script and parchment on the left side of the gutter, and an added fifteenth-century quire on the right side of the gutter. Perth, St. John’s Kirk, Ms. 3. Image © Author, CC BY 4.0. |
|
172 |
Folio in a Cistercian breviary showing two campaigns of medieval foliation. Perth, St. John’s Kirk, Ms. 3, fol. 155r. Image © Author, CC BY 4.0. |
|
173 |
First folio of the Gouda Missal (from original part of the manuscript). The Hague, Koninklijke Bibliotheek, Ms. 135 H 45, fol. 10r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
174 |
Te igitur page in the Gouda Missal, with a wood-cut image of the Trinity printed directly on the page. The Hague, Koninklijke Bibliotheek, Ms. 135 H 45, fol. 102r. http://manuscripts.kb.nl/show/images/135+H+45 |
|
175 |
The patron with St. Jerome, full-page miniature added to the added quire at the beginning of a book of hours. The Hague, Koninklijke Bibliotheek, Ms. 135 G 19, fol. 4v-5r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_135g19%3A004v_005r |
|
176 |
Face of Christ, full-page miniature added to an added quire at the end of a book of hours. The Hague, Koninklijke Bibliotheek, Ms. 74 G 35, fol. 161v-162r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_74g35%3A161v_162r |
|
177 |
So-called Masters of the Delft Grisailles, Angel, full-page miniature inserted before prayer to the personal angel. The Hague, Koninklijke Bibliotheek, Ms. 74 G 35, fol. 83v-84r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_74g35%3A083v_084r |
|
178 |
Opening in a book of hours from Delft, written in Latin but with rubrics in Dutch. The owner has filled the quire with birth dates. Staatsbibliothek zu Berlin—Preußischer Kulturbesitz, Ms. Germ. Oct. 89, fol. 60v-61r. Image © Staatsbibliothek zu Berlin, CC BY 4.0. |
|
179 |
Opening in a book of hours from Delft, showing an added module with the Hours of the Cross, and a prayer to be read before an image of the Virgin inscribed as a quire filler. Staatsbibliothek zu Berlin—Preußischer Kulturbesitz, Ms. Germ. Oct. 89, fol. 120v-121r. Image © Staatsbibliothek zu Berlin, CC BY 4.0. |
|
180 |
First folio in an added section of a book of hours whose core was made in Delft, with offsets of small round metal objects. Staatsbibliothek zu Berlin—Preußischer Kulturbesitz, Ms. Germ. Oct. 89, fol. 1r. Image © Staatsbibliothek zu Berlin, CC BY 4.0. |
|
181 |
Folio in an added section of a book of hours whose core was made in Delft, with a prayer to the Trinity, and needle holes from formerly affixed objects. Staatsbibliothek zu Berlin—Preußischer Kulturbesitz, Ms. Germ. Oct. 89, fol. 2r. Image © Staatsbibliothek zu Berlin, CC BY 4.0. |
|
182 |
Folio in an added section of a book of hours whose core was made in Delft, with an indulgenced prayer to the arma Christi. Staatsbibliothek zu Berlin—Preußischer Kulturbesitz, Ms. Germ. Oct. 89, fol. 3r. Image © Staatsbibliothek zu Berlin, CC BY 4.0. |
|
183 |
Opening in an added section of a book of hours whose core was made in Delft, with the continuation of an indulgenced prayer to the arma Christi, revealing dirt and fingerprints from heavy handling. Staatsbibliothek zu Berlin—Preußischer Kulturbesitz, Ms. Germ. Oct. 89, fol. 3v-4r. Image © Staatsbibliothek zu Berlin, CC BY 4.0. |
|
184 |
Folio in an added section of a book of hours whose core was made in Delft, with an indulgenced prayer to the Virgin in Sole. Staatsbibliothek zu Berlin—Preußischer Kulturbesitz, Ms. Germ. Oct. 89, fol. 5v-6r. Image © Staatsbibliothek zu Berlin, CC BY 4.0. |
|
185 |
Folio in a book of hours whose core was made in Delft: a full-page miniature depicting Christ carrying the cross, painted by a miniaturist in Delft. Staatsbibliothek zu Berlin—Preußischer Kulturbesitz, Ms. Germ. Oct. 89, fol. 44v. Image © Staatsbibliothek zu Berlin, CC BY 4.0. |
|
186 |
Folio in the original part of the manuscript, copied and decorated in South Holland. Bruges, Stadsbibliotheek, Ms. 334, fol. 65r. Image © Bruges, Stadsbibliotheek, all rights reserved. |
|
187 |
Folio from a quire added and decorated around 1500 in the Southern Netherlands. Bruges, Stadsbibliotheek, Ms. 334, fol. 183v. Image © Bruges, Stadsbibliotheek, all rights reserved. |
|
188 |
Opening in a book of hours made in Leiden, with the incipit of the Vigil for the Dead (three-verse version), and a full-page miniature depicting the Mass for the Dead. The Hague, Koninklijke Bibliotheek, Ms. 76 G 13, fol. 85v-86r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76g13%3A085v_086r |
|
189 |
Beginning of a group of quires added to a book of hours made in Leiden, with a full-page miniature depicting the Mass of St. Gregory (attributed to the Masters of the Suffrages) facing the Verses of St. Gregory. The Hague, Koninklijke Bibliotheek, Ms. 76 G 13, fol. 98v-99r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76g13%3A098v_099r |
|
190 |
Opening near the end of a book of hours made in Leiden, from an added section, with a full-page miniature depicting the Christ crucified (attributed to the Masters of the Suffrages) facing a prayer to the cross. The Hague, Koninklijke Bibliotheek, Ms. 76 G 13, fol. 105v-106r. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76g13%3A105v_106r |
|
191 |
Beginning of an added section of an enhanced book of hours. Cambridge, University Library, Ms. Ee.1.14, fol. 103r. Image © Cambridge University Library, all rights reserved. |
|
192 |
Folio in an enhanced book of hours, with a personalised prayer for “Nicholas,” in which the name has been crossed out by a later user and replaced with the initial R. Cambridge, University Library, Ms. Ee.1.14, fol. 120r. Reproduced by kind permission of the Syndics of Cambridge University Library. |
|
193 |
Master of the Morgan Infancy Cycle, Christ as Man of Sorrows, with the instruments of the passion. London, British Library, Add. Ms. 50005, fol. 133v. http://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_50005_fs001r |
|
194 |
Pater Noster, and beginning of the Ave Maria. London, British Library, Add. Ms. 50005, fol. 15v. http://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_50005_fs001r |
|
195 |
Verses of St. Gregory (added). London, British Library, Add. Ms. 50005, fol. 168r. http://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_50005_fs001r |
|
196 |
Girls learning to read, a full-page miniature facing the alphabet, in a prayerbook probably made for a child. London, British Library, Harley Ms. 3828, fol. 27v-28r. http://www.bl.uk/catalogues/illuminatedmanuscripts/record.asp?MSID=4410 |
|
197 |
Rhyming prayer to Christ’s robe and the dice of the arma Christi, with a miniature depicting these objects, in a prayerbook probably made for a child. London, British Library, Harley Ms. 3828, fol. 65v. http://www.bl.uk/catalogues/illuminatedmanuscripts/record.asp?MSID=4410 |
|
198 |
Folio in the Prayer book of James Brown, with a full-page miniature depicting James Brown presented to the Virgin’s altar. Edinburgh, National Library of Scotland, Ms. 10270, fol. 17v. Image © National Library of Scotland, all rights reserved. |
|
199 |
Folio in the Prayer book of James Brown, with text added to existing parchment near the end of the manuscript. Edinburgh, National Library of Scotland, Ms. 10270, fol. 151r. Image © National Library of Scotland, all rights reserved. |
|
200 |
Folio in the Prayer book of James Brown, with text added to existing parchment near the end of the manuscript. Edinburgh, National Library of Scotland, Ms. 10270, fol. 151v. Image © National Library of Scotland, all rights reserved. |
|
201 |
Folio in a composite manuscript, with the end of an apotropaic text and te beginning of a versified vernacular Marian prayer in Middle Dutch. Brussels, Koninklijke Bibliotheek van België, Ms. 19588, fol. 68r. Image © Koninklijke Bibliotheek van België, all rights reserved. |
|
202 |
Annunciation painted by the Masters of the Gold Scrolls, with the beginning of the Hours of the Virgin in Latin, and a facing page in Middle Dutch in a different hand. Brussels, Koninklijke Bibliotheek van België, Ms. 19588, fol. 29v-30r. Image © Koninklijke Bibliotheek van België, all rights reserved. |
|
203 |
Last Judgement painted by the Masters of the Gold Scrolls, prefacing the Penitential Psalms in Latin. Brussels, Koninklijke Bibliotheek van België, Ms. 19588, fol. 84r. Image © Koninklijke Bibliotheek van België, all rights reserved. |
|
204 |
Crucifixion painted by the Masters of the Gold Scrolls, facing confession in Middle Dutch, with floral border decoration painted over a vine decoration. Brussels, Koninklijke Bibliotheek van België, Ms. 19588, fol. 13v-14r. Image © Koninklijke Bibliotheek van België, all rights reserved. |
|
205 |
Christ as Man of Sorrows painted by the Masters of the Gold Scrolls, full-page miniature with floral border decoration painted over a vine decoration, inserted so that it faces a Dutch text copied decades earlier. Brussels, Koninklijke Bibliotheek van België, Ms. 19588, fol. 143v-144r. Image © Koninklijke Bibliotheek van België, all rights reserved. |
|
206 |
Note of ownership from Yolente Doosterlinck, Brussels, Koninklijke Bibliotheek van België, Ms. 19588, inside back cover. Image © Koninklijke Bibliotheek van België, all rights reserved. |
|
207 |
Biblia pauperum and psalter, interleaved. Heidelberg, Universitätsbibliothek, Cod. Pal. germ. 148, fol. 16v-17r. http://digi.ub.uni-heidelberg.de/diglit/cpg148 |
|
208 |
Composite manuscript prayerbook made in France, fanned open to reveal signs of heavy use. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 2 (inv. 259). Image © The Huis Bergh Foundation, CC BY 4.0. |
|
209 |
An image module comprising two bifolia bound into a manuscript prayerbook compiled in France. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 2 (inv. 259). Image © The Huis Bergh Foundation, CC BY 4.0. |
|
210 |
Opening in a composite prayer book, with added prayers (left side), and a full-page miniature depicting the Mass of St. Gregory (right side). ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 2 (inv. 259), fol. 40v-41r. Image © The Huis Bergh Foundation, CC BY 4.0. |
|
211 |
Opening in a composite prayer book, with two full-page miniatures, one depicting St. Francis receiving the stigmata, and one depicting the Nativity. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 2 (inv. 259), fol. 41v-42r. Image © The Huis Bergh Foundation, CC BY 4.0. |
|
212 |
Inscriptions added by two hands, filling the otherwise blank parchment. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 2 (inv. 259), fol. 42v-43r. Image © The Huis Bergh Foundation, CC BY 4.0. |
|
213 |
Flyleaf and inner board of binding. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 2 (inv. 259). Image © The Huis Bergh Foundation, CC BY 4.0. |
|
214 |
Family kneeling before St. John the Baptist [?], ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 2 (inv. 259), fol. 147r. Image © The Huis Bergh Foundation, CC BY 4.0. |
|
215 |
Single leaf with prayers added at the end of the calendar. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 2 (inv. 259), fol. 12v-13r. Image © The Huis Bergh Foundation, CC BY 4.0. |
|
216 |
A single leaf with prayers, and the incipit of the Passion according to St. John. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 2 (inv. 259), fol. 13v-14r. Image © The Huis Bergh Foundation, CC BY 4.0. |
|
217 |
The incipit of an illustrated Passion tract in Latin. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 2 (inv. 259), fol. 166v-167r. Image © The Huis Bergh Foundation, CC BY 4.0. |
|
218 |
Opening in a composite prayer book, with a parchment painting depicting the Face of Christ pasted in, opposite the incipit of the Hours of the Virgin. ’s-Heerenberg, The Netherlands, Collection Dr. J. H. van Heek, Huis Bergh Foundation, Ms. 2 (inv. 259), fol. 45v-46r. Image © The Huis Bergh Foundation, CC BY 4.0. |
|
219 |
Opening in a book of hours at the incipit of the Hours of the Holy Spirit, with penwork from North Holland. Oxford, Bodleian Library, Ms. Rawlinson Liturgical e.9*, fol. 43r. |
|
220 |
Folio in a book of hours that falls at the end of a module, which was filled by the original scribe in North Holland for prayers to one’s personal angel and to St. Sebastian. Oxford, Bodleian Library, Ms. Rawlinson Liturgical e.9*, fol. 70r. |
|
221 |
Opening in a book of hours with the last six lines of the Hours of the Holy Spirit written by scribe from North Holland, and the rest of fol. 51v and 52r ruled and written by scribe from Delft, to fill the quire. Oxford, Bodleian Library, Ms. Rawlinson Liturgical e.9*, fol. 51v-52r. |
|
222 |
Folio in a book of hours inscribed by a Delft scribe, with typical red and blue penwork from Delft. Oxford, Bodleian Library, Ms. Rawlinson Liturgical e.9*, fol. 53v. |
|
223 |
Folio in a book of hours with Delft decoration and a catchword, which is a codicological feature associated with manuscripts from the convent of St. Ursula in Delft. The Hague, Koninklijke Bibliotheek, Ms. 135 E 18, fol. 107v. http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_135e18%3A107v |
|
224 |
Opening with a catchword in a book of hours whose core was made in North Holland before extensive additions were made in Delft. Oxford, Bodleian Library, Ms. Rawlinson Liturgical e.9*, fol. 59v-60r. |
|
225 |
The inside back cover and the last folio of a book of hours (formerly a paste-down), which may have been waste material from the St. Ursula scriptorium in Delft. Oxford, Bodleian Library, Ms. Rawlinson Liturgical e.9*, fol. 124v and inside back cover. |
|
226 |
Opening in a book of hours at the incipit of the Verses of St. Gregory, with two campaigns of work: the script, penwork, and painted initials were executed in the original campaign of work, and the full-page miniature was added later, along with painted decoration around the text folio to make it match. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 83v-84r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
227 |
Folio in a book of hours, on which a painter applied “Leiden blue acanthus” border decoration over the top of the existing penwork decoration. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 133v. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
228 |
Folio in a book of hours, to which a scribe from the convent of St. Ursula in Delft added a prayer and Delft penwork to the blank parchment at the lower part of the folio. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 50r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
229 |
Opening in a book of hours. The three and a half lines on the left side of the gutter and all of the script and penwork on the right side are part of the original production (written somewhere in South Holland); an indulgenced prayer with a rubric mentioning Pope Sixtus IV, added as quire filler, was inscribed at the convent of St. Ursula in Delft. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 136v-137r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
230 |
Opening in a book of hours. The fourteen and a half lines on the left side of the gutter are part of the original production (written somewhere in South Holland). The rubric on fol. 71v-72r, the prayer that follows, and the penwork decoration, were added at the convent of St. Ursula in Delft. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 71v-72r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
231 |
Opening in a book of hours showing quire fillers added in two campaigns of work: thirteen lines of red text on the left side of the gutter were inscribed in the first campaign of work, somehwere in South Holland; the final three lines on the left, and all of the text on the right side of the gutter (a prayer about the sheddings of Christ’s blood), plus the blue and red penwork, were inscribed later at the convent of St. Ursula in Delft. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 72v-73r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
232 |
Opening in a book of hours, with original parchment on the left, and the back of an added leaf on the right. The text comprises quire filler added at the convent of St. Ursula in Delft: the end of the sheddings of Christ’s blood, followed by a saying of St. Augustine. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 73v-74r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
233 |
Opening in a book of hours, with a blank area formerly filled with sewn-on badges. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 124v-125r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
234 |
Opening in a book of hours at the Verses of St. Gregory, with a diagram showing the arrangement of original and added parchment; the additions transform the prayer from a five-verse version into a nine-verse version with a larger indulgence. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 84r-85v. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
235 |
Opening in a book of hours, with original and added parchment. Fol. 86r is part of the original manuscript (made in South Holland) and has a prayer to the sacrament. Fol. 85 was inscribed at the convent of St. Ursula in Delft and added later. Fol. 85v contains the ninth and final Verse of St. Gregory, and a postscript rubric indicating that reading the previous prayer is worth 92,042 years’ & 80 days’ indulgence. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 85v-86r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
236 |
Opening in a book of hours, with original and added parchment. Fol. 86 is part of the original manuscript (made in South Holland). The first nine and a half lines, including the red letter A with its few strokes of whispy penwork, were inscribed by the original scribe and are typical of the original production. A scribe at the convent of St. Ursula in Delft filled the rest of fol. 86v with a prayer to the sacrament, added bold red and blue penwork decoration, and extended the existing penwork into the upper margin; she continued the prayer on added parchment (fol. 87), on which she inscribed another prayer to the sacrament. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 86v-87r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
237 |
Folio in a book of hours from a section added at the convent of St. Ursula in Delft. Gaps in the penwork border decoration are for small painted figures, which have not been filled in. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 94r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
238 |
Opening in a book of hours from an added section, at the division between two added quires, revealing the large catchword typical of production at the convent of St. Ursula in Delft. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 101v-102r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
239 |
Opening in a book of hours from an added section, with one prayer to St. Ursula and one to her 11,000 virginal companions; fol. 104r is decorated with penwork typical of Delft on three sides of the text block. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38, fol. 103v-104r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
240 |
Opening in a lay breviary in Middle Dutch with offices inscribed in Utrecht, where modest penwork decoration was applied in a block around the initials; this penwork was extended into the margins in Delft. Uppsala, Universitetsbiblioteket, Ms. C 517 k, fol. 216v-217r. Image © Uppsala Universitetsbiblioteket, CC BY 4.0. |
|
241 |
Opening at the incipit of the psalter in a lay breviary made in Utrecht and upgraded in Delft. Fol. 35 is from the original manuscript, inscribed in Utrecht, with a historiated initial depicting David playing his harp (painted in Utrecht); fol. 34 is from a section added in Delft. Illuminators in Delft added more border decoration to fol. 35r: block penwork and a painted bird with a scroll. Uppsala, Universitetsbiblioteket, Ms. C 517 k, fol. 34v-35r. Image © Uppsala Universitetsbiblioteket, CC BY 4.0. |
|
242 |
Folio at the incipit of the psalter in a lay breviary, with David playing his harp (painted in Utrecht), with Utrecht penwork extended in the margin with Delft penwork. Uppsala, Universitetsbiblioteket, Ms. C 517 k, fol. 35r. Image © Uppsala Universitetsbiblioteket, CC BY 4.0. |
|
243 |
Opening in a lay breviary made in Utrecht and upgraded in Delft. A scribe in Delft has added red and blue penwork to the upper and intercolumnar margins, thereby extending the modest blue penwork originally applied around the letter I in Utrecht. The new penwork extends into the upper and lower margins of fol. 49v but does not fill the space completely, and therefore maintains the hierarchy of decoration dictated by the four-line I. Uppsala, Universitetsbiblioteket, Ms. C 517 k, fol. 49v-50r. Image © Uppsala Universitetsbiblioteket, CC BY 4.0. |
|
244 |
Opening in a lay breviary made in Utrecht and upgraded in Delft, with Delft penwork added to Utrecht penwork. The new penwork extends into the upper and lower margins of fol. 71r but does not fill the space completely, and therefore maintains the hierarchy of decoration dictated by the four-line G. Uppsala, Universitetsbiblioteket, Ms. C 517 k, fol. 70v-71r. Image © Uppsala Universitetsbiblioteket, CC BY 4.0. |
|
245 |
Opening in a lay breviary made in Utrecht and upgraded in Delft, with Delft penwork added to Utrecht penwork. The new penwork fills the upper and lower margins of fol. 132v, and therefore maintains the hierarchy of decoration dictated by the five-line G. Uppsala, Universitetsbiblioteket, Ms. C 517 k, fol. 132v-133r. Image © Uppsala Universitetsbiblioteket, CC BY 4.0. |
|
246 |
Opening in a lay breviary made in Utrecht and upgraded in Delft, in a section of quires added in Delft, with the end of the calendar and the beginning of the Mass of the Purification of the Virgin. Uppsala, Universitetsbiblioteket, Ms. C 517 k, fol. 11v-12r. Image © Uppsala Universitetsbiblioteket, CC BY 4.0. |
|
247 |
Opening in a lay breviary made in Utrecht and upgraded in Delft, with Delft penwork added to Utrecht penwork. The new penwork added to four of the initials G fills half of the margin, and therefore maintains the hierarchy of decoration dictated by the three-line initials. The opening also reveals a large catchword inscribed in the manner typical of the Ursula convent in Delft. Uppsala, Universitetsbiblioteket, Ms. C 517 k, fol. 27v-28r. Image © Uppsala Universitetsbiblioteket, CC BY 4.0. |
|
248 |
Opening in a prayer book, showing September-October calendar pages inscribed in the Southern Netherlands, with the KL painted and gilt in the Southern Netherlands, and the penwork applied in Delft. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 9v-10r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
249 |
Opening in a prayer book, showing text folios inscribed in the Southern Netherlands, with one-, two-, and four-line initials gilt and painted in the Southern Netherlands (probably Bruges), with Delft penwork decoration added later. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 24v-25r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
250 |
Opening in a prayer book, with a full-page miniature painted on a bifolium (fol. 111&118) by the Masters of Zweder of Culemborg depicting St. Nicholas; the bifolium has been ruled, inscribed, and incorporated into the prayerbook. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 118v-119r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
251 |
Opening in a prayer book, with a full-page miniature depicting Christ as Man of Sorrows and an angel border on the right, painted by the Masters of Zweder van Culemborg, and border decoration around the miniature applied by a painter in the Southern Netherlands. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 138v-139r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
252 |
Opening in a book of hours, with a full-page miniature depicting the Deposition from the Cross opposite a text page with sorrowing angels, painted by the Masters of Zweder van Culemborg. The Hague, Koninklijke Bibliotheek, Ms. 79 K 2, pp. 170–171. http://manuscripts.kb.nl/show/images/79+K+2 |
|
253 |
Opening in a prayer book, with a full-page miniature depicting the Virgin and Child with St. John, painted on a singleton (fol. 55) by the Masters of Zweder van Culemborg, with border decoration around the miniature applied by a painter in the Southern Netherlands. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 55v-56r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
254 |
Opening in a prayer book, with a long rubric used as a space filler; Delft penwork decoration added to text folios inscribed in the Southern Netherlands. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 54v-55r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
255 |
Opening in a prayer book, with a suffrage to St. Erasmus (112r), written in the Southern Netherlands on the reverse of the miniature depicting St. Lawrence, painted by the Bressanone Master; later, Delft penwork decoration was added to both text folios. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 111v-112r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
256 |
Opening in a prayer book, with a full-page miniature depicting St. Lawrence painted by the Bressanone Master (112v), and a suffrage to St. Lawrence (113r), with painted border decoration applied in the Southern Netherlands; the suffrage is inscribed on the reverse of a miniature depicting St. Christopher. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 112v-113r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
257 |
Opening in a prayer book, with a full-page miniature depicting St. Christopher painted by the Bressanone Master (113v), and a suffrage to St. Christopher (114r), with painted border decoration applied in the Southern Netherlands. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 113v-114r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
258 |
Opening in a prayer book, with a full-page miniature depicting St. George, with painted border decoration typical of that executed by the sisters of St. Agnes in Delft. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 165v-166r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
259 |
Folio in a prayer book, embellished by the sisters of St. Agnes with a depiction of a chicken head. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 61v. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
260 |
Full-page penwork decoration added to fill a blank folio. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 77r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
261 |
Bird with message in beak, a motif typical of the St. Agnes convent in Delft. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 33v. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
262 |
Folio in a book of hours written an illuminated at the convent of St. Agnes in Delft, with border decoration including a bird with scroll in its beak bearing the words “Iste liber scriptus et perfectus est in monasterio vallis iozaphat.” Krakow, Czartoryski, Ms. 2946, fol. 25v. The manuscript is the property of the XX. Czartoryski Foundation in Krakow. Image © XX. Czartoryski Foundation, all rights reserved. |
|
263 |
Delft penwork decoration added to text folios inscribed in the Southern Netherlands. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 17v-18r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
264 |
St. James, full-page miniature and suffrage, with border decoration painted by the Sisters of St. Agnes in Delft. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 106v-107r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
265 |
Folio in the Fagel Missal, showing the incipit for the feast of St. Agnes with extra decoration, illuminated by the sisters of St. Agnes in Delft, 1459–60. Dublin, Trinity College, Ms. 81, fol. 192r. Image © Trinity College Library Dublin, all rights reserved. |
|
266 |
Folio in a Gospel manuscript, showing the opening for the Book of Matthew, with painted decoration executed by the sisters of St. Agnes in Delft, made ca. 1459–60. Copenhagen, Royal Library, Ms. Thott 11 folio, fol. 4r. Image © Royal Library Copenhagen, CC BY 4.0. |
|
267 |
Opening with short suffrages to St. John the Baptist and St. John the Evangelist, and a rubric for the suffrage to St. James. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 105v-106r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
268 |
Opening with painted and penwork border decoration executed by the sisters of St. Agnes in Delft. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 86v-87r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
|
269 |
Opening with an extended rubric left of the gutter, and an incipit with a simple blue initial right of the gutter. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 68v-69r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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270 |
Opening with a Pietà (full-page miniature made by the Bressanone Master, with border decoration executed in the Southern Netherlands), facing a text folio with an initial overpainted in the Northern Netherlands. The Hague, Koninklijke Bibliotheek, Ms. BPH 148, fol. 19v-20r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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271 |
Opening at the incipit of the Hours of the Holy Spirit, with the Coronation of the Virgin (full-page miniature by the Masters of the Dark Eyes on added parchment, made ca. 1510), and the Descent of the Holy Spirit (historiated initial painted by the Master of Gijsbrecht van Brederode, made as part of the original campaign of work ca. 1465, with painted border decoration of the same era). The Hague, Koninklijke Bibliotheek, Ms. BPH 151, fol. 71v-72r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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272 |
Opening at the incipit of the Hours of the Virgin, with the Annunciation (full-page miniature by the Masters of the Dark Eyes on added parchment, made ca. 1510), and Virgin and Child (historiated initial painted by the Master of Gijsbrecht van Brederode, made as part of the original campaign of work ca. 1465, with painted border decoration of the same era). The Hague, Koninklijke Bibliotheek, Ms. BPH 151, fol. 15v-16r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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273 |
Opening at the incipit of the Vigil for the Dead, with the Raising of Lazarus (full-page miniature by the Masters of the Dark Eyes on added parchment, made ca. 1510), and Mass of the Dead (historiated initial painted by the Master of Gijsbrecht van Brederode, made as part of the original campaign of work ca. 1465, with painted border decoration of the same era). The Hague, Koninklijke Bibliotheek, Ms. BPH 151, fol. 141v-142r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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274 |
Opening from a section added by the Masters of the Dark Eyes ca. 1510, with a miniature depicting the Crucifixion and an indulgence. The Hague, Koninklijke Bibliotheek, Ms. BPH 151, fol. 65v-66r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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275 |
The end of a prayer written around 1465 in black on fol. 120v (part of the original parchment of the book), and a rubric added ca. 1510 to the bottom of fol. 120v, which continues on 121r (on added parchment). Note that the back of the miniature has been ruled with the same dimensions as the original text pages. The Hague, Koninklijke Bibliotheek, Ms. BPH 151, fol. 120v-121r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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276 |
Opening from a section added by the Masters of the Dark Eyes ca. 1510, with a full-page miniature depicting the Mass of St. Gregory facing the Verses of St. Gregory. The Hague, Koninklijke Bibliotheek, Ms. BPH 151, fol. 121v-122r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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277 |
Opening from a section added by the Masters of the Dark Eyes ca. 1510, with a miniature depicting the Virgin in Sole and a prayer with an indulgence for 92,000 years. The Hague, Koninklijke Bibliotheek, Ms. BPH, fol. 124v-125r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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278 |
Opening from a section added by the Masters of the Dark Eyes ca. 1510 with a miniature depicting the Virgin accompanying an indulgenced prayer. The Hague, Koninklijke Bibliotheek, Ms. BPH 151, fol. 125v-126r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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279 |
Opening from a section added by the Masters of the Dark Eyes ca. 1510 with a miniature depicting the Lactation of St. Bernard. The Hague, Koninklijke Bibliotheek, Ms. BPH 151, fol. 128v-129r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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280 |
Opening from a section added by the Masters of the Dark Eyes ca. 1510 with a miniature depicting Mary and Jesus, to accompany the O intemerata. The Hague, Koninklijke Bibliotheek, Ms. BPH 151, fol. 130v-131r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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281 |
Opening from a section added by the Masters of the Dark Eyes ca. 1510 with a miniature depicting St. Anne, Mary and Jesus, to accompany an indulgenced prayer to St. Anne. The Hague, Koninklijke Bibliotheek, Ms. BPH 151, fol. 133v-134r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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282 |
Opening from a section added by the Masters of the Dark Eyes ca. 1510 with a miniature depicting an angel, to accompany a prayer to the personal angel. The Hague, Koninklijke Bibliotheek, Ms. BPH 151, fol. 134v-135r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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283 |
Opening from a section added by the Masters of the Dark Eyes ca. 1510 with miniatures depicting St. Sebastian and St. Erasmus, to accompany prayers to those saints. The Hague, Koninklijke Bibliotheek, Ms. BPH 151, fol. 136v-137r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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284 |
Opening from an autonomous booklet added to the book of hours; the booklet was made by the Masters of the Dark Eyes ca. 1510 and includes a painting depicting the Virgin of the Seven Sorrows to accompany the booklet-length prayer to the Virgin’s sorrows. The Hague, Koninklijke Bibliotheek, Ms. BPH 151, fol. 96v-97r. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |
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285 |
Opening from an autonomous booklet added to the book of hours; the booklet was made by the Masters of the Dark Eyes ca. 1510 and includes a painting depicting the Virgin of the Seven Sorrows to accompany the booklet-length prayer to the Virgin’s sorrows. Leeds, University Library, Ms. Brotherton 7, fol. 142v-143r. Reproduced with the permission of Special Collection, Leeds University Library. © Leeds University Library, CC BY 4.0. |
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286 |
Autonomous booklet with the prayer to the Seven Sorrows of the Virgin, formerly glued into The Hague, Koninklijke Bibliotheek, Ms. BPH 151. Image © Koninklijke Bibliotheek—the National Library of The Netherlands, CC BY 4.0. |