Index
Arendt, Hannah 90
armed forces 5, 26, 59, 73, 79, 91, 93, 94, 100–102, 107, 109, 112, 149, 151, 176, 178
Atkinson, Paul 71
auto-ethnography 4, 8–11, 32, 109, 187, 188
Balfour, Michael 3, 30, 41, 44, 49, 51, 55–58, 60, 83, 85, 126, 139, 151
Beckett, Samuel 107
bell hooks (Gloria Jean Watkins) 71
Bhand Pather 112
Bianchi, Marina 130
Boal, Augusto 18, 37, 45, 79, 115, 153
Brayboy, Bryan M. 71
Browning, Christopher 89
Burnier, DeLysa 10
child soldiers 6, 23, 33, 34, 91, 170
cognitive neuroscience 117
Construal Level Theory (CLT) 153, 156
Das, Veena 97
Denzin, Norman K. 4, 9, 11, 21, 42
Deyhle, Donna 71
Diaspora 5, 7, 24, 25, 27, 63, 67, 120, 121, 184
Di Benedetto, Stephen 131
Documentary Theatre 7, 57, 100, 104, 113, 116, 120, 149
elaborative rehearsal 160, 161, 165
Erdemir, Aykan 67
Ergun, Ayça 67
focus on timeline 29, 39–41, 44–47, 54, 75, 169
Förster, Jens 117–120, 122, 131–133, 152, 153
Forsyth, Alison 57
Forum Theatre 18, 37, 79, 153, 170, 182
Friedman, Ronald S. 120, 122, 131
Gambaro, Griselda 18, 19, 133, 134, 162
Gillebaart, Marleen 117, 118, 120
Ginters, Laura 51, 140, 157, 158
Giwa, Aisha 71
Gordon, Peter C. 132
grey zones 5, 12, 18, 95, 97, 98, 100–106, 117, 132–136, 144, 146, 148, 150, 156, 159, 172, 175, 176, 178, 182, 188
Guatemala 3, 5, 6, 12, 17, 22, 23, 88, 97, 107, 141, 142, 188
Hammersley, Martyn 71
Haseman, Brad 16
Haupt, Paul 89, 90, 96, 97, 105
Higgins, E. Tory 133
Holyoak, Keith J. 132
Hughes, Jenny 3, 41, 44, 55, 56, 57, 58, 60, 83, 126, 139, 151
Immersive Theatre 18, 19, 110, 112, 131
Information for Foreigners (IFF) (Performance, 2015) 18, 19, 133, 134, 135, 156–162, 165, 169, 171, 172, 186
information gaps 132, 133, 136, 146, 152, 180
insider-outsider hyphen 71, 75, 76, 80, 82, 174
intention/response interactions 50, 52, 75, 170, 172
Kashmir 3, 5, 7, 8, 14, 15, 19, 26, 43, 48, 72, 73, 74, 75, 80, 81, 88, 93, 94, 95, 97, 98–102, 112, 126, 127, 129, 133–135, 147–151, 155–160, 162, 164, 165, 169, 171, 172, 176, 177, 180, 186, 188
Kenya 3, 5, 7, 15, 22, 25, 47, 113, 120, 121, 122, 188
Khan, Shahnaz 71
Kincheloe, Joe L. 11
Lecomte, Frederique 58, 83, 101
Mamdani, Mahmood 87
Marinis, Marco de 111, 119, 120
McLaren, Peter 11
McNiff, Shaun 41
Megson, Chris 57
memorial afterlife 51, 52, 54, 78, 106, 132, 135, 144, 145, 146, 150, 157, 160, 161, 169, 170, 179, 186
Menon, Jisha 112
Meri Kahani Meri Zabani (MKMZ) (Performance, 2014) 124–129, 125, 127, 129, 132, 133, 149, 153
Mexico 3, 5, 7, 8, 15, 22, 25, 43, 47, 69, 70, 77, 110, 172
Meyer, Leonard B. 132
militants/ex-militants 5, 100–104, 124, 125, 128, 129, 149, 151, 153
Mitra, Shoyoni 29
mood and coping potential 122, 124
Morrison, Toni 9
Nagaland 3, 5, 7, 13, 26, 47, 79, 80, 81, 188
Non-Governmental Organizations (NGOs) 35, 36, 46–48, 52, 62, 63, 67, 77, 149, 150
Northern Ireland 3, 5, 6, 12, 17, 24, 88, 97, 107, 188
northern Uganda 2, 3, 5, 11, 12, 14, 17, 22, 23, 32, 33, 34, 36, 37, 38, 43, 46, 49, 52, 88, 91, 106, 170, 188
Notes from the field 1, 5, 11, 17, 23, 32, 46, 53, 62, 69, 72, 79, 88, 93, 99, 107, 114, 120, 124, 133, 141, 147, 155, 162, 168, 173, 177, 181, 188
novelty 18, 19, 20, 22, 43, 111, 113, 117–124, 127–137, 143–146, 149, 150, 151, 152, 153, 167, 172, 179–182
Novelty Categorization Theory 117, 118, 131
post-process/post-performance outcomes 41, 44, 45, 46, 54, 75, 78
primary action 29, 38, 39, 40, 54, 169
process-based spectatorship 42, 43, 44, 52, 131, 132, 136, 157, 159, 161, 165, 180
Promenade Theatre 19, 116, 122
Pune (India) 107
Rwanda 3, 5–7, 12–17, 20, 22, 24, 26, 46–48, 62–67, 69, 76, 80, 88, 97, 113–116, 120, 122, 144, 148, 154, 173, 174, 181, 185, 188
Sagristano, Michael D. 153, 154
Sarukkai, Sundar 31, 59, 60, 68
Schechner, Richard 44
Scheper-Hughes, Nancy 97
Schinina, Guglielmo 32
Silvia, Paul J. 123
Sircar, Badal 29
Site-specific Theatre 19, 116, 126
temporal distance 20, 152, 154, 181
temporal zones 140, 143, 147, 148, 149, 150, 151, 164, 168, 180
Theatre for Development 3, 5, 14
Theatre for Social Change 14, 17, 18
Theatre of the Oppressed 18, 37, 111, 113, 115, 153, 179
The Question Mark (Performance, 2008) 64, 114, 115
Thompson, James 3, 11, 30, 38, 40, 41, 44, 49–52, 55–58, 60, 83, 87, 108, 112, 117, 118, 126, 139, 151
Trade Winds (Performance, 2010) 120, 121
United States 2, 12, 37, 57, 72, 110, 112, 141, 172, 182
Villenas, Sofia 71
Visweswaran, Kamala 11
Voyage Pas Comme Les Autres Sur Les Chemins De L’Exil, Un 18, 19, 106, 110
Waiting… (Performance, 2013) 107, 109
Werth, Lioba 133
What (Strategy). See novelty
When (Strategy). See temporal zones, temporal distance, process-based spectatorship
Where (Strategy). See insider-outsider hyphen
Who (Strategy). See grey zones
Why (Strategy). See primary action, focus on timeline, intention/response interactions