List of Illustrations
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0.1 |
John Milton, Song, in process of revision towards At a Solemn Musick. © Master and Fellows of Trinity College, Cambridge, CC BY-NC 4.0 |
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2.1 |
An Epiphany-in-draft. The James Joyce Archive, vol. [7], p. 45 |
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2.2 |
First surviving manuscript page of Stephen Hero. The James Joyce Archive, vol. [8] |
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2.3 |
Revision in holograph fair copy of A Portrait of the Artist as a Young Man. The James Joyce Archive, vol. [9], p. 45 |
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12.1 |
‘A Sketch of the Past’, manuscript, 19 July 1939, fols. 1-2. University of Sussex Library, The Keep, SxMs-18/2/A/5/C. © The Society of Authors, all rights reserved. |
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12.2 |
‘A Sketch of the Past’, typescript, 19 July 1939, fol. ‘56’. University of Sussex Library, The Keep, SxMs-18/2/A/5/A. © The Society of Authors, all rights reserved. |
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12.3 |
19 July 1939 preliminaries: a Juxta collation mock-up of manuscript versus typescript |
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12.4 |
‘A Sketch of the Past’, typescript, 18 April 1939, fol. 1. University of Sussex Library, The Keep, SxMs-18/2/A/5/A. © The Society of Authors, all rights reserved. |
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12.5 |
‘A Sketch of the Past’, typescript, 18 April 1939, fol. 2. University of Sussex Library, The Keep, SxMs-18/2/A/5/A. © The Society of Authors, all rights reserved. |
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12.6 |
‘A Sketch of the Past’, typescript, 18 April 1939, fol. 3. University of Sussex Library, The Keep, SxMs-18/2/A/5/A. © The Society of Authors, all rights reserved. |
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12.7 |
A Juxta collation of the Virginia Stephen biography outline in two succeeding typescripts |
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12.8 |
‘Sjetch of the Past’, typescript, n.d., fol. 1. University of Sussex Library, The Keep, SxMs-18/2/A/5/E. © The Society of Authors, all rights reserved. |
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12.9 |
‘A Sketch of the Past’, typescript, November 1940, fols. ‘123’–‘124’. The British Library, MS 61973, fols. 55–56. © The Society of Authors, all rights reserved. |
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12.10 |
‘A Sketch of the Past’, manuscript, November 1940, fol. 38. University of Sussex Library, The Keep, SxMs-18/2/A/5/D. © The Society of Authors, all rights reserved. |
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12.11 |
‘A Sketch of the Past’, manuscript, November 1940, fol. 37. University of Sussex Library, The Keep, SxMs-18/2/A/5/D. © The Society of Authors, all rights reserved. |
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12.12 |
‘A Sketch of the Past’, manuscript, November 1940, fol. 36. University of Sussex Library, The Keep, SxMs-18/2/A/5/D. © The Society of Authors, all rights reserved. |
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15.1 |
The Gutenberg Bible, https://commons.wikimedia.org/wiki/File:Gutenberg_Bible_B42_Genesis.JPG |
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15.2 |
Caxton edition of Chaucer, ‘The Man of Law’s Tale’ |
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15.3 |
Aldus Manutius: a title page. Bayerische Staatsbibliothek, Sig. 4 Ph.pr. 163, http://www.mdz-nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:bvb:12-bsb10166566-2 |
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15.4 |
‘A quarto printed by Johannes Frobenius, Basel, 1515: colophon. Private collection |
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15.5 |
From same quarto: title page/contents. Private collection |
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15.6 |
From same quarto: opening c3v-c4. Private collection |
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15.7 |
Gregor IX, Decretalium Liber, V Cod. 2040, Fol. 168r. Courtesy of the Österreichische Nationalbibliothek, Vienna |
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15.8 |
Hugo de Sancto Charo, Biblical commentaries, 1703. Courtesy of the Herzog August Bibliothek, Wolfenbüttel (Germany) |
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15.9 |
The Workes of Beniamin Jonson, 1616: title-page |
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15.10 |
The Workes of Beniamin Jonson, Volpone: part title and dedication page |
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15.11 |
William Shakespeare, First Folio, 1623: title-page |
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15.12 |
William Shakespeare, First Folio: ‘A Catalogue’ |
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15.13 |
William Shakespeare, First Folio, Twelfe Night, Or what you will: opening page |
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15.14 |
William Congreve [Works, ed. M. Summers, 1924], Squire Trelooby: scene divisions in print |
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15.15 |
Scriblerus (Alexander Pope), The Dunciad, Variorum, London, 1729, p. 61, n. 3 |
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15.16 |
Hope Mirrlees, Paris, 1919: eked out by a page of notes |
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15.17 |
Alexander Pope’s Shakespeare edition, 1725: title-page |
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15.18 |
Pope’s Shakespeare: editor’s distancing footnote |
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15.19 |
Two pages from Pope’s Shakespeare |
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15.20 |
Isaac Reed’s revision of Johnson and Steevens’ [First] Variorum Shakespeare, 1803: title-page |
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15.21 |
[First] Variorum Shakespeare: a random page opening |
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15.22 |
The New Variorum Measure for Measure, 1980: random apparatus and commentary pages. All rights reserved |
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15.23 |
Henry Fielding, Joseph Andrews, ed. by Fredson Bowers, 1974: apparatus page. All rights reserved |
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15.24 |
Friedrich Hölderlin, ‘Heidelberg’, ed. by Friedrich Beissner, 1951: ‘Stepped-up’ apparatus of successive readings (cf. 15.27). All rights reserved |
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15.25 |
Conrad Ferdinand Meyer, ed. by Hans Zeller, 1975: synopsis of a textual progression through successive documents. All rights reserved |
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15.26 |
Friedrich Hölderlin, ‘Mein Eigenthum’, ed. by D. E. Sattler, 1984: visualisation of writing process. From vol. 4 of Sämtliche Werke, Frankfurter Ausgabe. © and courtesy Verlag Stroemfeld/Roter Stern, Frankfurt am Main and Basel, all rights reserved |
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15.27 |
Friedrich Hölderlin, ‘Heidelberg’, ed. by D. E. Sattler, 1984: visualisation of writing process (cf. 24). From vol. 4 of Sämtliche Werke, Frankfurter Ausgabe. © and courtesy Verlag Stroemfeld/Roter Stern, Frankfurt am Main and Basel, all rights reserved |
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15.28 |
James Joyce, Ulysses: A Critical and Synoptic Edition, ed. by Hans Walter Gabler et al., 1984: title-page opening. © H. W. Gabler, CC BY 4.0 |
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15.29 |
Ulysses: A Critical and Synoptic Edition: genetic synopsis (left page) facing reading text (right page). © H. W. Gabler, CC BY 4.0 |
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15.30 |
Ulysses: A Critical and Synoptic Edition: synopsis design (detail). © H. W. Gabler, CC BY 4.0 |
