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André, Julie and Elena Pierazzo, ‘Le Codage en TEI des Brouillons de Proust: Vers l’Edition Numérique’, Genesis, 36 (2013), 155–61.

Apollon, Daniel, Claire Bélisle and Philippe Régnier, eds., Digital Critical Editions (Urbana-Champaign: University of Illinois Press, 2014).

Badger, Emily, ‘Why the Wealthiest Countries are also the Most Open with Their Data’, The Washington Post (14 March 2014),

Baecker, Ronald M., Jonathan Grudin, William A. S. Buxton and Saul Greenberg, eds., Readings in Human-Computer Interaction: Toward the Year 2000, 2nd ed. (San Mateo, CA: Morgan Kaufmann, 1995).

Barbi, Michele, La nuova filologia e l’edizioni dei nostri scrittori da Dante a Manzoni (Florence: Le Monnier, 1938).

Barbiche, Bernard and Monique Chatenet, eds., Conseils pour l’édition des textes de l’époque moderne (XVIe–XVIIIe siècle) (Paris: Inventaire général, 1990).

Baron, Helen, ‘Mary (Howard) Fitzroy’s Hand in the Devonshire Manuscript’, Review of English Studies, 45 (1994), 324–29.

Beal, Peter, A Dictionary of English Manuscript Terminology, 1450–2000 (Oxford: Oxford University Press, 2008).

Beckett, Samuel, Disjecta (New York: Grove Press, 1984).

Bédier, Joseph, ed., La Chanson de Roland (Paris: L’édition d’art, 1921).

Beilin, Elaine V., Redeeming Eve: Women Writers of the English Renaissance (Princeton: Princeton University Press, 1987).

Benedetto, Simone, Véronique Drai-Zerbib, Marco Pedrotti, Geoffrey Tissier and Thierry Baccino, ‘E-Readers and Visual Fatigue’, PLoS ONE, 8.12 (2013),,

Bergmann Loizeaux, Elizabeth and Neil Fraistat, eds., Reimagining Textuality: Textual Studies in the Late Age of Print (Madison: University of Wisconsin Press, 2002).

Berners-Lee, Tim, ‘Information Management: A Proposal’ (Geneva: CERN, 1989),

Bishop, Morris, Petrarch and his World (Bloomington: Indiana University Press, 1963).

Boase, Roger, The Origin and Meaning of Courtly Love: A Critical Study of European Scholarship (Manchester: Manchester University Press, 1977).

Boffey, Julia, ‘Women Authors and Women’s Literacy in Fourteenth- and Fifteenth-Century England’, in Women and Literature in Britain 1150–1500, ed. by Carol M. Meale (Cambridge: Cambridge University Press, 1996), pp. 159–82.

Bond, Edward A., ‘Wyatt’s Poems’, Athenaeum, 27 (1871), 654–55.

Bonnat, Jean-Louis, Mireille Bossis and Hélène Girard, eds., Les correspondances: Problématiques et économie d’un ‘genre littéraire’: Écrire, publier, lire: Actes du Colloque international Les Correspondances (Nantes: Université de Nantes, 1983).

Boot, Peter and Joris van Zundert, ‘The Digital Edition 2.0 and The Digital Library: Services, not Resources’, Digitale Edition und Forschungsbibliothek, Bibliothek und Wissenschaft, 44 (2011), 141–52,

Borgman, Christine L, Scholarship in the Digital Age: Information, Infrastructure, and the Internet (Cambridge, MA: MIT Press, 2007).

―, 'The Digital Future Is Now: A Call to Action for the Humanities’, Digital Humanities Quarterly, 3 (2009),

Bowers, Fredson, Principles of Bibliographical Description (Princeton: Princeton University Press, 1949).

―, ‘Principle and Practice in the Editing of Early Dramatic Texts’, in Textual and Literary Criticism: The Sandars Lectures in Bibliography 1957–1958 (Cambridge: Cambridge University Press, 1966), pp. 117–50.

Brumfield, Ben, ‘The Collaborative Future of Amateur Editions’, Collaborative Manuscript Transcription, 2013,

Bryant, John, The Fluid Text: A Theory of Revision and Editing for Book and Screen (Ann Arbor: University of Michigan Press, 2002).

Buckland, Michael, ‘What Is a “Document”?’, Journal of the American Society of Information Science, 48 (1997), 804–09.

Burgio, Eugenio et al., eds., Giovanni Battista Ramusio ‘editor’ del ‘Milione’: Trattamento del testo e manipolazione dei modelli: Atti del seminario di ricerca, Venezia, 9–10 settembre 2010 (Rome/Padua: Antenore, 2011).

Burke, Mary E., Jane Donawerth, Linda L. Dove and Karen Nelson, eds., Women, Writing, and the Reproduction of Culture in Tudor and Stuart Britain (Syracuse, NY: Syracuse University Press, 2000).

Burnley, David, Courtliness and Literature in Medieval England (London: Longman, 1998).

Bush, Vannevar, ‘As We May Think’, The Atlantic (July 1945), 112–24.

Buzzetti, Dino, ‘Digital Edition and Text Processing’, in Text Editing, Print, and the Digital World, ed. by Marilyn Deegan and Kathryn Sutherland (Farnham: Ashgate, 2009), pp. 45–61.

Buzzoni, Marina, ‘Uuarth thuo the hêlago gêst that barn an ira bôsma: Towards a Scholarly Electronic Edition of the Hêliand’, in Medieval Texts—Contemporary Media: The Art and Science of Editing in the Digital Age, ed. by Maria Grazia Saibene and Marina Buzzoni (Pavia: Ibis, 2009), pp. 35–55.

―, ‘The “Electronic Heliand Project”: Theoretical and Practical Updates’, in Linguistica e filologia digitale: Aspetti e progetti, ed. by Paola Cotticelli Kurras (Alessandria: Edizioni dell’Orso, 2011), pp. 55–68.

Buzzoni, Marina and Eugenio Burgio, ‘The Italian “Third Way” of Editing Between Globalization and Localization’, in Internationalität und Interdisziplinarität der Editionswissenschaft, Beihefte zu Editio 38, ed. by Michael Stolz and Yen-Chun Chen (Berlin: Walter de Gruyter, 2014), pp. 171–80.

Cammarota, Maria Grazia, ed., Freidank: L’indignazione di un poeta-crociato: I versi gnomici su Acri (Rome: Carocci Editore, 2011).

Carlquist, Jonas, ‘Medieval Manuscripts, Hypertext and Reading: Visions of Digital Editions’, Literary and Linguistic Computing, 19 (2004), 105–18,

Carpenter, David, Louise Wilkinson, David Crook and Harold Short, eds., Henry III Fine Rolls Project (London: King’s College London, 2009–2013),

Cerquiglini, Bernard, Éloge de la variante: Histoire critique de la philologie (Paris: Seuil, 1989).

―, In Praise of the Variant: A Critical History of Philology, trans. by Betsy Wing (Baltimore, MD: The Johns Hopkins University Press, 1999).

Chernaik, Warren L., Marilyn Deegan and Andrew Gibson, eds., Beyond the Book: Theory, Culture, and the Politics of Cyberspace, (Oxford: Office for Humanities Communication, 1996).

Ciula, Arianna and Francesco Stella, eds., Digital Philology and Medieval Texts (Pisa: Pacini editore, 2006).

Clark, Andy, Supersizing the Mind: Embodiment, Action, and Cognitive Extension (Oxford: Oxford University Press, 2008).

―, ‘Embodied, Embedded, and Extended Cognition’, in The Cambridge Handbook of Cognitive Science, ed. by Keith Frankish and William M. Ramsey (Cambridge: Cambridge University Press, 2012), pp. 275–91.

Clark, Andy and David J. Chalmers, ‘The Extended Mind’, Analysis, 58 (1998), 10–23.

Clarke, Elizabeth, ‘Women’s Manuscript Miscellanies in Early Modern England’, in Teaching Tudor and Stuart Women Writers, ed. by Susanne Woods and Margaret P. Hannay (New York: Modern Languages Association, 2000), pp. 52–60.

Contini, Gianfranco, ‘La critica testuale come studio di strutture’, in La critica del testo: Atti del II Congresso Internazionale della Società Italiana di Storia del Diritto, 2 vols. (Florence: Olschki, 1971), I, 11–23.

―, ‘Filologia’, in Enciclopedia del Novecento, 7 vols. (Rome: Istituto della Enciclopedia Italiana, 1975–1984), II, 954–72.

―, Breviario di ecdotica (Turin: Einaudi, 1990; 1st ed. 1986).

Crane, Greg, ‘Give Us Editors! Re-inventing the Edition and Re-thinking the Humanities’, in The Shape of Things to Come, ed. by Jerome J. McGann (Houston: Rice University Press, 2010), pp. 81–97,

Culkin, John M., SJ, ‘A Schoolman’s Guide to Marshall McLuhan’, Saturday Review (18 March 1967), pp. 51–53, 71–72.

Daalder, Joost, ed., Sir Thomas Wyatt: Collected Poems (Oxford: Oxford University Press, 1975).

Dahlström, Mats, ‘Digital Incunabules: Versionality and Versatility in Digital Scholarly Editions’, in ICCC/IFIP Third Conference on Electronic Publishing 2000, Kaliningrad State University, Kaliningrad/Svetlogorsk, Russia, 17th–19th August 2000 (Washington: ICCC Press, 2000),

―, ‘How Reproductive is a Scholarly Edition?’, Literary and Linguistic Computing, 19 (2004), 17–33,

―, Under utgivning: Den vetenskapliga utgivningens bibliografiska funktion (Borås: Valfrid, 2006).

―, ‘The Compleat Edition’, in Text Editing, Print and the Digital World, ed. by Marilyn Deegan and Kathryn Sutherland (Farnham: Ashgate, 2009), pp. 27–44.

―, ‘Critical Editing and Critical Digitization’, in Text Comparison and Digital Creativity: The Production of Presence and Meaning in Digital Text Scholarship, ed. by Ernst Thoutenhoofd, Adrian van der Weel and Willem Th. van Peursen (Amsterdam: Brill, 2010), pp. 79–97.

Daisne, Johan, De Trein der Traagheid, ed. by Xavier Roelens, Edward Vanhoutte and Ron Van der Branden (Gent: Centrum voor Teksteditie en Bronnenstudie, 2012),

Debray Genette, Raymonde, ‘Génétique et poétique: Le cas Flaubert’, Essais de critique génétique, ed. by Louis Hay (Paris: Flammarion, 1979), pp. 21–67,

Deegan, Marilyn and Kathryn Sutherland, Transferred Illusions: Digital Technology and the Forms of Print (Farnham: Ashgate, 2009).

Dennett, Daniel C., Consciousness Explained (London: Penguin, 1991).

De Robertis, Domenico, ‘Problemi di filologia delle strutture’, in La critica del testo: Problemi di metodo ed esperienze di lavoro: Atti del Convegno di Lecce 1984 (Rome: Salerno editrice, 1985), pp. 383–404.

DeZur, Kathryn, ‘“Vaine Books” and Early Modern Women Readers’, in Reading and Literacy in the Middle Ages and Renaissance, ed. by Ian Frederick Moulton (Turnhout: Brepols, 2004), pp. 105–25.

Driscoll, Matthew James, ‘The Words on the Page: Thoughts on Philology, Old and New’, in Creating the Medieval Saga: Versions, Variability, and Editorial Interpretations of Old Norse Saga Literature, ed. by Judy Quinn and Emily Lethbridge (Odense: University Press of Southern Denmark, 2010), pp. 85–102.

Duggan, Hoyt N., ‘1994 Prospectus: Archive Goals’, The Piers Plowman Electronic Archive (1994–2003),

DuRietz, Rolf E., Den tryckta skriften: Termer och begrepp: grunderna till bibliografin: för biblioteken och antikvariaten, för bibliografer och textutgivare, för bokhistoriker och boksamlare (Uppsala: Dahlia Books, 1999).

Ebbinghaus, Ernst A., ed., Althochdeutsches Lesebuch, ed. by Wilhelm Braune and Karl Helm, 17th ed. by Ernst A. Ebbinghaus (Tübingen: Max Niemeyer Verlag, 1994).

Edwards, Paul N., ‘Hyper Text and Hypertension: Post-Structuralist Critical Theory: Social Studies of Science, and Software’, Social Studies of Science, 24 (1994), 229–78.

Eggert, Paul, ‘Text-Encoding, Theories of the Text, and the “Work-Site”’, Literary and Linguistic Computing, 20 (2005), 425–35,

Eisenstein, Elizabeth L., The Printing Press as an Agent of Change (Cambridge: Cambridge University Press, 1982).

Elliott, Tom et al., EpiDoc Guidelines: Ancient documents in TEI XML (Version 8) (2007–2013),

Ellis, David, ‘Modeling the Information-Seeking Patterns of Academic Researchers: A Grounded Theory Approach’, The Library Quarterly, 63 (1993), 469–86,

Ezell, Margaret J. M., Writing Women’s Literary History (Baltimore: The Johns Hopkins University Press, 1993).

―, Social Authorship and the Advent of Print (Baltimore: The Johns Hopkins University Press, 1999).

―, ‘Women and Writing’, in A Companion to Early Modern Women’s Writing, ed. by Anita Pacheco (Oxford: Blackwell, 2002), pp. 77–94.

Ferrari, Fulvio and Massimiliano Bampi, eds., Storicità del testo, Storicità dell’edizione (Trento: Dipartimento di Studi Letterari, Linguistici e Filologici, 2009).

Ferrer, Daniel, ‘Towards a Marginalist Economy of Textual Genesis’, Variants: The Journal of the European Society for Textual Scholarship, 2–3 (2004), 7–18.

Finneran, Richard J., ed., The Literary Text in the Digital Age (Ann Arbor: University of Michigan Press, 1996).

Fiormonte, Domenico and Cinzia Pusceddu, ‘The Text as a Product and as a Process: History, Genesis, Experiments’, in Manuscript, Variant, Genese—Genesis, ed. by Edward Vanhoutte and Marcel de Smedt (Gent: KANTL, 2006), pp. 109–28,

Fischer, Franz, ‘About the HyperStack’, St. Patrick’s Confessio, 2011,

Fitzpatrick, Kathleen, ‘CommentPress: New (Social) Structures for New (Networked) Texts’, Journal of Electronic Publishing, 10.3 (2007),

Folsom, Ed and Kenneth M. Price, eds., The Walt Whitman Archive (University of Nebraska-Lincoln: Center for Digital Research in the Humanities, 1995–),

Fox, Alistair, Politics and Literature in the Reigns of Henry VII and Henry VIII (Oxford: Basil Blackwell, 1989).

Foxwell, Agnes K., ed., The Poems of Sir Thomas Wiat (London: University of London Press, 1913).

Foys, Martin K., ed., Bayeux Tapestry [CD-ROM] (Woodbridge: Scholarly Digital Editions, 2002).

Gabler, Hans Walter, ‘Das wissenschaftliche Edieren als Funktion der Dokumente’, Jahrbuch für Computerphilologie, 8 (2006), 55–62,

―, ‘The Primacy of the Document in Editing’, Ecdotica, 4 (2007), 197–207.

―, ‘Theorizing the Digital Scholarly Edition’, Literature Compass, 7 (2010), 43–56,

―, ‘Thoughts on Scholarly Editing’, Journal of Literary Theory (2011),;

Galison, Peter, ‘Trading with the Enemy’, in Trading Zones and Interactional Expertise: Creating New Kinds of Collaboration, ed. by Michael E. Gorman (Cambridge, MA: MIT Press, 2010), pp. 25–52.

Garnett, Fred and Nigel Ecclesfield, ‘Towards a Framework for Co-Creating Open Scholarship’, Research in Learning Technology, 19 (2012),

Gellhaus, Axel, ‘Marginalia: Paul Celan as Reader’, in Reading Notes, Special Issue of Variants: The Journal of the European Society for Textual Scholarship, ed. Dirk Van Hulle and Wim van Mierlo, 2–3 (2004), 207–19.

Genette, Gérard, Palimpsests: Literature in the Second Degree, trans. by Channa Newman and Claude Doubinsky (Lincoln: University of Nebraska Press, 1997).

―, Paratexts: Thresholds of Interpretation, trans. by Jane E. Lewin (Cambridge: Cambridge University Press, 1997).

Gervais, Bertrand, ‘Is There a Text on This Screen? Reading in an Era of Hypertextuality’, in Companion to Digital Literary Studies, ed. by Ray Siemens and Susan Schreibman (Oxford: Blackwell, 2008), pp. 183–201,

Geymonat, M., ed., P. Vergili Maronis opera, 2nd ed. (Rome: Edizioni di storia e letteratura, 2008).

Gontarski, S. E., ‘Greying the Canon: Beckett in Performance’, in Beckett After Beckett, ed. by S. E. Gontarski and Anthony Uhlman (Gainesville: University Press of Florida, 2006), pp. 141–57.

Gorman, Michael E., Lekelia D. Jenkins and Raina K. Plowright, ‘Human Interactions and Sustainability’, in Sustainability: Multi-Disciplinary Perspectives, ed. by Heriberto Cabezas and Urmila Diwekar (Sharjah: Bentham Science Publishers, 2012), pp. 88–111.

Grafton, Anthony, The Culture of Correction in Renaissance Europe (Panizzi Lectures) (London: British Library, 2011).

Greetham, David, ‘Editorial and Critical Theory: From Modernism to Postmodernism’, in Palimpsest: Editorial Theory in the Humanities, ed. by George Bornstein and Ralph G. Williams (Ann Arbor, University of Michigan Press, 1993), pp. 9–28.

―, Textual Scholarship: An Introduction (New York: Garland, 1994).

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Grésillon, Almuth, Eléments de critique génétique: Lire les manuscrits modernes (Paris: Presses universitaires de France, 1994).

Guyotjeannin, Olivier, ed., Conseils pour l’édition de textes médiévaux, 3 vols. (Paris: CTHS, 2003–2014).

Haentjens Dekker, Ronald, Dirk Van Hulle, Gregor Middell, Vincent Neyt and Joris van Zundert, ‘Computer Supported Collation of Modern Manuscripts: CollateX and the Beckett Digital Manuscript Project’, Digital Scholarship in the Humanities, 25 (2014), 1–19,

Hannay, Margaret P., ed., Silent but for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works (Kent, OH: Kent State University Press, 1985).

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―, The Canon of Sir Thomas Wyatt’s Poetry (Cambridge, MA: Harvard University Press, 1975).

Haselkorn, Anne M. and Betty S. Travitsky, eds., The Renaissance Englishwoman in Print: Counterbalancing the Canon (Amherst: University of Massachusetts Press, 1990).

Hassner, Tal, Malte Rehbein, Peter A. Stokes and Lior Wolf, ‘Computation and Palaeography: Potentials and Limits: Manifesto from Dagstuhl Perspectives Workshop 12382’, Dagstuhl Manifestos, 2 (2013), 14–35,

Haugen, Odd Einar, ‘The Spirit of Lachmann, the Spirit of Bédier: Old Norse Textual Editing in the Electronic Age’, in Annual Meeting of The Viking Society, University College London, 8 (2002), pp. 1–21,

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―, Wyatt, Surrey and Early Tudor Poetry (London: Longman, 1998).

―, ‘“Desiring Women Writing”: Female Voices and Courtly “Balets” in Some Early Tudor Manuscript Albums’, in Early Modern Women’s Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium, ed. by Victoria Elizabeth Burke and Jonathan Gibson (Farnham: Ashgate, 2004), pp. 9–31.

―, ed., The Devonshire Manuscript: A Women’s Book of Courtly Poetry (Toronto: Centre for Reformation and Renaissance Studies, 2012).

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Herman, David, ‘Re-Minding Modernism’, in The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English, ed. by David Herman (Lincoln: University of Nebraska Press, 2011), pp. 243–71.

―, ‘Narrative and Mind: Directions for Inquiry’, in, Stories and Minds: Cognitive Approaches to Literary Narrative, ed. by Lars Bernaerts, Dirk De Geest, Luc Herman and Bart Vervaeck (Lincoln: University of Nebraska Press, 2013), pp. 199–209.

Heuvel, Charles van den, ‘Circulation of Knowledge in the Digital Republic of Letters: Making Correspondences of Manuscripts and Printed Editions Accessible for Research’,

Heuvel, Charles van den and W. Boyd Rayward, ‘Facing Interfaces: Paul Otlet’s Visualizations of Data Integration’, Journal of the American Society for Information Science and Technology, 62 (2011), 2313–26.

Hockey, Susan, ‘The History of Humanities Computing’, in A Companion to Digital Humanities, ed. by Susan Schreibman, Ray Siemens and John Unsworth (Oxford: Blackwell, 2004), pp. 3–19,

―, Electronic Texts in the Humanities (Oxford: Oxford University Press, 2010).

Hutto, Daniel D. and Erik Myin, Radicalizing Enactivism: Basic Minds without Content (Cambridge, MA: MIT Press, 2013).

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Jannidis, Fotis, ‘Digital Editions in the Net: Perspectives for Scholarly Editing in a Digital World’, in Beyond the Screen: Transformations of Literary Structures, Interfaces and Genre, ed. by Jörgen Schäfer and Peter Gendolla (Bielefeld: Transcript Verlag, 2010), pp. 543–60.

Jessop, Martin, ‘The Inhibition of Geographical Information in Digital Humanities Scholarship’, Literary and Linguistic Computing, 23 (2008), 39–50,

Jockers, Matthew L., Macroanalysis: Digital Methods and Literary History (Urbana-Champaign: University of Illinois Press, 2013).

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Karlsson, Lina and Linda Malm, ‘Revolution or Remediation? A Study of Electronic Scholarly Editions on the Web’, Human IT, 7.1 (2004), 1–46,

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Kiernan, Kevin S., ‘Digital Preservation, Restoration, and Dissemination of Medieval Manuscripts’, in Gateways, Gatekeepers, and Roles in the Information Omniverse: Proceedings of the Third Symposium, ed. by Ann Okerson and Dru Mogge (Washington, DC: Office of Scientific and Academic Publishing, Association of Research Libraries, 1994), pp. 37–43.

―, ed., The Electronic Beowulf (London: British Library, 1999/2013) [CD-ROM].

Kirschenbaum, Matthew, Mechanisms: New Media and the Forensic Imagination (Cambridge, MA: MIT Press, 2008).

―, ‘What Is Digital Humanities and What’s It Doing in English Departments?’, in Debates in the Digital Humanities, ed. by Matthew K. Gold (Minneapolis: University of Minnesota Press, 2012), pp. 3–11,

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―, ‘Tekst og værk—et begrebseftersyn’, in Betydning & forståelse: Festskrift til Hanne Ruus, ed. by Dorte Duncker, Anne Mette Hansen and Karen Skovgaard-Petersen (Copenhagen: Selskab for nordisk filologi, 2013), pp. 65–76.

Krippendorf, Klaus, Content Analysis: An Introduction to Its Methodology, 2nd ed. (Thousand Oaks, CA: Sage, 2004).

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―, Hypertext 3.0: Critical Theory and New Media in an Era of Globalization (Baltimore: The Johns Hopkins University Press, 2006).

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―, ‘Access’, Literary and Linguistic Computing, 24 (2009), 63–76,

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―, ‘Quale edizione-nel-tempo (Contini) per i documenti e i testi germanici nel ventunesimo secolo?’, in Storicità del testo, Storicità dell’edizione, ed. by Fulvio Ferrari and Massimiliano Bampi (Trento: Dipartimento di Studi Letterari, Linguistici e Filologici, 2009), pp. 11–22.

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―, ed., The Complete Writings and Pictures of Dante Gabriel Rossetti: A Hypermedia Research Archive (Charlottesville, VA: Institute for Advanced Technology in the Humanities, 2000–),

―, ‘Electronic Archives and Critical Editing’, Literature Compass, 7.2 (2010), 37–42.

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