For the default editions and translations of Dante’s works, see ‘Editions Followed and Abbreviations’
Accardo, Salvatore, ‘Il canto xii del Purgatorio’, L’Alighieri 26 (1985), 6–20.
—, ‘Il canto XIII del “Purgatorio”’, in Purgatorio. Letture degli anni 1976–’79 (Rome: Bonacci, 1981), pp. 263–81.
—, Capitoli Danteschi (Rome: Bonacci, 1976).
Ahern, John, ‘What did the First Copies of the Comedy Look Like?’, in Dante for the New Millennium, ed. by Teodolinda Barolini and H. Wayne Storey (New York: Fordham University Press, 2003), pp. 1–15.
Alighieri, Dante, Commedia, ed. by Anna Maria Chiavacci Leonardi, 3 vols (Milan: Mondadori, 1991–1997).
—, ‘La Commedia’ secondo l’antica vulgata, ed. by Giorgio Petrocchi, 4 vols, 2nd rev. edn (Florence: Le Lettere, 1994).
—, La Divina Commedia, ed. by G. A. Scartazzini, 6th edn, rev. by G. Vandelli (Milan: Hoepli, 1911).
—, La Divina Commedia, ed. by Umberto Bosco and Giovanni Reggio, 3 vols (Florence: Le Monnier, 2002).
—, The Divine Comedy, trans. by Robert Hollander and Jean Hollander, 3 vols (New York: Doubleday, 2000–2007).
—, The Divine Comedy 3: Paradise, trans. by Dorothy L. Sayers and Barbara Reynolds (Harmondsworth: Penguin, 1962).
—, The Divine Comedy of Dante Alighieri, ed., trans. and notes by Robert M. Durling and Ronald L. Martinez, 3 vols (Oxford: Oxford University Press, 1996–2011).
—, The Divine Comedy, trans. and comm. by Charles Singleton (Princeton, NJ: Princeton University Press, 1970–1976).
—, Convivio, ed. by Franca Brambilla Ageno (Florence: Le Lettere, 1995).
—, ‘Il Convivio’, trans. by Richard H. Lansing (New York: Garland, 1990).
—, Il Convivio, ed. by Maria Simonelli (Bologna: Pàtron, 1966).
—, Monarchia, ed. by Paolo Chiesa and Andrea Tabarroni with the collaboration of Diego Ellero (Rome: Salerno Editrice, 2013).
—, Opere. Rime, Vita Nova, De vulgari eloquentia, ed. by Claudio Giunta, Guglielmo Gorni and Mirko Tavoni (Milan: Mondadori, 2011).
—, Rime, ed. by Domenico De Robertis (Florence: Edizioni del Galluzzo, 2005).
—, The Vision: Or, Hell, Purgatory, and Paradise, of Dante Alighieri, trans. by Henry F. Cary (London: Taylor and Hessey, 1814).
—, De vulgari eloquentia, ed. and trans. by Steven Botterill (Cambridge: Cambridge University Press, 1996).
Alighieri, Jacopo, Chiose alla Cantica dell’Inferno di Dante Alighieri, ed. by Giulio Piccini (Florence: Bemporad, 1915).
Alighieri, Pietro, Petri Allegherii super Dantis ipsius genitoris Comoediam Commentarium, nunc primum in lucem editum, ed. by Vincenzo Nannucci (Florence: Piatti, 1845).
Ambrosini, Riccardo, ‘Canto XVII’, in Lectura Dantis Turicensis. Paradiso, ed. by Georges Güntert and Michelangelo Picone (Florence: Cesati, 2002), pp. 243–64.
Angelini, Cesare, ‘Canto XIII’, in Lectura Dantis Scaligera. Inferno (Florence: Le Monnier, 1971), pp. 425–45.
Aquinas, St Thomas, Summa Theologiae, ed. by Thomas Gilby, 61 vols (Cambridge: Cambridge University Press, 2006).
Ardissino, Erminia, ‘“Ciascuna cosa qual ell’è diventa” (Pd. XX, 78). Metamorfosi e vita beata’, Lettere Italiane 63 (2011), 208–23.
—, L’umana commedia di Dante (Ravenna: Longo, 2016).
—, ‘Parodie liturgiche nell’Inferno’, Annali di Italianistica 25 (2007), 217–32.
Ariani, Marco, ‘Abyssus Luminis: Dante e la veste di luce’, Rivista di letteratura italiana 11 (1993), 9–71.
—, ‘Canti xxi–xxii. La dolce sapienza di Stazio’, in Esperimenti danteschi. Purgatorio 2009, ed. by Benedetta Quadrio (Genoa: Marietti, 2010), pp. 197–224.
—, Lux inaccessibilis. Metafore e teologia della luce nel ‘Paradiso’ di Dante (Rome: Aracne, 2010).
Armour, Peter, ‘Dante’s Brunetto: The Paternal Paterine?’, Italian Studies 38 (1983), 1–38.
Ascoli, Albert Russell, Dante and the Making of a Modern Author (Cambridge: Cambridge University Press, 2008).
Auerbach, Erich, ‘Dante’s Addresses to the Reader’, Romance Philology 7 (1954), 268–78.
—, Dante Dichter der irdischen Welt (Berlin: de Gruyter, 1929); English translation as Dante, Poet of the Secular World, trans. by Ralph Manheim (Chicago, IL: University of Chicago Press, 1961).
Aurigemma, Marcello, ‘Il canto XIII del “Paradiso”’, in Nuove letture dantesche (Florence: Le Monnier, 1973), VI, pp. 129–46.
—, ‘Osservazioni sulla trasformazione dantesca di episodi classici nel canto degli indovini’, in Miscellanea di studi danteschi in memoria di Silvio Pasquazi, 2 vols (Naples: Federico Ardia 1993), I, pp. 3–9.
—, ‘Il canto XII del “Purgatorio”’, in Nuove letture dantesche (Florence: Le Monnier, 1970), IV, pp. 105–26.
Auxerre, William of, Summa Aurea, ed. Jean Ribaillier (Paris: Centre National de la Recherche Scientifique, 1980–87).
Avioz, M., ‘The Call for Revenge in Jeremiah’s Complaints (Jer. XI–XX)’, Vetus Testamentum 55.4 (2005), 429–38.
Azzetta, Luca, ‘Le chiose alla Commedia di Andrea Lancia, l’Epistola a Cangrande e altre questioni dantesche’, L’Alighieri 21 (2003), 5–76.
Baldassaro, Lawrence, ‘Inferno xii: The Irony of Descent’, Romance Notes 19.1 (1978), 98–103.
Baldelli, Ignazio, ‘Il canto XIII dell’“Inferno”’, in Nuove letture dantesche (Florence: Le Monnier, 1970), II, pp. 33–45.
Bambaglioli, Graziolo, Commento all’ “Inferno” di Dante, ed. by Luca Carlo Rossi (Pisa: Scuola Normale Superiore, 1998).
Barański, Zygmunt G., ‘Canto XIX’, in Lectura Dantis Turicensis. Inferno, ed. by Georges Güntert and Michele Picone (Florence: Cesati, 2000), pp. 259–75.
—, ‘Canto XXII’, in Lectura Dantis Turicensis. Paradiso, ed. by Georges Güntert and Michelangelo Picone (Florence: Cesati, 2002), pp. 339–62.
—, ‘Comedìa: Notes on Dante, the Epistle to Cangrande, and Medieval Comedy’, Lectura Dantis 8 (1991), 26–55.
—, Dante e i segni: saggi per una storia intellettuale di Dante Alighieri (Naples: Liguori, 2000), pp. 147–72.
—, ‘Language of Sin and Salvation: A Lectura of Inferno 18’, Bernardo Lecture Series 19 (Albany: State University of New York Press, 2014), pp. 1–38.
—, ‘The “Marvellous” and the “Comic”: Toward a Reading of Inferno xvi’, Lectura Dantis 7 (1990), 72–95.
—, ‘Significar per verba: Notes on Dante and Plurilingualism’, The Italianist 6 (1986), 5–18.
—, ‘Sole nuovo, luce nuova’. Saggi sul rinnovamento culturale in Dante (Turin: Scriptorium, 1996).
—, ‘Structural Retrospection in Dante’s Comedy: The Case of Purgatorio xxvii’, Italian Studies 41.1 (1986), 1–23.
—, ‘“Tres enim sunt materie dicendi…”: Some Observations on Medieval Literature, “Genre” and Dante, in Libri poetarum in quattuor species dividuntur, ed. by Zygmunt G. Barański, supplement to The Italianist 15 (1995), 9–60.
—, ‘Without Any Violence’, in Vertical Readings in Dante’s ‘Comedy’: Volume 1, ed. by George Corbett and Heather Webb (Cambridge: Open Book Publishers, 2015), pp. 181–202.
Barberi Squarotti, G., ‘Interpretazione della struttura del canto XX dell’Inferno’, Ateneo Veneto (1965), 273–302.
Barchiesi, M., ‘Catarsi classica e medicina dantesca. Dal canto XX dell’Inferno’, Letture Classensi 4 (1973), 9–124.
Barnes, John C., ‘Inferno XIII’, in Dante Soundings: Eight Literary and Historical Essays, ed. by David Nolan (Dublin: Irish Academic Press, 1981), pp. 28–58.
—, ‘Inferno Canto XXI’, Lectura Dantis Andreapolitana, University of St Andrews, 6 May 2011, http://lecturadantisandreapolitana.wp.st-andrews.ac.uk/video/inferno-canto-xxi
Barolini, Teodolinda, ‘Aristotle’s Mezzo, Courtly Misura, and Dante’s Canzone Le dolci rime: Humanism, Ethics, and Social Anxiety’, in Dante and the Greeks, ed. by Jan M. Ziolkowski (Cambridge, MA: Harvard University Press, 2014), pp. 163–79.
—, ‘Canto XX: True and False See-ers’, in Lectura Dantis: Inferno, ed. by Allen Mandelbaum, Anthony Oldcorn and Charles Ross (Berkley, CA: University of California Press, 1998), pp. 275–86.
—, Dante’s Poets: Textuality and Truth in the ‘Comedy’ (Princeton, NJ: Princeton University Press, 1984).
—, The Undivine ‘Comedy’: Detheologizing Dante (Princeton, NJ: Princeton University Press, 1992).
Battaglia Ricci, Lucia, ‘“Dice Isaia…”. Dante e il profetismo biblico’, in La Bibbia di Dante. Esperienza mistica, profezia e teologia biblica in Dante, ed. by Giuseppe Ledda (Ravenna: Centro Dantesco dei Frati Minori Conventuali, 2011), pp. 49–75.
—, ‘Scrittura sacra e “sacrato poema”’, in Dante e la Bibbia, ed. by Giovanni Barblan (Florence: Olschki, 1988).
Battistini, Andrea, ‘L’acqua della samaritana e il fuoco del poeta (Purg. xxi–xxii)’, Critica letteraria 20.74 (1992), 3–25.
—, ‘Canto XXI. L’incontro con Pier Damiano’, in Lectura Dantis Romana. Cento canti per cento anni. III. Paradiso. 2. Canti XVIII–XXXIII, ed. by Enrico Malato and Andrea Mazzucchi (Rome: Salerno, 2015), pp. 616–41.
—, ‘Canto XXI. La vocazione poetica di Stazio’, in Lectura Dantis Romana. Cento canti per cento anni. II. Purgatorio. 2. Canti XVIII–XXXIII, ed. by Enrico Malato and Andrea Mazzucchi (Rome: Salerno, 2015), pp. 621–51.
—, ‘“Rifeo troiano” e la riscrittura dantesca della storia’, Lettere Italiane 42 (1990), 26–50.
Becker, Christopher Bennet, ‘Justice Among the Centaurs’, Forum Italicum 18 (1984), 217–29.
Bellomo, Saverio, ‘Sul canto xxii dell’Inferno’, Filologia e critica 22 (1997), 20–36.
Benfell, V. Stanley, The Biblical Dante (Toronto: University of Toronto Press, 2011).
Bernabei, Bruno, ‘Libertà’, in Enciclopedia Dantesca (Rome: Istituto della Enciclopedia Italiana Treccani, 1971), III, cols. 641–43.
Berquist, J. L., ‘Prophetic Legitimation in Jeremiah’, Vetus Testamentum 39 (1989), 129–39.
Biblia Sacra. Iuxta vulgatam versionem, ed. by B. Fischer, R. Weber, R. Gryson, et al., 4th rev. edn (Stuttgart: Deutsche Bibelgesellschaft, 1994).
Bigi, Emilio, Forme e significati nella Divina Commedia (Bologna: Cappelli, 1981).
Blasucci, Luigi, ‘Sul canto come unità testuale’ in Leggere Dante, ed. by Lucia Battagia Ricci (Ravenna: Longo, 2003), pp. 25–38.
Boadt, L., ‘The Poetry of Prophetic Persuasion’, The Catholic Biblical Quarterly 59 (1997), 1–21.
Boccaccio, Giovanni, Esposizioni sopra la Comedia di Dante, ed. by Giorgio Padoan (Milan: Mondadori, 1965).
Boitani, Piero, ‘Inferno Canto XX’, Lectura Dantis Andreapolitana, University of St Andrews, 6 May 2011, http://lecturadantisandreapolitana.wp.st-andrews.ac.uk/video/inferno-canto-xx
Bongo, Pietro, Mysticae numerorum significationis liber, 2 vols (Bergamo: Comino Ventura, 1585).
—, Numerorum mysteria (Bergamo: Comino Ventura, 1591).
Bonora, Ettore, ‘Da De Sanctis a Spitzer: il canto XIII dell’Inferno’, in Interpretazioni Dantesche (Modena: Mucchi Editore, 1988), pp. 51–66.
Borzi, Italo, ‘Il Canto xii dell’Inferno’, in Inferno. Letture degli anni 1973–’76 (Rome: Bonacci, 1977), pp. 293–318.
Bosco, Umberto, ‘Il ludo dantesco dei barattieri’, in Essays in Honour of John Humphreys Whitfield, ed. by H. C. Davis, D. G. Rees, J. M. Hatwell and G. W. Slowey (London: St George’s, 1975), pp. 30–40.
—, ‘Il canto dei centauri’, in Dante vicino (Rome: Sciascia, 1966), pp. 237–54.
Botterill, Steven, ‘Dante’s Poetics of the Sacred Word’, in Philosophy and Literature 20 (1996), 154–62.
—, ‘The Form of Dante’s Minotaur’, Forum Italicum 22 (1988), 60–73.
Boyde, Patrick, ‘Inferno XIII’, in Cambridge Readings in Dante’s Comedy, ed. by Kenelm Foster and Patrick Boyde (Cambridge: Cambridge University Press, 1981), pp. 1–22.
Breschi, Giancarlo, ‘Inferno xii’, in Lectura Dantis Bononiensis, ed. by C. Galli and E. Pasquini (Bologna: Bononia University Press, 2012), II, pp. 157–82.
Brilli, Elisa, ‘I romani virtuosi del Convivio. Lettori e modalità di lettura del De civitate Dei di Agostino nei primi anni del Trecento’, in Il “Convivio” di Dante, ed. by Johannes Bartuschat and Andrea A. Robiglio (Ravenna: Longo, 2015), pp. 135–56.
—, Firenze e il profeta. Dante fra teologia e politica (Rome: Carocci, 2012).
Brownlee, Kevin, ‘Dante’s Transfigured Ovidian Models: Icarus and Daedalus in the Commedia’, in Rethinking the New Medievalism, ed. by Howard Bloch, Alison Calhoun, Jacqueline Cerquiglini-Toulet, Joachim Küpper and Jeanette Patterson (Baltimore, MD: Johns Hopkins University Press, 2014), pp. 162–80.
—, ‘Phaeton’s Fall and Dante’s Ascent’, Dante Studies 102 (1984), 135–44.
Brueggemann, Walter, The Theology of the Book of Jeremiah (Cambridge: Cambridge University Press, 2007).
Brummitt, Mark, ‘The Sublime Art of Prophetic Seeing: Aesthetics and the Word in the Book of Jeremiah’, in Beauty and the Bible: Toward a Hermeneutics of Biblical Aesthetics, ed. by Richard J. Bautch and Jean-Francois Racine (Atlanta, GA: Society of Biblical Literature, 2013), pp. 23–30.
Burgwinkle, Bill, ‘The Form of Our Desire: Arnaut Daniel and the Homoerotic Subject in Dante’s Commedia’, GLQ: A Journal of Lesbian and Gay Studies 10 (2004), 565–97, http://muse.jhu.edu/article/172920
Busnelli, Giovanni, L’Etica Nicomachea e l’ordinamento morale dell’Inferno di Dante (Bologna: Zanichelli, 1907).
Cahill, Courtney, ‘The Limitations of Difference in Paradiso XIII’s Two Arts: Reason and Poetry’, Dante Studies 114 (1996), 245–69.
Camozzi Pistoja, Ambrogio, ‘Profeta e satiro. A proposito di Inferno 19’, Dante Studies 134 (2015), 27–45.
—, ‘Il quarto del Convivio. O della satira’, Le Tre Corone 1 (2014), 27–53.
—, ‘Il Veglio di Creta alla luce di Matelda. Una lettura comparativa di Inferno xiv e Purgatorio xxviii’, The Italianist 29 (2009), 3–49.
Camporesi, Piero, Il paese della fame (Milan: Garzanti, 2000).
Canaccini, Federico, Al cuore del primo giubileo. Bonifacio VII e l’Antiquorum habet (Rome: Lateran University Press, 2016).
Carpi, Umberto, ‘La nobiltà di Dante (a proposito di Paradiso xvi)’, Rivista di letteratura italiana 8 (1990), 229–60.
Casadei, Alberto, Dante oltre la ‘Commedia’ (Bologna: Il Mulino, 2015).
Cassell, Anthony K., Dante’s Fearful Art of Justice (Toronto: Toronto University Press, 1984).
—, ‘Pier della Vigna’s Metamorphosis: Iconography and History’, in Dante, Petrarch, Boccaccio: Studies in the Italian Trecento in Honor of Charles S. Singleton, ed. by Aldo S. Bernardo and Anthony L. Pellegrini (Binghamton, NY: Medieval and Renaissance Texts and Studies, 1983), pp. 31–76.
Cavalcanti, Guido, Rime, ed. by Domenico De Robertis (Turin: Einaudi, 1986).
Cestaro, Gary, ‘Is Ulysses Queer?: The Subject of Greek Love in Inferno 15 and 26’, in Dante’s Plurilingualism: Authority, Vulgarization, Subjectivity, ed. by Sara Fortuna, Manuele Gragnolati and Jürgen Trabant (Oxford: Legenda, 2010), pp. 179–92.
—, ‘Pederastic Insemination, or Dante in the Grammar Classroom’, in The Poetics of Masculinity in Early Modern Italy and Spain, ed. by Gerry Milligan and Jane Tylus (Toronto: Center for Reformation and Renaissance Studies, 2010), pp. 41–73.
Chiamenti, Massimiliano, Dante Alighieri traduttore (Florence: Le Lettere, 1995).
Chiavacci Leonardi, Anna Maria, ‘Canto XXI’, in Lectura Dantis Neapolitana. Inferno, ed. by Pompeo Giannantonio (Naples: Loffredo, 1986), pp. 365–85.
Collins, Michael, ‘Virgil’s Digression and Dante’s Comedìa’, Dante Notes, 7 February 2016, https://www.dantesociety.org/node/99
Consoli, Andrea, ‘San Domenico quale fu nella realtà quale è nella poesia di Dante’, in Dante ecumenico (Naples: Conte, 1973), pp. 262–70.
Conte, Pietro, ‘Il canto XIII del “Purgatorio”’, in Nuove letture dantesche (Florence: Le Monnier, 1970), IV, pp. 129–48.
Contini, Gianfranco, ‘Dante come personaggio-poeta della Commedia’, in Varianti e altra linguistica. Una raccolta di Saggi (1938–1968) (Turin: Einaudi, 1970), pp. 319–62.
—, ‘Introduzione alle Rime di Dante’, in Varianti e altra linguistica. Una raccolta di Saggi (1938–1968) (Turin: Einaudi, 1970), pp. 319–34.
Corbett, George, Dante and Epicurus: A Dualistic Vision of Secular and Spiritual Fulfilment (Oxford: Legenda, 2013).
—, and Heather Webb, eds., Vertical Readings in Dante’s ‘Comedy’: Volume 1 (Cambridge: Open Book Publishers, 2015), http://dx.doi.org/10.11647/OBP.0066, https://doi.org/10.11647/obp.0066
Crimi, Giuseppe, ‘Canto XXII. Demonî e barattieri nella pece’, in Lectura Dantis Romana. Cento canti per cento anni. II. Inferno. 2. Canti XVIII–XXXIV, ed. by Enrico Malato and Andrea Mazzucchi (Rome: Salerno, 2013), pp. 708–39.
Curtius, Ernst Robert, European Literature and the Latin Middle Ages, trans. by Willard R. Trask (Princeton, NJ: Princeton University Press, 1953).
D’Ovidio, Francesco, Nuovi Studi Danteschi (Milan: Hoepli, 1907).
da Barberino, Francesco, I Documenti d’Amore, ed. by Marco Albertazzi (Lavis: La Finestra, 2008).
da Buti, Francesco, Commento di Francesco da Buti sopra La Divina Commedia di Dante Allighieri, ed. by Giannini Crescentino (Pisa: Fratelli Nistri, 1858–62).
da Imola, Benvenuto [Benevenuto Rambaldi da Imola], Comentum super Dantis Aldigherij Comoediam, nunc primum integre in lucem editum sumptibus Guilielmi Warren Vernon, ed. by Giacomo Filippo Lacaita, 5 vols (Florence: Barbèra, 1887).
da Pisa, Guido, Expositiones et glose. Declaratio super Comediam Dantis, ed. by Michele Rinaldi (Rome: Salerno, 2013).
—, Expositiones et Glose super Comediam Dantis, or Commentary on Dante’s Inferno, ed. by Vincenzo Cioffari (Albany, NY: State University of New York Press, 1974).
Dartmouth Dante Project, http://dantelab.dartmouth.edu/reader
Davis, Charles T., ‘Il buon tempo antico’, in Florentine Studies: Politics and Society in Renaissance Florence, ed. by Nicolai Rubinstein (Evanston, IL: Northwestern University Press, 1968), pp. 45–69.
De Angelis, Violetta, ‘Canti XIII–XIV–XV. Gli invidiosi e l’ingresso nella cornice dell’ira’, in Esperimenti danteschi. Purgatorio 2009, ed. by Benedetta Quadrio (Genoa: Marietti, 2010), pp. 135–46.
de Conches, Guillaume, Glosae in Iuvenalem, ed. by Bradford Wilson (Paris: Vrin, 1980).
de Houdenc, Raoul, The Songe d’Enfer of Raoul de Houdenc: An Edition Based on All the Extant Manuscripts, ed. by Madelyn Timmel Mihm (Tübingen: Niemeyer, 1984).
De Sanctis, Francesco, ‘Pier delle Vigne’, in Opere V. Lezioni e Saggi su Dante, ed. by Sergio Romagnoli, 2nd edn (Turin: Einaudi, 1967), pp. 353–68.
De Vivo, Arturo, ‘Canto XXII. “Per te poeta fui, per te cristiano”’, in Lectura Dantis Romana. Cento canti per cento anni. II. Purgatorio. 2. Canti XVIII–XXXIII, ed. by Enrico Malato and Andrea Mazzucchi (Rome: Salerno, 2015), pp. 652–86.
Deen Schildgen, Brenda, Dante and the Orient (Urbana, IL: University of Illinois Press, 2002).
Del Castello, Antonio, ‘Canto XIII. Il “re sufficïente” e la divina sapienza del governo’, in Lectura Dantis Romana. Cento Canti per Cento Anni. III. Paradiso 1. Canti I–XVII, ed. by Enrico Malato and Andrea Mazzucchi (Rome: Salerno, 2015), pp. 382–407.
—, Comedia di Dante degli Allaghieri col Commento di Jacopo della Lana bolognese, ed. by Luciano Scarabelli (Bologna: Tipografia Regia, 1866–67).
Desideri, Giovannella, ‘Quelli che vince, non colui che perde. Brunetto nell’immaginario Dantesco’, in A scuola con Ser Brunetto: Indagini sulla ricezione di Brunetto Latini dal Medioevo al Rinascimento, ed. by Irene Maffia Scariati (Florence: SISMEL, 2008), pp. 381–400.
Di Fonzo, Claudia, ‘“La dolce donna dietro a lor mi pinse / con un sol cenno su per quella scala” (Par. xxii, 100–01)’, Studi Danteschi 63 (1991), 141–75.
Di Pietro, Antonio, ‘Canto XII’, in Lectura Dantis Scaligera. Paradiso (Florence: Le Monnier, 1968), pp. 423–41.
Durling, Robert M., ‘Deceit and Digestion in the Belly of Hell’, in Allegory and Representation: Selected Papers from the English Institute, 1979–80, ed. by Stephen J. Greenblatt (Baltimore, MD: Johns Hopkins University Press, 1981), pp. 61–93.
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Fachard, Denis, ‘Canto XVI’, in Lectura Dantis Turicensis. Paradiso, ed. by Georges Güntert and Michelangelo Picone (Florence: Cesati, 2002), pp. 230–42.
Fallani, Giovanni, ‘Il canto xii dell’“Inferno”’, in Nuove letture dantesche (Florence: Le Monnier, 1968), II, pp. 17–31.
Fasani, Remo, ‘Canto XIII’, in Lectura Dantis Turicensis. Paradiso, ed. by Georges Güntert and Michelangelo Picone (Florence: Cesati, 2001), pp. 193–202.
Favati, Guido, ‘Osservazioni sul canto xii dell’Inferno dantesco’, in Studi in onore di Italo Siciliano (Florence: Olschki, 1966), pp. 423–36.
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Federzoni, Giovanni, Rispondenze fra il canto XIII. dell’Inferno e il XIII. del Purgatorio. Una noterella sulla espressione dantesca Savia non fui (Bologna: Zanichelli, 1904).
Fenzi, Enrico, ‘Ancora a proposito dell’argomento barberiniano’, Tenzone 6 (2005), 97–116.
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—, ‘Women in the Shadows of the Divine Comedy’, in Reading Medieval Culture, ed. by Robert M. Stein and Sandra Pierson (Notre Dame, IN: University of Notre Dame Press, 2005), pp. 409–27.
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Ferrucci, Franco, ‘Comedìa’, Yearbook of Italian Studies 1 (1971), 29–52.
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—, ‘The Eternal Image of the Father’, in The Poetry of Allusion: Virgil and Ovid in Dante’s ‘Commedia’, ed. by Rachel Jacoff and Jeffrey T. Schnapp (Stanford, CA: Stanford University Press, 1991), pp. 62–76.
—, ‘The Prologue Scene’, in Dante: The Poetics of Conversion, ed. by Rachel Jacoff (Cambridge, MA: Harvard University Press, 1986), pp. 1–28.
Friis-Jensen, Karsten, ‘The Ars Poetica in Twelfth-Century France: The Horace of Matthew of Vendôme, Geoffrey of Vinsauf and John of Garland’, Cahiers de l’Institut du Moyen âge grec et latin 60 (1990), 319–88.
Frugoni, Arsenio, ‘Pier Damiano, santo’, in Enciclopedia Dantesca (Rome: Istituto della Enciclopedia Italiana Treccani, 1996), IV, pp. 490–91.
Fumagalli, Edoardo, Il giusto Enea e il pio Rifeo. Pagine dantesche (Florence: Olschki, 2012).
Gabriele, Muresu, I ladri di Malebolge. Saggi di semantica dantesca (Rome, Bulzoni, 1990).
—, Il richiamo dell’antica strega. Altri saggi di semantica dantesca (Rome: Bulzoni, 1997).
Gentili, Sonia, ‘Canto XX. Deformità morale e rottura dei vincoli sociali: gli indovini’, in Lecutra Dantis Romana. I. Inferno. 2. Cantos XVIII–XXIII, ed. by Enrico Malato and Andrea Mazzucchi (Rome: Salerno, 2013), pp. 646–81.
Ghisalberti, Alessandro, ‘Canto XII’, in Lectura Dantis Turicensis. Paradiso, ed. by Georges Güntert and Michelangelo Picone (Florence: Cesati, 2002), pp. 181–91.
Giacalone, Giuseppe, ed., La Divina Commedia (Rome: Signorelli, 1968).
Gianferrari, Filippo, ‘Pride and Tyranny: An Unnoted Parallel between Purgatorio 12 and Policraticus 8.20–21’, Dante Notes, 12 May 2016, https://www.dantesociety.org/node/104
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