List of Illustrations

Figure 2.1.

‘Athens from the foot of Mt Anchesmus’ (ancient and modern Lycavettos). Coloured aquatint, from a view made on the spot, c.1810.

21

Figure 2.2.

The Acropolis of Athens from the west, by Heinrich Hübsch, 1819. Tinted aquatint published in Denmark with commentary in Danish.

23

Figure 2.3.

‘View of the West front of the Propylaia at Athens’. Copper engraving. Published in 1830 from a drawing made in 1818 by the architect William Kinnard.

26

Figure 2.4.

Remains of Haseki’s wall, south slope of the Acropolis. Author’s photograph, 2018. CC BY.

31

Figure 2.5.

Possible remains of Haseki’s wall. Author’s photograph, 2014. CC BY.

32

Figure 2.6.

Hadrian’s Gate, 1821. Amateur watercolor.

33

Figure 2.7.

‘View of the Acropolis from the banks of the Illysus, Sep^r 1824’. Chromolithograph from a contemporary amateur picture.

34

Figure 2.8.

‘The West Front of the Parthenon and the Erechtheion’. Coloured aquatint from a drawing by Edward Dodwell. Wikimedia Commons, public domain, https://commons.wikimedia.org/wiki/File:The_west_front_of_the_Parthenon_and_the_Erechtheion,_from_the_Propylaea_-_Dodwell_Edward_-_1819.jpg

37

Figure 2.9.

‘View of the Eastern Portico of the Temple of Minerva, at Athens, called the Parthenon’. Copper engraving.

37

Figure 2.10.

‘View of the Parthenon, shewing the situation of the sculptures of the metopes and the frieze’. Copper engraving.

38

Figure 2.11.

‘Plan d’Athènes levé en 1826 par ordre du général Gourrhas. Par J.F. Bessan … donnant l’emplacement précis des ruines antiques existantes à cette époque et les constructions nouvelles qui ont été faites pour sa défense.’ Lithograph, hand-tinted at the time it was made.

39

Figure 2.12.

Detail from Bessan’s map showing the Acropolis.

39

Figure 2.13.

‘The Ionic Temple on the Illisus’. Copper engraving.

46

Figure 2.14.

‘North East Corner of the Parthenon’. Woodcut c.1831, Sargent del. Darin Smith sc. From a sketch by Cockerell, 1810.

59

Figure 2.15.

‘The Parthenon and Erectheum’. Woodcut c.1831 by J. Whimper, from a sketch by Cockerell, 1810.

60

Figure 2.16.

‘The Parthenon from the East End’. Woodcut.

61

Figure 3.1.

‘Members of the Ottoman garrison on the Acropolis. Copper engraving’ Stuart and Revett, Antiquities of Athens, 4 vols (London: printed by J. Haberkorn, 1762–1816).

64

Figure 3.2.

A display of tight-rope walkers, 1800, by the ‘Temple of Theseus’ [Hephaesteion], then the principal Orthodox church, with the Acropolis in the background. Drawing by Lord Elgin’s artist, Sebastian Ittar.

70

Figure 3.3.

A black groom, perhaps a slave. Copper engraving, 1760s.

75

Figure 3.4.

‘Negresses brought by a slave merchant to the fair at Farsa’ (ancient and modern Pharsalia). Engraving.

76

Figure 4.1.

Untitled picture inserted at the front of the abridged Dutch edition of the book by Jacob Spon.

82

Figure 4.2.

‘Athenen’. Copper engraving from 1689 by Jan Luyken, inserted in the same book.

82

Figure 4.3.

Minerva (Athena) urges Pausanias to describe the monuments of Greece. Copper engraving. Frontispiece to the first translation into French, 1731.

85

Figure 4.4.

Contemporary map illustrating the places principally involved in the Greek Revolution Folded engraving.

91

Figure 4.5.

Travelling in Ottoman territories, c.1815 Coloured aquatint.

93

Figure 4.6.

‘Eastern Travel’ Folded lithograph of an image coloured by hand, inserted as a folding-out illustration in a printed book, 1845.

94

Figure 4.7.

‘The First Dragoman of the Porte’, c.1800, engraving.

95

Figure 4.8.

Facsimile of Sonnini’s travelling firman. Engraving in the book of plates that accompanied Sonnini’s book in its French version, 1801.

96

Figure 4.9.

‘Athens from the Pass of Daphne’. Lithograph of a drawing made in 1838 by William Mure of Caldwell, travelling as Colonel Caldwell.

115

Figure 4.10.

Byron’s name carved at Sounion Photograph, 1931.

123

Figure 4.11.

‘West front of the Great Gate of the Propylaea at Athens’. Lithograph from a drawing by Edward Dodwell made c.1805.

134

Figure 5.1

Frontispiece to Σάλπισμα πολεμιστήριον [A Trumpet Call to War], pamphlet by Adamantios Koraes. Copper engraving.

149

Figure 6.1.

‘The march of the sultan to [and from] the mosque during Bairam’ Hand coloured engravings.

157

Figure 6.2.

‘Fountain near the Baba Hummayoun, or Great Entrance into the Seraglio’ Steel engraving.

160

Figure 6.3.

‘The Yafta inscription placed on the Wall of the court of the Seraglio beside the head of Ali Pasha’, 23 February 1822. Lithograph.

162

Figure 6.5.

Greece and the Aegean at the time of the Revolution. Modern map.

167

Figure 6.6.

Contemporary map illustrating the places principally involved in the Greek Revolution. Folded engraving.

168

Figure 7.1.

Ancient music and dance as shown on ancient objects. Copper engraving.

187

Figure 7.2.

The Usefulness of Travels. The title page and frontispiece of the second volume of the edition of 1693.

195

Figure 7.3.

’Peace holding Wealth in her arms’ by Kephisodotus. Photograph of the version in Munich.

200

Figure 7.4.

Title page and frontispiece of Spon’s Voyage. Engraving and letterpress.

202

Figure 7.5.

Athena (Latin ‘Minerva’) commends the work of Spon and Wheler to the reader. Frontispiece to volume 2 of an edition produced offshore in the Netherlands, 1714.

212

Figure 8.1.

‘T. R. J. 1817’. Hand-coloured lithograph, the frontispiece to Jolliffe’s book.

226

Figure 8.2.

Frederick Mercer, Byron Dreaming that Greece Might Still Be Free (1832). Watercolour, https://commons.wikimedia.org/wiki/File:Frederick_Mercer_-_Byron%E2%80%99s_Dream_-_Mercer-98399.jpg

228

Figure 8.3.

Title page and frontispiece of an English translation that followed the French closely, with the same image. Copper engraving.

230

Figure 8.4.

‘Wisdom receiving instruction from the history of States and Empires’. Copper engraving, c.1800, unidentified.

231

Figure 9.1.

‘Un matin Lord Elgin interrompte ses méditations’ (‘One morning Lord Elgin interrupts his meditations’). Lithograph, 1824.

238

Figure 9.2.

William Hogarth, ‘Analysis of Beauty’ (1753). Copper engraving.

239

Figure 9.3.

’The building of the Parthenon.’ by an unnamed artist in Germany, c.1880. Engraving of a composition by an unnamed artist in Germany, c.1880.

246

Figure 10.1.

Broken cannon with metal and marble cannon balls found on the Acropolis.

255

Figure 10.2.

Iron cover on the Acropolis summit.

257

Figure 10.3.

‘An assembly of European Officers, going to the help of Greece in 1822.’ Lithograph.

268

Figure 10.4.

Inscription on wall of the Theseion.

268

Figure 10.5.

Cross-section of the bastion built by Odysseus in 1822 to protect access to the Klepsydra. Woodcut engraving.

272

Figure 10.6.

Inscription erected by Odysseus Androutsos in 1822, now lost. Copper engraving.

273

Figure 11.1.

The Greek women exploding the mine at Missolonghi. Print of a picture by Peter Johann Nepomuk Geiger, first put on sale in 1840.

279

Figure 11.2.

‘Monument of Philopappus at Athens, Greece.’ Steel engraving with captions in English, French and German. ‘Drawn by Wolfensberger Engraved by R. Brandard.

284

Figure 12.1.

‘Sketch of the operations before Athens in May 1827’ Copper engraving.

287

Figure 12.2.

The Acropolis as seen from the heights of Munychia, 1827. Lithograph of a picture ‘from nature’ by the Bavarian artist Karl Krazeisen.

288

Figure 12.3.

Karaiskakis and other Greek and philhellene officers prepare to relieve the siege of the Acropolis of Athens. Oil painting by Theodore Vryzakis-Stratopedo (Munich, 1855).

291

Figure 12.4.

Seal of the Greek Government, 1827. From an official letter.

291

Figure 13.1.

‘M^r de Lamartine with the Greek Family of M^r Gropius’. Engraving.

307

Figure 14.1.

The meeting of the two generals at Navarino in September 1828. Oil painting by Jean-Charles Langlois.

322

Figure 14.2.

‘The Aurut Bazaar, or Slave Market’. Steel engraving.

325

Figure 14.3.

Théodore Caruelle d’Aligny, Attica Viewed from Mount Pentéli (1845). Etching on ivory China paper.

335

Figure 15.1.

The modern and the ancient ruins of Athens, 1830s. Woodcut.

339

Figure 15.2.

Corinth, 1843, local people sheltering among the ancient Roman Ruins. Lithograph of a picture made on the spot by Theodore du Moncel.

340

Figure 15.3.

’View of the Areopagus & sacred road from under Acropolis’. Pencil and watercolour sketch made on the spot by George Nugent Grenville, Baron Nugent, in 1843–44.

341

Figure 15.4.

The Parthenon from the west, detail. Photograph byJames Robertson. ?1850s.

347

Figure 15.5.

‘Temple en ruines.’ Wood engraving.

348

Figure 15.6.

‘The Agora, Athens, Greece.’ Steel engraving.

354

Figure 16.1.

The Temple of Theseus. ‘Drawn by Wolfensberger, engraved by A. Le Petit. Fisher, Son, and Co. London & Paris.’ Engraving on steel.

361

Figure 16.2.

The ‘temple of Theseus’. Watercolour by James Hore, 1835.

363

Figure 16.3.

‘Monument of Lysichrates’. Copper engraving of a view taken in 1805 or earlier.

364

Figure 16.4.

‘The Lantern of Diogenes’. Engraving on steel.

364

Figure 16.5.

‘The Merman’, uncovered among the ruins of post-Revolution Athens. Watercolour by James Hore, 1835.

365

Figure 16.6.

‘Erichthonios’ Drawing by Louis Dupré. Large folding lithograph.

366

Figure 16.7.

‘The Birth of Erichthonios’, kylix from Tarquinia, 440–430 BCE.

367

Figure 16.8.

Entrance to the Acropolis, 1835. Painting by Karl Heideck. From a modern reproduction not further identified.

368

Figure 16.9.

Frederic Edwin Church, The Parthenon from the West, 1871. Oil on canvas. Metropolitan Museum of Art, New York.

370

Figure 16.10.

Painting by Captain Pierre Peytier, The Ottoman mosque built in the ruins of the Parthenon after 1715 (1830s). The scene was personally observed between 1833 and 1836.

374

Figure 16.11.

Johann Jakob Wolfensberger, The Acropolis looking west (c.1832–1835). Oil painting.^.

375

Figure 17.1.

The Monument of Thrassylos under restoration 2013.

386

Figure 17.2.

‘The Choragic Monument of Thrassylus etc’. Copper engraving.

387

Figure 17.3.

‘Athens, Panaghia Speliotissa’ [‘All-holy lady of the Cave’]. Copper engraving of an image composed on the spot in 1805.

388

Figure 17.4.

The Theatre and Caves on the Acropolis south slope. Engraving of a low denomination Roman imperial copper coin.

389

Figure 17.5.

The Cave and remains of the Thrassylos monument, 1835. Pen and wash drawing by James Hore.

390

Figure 18.1.

The British Palace in Constantinople. Lithograph.

400

Figure 18.2.

Le Dejeuner a la Fourchette [‘fork supper] 1829. Contemporary cartoon.

407

Figure 18.3.

‘Intercepted Caricature’. Lithograph, dated 1st June 1836.

408

Figure 18.4.

‘Interior of the Citadel of Halicarnassus’ Engraving on steel.

409

Figure 18.5.

‘Visit of the Sultan to the Duke of Cambridge at Constantinople’. Woodcut.

410

Figure 19.1.

Sir William Gell, The removal of the Sculptures from the Pediments of the Parthenon by Elgin (1801). Painting. Benaki Museum, Athens.

424

Figure 19.2.

Parts of the Parthenon frieze displayed inside the Parthenon. Photographs unidentified.

425

Figure 21.1.

Théodore d’Aligny, ‘Athens, the Pnyx, the Areopagus, the Acropolis, and Hymettos’ (1845), etching on chine collé.

438

Figure 21.2.

Views of the royal palace to be built on the Acropolis as proposed by Karl-Friedrich Schinkel (1834). Watercolour. Staatliche Graphische Sammlung, Munich.

440

Figure 21.3.

‘Plan for a New Athens in front of the Acropolis’ Engraving on steel.

442

Figure 21.4.

The temple to Athena Nike in the course of being rebuilt, February 1836. Lithograph.

443

Figure 21.5.

‘The Temple of Victory’. Engraving on copper.

444

Figure 21.6.

The Nike Temple. Lithograph.

445

Figure 21.7.

Part of the west-facing slab of the temple to Athena Nike frieze.

446

Figure 21.8.

Parthenon and Erechtheion, before and after. Photographs.

447

Figure 21.9.

The Erechtheion and the Propylaia, before and after. Photographs c.1929.

448

Figure 21.10.

The ‘Strangford shield’ with a statuette showing where a shield was situated on the colossal cult state of Athena Parthenos. Composite photograph of post-classical pieces held in different places.

451

Figure 21.11.

‘The north west angle of the Parthenon in 1855’. Wood engraving by E. Whymper.

453

Figure 21.12.

The Parthenon. Photograph by James Robertson, undated but 1853 or 1854.

454

Figure 21.13.

Measuring the deviations from the orthogonal of the Parthenon columns. Engraved vignette in Penrose’s book.

457

Figure 21.14.

Penrose and his assistant with plumb lines on the Temple to Olympian Zeus. Engraved vignette in Penrose’s book.

457

Figure 21.15.

‘On the ARMONIA or Joining of the Stone in Greek Architecture’. Engraving of a drawing by Penrose.

460

Figure 21.16.

Part of an architectural drawing by Josef Durm, 1885. Hand-coloured lithograph.

464

Figure 21.17.

The ancient encircling path, ‘Peripatos’, on the north side of the Acropolis under the caves. Photograph c.1910.

469

Figure 21.18.

Ancient boundary inscription on the peripatos. Author’s photographs, 3 October 2013.

471

Figure 21.19.

The place where on 5 and 6 April 1886, the fourteen dedicated ‘archaic’ statues were found. Photograph made soon afterwards by Rhomaides Brothers.

473

Figure 21.20.

‘The Marathonian Theseus.’ Dedicated statues destroyed by the Persian army in 480 BCE. Photograph c.1875.

474

Figure 21.21.

‘Kore 670, with a snake bracelet.’ Acropolis Museum. Photograph made not long after the discovery.

475

Figure 21.22.

King George of the Hellenes inspects the archaic dedications as they are excavated on the Acropolis. Woodcut perhaps based on photographs, c.1882.

478

Figure 21.23.

‘Room of the Archaic Draped Statues, Acropolis Museum, Athens, Greece.’ Photograph.

481

Figure 21.24.

‘This piece of ivory was found in the cavity in the floor of the Parthenon, it is supposed to have been one of the fingers of the Chryselephantine Minerva.’

487

Figure 21.25.

The Pinacotheke in 1859. Wood engraving of a drawing by Ernest Breton.

489

Figure 21.26.

Pieces from the Nike Temple. Photograph made in 1869 by William Stillman.

490

Figure 21.27.

The entrance to the Acropolis before 1853, showing the Beulé gate. Lithograph.

491

Figure 21.28.

The Frankish Tower in 1872. Detail from a photograph by William Stillman. Wikimedia.

492

Figure 21.29.

‘A lady of Athens’ with the Acropolis and Frankish Tower in the background. Coloured lithograph, unidentified, English, c.1860.

495

Figure 21.30.

The first modern Olympic Games, Athens 1896. Coloured lithograph of the French winner of the cycling race in front of the Acropolis.

498

Figure 21.31.

‘In front of the Stadion. The Acropolis in distance — also Station Bridge’. Lithograph of a drawing by Corwin Knapp Linson, 1896.

498

Figure 21.32.

The excavated earth poured over the slopes on the south side. Photograph c.1870 by Félix Bonfils.

499

Figure 21.33.

Hadrian’s Gate, c.1870, showing the debris on the east slope. Photograph by Bonfils.

499

Figure 21.34.

The Acropolis from the north-west. Unidentified photograph, made before the removal of the Frankish Tower.

500

Figure 21.35.

The Acropolis entrance with the heaped earth. Collotype of a photograph by Rhomiades c.1889, after the removal of the Frankish Tower.

500

Figure 21.36.

The artificial hill. Photograph thought to be by Constantides, c.1900.

501

Figure 21.37.

A woman of Athens. Coloured lithograph, nineteenth century, unidentified.

507

Figure 21.38.

‘Grecian race-Hellenes, Pelasgi; 1. Shepherd of Arcadia, in holiday dress. 2. Peasant-environs of Athens, in holiday dress. 3. Woman of Trikeri in Thessaly. 4. Woman and child-Island of Hydra. 5. 6. Man and Woman-Island of Crete. Engraving.

507

Figure 21.39.

Anafiotika village, a recent photograph. Eberhard Kern, ‘Blick aus der Anafiotika zur Akropolis’, 2 October 2017, Wikimedia Commons, public domain, https://commons.wikimedia.org/wiki/File:-Anafiotika-.jpg

509

Figure 21.40.

‘Houses on the side of the Acropolis.’ Lithograph of a drawing by Corwin Knapp Linson, 1896.

509

Figure 22.1.

The Areopagus and the plaque. Photograph by C. Messier, 1 February 2016, CC BY-SA, Wikimedia Commons, https://commons.wikimedia.org/wiki/File:%CE%86%CF%81%CE%B5%CE%B9%CE%BF%CF%82_%CE%A0%CE%AC%CE%B3%CE%BF%CF%82_6217.jpg

513

Figure 22.2.

The Areopagus as seen from the Acropolis. Photograph (2015).

515

Figure 22.3.

The Acropolis from the top of the Areopagus (2010).

521

Figure 22.4.

‘1. Acropolis 2. Mars’ Hill. Reputed scene of St. Paul’s Preaching’. Lithograph of a drawing made on the spot in 1892 by Helen B. Harris.

521

Figure 22.5.

An image of a new Christian dawn breaking over the Acropolis. Steel engraving.

537

Figure 22.6.

‘Mars-hill, at Athens.’ Steel engraving, designed by W.H. Bartlett, engraved by J. Couson.

540

Figure 22.7.

Paul visualized as standing on the steps of the Areopagus. Magic lantern glass slide, c.1900.

543

Figure 22.8.

‘The Prison of Socrates’. Photograph, middle of the nineteenth century.

548

Figure 22.9.

A party of American Christians visiting the Parthenon and ‘The Jail of Socrates’. Photograph 1914.

549

Figure 22.10.

Kate Bunting Scheuerman of Seattle, with a friend and their tour guide at Pompeii, 14 September 1908. Photograph.

569

Figure 22.11.

The Areopagus rock smashed by an earthquake. Postcard, with caption in English as well as in Greek, date uncertain, c.1900.

558

Figure 22.12.

‘Ephesus/(Ruins of the Temple of Diana)/Eph. I. 1. Rev. II. 1. 7.’ Steel engraving.

559

Figure 22.13.

Ernest Renan, on the Acropolis in 1865, imagined as in conversation with the imagined Athena. Frontispiece by Serge de Solomko to an edition of Prière sur l’Acropole.

569

Figure 22.14.

The Areopagus, 27 March 1904. A Christian service for over a thousand activists, mainly North American and British. Photograph.

571

Figure 22.15.

The banner raised on the Areopagus and at other sites, 1904. Photograph of the state-room of the ship bringing the North-American delegates.

572

Figure 22.16.

Title page and frontispiece of an educational book for French children, 1819. Copper engraving.

572

Figure 22.17.

‘Tombeau d’Ottfried Müller à Athènes’ [Tomb of Ottfried Müller at Athens]. From an engraving made before 1854.

578

Figure 22.18.

Title page of Areopagitica, 1644.

580

Figure 23.1.

The Bastion, showing two visitors looking at the plaque.

586

Figure 23.2.

Evzones parading within sight of the Parthenon. Postcard, undated, early twentieth century.

589

Figure 23.3.

‘Acropole d’Athènes. Souvenir de la Grèce’. Chromolithographic postcard manufactured by Künzli Frères of Zürich, c.1900.

590

Figure 23.4.

‘Victory parade of Generalfeldmarshall List, 4 May 1941.’ Photograph.

592

Figure 23.5.

‘The grand German parade through Athens, before General List’. Photograph.

593

Figure 23.6.

‘Hurrying to Athens’ and ‘With the Reich’s war flag to the Acropolis.’ German army photographs.

593

Figure 23.7.

The German army raising the German flag on the Acropolis (May 1941). German Army photograph.

594

Figure 23.8.

The German flag flying over the Acropolis, 1941. Cover of the monthly magazine, Deutsches Wollen for July 1941.

595

Figure 23.9.

Christmas and New Year card of 1940, sent in 1943.

596

Figure 23.10.

Ancient portraits of Pheidias and of Sophocles, allegedly showing Nordic characteristics. Photographs.

600

Figure 23.11.

Ancient portraits allegedly showing Nordic characteristics. Photographs.

601

Figure 23.12.

‘Aphrodite.’ Postcards of a picture by Oskar Graf, sold at the Haus der Deutschen Kunst, ‘House of German Art’, in Munich, 1942.

601

Figure 23.13.

‘Landnahme der Nordleute’ (‘Taking of the land by the Northpeople’). Illustration in schoolbook, 1940.

603

Figure 23.14.

‘Unsterbliches (‘immortal’) Hellas’. Photographs.

605

Figure 23.15.

The Acropolis fortified by the German army. Photograph taken before 4 June 1941, the date of the censorship approval, with the accompanying telegram.

606

Figure 23.16.

‘The Battle of Marathon’ 28 June 1941. Photograph.

608

Figure 23.17.

British Army prisoners of war captured in Greece. German Army photograph.

609

Figure 23.18.

A German mobile wireless unit in Greece, 1941. Photograph

610

Figure 23.19.

Indian army prisoners captured in Greece, ‘cannon fodder made to bleed for England’. Photograph.

611

Figure 23.20.

‘The westerner and the oriental.’ British officer prisoners of war, 1942. Photograph of a sketch made on the spot on 7 March 1942.

611

Figure 23.21.

A German cadet as a young Spartans. Cover of Szczepanski, Paul von, Spartanerjungen. Eine Kadettengeschichte in Briefen (Leipzig, Wigand, [n.d.], 12th edition c.1930).

618

Figure 23.22.

Sparta, 1930s. Photograph.

619

Figure 23.23.

Troops of the 4th division of the British Indian army looking at the Parthenon, 1944 or 1945. Photograph.

623

Figure 24.1.

Two views of the frontier zone. Photographs by the author.

625

Figure 24.2.

The Acropolis, from the west. Photograph reproduced on an entrance ticket 2015.

626

Figure 24.3.

Tourists passing the pedestal of the Monument of Agrippa as they go through the Propylaia.

628

Figure 24.4.

The monument of Agrippa. Sepia photograph, perhaps by Constantinos.

630

Figure 24.5.

Athena Nike temple (2011), after conservation. Photograph by Rafael da Silva.

630

Figure 24.6.

Tourists passing through the Propylaia.

632

Figure 24.7.

‘Les Propylées à Athènes, 1839’ Engraving from a daguerreotype.

632

Figure 24.8.

The outward view to the sea from the Propylaia c.1910. Cover of a book of photographs taken earlier by Fréderick Boissonas, 1921.

633

Figure 24.9.

Christian-era inscriptions carved on a column of the Propylaia.

634

Figure 24.10.

Examples of Byzantine-era inscriptions on the columns of the Parthenon. Wood engravings.

635

Figure 24.11.

The Parthenon from the north-west.

639

Figure 24.12.

The Parthenon from the north-west. Entrance ticket to the Acropolis, issued 6 October 2013.

640

Figure 24.13.

The Erechtheion conserved.

641

Figure 24.14.

Fragments of the round Temple dedicated to Rome and Augustus.

642

Figure 24.15.

Capital from the temple dedicated to Rome and Augustus.

645

Figure 24.16.

The olive tree by the Erechtheion, the Parthenon behind.

646

Figure 24.17.

The Acropolis as seen from the terrace of the Acropolis Museum.

649

Figure 24.18.

Tourists using the digital screens on the Archaic floor of the Acropolis Museum.

650

Figure 26.1.

Scanned from the document.

669