List of Illustrations
Figure 2.1. |
‘Athens from the foot of Mt Anchesmus’ (ancient and modern Lycavettos). Coloured aquatint, from a view made on the spot, c.1810. |
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Figure 2.2. |
The Acropolis of Athens from the west, by Heinrich Hübsch, 1819. Tinted aquatint published in Denmark with commentary in Danish. |
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Figure 2.3. |
‘View of the West front of the Propylaia at Athens’. Copper engraving. Published in 1830 from a drawing made in 1818 by the architect William Kinnard. |
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Figure 2.4. |
Remains of Haseki’s wall, south slope of the Acropolis. Author’s photograph, 2018. CC BY. |
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Figure 2.5. |
Possible remains of Haseki’s wall. Author’s photograph, 2014. CC BY. |
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Figure 2.6. |
Hadrian’s Gate, 1821. Amateur watercolor. |
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Figure 2.7. |
‘View of the Acropolis from the banks of the Illysus, Sepr 1824’. Chromolithograph from a contemporary amateur picture. |
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Figure 2.8. |
‘The West Front of the Parthenon and the Erechtheion’. Coloured aquatint from a drawing by Edward Dodwell. Wikimedia Commons, public domain, https://commons.wikimedia.org/wiki/File:The_west_front_of_the_Parthenon_and_the_Erechtheion,_from_the_Propylaea_-_Dodwell_Edward_-_1819.jpg |
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Figure 2.9. |
‘View of the Eastern Portico of the Temple of Minerva, at Athens, called the Parthenon’. Copper engraving. |
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Figure 2.10. |
‘View of the Parthenon, shewing the situation of the sculptures of the metopes and the frieze’. Copper engraving. |
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Figure 2.11. |
‘Plan d’Athènes levé en 1826 par ordre du général Gourrhas. Par J.F. Bessan … donnant l’emplacement précis des ruines antiques existantes à cette époque et les constructions nouvelles qui ont été faites pour sa défense.’ Lithograph, hand-tinted at the time it was made. |
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Figure 2.12. |
Detail from Bessan’s map showing the Acropolis. |
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Figure 2.13. |
‘The Ionic Temple on the Illisus’. Copper engraving. |
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Figure 2.14. |
‘North East Corner of the Parthenon’. Woodcut c.1831, Sargent del. Darin Smith sc. From a sketch by Cockerell, 1810. |
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Figure 2.15. |
‘The Parthenon and Erectheum’. Woodcut c.1831 by J. Whimper, from a sketch by Cockerell, 1810. |
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Figure 2.16. |
‘The Parthenon from the East End’. Woodcut. |
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Figure 3.1. |
‘Members of the Ottoman garrison on the Acropolis. Copper engraving’ Stuart and Revett, Antiquities of Athens, 4 vols (London: printed by J. Haberkorn, 1762–1816). |
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Figure 3.2. |
A display of tight-rope walkers, 1800, by the ‘Temple of Theseus’ [Hephaesteion], then the principal Orthodox church, with the Acropolis in the background. Drawing by Lord Elgin’s artist, Sebastian Ittar. |
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Figure 3.3. |
A black groom, perhaps a slave. Copper engraving, 1760s. |
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Figure 3.4. |
‘Negresses brought by a slave merchant to the fair at Farsa’ (ancient and modern Pharsalia). Engraving. |
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Figure 4.1. |
Untitled picture inserted at the front of the abridged Dutch edition of the book by Jacob Spon. |
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Figure 4.2. |
‘Athenen’. Copper engraving from 1689 by Jan Luyken, inserted in the same book. |
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Figure 4.3. |
Minerva (Athena) urges Pausanias to describe the monuments of Greece. Copper engraving. Frontispiece to the first translation into French, 1731. |
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Figure 4.4. |
Contemporary map illustrating the places principally involved in the Greek Revolution Folded engraving. |
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Figure 4.5. |
Travelling in Ottoman territories, c.1815 Coloured aquatint. |
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Figure 4.6. |
‘Eastern Travel’ Folded lithograph of an image coloured by hand, inserted as a folding-out illustration in a printed book, 1845. |
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Figure 4.7. |
‘The First Dragoman of the Porte’, c.1800, engraving. |
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Figure 4.8. |
Facsimile of Sonnini’s travelling firman. Engraving in the book of plates that accompanied Sonnini’s book in its French version, 1801. |
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Figure 4.9. |
‘Athens from the Pass of Daphne’. Lithograph of a drawing made in 1838 by William Mure of Caldwell, travelling as Colonel Caldwell. |
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Figure 4.10. |
Byron’s name carved at Sounion Photograph, 1931. |
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Figure 4.11. |
‘West front of the Great Gate of the Propylaea at Athens’. Lithograph from a drawing by Edward Dodwell made c.1805. |
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Figure 5.1 |
Frontispiece to Σάλπισμα πολεμιστήριον [A Trumpet Call to War], pamphlet by Adamantios Koraes. Copper engraving. |
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Figure 6.1. |
‘The march of the sultan to [and from] the mosque during Bairam’ Hand coloured engravings. |
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Figure 6.2. |
‘Fountain near the Baba Hummayoun, or Great Entrance into the Seraglio’ Steel engraving. |
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Figure 6.3. |
‘The Yafta inscription placed on the Wall of the court of the Seraglio beside the head of Ali Pasha’, 23 February 1822. Lithograph. |
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Figure 6.5. |
Greece and the Aegean at the time of the Revolution. Modern map. |
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Figure 6.6. |
Contemporary map illustrating the places principally involved in the Greek Revolution. Folded engraving. |
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Figure 7.1. |
Ancient music and dance as shown on ancient objects. Copper engraving. |
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Figure 7.2. |
The Usefulness of Travels. The title page and frontispiece of the second volume of the edition of 1693. |
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Figure 7.3. |
’Peace holding Wealth in her arms’ by Kephisodotus. Photograph of the version in Munich. |
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Figure 7.4. |
Title page and frontispiece of Spon’s Voyage. Engraving and letterpress. |
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Figure 7.5. |
Athena (Latin ‘Minerva’) commends the work of Spon and Wheler to the reader. Frontispiece to volume 2 of an edition produced offshore in the Netherlands, 1714. |
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Figure 8.1. |
‘T. R. J. 1817’. Hand-coloured lithograph, the frontispiece to Jolliffe’s book. |
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Figure 8.2. |
Frederick Mercer, Byron Dreaming that Greece Might Still Be Free (1832). Watercolour, https://commons.wikimedia.org/wiki/File:Frederick_Mercer_-_Byron%E2%80%99s_Dream_-_Mercer-98399.jpg |
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Figure 8.3. |
Title page and frontispiece of an English translation that followed the French closely, with the same image. Copper engraving. |
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Figure 8.4. |
‘Wisdom receiving instruction from the history of States and Empires’. Copper engraving, c.1800, unidentified. |
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Figure 9.1. |
‘Un matin Lord Elgin interrompte ses méditations’ (‘One morning Lord Elgin interrupts his meditations’). Lithograph, 1824. |
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Figure 9.2. |
William Hogarth, ‘Analysis of Beauty’ (1753). Copper engraving. |
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Figure 9.3. |
’The building of the Parthenon.’ by an unnamed artist in Germany, c.1880. Engraving of a composition by an unnamed artist in Germany, c.1880. |
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Figure 10.1. |
Broken cannon with metal and marble cannon balls found on the Acropolis. |
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Figure 10.2. |
Iron cover on the Acropolis summit. |
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Figure 10.3. |
‘An assembly of European Officers, going to the help of Greece in 1822.’ Lithograph. |
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Figure 10.4. |
Inscription on wall of the Theseion. |
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Figure 10.5. |
Cross-section of the bastion built by Odysseus in 1822 to protect access to the Klepsydra. Woodcut engraving. |
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Figure 10.6. |
Inscription erected by Odysseus Androutsos in 1822, now lost. Copper engraving. |
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Figure 11.1. |
The Greek women exploding the mine at Missolonghi. Print of a picture by Peter Johann Nepomuk Geiger, first put on sale in 1840. |
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Figure 11.2. |
‘Monument of Philopappus at Athens, Greece.’ Steel engraving with captions in English, French and German. ‘Drawn by Wolfensberger Engraved by R. Brandard. |
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Figure 12.1. |
‘Sketch of the operations before Athens in May 1827’ Copper engraving. |
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Figure 12.2. |
The Acropolis as seen from the heights of Munychia, 1827. Lithograph of a picture ‘from nature’ by the Bavarian artist Karl Krazeisen. |
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Figure 12.3. |
Karaiskakis and other Greek and philhellene officers prepare to relieve the siege of the Acropolis of Athens. Oil painting by Theodore Vryzakis-Stratopedo (Munich, 1855). |
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Figure 12.4. |
Seal of the Greek Government, 1827. From an official letter. |
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Figure 13.1. |
‘Mr de Lamartine with the Greek Family of Mr Gropius’. Engraving. |
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Figure 14.1. |
The meeting of the two generals at Navarino in September 1828. Oil painting by Jean-Charles Langlois. |
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Figure 14.2. |
‘The Aurut Bazaar, or Slave Market’. Steel engraving. |
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Figure 14.3. |
Théodore Caruelle d’Aligny, Attica Viewed from Mount Pentéli (1845). Etching on ivory China paper. |
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Figure 15.1. |
The modern and the ancient ruins of Athens, 1830s. Woodcut. |
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Figure 15.2. |
Corinth, 1843, local people sheltering among the ancient Roman Ruins. Lithograph of a picture made on the spot by Theodore du Moncel. |
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Figure 15.3. |
’View of the Areopagus & sacred road from under Acropolis’. Pencil and watercolour sketch made on the spot by George Nugent Grenville, Baron Nugent, in 1843–44. |
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Figure 15.4. |
The Parthenon from the west, detail. Photograph byJames Robertson. ?1850s. |
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Figure 15.5. |
‘Temple en ruines.’ Wood engraving. |
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Figure 15.6. |
‘The Agora, Athens, Greece.’ Steel engraving. |
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Figure 16.1. |
The Temple of Theseus. ‘Drawn by Wolfensberger, engraved by A. Le Petit. Fisher, Son, and Co. London & Paris.’ Engraving on steel. |
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Figure 16.2. |
The ‘temple of Theseus’. Watercolour by James Hore, 1835. |
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Figure 16.3. |
‘Monument of Lysichrates’. Copper engraving of a view taken in 1805 or earlier. |
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Figure 16.4. |
‘The Lantern of Diogenes’. Engraving on steel. |
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Figure 16.5. |
‘The Merman’, uncovered among the ruins of post-Revolution Athens. Watercolour by James Hore, 1835. |
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Figure 16.6. |
‘Erichthonios’ Drawing by Louis Dupré. Large folding lithograph. |
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Figure 16.7. |
‘The Birth of Erichthonios’, kylix from Tarquinia, 440–430 BCE. |
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Figure 16.8. |
Entrance to the Acropolis, 1835. Painting by Karl Heideck. From a modern reproduction not further identified. |
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Figure 16.9. |
Frederic Edwin Church, The Parthenon from the West, 1871. Oil on canvas. Metropolitan Museum of Art, New York. |
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Figure 16.10. |
Painting by Captain Pierre Peytier, The Ottoman mosque built in the ruins of the Parthenon after 1715 (1830s). The scene was personally observed between 1833 and 1836. |
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Figure 16.11. |
Johann Jakob Wolfensberger, The Acropolis looking west (c.1832–1835). Oil painting.. |
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Figure 17.1. |
The Monument of Thrassylos under restoration 2013. |
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Figure 17.2. |
‘The Choragic Monument of Thrassylus etc’. Copper engraving. |
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Figure 17.3. |
‘Athens, Panaghia Speliotissa’ [‘All-holy lady of the Cave’]. Copper engraving of an image composed on the spot in 1805. |
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Figure 17.4. |
The Theatre and Caves on the Acropolis south slope. Engraving of a low denomination Roman imperial copper coin. |
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Figure 17.5. |
The Cave and remains of the Thrassylos monument, 1835. Pen and wash drawing by James Hore. |
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Figure 18.1. |
The British Palace in Constantinople. Lithograph. |
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Figure 18.2. |
Le Dejeuner a la Fourchette [‘fork supper] 1829. Contemporary cartoon. |
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Figure 18.3. |
‘Intercepted Caricature’. Lithograph, dated 1st June 1836. |
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Figure 18.4. |
‘Interior of the Citadel of Halicarnassus’ Engraving on steel. |
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Figure 18.5. |
‘Visit of the Sultan to the Duke of Cambridge at Constantinople’. Woodcut. |
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Figure 19.1. |
Sir William Gell, The removal of the Sculptures from the Pediments of the Parthenon by Elgin (1801). Painting. Benaki Museum, Athens. |
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Figure 19.2. |
Parts of the Parthenon frieze displayed inside the Parthenon. Photographs unidentified. |
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Figure 21.1. |
Théodore d’Aligny, ‘Athens, the Pnyx, the Areopagus, the Acropolis, and Hymettos’ (1845), etching on chine collé. |
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Figure 21.2. |
Views of the royal palace to be built on the Acropolis as proposed by Karl-Friedrich Schinkel (1834). Watercolour. Staatliche Graphische Sammlung, Munich. |
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Figure 21.3. |
‘Plan for a New Athens in front of the Acropolis’ Engraving on steel. |
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Figure 21.4. |
The temple to Athena Nike in the course of being rebuilt, February 1836. Lithograph. |
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Figure 21.5. |
‘The Temple of Victory’. Engraving on copper. |
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Figure 21.6. |
The Nike Temple. Lithograph. |
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Figure 21.7. |
Part of the west-facing slab of the temple to Athena Nike frieze. |
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Figure 21.8. |
Parthenon and Erechtheion, before and after. Photographs. |
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Figure 21.9. |
The Erechtheion and the Propylaia, before and after. Photographs c.1929. |
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Figure 21.10. |
The ‘Strangford shield’ with a statuette showing where a shield was situated on the colossal cult state of Athena Parthenos. Composite photograph of post-classical pieces held in different places. |
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Figure 21.11. |
‘The north west angle of the Parthenon in 1855’. Wood engraving by E. Whymper. |
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Figure 21.12. |
The Parthenon. Photograph by James Robertson, undated but 1853 or 1854. |
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Figure 21.13. |
Measuring the deviations from the orthogonal of the Parthenon columns. Engraved vignette in Penrose’s book. |
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Figure 21.14. |
Penrose and his assistant with plumb lines on the Temple to Olympian Zeus. Engraved vignette in Penrose’s book. |
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Figure 21.15. |
‘On the ARMONIA or Joining of the Stone in Greek Architecture’. Engraving of a drawing by Penrose. |
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Figure 21.16. |
Part of an architectural drawing by Josef Durm, 1885. Hand-coloured lithograph. |
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Figure 21.17. |
The ancient encircling path, ‘Peripatos’, on the north side of the Acropolis under the caves. Photograph c.1910. |
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Figure 21.18. |
Ancient boundary inscription on the peripatos. Author’s photographs, 3 October 2013. |
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Figure 21.19. |
The place where on 5 and 6 April 1886, the fourteen dedicated ‘archaic’ statues were found. Photograph made soon afterwards by Rhomaides Brothers. |
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Figure 21.20. |
‘The Marathonian Theseus.’ Dedicated statues destroyed by the Persian army in 480 BCE. Photograph c.1875. |
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Figure 21.21. |
‘Kore 670, with a snake bracelet.’ Acropolis Museum. Photograph made not long after the discovery. |
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Figure 21.22. |
King George of the Hellenes inspects the archaic dedications as they are excavated on the Acropolis. Woodcut perhaps based on photographs, c.1882. |
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Figure 21.23. |
‘Room of the Archaic Draped Statues, Acropolis Museum, Athens, Greece.’ Photograph. |
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Figure 21.24. |
‘This piece of ivory was found in the cavity in the floor of the Parthenon, it is supposed to have been one of the fingers of the Chryselephantine Minerva.’ |
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Figure 21.25. |
The Pinacotheke in 1859. Wood engraving of a drawing by Ernest Breton. |
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Figure 21.26. |
Pieces from the Nike Temple. Photograph made in 1869 by William Stillman. |
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Figure 21.27. |
The entrance to the Acropolis before 1853, showing the Beulé gate. Lithograph. |
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Figure 21.28. |
The Frankish Tower in 1872. Detail from a photograph by William Stillman. Wikimedia. |
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Figure 21.29. |
‘A lady of Athens’ with the Acropolis and Frankish Tower in the background. Coloured lithograph, unidentified, English, c.1860. |
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Figure 21.30. |
The first modern Olympic Games, Athens 1896. Coloured lithograph of the French winner of the cycling race in front of the Acropolis. |
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Figure 21.31. |
‘In front of the Stadion. The Acropolis in distance — also Station Bridge’. Lithograph of a drawing by Corwin Knapp Linson, 1896. |
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Figure 21.32. |
The excavated earth poured over the slopes on the south side. Photograph c.1870 by Félix Bonfils. |
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Figure 21.33. |
Hadrian’s Gate, c.1870, showing the debris on the east slope. Photograph by Bonfils. |
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Figure 21.34. |
The Acropolis from the north-west. Unidentified photograph, made before the removal of the Frankish Tower. |
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Figure 21.35. |
The Acropolis entrance with the heaped earth. Collotype of a photograph by Rhomiades c.1889, after the removal of the Frankish Tower. |
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Figure 21.36. |
The artificial hill. Photograph thought to be by Constantides, c.1900. |
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Figure 21.37. |
A woman of Athens. Coloured lithograph, nineteenth century, unidentified. |
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Figure 21.38. |
‘Grecian race-Hellenes, Pelasgi; 1. Shepherd of Arcadia, in holiday dress. 2. Peasant-environs of Athens, in holiday dress. 3. Woman of Trikeri in Thessaly. 4. Woman and child-Island of Hydra. 5. 6. Man and Woman-Island of Crete. Engraving. |
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Figure 21.39. |
Anafiotika village, a recent photograph. Eberhard Kern, ‘Blick aus der Anafiotika zur Akropolis’, 2 October 2017, Wikimedia Commons, public domain, https://commons.wikimedia.org/wiki/File:-Anafiotika-.jpg |
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Figure 21.40. |
‘Houses on the side of the Acropolis.’ Lithograph of a drawing by Corwin Knapp Linson, 1896. |
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Figure 22.1. |
The Areopagus and the plaque. Photograph by C. Messier, 1 February 2016, CC BY-SA, Wikimedia Commons, https://commons.wikimedia.org/wiki/File:%CE%86%CF%81%CE%B5%CE%B9%CE%BF%CF%82_%CE%A0%CE%AC%CE%B3%CE%BF%CF%82_6217.jpg |
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Figure 22.2. |
The Areopagus as seen from the Acropolis. Photograph (2015). |
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Figure 22.3. |
The Acropolis from the top of the Areopagus (2010). |
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Figure 22.4. |
‘1. Acropolis 2. Mars’ Hill. Reputed scene of St. Paul’s Preaching’. Lithograph of a drawing made on the spot in 1892 by Helen B. Harris. |
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Figure 22.5. |
An image of a new Christian dawn breaking over the Acropolis. Steel engraving. |
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Figure 22.6. |
‘Mars-hill, at Athens.’ Steel engraving, designed by W.H. Bartlett, engraved by J. Couson. |
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Figure 22.7. |
Paul visualized as standing on the steps of the Areopagus. Magic lantern glass slide, c.1900. |
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Figure 22.8. |
‘The Prison of Socrates’. Photograph, middle of the nineteenth century. |
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Figure 22.9. |
A party of American Christians visiting the Parthenon and ‘The Jail of Socrates’. Photograph 1914. |
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Figure 22.10. |
Kate Bunting Scheuerman of Seattle, with a friend and their tour guide at Pompeii, 14 September 1908. Photograph. |
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Figure 22.11. |
The Areopagus rock smashed by an earthquake. Postcard, with caption in English as well as in Greek, date uncertain, c.1900. |
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Figure 22.12. |
‘Ephesus/(Ruins of the Temple of Diana)/Eph. I. 1. Rev. II. 1. 7.’ Steel engraving. |
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Figure 22.13. |
Ernest Renan, on the Acropolis in 1865, imagined as in conversation with the imagined Athena. Frontispiece by Serge de Solomko to an edition of Prière sur l’Acropole. |
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Figure 22.14. |
The Areopagus, 27 March 1904. A Christian service for over a thousand activists, mainly North American and British. Photograph. |
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Figure 22.15. |
The banner raised on the Areopagus and at other sites, 1904. Photograph of the state-room of the ship bringing the North-American delegates. |
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Figure 22.16. |
Title page and frontispiece of an educational book for French children, 1819. Copper engraving. |
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Figure 22.17. |
‘Tombeau d’Ottfried Müller à Athènes’ [Tomb of Ottfried Müller at Athens]. From an engraving made before 1854. |
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Figure 22.18. |
Title page of Areopagitica, 1644. |
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Figure 23.1. |
The Bastion, showing two visitors looking at the plaque. |
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Figure 23.2. |
Evzones parading within sight of the Parthenon. Postcard, undated, early twentieth century. |
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Figure 23.3. |
‘Acropole d’Athènes. Souvenir de la Grèce’. Chromolithographic postcard manufactured by Künzli Frères of Zürich, c.1900. |
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Figure 23.4. |
‘Victory parade of Generalfeldmarshall List, 4 May 1941.’ Photograph. |
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Figure 23.5. |
‘The grand German parade through Athens, before General List’. Photograph. |
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Figure 23.6. |
‘Hurrying to Athens’ and ‘With the Reich’s war flag to the Acropolis.’ German army photographs. |
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Figure 23.7. |
The German army raising the German flag on the Acropolis (May 1941). German Army photograph. |
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Figure 23.8. |
The German flag flying over the Acropolis, 1941. Cover of the monthly magazine, Deutsches Wollen for July 1941. |
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Figure 23.9. |
Christmas and New Year card of 1940, sent in 1943. |
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Figure 23.10. |
Ancient portraits of Pheidias and of Sophocles, allegedly showing Nordic characteristics. Photographs. |
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Figure 23.11. |
Ancient portraits allegedly showing Nordic characteristics. Photographs. |
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Figure 23.12. |
‘Aphrodite.’ Postcards of a picture by Oskar Graf, sold at the Haus der Deutschen Kunst, ‘House of German Art’, in Munich, 1942. |
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Figure 23.13. |
‘Landnahme der Nordleute’ (‘Taking of the land by the Northpeople’). Illustration in schoolbook, 1940. |
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Figure 23.14. |
‘Unsterbliches (‘immortal’) Hellas’. Photographs. |
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Figure 23.15. |
The Acropolis fortified by the German army. Photograph taken before 4 June 1941, the date of the censorship approval, with the accompanying telegram. |
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Figure 23.16. |
‘The Battle of Marathon’ 28 June 1941. Photograph. |
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Figure 23.17. |
British Army prisoners of war captured in Greece. German Army photograph. |
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Figure 23.18. |
A German mobile wireless unit in Greece, 1941. Photograph |
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Figure 23.19. |
Indian army prisoners captured in Greece, ‘cannon fodder made to bleed for England’. Photograph. |
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Figure 23.20. |
‘The westerner and the oriental.’ British officer prisoners of war, 1942. Photograph of a sketch made on the spot on 7 March 1942. |
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Figure 23.21. |
A German cadet as a young Spartans. Cover of Szczepanski, Paul von, Spartanerjungen. Eine Kadettengeschichte in Briefen (Leipzig, Wigand, [n.d.], 12th edition c.1930). |
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Figure 23.22. |
Sparta, 1930s. Photograph. |
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Figure 23.23. |
Troops of the 4th division of the British Indian army looking at the Parthenon, 1944 or 1945. Photograph. |
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Figure 24.1. |
Two views of the frontier zone. Photographs by the author. |
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Figure 24.2. |
The Acropolis, from the west. Photograph reproduced on an entrance ticket 2015. |
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Figure 24.3. |
Tourists passing the pedestal of the Monument of Agrippa as they go through the Propylaia. |
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Figure 24.4. |
The monument of Agrippa. Sepia photograph, perhaps by Constantinos. |
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Figure 24.5. |
Athena Nike temple (2011), after conservation. Photograph by Rafael da Silva. |
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Figure 24.6. |
Tourists passing through the Propylaia. |
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Figure 24.7. |
‘Les Propylées à Athènes, 1839’ Engraving from a daguerreotype. |
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Figure 24.8. |
The outward view to the sea from the Propylaia c.1910. Cover of a book of photographs taken earlier by Fréderick Boissonas, 1921. |
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Figure 24.9. |
Christian-era inscriptions carved on a column of the Propylaia. |
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Figure 24.10. |
Examples of Byzantine-era inscriptions on the columns of the Parthenon. Wood engravings. |
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Figure 24.11. |
The Parthenon from the north-west. |
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Figure 24.12. |
The Parthenon from the north-west. Entrance ticket to the Acropolis, issued 6 October 2013. |
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Figure 24.13. |
The Erechtheion conserved. |
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Figure 24.14. |
Fragments of the round Temple dedicated to Rome and Augustus. |
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Figure 24.15. |
Capital from the temple dedicated to Rome and Augustus. |
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Figure 24.16. |
The olive tree by the Erechtheion, the Parthenon behind. |
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Figure 24.17. |
The Acropolis as seen from the terrace of the Acropolis Museum. |
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Figure 24.18. |
Tourists using the digital screens on the Archaic floor of the Acropolis Museum. |
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Figure 26.1. |
Scanned from the document. |