Bibliography
Acres, Alfred. ‘The Columba Altarpiece and the Time of the World.’ The Art Bulletin 80, no. 3 (1998), pp. 422–51.
Andresen, A. ‘Beiträge zur Älteren Niederdeutschen Kupferstichkunde des 15. und 16. Jahrhunders.’ Archiv für die zeichnenden Künste mit besonderer Beziehung auf Kupferstecher- und Holzschneidekunst und ihre Geschichte im Vereine mit Künstlern und Kunstfreunden, herausgegeben von Dr. Robert Naumann 14, no. 1 (1868), pp. 1–56.
Areford, David S. The Viewer and the Printed Image in Late Medieval Europe, Visual Culture in Early Modernity. Farnham, England; Burlington, VT: Ashgate, 2010. https://doi.org/10.4324/9781315084961
Asperen de Boer, J. R. J. van. Jan Van Eyck: Two Paintings of Saint Francis Receiving the Stigmata. Philadelphia, PA: Philadelphia Museum of Art, 1997.
Bagnoli, Martina, ed. Treasures of Heaven: Saints, Relics, and Devotion in Medieval Europe, Exh. Cat., Cleveland Museum of Art, Walters Art Museum, British Museum. New Haven, CT: Yale University Press, 2010.
Beebe, Kathryne. ‘The Jerusalem of the Mind’s Eye: Imagined Pilgrimage in the Late Fifteenth Century.’ In Visual Constructs of Jerusalem, ed. by Bianca Kühnel, Galit Noga-Banai and Hanna Vorholt, pp. 409–20. Turnhout: Brepols, 2014. https://doi.org/10.1484/m.celama-eb.5.103095
Blum, André. ‘Des Rapports de Miniaturistes Français du XVe Siècle avec les Premiers Artistes Graveurs.’ Revue de l’Art Chrétien LXI (1911), pp. 357–69.
Bober, Harry, ‘The Zodiacal Miniature of the Très Riches Heures of the Duke of Berry-Its Sources and Meaning’, Journal of the Warburg and Courtauld Institutes 11 (1948), pp. 1–34.
Bouchot, Henri. Les Deux Cents Incunables Xylographiques du Département des Estampes: Origines de la Gravure sur Bois—Les Précurseurs—Les Papiers—Les Indulgences—Les ‘Grandes Pièces’ des Cabinets d’Europe—Catalogue Raisonné des Estampes sur Bois et sur Métal du Cabinet de Paris. Paris: Librairie centrale des beaux-arts, 1903.
Broeckhuysen, Adam van. ‘Het klooster der Bijgaarden in de Witmakersstraat gelegen’, Publications de la Société Historique et Archéologique dans le Duché de Limbourg = Jaarboek van Limburgs Geschied- en Oudheidkundig Genootschap, XLII (1906), p. 38.
Bühler, Curt F. The Fifteenth-Century Book: The Scribes, the Printers, the Decorators. Philadelphia, PA: University of Pennsylvania Press, 2016, originally published 1960.
Buren, Anne H. van and Sheila Edmunds. ‘Playing Cards and Manuscripts: Some Widely Disseminated Fifteenth-Century Model Sheets.’ The Art Bulletin 56, no. 1 (1974), pp. 12–30.
Buringh, Eltjo. Medieval Manuscript Production in the Latin West: Explorations with a Global Database. Leiden: Brill, 2011. https://doi.org/10.1163/9789047428640
Carey, Frances. Campbell Dodgson: Scholar and Collector, 1867–1948. London: British Museum in association with the Parnassus Foundation, 1998.
Cobianchi, Roberto. ‘Printing a New Saint: Woodcut Production and the Canonization of Saints in Late Medieval Italy.’ In The Saint between Manuscript and Print: Italy 1400–1600, ed. by Alison Knowles Frazier, pp. 73–98. Toronto: Centre for Reformation and Renaissance Studies, 2015.
Coleman, Joyce. Public Reading and the Reading Public in Late Medieval England and France. Cambridge: Cambridge University Press, 1996.
Courboin, François. Catalogue Sommaire des Gravures et Lithogrphies composant la Réserve. Bibliothèque Nationale, département des Estampes. 2 vols. Paris, 1900–1901.
Crawford, Matthew B. Shop Class as Soulcraft: An Inquiry into the Value of Work. New York: Penguin Press, 2009.
Dackerman, Susan. Painted Prints: The Revelation of Color in Northern Renaissance & Baroque Engravings, Etchings & Woodcuts. University Park, PA: Pennsylvania State University Press, 2002.
Daly, Lloyd W. Contributions to a History of Alphabetization in Antiquity and the Middle Ages. Brussels: Latomus, 1967.
De Flou, Karel and Edward Gailliard. Beschrijving van Middelnederlandsche en andere Handschriften, die in Engeland bewaard worden: Verslag ingediend bij het Belgisch Staatsbestuur en de Koninklijke Vlaamsche Academie. 2 vols. Ghent: Siffer, 1895–1897.
De Hamel, Christopher, The Rothschilds and Their Collections of Illuminated Manuscripts London: The British Library, 2005.
de Ricci, Seymour. Census of Medieval and Renaissance Manuscripts in the United States and Canada. 3 vols. New York: H. W. Wilson, 1935–1940.
Delaissé, L. M. J., James H. Marrow and John De Wit (eds.). Illuminated Manuscripts. Fribourg: Published for the National Trust by Office du livre, 1977.
Deschamps, Jan. ‘De Herkomst van het Leidse Handschrift van de Sint-Servatiuslegende van Hendrik van Veldeke.’ Handelingen van de Koninklijke Zuidnederlandse Maatschappij voor Taal- en Letterkunde en Geschiedenis 12 (1958), pp. 53–78.
Deschamps, Jan. Middelnederlandse Handschriften uit Europese en Amerikaanse Bibliotheken: Tentoonstelling ter Gelegenheid van het Honderdjarig Bestaan van de Koninklijke Zuidnederlandse Maatschappij voor Taal- en Letterkunde en Geschiedenis, Brussel, Koninklijke Bibliotheek Albert I, 24 Okt.-24 Dec. 1970: Catalogus. 2nd edn Leiden: Brill, 1972.
Dicke, Gerd, and Klaus Grubmüller, eds. Die Gleichzeitigkeit von Handschrift und Buchdruck, Wolfenbütteler Mittelalter-Studien, vol. 16. Wiesbaden: Harrassowitz, 2003.
Dodgson, Campbell, Catalogue of Early German and Flemish Woodcuts in the British Museum, 2 vols. London: British Museum Trustees, 1903.
Dreves, Guido Maria, 1854–1909, Clemens Blume, 1862–1932, and Henry Marriott Bannister, 1854–1919, eds. Analecta Hymnica Medii Aevi. 54 vols. Leipzig: Fues’s Verlag, 1854–1932.
Ehrenschwendtner, Marie-Luise. ‘Virtual Pilgrimages? Enclosure and the Practice of Piety at St Katherine’s Convent, Augsburg.’ Journal of Ecclesiastical History 60, no. 1 (2009), pp. 45–73. https://doi.org/10.1017/s0022046908006027
Einblattdrucke des Fünfzehnten Jahrhunderts, ed. by Paul Heitz and Wilhelm Ludwig Schreiber. 100 vols. Straßburg: Paul Heitz, 1899–2016.
Eisenstein, Elizabeth L. The Printing Revolution in Early Modern Europe. Cambridge: Cambridge University Press, 1983.
Engen, Hildo van, De derde orde van Sint-Franciscus in het middeleeuwse bisdom Utrecht, Hilversum: Verloren, 2006.
Erler, Mary. ‘Pasted-in Embellishments in English Manuscripts and Printed Books c. 1480–1533’, The Library, 6th ser., no. 14 (1992), pp. 185–206.
Farquhar, James Douglas. ‘The Manuscript as a Book.’ In Pen to Press: Illustrated Manuscripts and Printed Books in the First Century of Printing, ed. by Sandra Hindman and James Douglas Farquhar, 11–99. College Park, MA: Art Dept., University of Maryland, 1977.
Gärtner, Magdalene. Römische Basiliken in Augsburg: Nonnenfrömmigkeit und Malerei um 1500. Augsburg: Wissner, 2002.
Geusau, Baron von. ‘Korte Geschiedenis der Kloosters te Maastricht.’ Publications de la Société Historique et Archéologique dans le Duché de Limbourg = Jaarboek van Limburgs Geschied- en Oudheidkundig Genootschap XXXI, nouvelle série, XI (1894), pp. 3–131.
Gould, Cecil Hilton Monk. Trophy of Conquest: The Musée Napoléon and the Creation of the Louvre. London: Faber & Faber, 1965.
Gumbert, J. P. Bat Books: A Catalogue of Folded Manuscripts Containing Almanacs or Other Texts. Bibliologia: Elementa ad Librorum Studia Pertinentia, 41. Turnhout: Brepols, 2016.
Gumbert, Peter. ‘Fifty Years of Codicology’, Archiv für Diplomatik: Schriftgeschichte, Siegel- und Wappenkunde, 50 (2004), pp. 505–26. https://doi.org/10.7788/afd.2004.50.jg.505
Hanno Wijsman, ‘Handschriften und gedruckte Bücher: der Wandel der Europäischen Buchkultur im 15. Jahrhundert.’ In Christine Beier (ed.), Geschichte der Buchkultur 5.1: Gotik, Graz: Akademische Druck- und Verlagsanstalt/ADEVA, 2016, pp. 97–114.
Hauwaerts, Evelien, Evelien de Wilde, and Ludo Vandamme. Colard Mansion: Incunabula, Prints and Manuscripts in Medieval Bruges. Exh. Cat., Groeningemuseum, Brugge. Ghent: Snoeck Publishers, 2018.
Hayles, Katherine and Jessica Pressman, eds., Comparative Textual Media. Transforming the Humanities in the Postprint Era. Minneapolis, MN: University of Minnesota Press, 2013. https://doi.org/10.5749/minnesota/9780816680030.001.0001
Hébert, Michèle. Bibliothèque Nationale, Cabinet des Estampes. Inventaire des Gravures des Écoles du Nord: 1440–1550. 2 vols. Paris: Bibliothèque nationale, 1982.
Hennessy, Marlene Villalobos. ‘The Social Life of a Manuscript Metaphor: Christ’s Blood as Ink’. In The Social Life of Illumination: Manuscripts, Images, and Communities in the Late Middle Ages, ed. by Joyce Coleman, Mark Cruse and Kathryn A. Smith. Medieval Texts and Cultures of Northern Europe. Turnhout: Brepols, vol. 21, 2013, pp. 17–52, pl. xvii.
Hermans, Jos M. M. ‘Elf Kisten Boeken uit het Gouvernementsgebouw te Maastricht: Lotgevallen van de Limburgse Handschriften en Oude Drukken, Gevonden in 1839.’ In Miscellanea Neerlandica. Opstellen voor Dr. Jan Deschamps ter Gelegenheid van Zijn Zeventigste Verjaardag, ed. by Elly Cockx-Indestege and Frans Hendrickx, I, pp. 105–43. Leuven: Peeters, 1987.
Hindman, Sandra, and James Douglas Farquhar. Pen to Press: Illustrated Manuscripts and Printed Books in the First Century of Printing. College Park, MD: Art Dept., University of Maryland, 1977.
Hindman, Sandra. The Robert Lehman Collection. IV: Illuminations. New York and Princeton: Metropolitan Museum of Art in association with Princeton University Press, 1997.
Hollstein, F. W. H. Dutch and Flemish Etchings, Engravings, and Woodcuts, ca. 1450–1700. Amsterdam: M. Hertzberger, 1949.
Hülsmann, Margriet. ‘Gedecoreerde Handschriften uit Tertiarissenconventen in Amsterdam en Haarlem: Boekenbezit Versus Boekproductie.’ Ons geestelijk erf 74, no. 1–2 (2000), pp. 153–80. https://doi.org/10.2143/oge.74.1.616449
Ker, N. R., A. J. Piper, Andrew G. Watson and Ian Campbell Cunningham. Medieval Manuscripts in British Libraries. 5 vols. Oxford: Clarendon Press, 1969–2002.
Kittler, Friedrich, Dorothea von Mücke and Philippe L. Similon. ‘Gramophone, Film, Typewriter.’ October 41 (1987), pp. 101–18.
Klein, Jan Willem. ‘Pragmatische Procesveranderingen in de Boekverluchting’, in Manuscripten en Miniaturen: Studies Aangeboden aan Anne S. Korteweg bij haar Afscheid van de Koninklijke Bibliotheek, ed. J. A. A. M. Biemans, Klaas van der Hoek, Kathryn Rudy and Ed van der Vlist. Zutphen: Walburg Pers, 2007, pp. 217–29.
Kosto, Adam. ‘Statim invenire ante: finding aids and research tools in pre-scholastic legal and administrative manuscripts’, Scriptorium 70 (2016), pp. 285–309.
Kumler, Aden, ‘Canonizing a Catastrophe: The Curious Case of the Carmelite Missal’, lecture at the conference Canons & Contingence: Art Histories of the Book in England and America, University of Massachusetts, Amherst, 2017 (unpublished).
Kumler, Aden, ‘The Multiplication of the Species: Eucharistic Morphology in the Middle Ages’, Res 59/60 (2011), pp. 179–91. https://doi.org/10.1086/resvn1ms23647789
Landau, David and Peter W. Parshall. The Renaissance Print: 1470–1550. New Haven, CT; London: Yale University Press, 1994.
Lavin, Maud. Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Höch. New Haven, CT: Yale University Press, 1993.
Lehrs, Max. Geschichte und Kritischer Katalog des Deutschen, Niederländischen und Französischen Kupferstichs im XV. Jahrhundert. 9 vols. Vienna: Gesellschaft für vervielfältigende Kunst, 1908.
Lepape, Séverine and Kathryn M. Rudy. Les Origines de l’Estampe en Europe du Nord, 1400–1470, ed. by host institution Musée du Louvre. Paris: Le Passage; Louvre éditions, 2013.
Leroquais, Victor. Les Livres d’Heures Manuscrits de la Bibliothèque Nationale. 2, plus a supplement vols. Paris: Bibliothèque Nationale, 1927–1929, suppl. Mâcon: Protat, 1943.
Mainardi, Patricia. ‘Assuring the Empire of the Future: The 1798 Fète de la Liberté.’ Art Journal 48, no. 2 (1989), pp. 155–63.
Malraux, André, Jean Porcher and Sheila Browne. Les Manuscrits à Peintures en France du XIIIe au XVIe Siècle [Catalogue d’une Exposition à Paris en 1955–1956]. Paris: Bibliothèque Nationale, 1955.
Marrow, James. ‘A Book of Hours from the Circle of the Master of the Berlin Passion: Notes on the Relationship between Fifteenth-Century Manuscript Illumination and Printmaking in the Rhenish Lowlands.’ The Art Bulletin 60, no. 4 (1978), pp. 590–616.
Matthews, Anne. ‘The Use of Prints in the Hours of Charles d’Angoulême.’ Print Quarterly 3, no. 1 (1986), pp. 4–18.
Meertens, Maria. De Godsvrucht in de Nederlanden. naar Handschriften van Gebedenboeken der XVe Eeuw. 6 vols. [n.p.]: Standaard Boekhandel, 1930–1934.
Nagel, Alexander. Medieval Modern: Art out of Time. London: Thames & Hudson, 2012.
Neddermeyer, Uwe. ‘Why Were There no Riots of the Scribes? First Results of a Quantitative Analysis of the Book Production in the Century of Gutenberg.’ Gazette du livre médiéval 31 (1997), pp. 1–8.
Oliver, Judith. ‘Je Pecherise Renc Grasces a Vos: Some French Devotional Texts in Beguine Psalters’. In Medieval Codicology, Iconography, Literature, and Translation: Studies for Keith Val Sinclair, ed. by Peter Rolfe Monks and D. D. R. Owen. Litterae Textuales. Leiden: E. J. Brill, 1994, pp. 248–66.
Oliver, Judith. ‘Medieval Alphabet Soup: Reconstruction of a Mosan Psalter-Hours in Philadelphia and Oxford and the Cult of St. Catherine’. Gesta 24, no. 2 (1985), pp. 129–40.
Olsen, Ulla Sander. ‘Handschriften en Boeken uit het Birgittinessenklooster Maria Troon te Dendermonde.’ In Spiritualia Neerlandica. Opstellen voor Dr. Albert Ampe S. J. hem door Vakgenoten en Vrienden Aangeboden uit Waardering voor zijn Wetenschappelijk Werk, ed. by E. Cockcx-Indestege, 389–406. Antwerp: Universitaire Faculteiten Sint-Ignatius te Antwerpen Ruusbroecgenotschap (Centrum voor Spiritualiteit), 1990.
–––. ‘Handschriften uit het Birgittinessenklooster Mariënwater te Rosmalen bij ’s-Hertogenbosch.’ In W. Verbeke, ed., Serta devota in memoriam Guillelmi Lourdaux. vol. II, pp. 225–54. Leuven: Leuven University Press, 1992–1995 = Mediaevalia Lovaniensia, Series I, Studia 20–21.
Orme, Nicholas. Medieval Children. New Haven and London: Yale University Press, 2001.
Overgaauw, Eef. A. ‘Saints in Medieval Calendars from the Diocese of Utrecht as Clues for the Localization of Manuscripts.’ Codices Manuscripti 16 (1992), pp. 81–97.
Parkes, Malcolm Beckwith, ‘Folia librorum quaerere: Medieval experience of the problem of hypertext and the index’, originally published in 1995 and republished in his Pages from the Past: Medieval Writing Skills and Manuscript Books, ed. Pamela R. Robinson and Rivkah Zim. Chapter X, pp. 23–50, and Plates I-VIII. Farnham: Ashgate, 2012.
Petev, Todor. ‘A Group of Hybrid Books of Hours Illustrated with Woodcuts.’ In Books of Hours Reconsidered, ed. by Sandra Hindman and James H. Marrow, pp. 391–408. London: Harvey Miller Publishers, 2013.
Pleij, Herman and J. Reynaert, eds. Geschreven en Gedrukt: Boekproductie van Handschrift naar Druk in de Overgang van Middeleeuwen naar Moderne Tijd. Ghent: Academia Press, 2004.
Pleij, Herman. ‘Printing as a Long-Term Revolution’, in Books in Transition at the Time of Philip the Fair: Manuscripts and Printed Books in the Late Fifteenth and Early Sixteenth Century Low Countries, ed. by Hanno Wijsman, with the collaboration of Ann Kelders and Susie Speakman Sutch. pp. 287–307. Burgundica, 15. Turnhout: Brepols, 2010. https://doi.org/10.1484/m.burg-eb.6.09070802050003050209080404
Porck, M. H. and H. J. Porck. ‘Eight Guidelines on Book Preservation from 1527: How One Should Preserve All Books to Last Eternally.’ Journal of Paper Conservation 13, no. 2 (2012), pp. 17–25.
Powell, Amy Knight. Depositions: Scenes from the Late Medieval Church and the Modern Museum. New York: Zone Books, 2012.
Priebsch, Robert. Deutsche Handschriften in England. 2 vols. Erlangen: Fr. Junge, 1896–1901.
Ringbom, Sixten. ‘Some Pictorial Conventions for the Recounting of Thoughts and Experiences in Late Medieval Art.’ In Medieval Iconography and Narrative: A Symposium, ed. by Flemming Gotthelf Andersen, 38–69. Odense: Odense University Press, 1980.
Roest, Bert. A History of Franciscan Education (c. 1210–1517). Leiden; Boston: Brill, 2000.
–––. Franciscan Learning, Preaching and Mission c. 1220–1650: Cum Scientia Sit Donum Dei, Armatura ad Defendendam Sanctam Fidem Catholicam. Leiden: Brill, 2015. https://doi.org/10.1163/9789004280731
–––. Franciscan Literature of Religious Instruction before the Council of Trent. Studies in the History of Christian Traditions, 117 Leiden: Brill, 2004.
Rosenberg, Martin. ‘Raphael’s Transfiguration and Napoleon’s Cultural Politics.’ Eighteenth-Century Studies 19, no. 2 (1985), pp. 180–205.
Rouse, Richard H. ‘Cistercian Aids to Study in the Thirteenth Century’, in Studies in Medieval Cistercian History II, ed. by J. R. Sommerfeldt. pp. 123–34. Kalamazoo, MI: Cistercian Publications, 1976.
Rouse, Richard H. and Mary A. Rouse. ‘Concordances et index’, in Mise en page et mise en texte du livre manuscrit, ed. by H.-J. Martin and J. Vezin. pp. 219–28. Paris, Éditions du Cercle de la Librairie. Promodis, 1990.
–––. ‘La naissance des index’, in Histoire de l’édition française, I: Le livre conquérant: Du Moyen Âge au milieu du XVIIe siècle, eds Henri-Jean Martin, Roger Chartier, Jean-Pierre Vivet. pp. 77–85. Paris, Promodis, 1983.
–––. ‘Statim invenire: Schools, Preachers and New Attitudes to the Page’, in Renaissance and Renewal in the Twelfth Century, ed. R. L. Benson and G. Constable. pp. 201–25. Cambridge, MA, 1982; repr. in their Authentic Witnesses: Approaches to Medieval Texts and Manuscripts. pp. 191–219. Notre Dame, Ind: University of Notre Dame Press, 1991.
–––. ‘The Development of Research Tools in the Thirteenth Century’ in their Authentic Witnesses: Approaches to Medieval Texts and Manuscripts. pp. 221–55. Notre Dame, Ind: University of Notre Dame Press, 1991.
Rudy, Kathryn M. ‘An Illustrated Mid-Fifteenth-Century Primer for a Flemish Girl: British Library, Harley Ms 3828’, Journal of the Warburg and Courtauld Institutes 69 (2006), pp. 51–94.
–––. ‘Dirty Books: Quantifying Patterns of Use in Medieval Manuscripts Using a Densitometer.’ Journal of Historians of Netherlandish Art 2, no. 1, (2010) [n.p.]. https://doi.org/10.5092/jhna.2010.2.1.1
–––. ‘Manuscripts from Zutphen, Lamb of God Roundels, and a New Iconography of Penance’, special issue of Quaerendo 41 dedicated to Prof. Dr. Jos Hermans, ed. by Jos Biemans and Anne Korteweg (2011), pp. 360–72. https://doi.org/10.1163/157006911x597441
–––. ‘Reconstructing the Delbecq-Schreiber Passion (as part of the St Godeleva manuscript)’, Unter Druck. Mitteleuropäische Buchmalerei im 15. Jahrhundert. Akten der Tagung, Wien, Österreichische Akademie der Wissenschaften, 13.1.–17.1.2016, herausgegeben von Jeffrey F. Hamburger und Maria Theisen. Buchmalerei des 15. Jahrhunderts in Mitteleuropa Herausgeben von Jeffrey F. Hamburger, Band 15, pp. 156–67. Petersberg: Michael Imhoff Verlag, 2018.
–––. Piety in Pieces: How Medieval Readers Customized their Manuscripts. Cambridge: Open Book Publishers, 2016, https://doi.org/10.11647/OBP.0094; https://doi.org/10.11647/obp.0094
–––. Rubrics, Images and Indulgences in Late Medieval Netherlandish Manuscripts. Vol. 55 Library of the Written World. Leiden: Brill, 2017. https://doi.org/10.1163/9789004326965
–––. Virtual Pilgrimages in the Convent: Imagining Jerusalem in the Late Middle Ages Vol. 8 Disciplina Monastica, ed. by Isabelle Cochelin and Susan Boynton. Turnhout: Brepols, 2011. https://doi.org/10.1484/m.dm-eb.5.108575
–––. ‘A Play Built for One: The Passion of St. Barbara.’ In The Sides of the North: An Anthology in Honor of Professor Yona Pinson, ed. by Tamar Cholcman and Assaf Pinkus, 56–82. Newcastle: Cambridge Scholars, 2015.
–––. ‘How to Prepare the Bedroom for the Bridegroom.’ In Frauen—Kloster—Kunst: Neue Forschungen zur Kulturgeschichte des Mittelalters: Beiträge zum Internationalen Kolloquium vom 13. bis 16. Mai 2005 Anlässlich der Ausstellung ‘Krone und Schleier’, ed. by Jeffrey F. Hamburger, Carola Jaeggi and Hedwig Röckelein, 369–75. Turnhout, Belgium: Brepols, 2007.
–––. ‘Sewing the Body of Christ: Eucharist Wafer Souvenirs Stitched into Fifteenth-century Manuscripts, Primarily in the Netherlands’, Journal of Historians of Netherlandish Art, 8, no. 1 (Winter 2016), Article 1 (48 pages, [n.p.]). https://doi.org/10.5092/jhna.2016.8.1.1
–––. Postcards on Parchment: The Social Lives of Medieval Books. New Haven and London: Yale University Press, 2015.
Scheepsma, Wybren. De Limburgse Sermoenen (ca. 1300): De Oudste Preken in het Nederlands Nederlandse Literatuur en Cultuur in de Middeleeuwen. Amsterdam: B. Bakker, 2005.
Scheepsma, Wybren. The Limburg Sermons: Preaching in the Medieval Low Countries at the Turn of the Fourteenth Century Brill’s Series in Church History. Leiden; Boston: Brill, 2008. https://doi.org/10.1163/ej.9789004169692.i-488
Schmidt, Peter. ‘Bildgebrauch und Frömmigkeitspraxis: Bemerkungen zur Benutzung früher Druckgraphik.’ In Spiegel der Seligkeit: Privates Bild und Frömmigkeit im Spätmittelalter, ed. by Frank Matthias Kammel and Andreas Curtius, 69–83. Nürnberg: Verlag des Germanischen Nationalmuseums, 2000.
–––. ‘The Early Print and the Origins of the Picture Postcard.’ In The Woodcut in Fifteenth-Century Europe, ed. by Peter W. Parshall, pp. 239–57. Washington, D.C.: National Gallery of Art, 2009.
–––. ‘The Use of Prints in German Convents of the Fifteenth Century: The Example of Nuremberg.’ Studies in Iconography 24 (2003), pp. 43–69.
–––. Gedruckte Bilder in handgeschriebenen Büchern: Zum Gebrauch von Druckgraphik im 15. Jahrhundert Pictura et Poesis: Interdisziplinäre Studien zum Verhältnis von Literatur und Kunst. Cologne: Böhlau, 2003. https://doi.org/10.7788/9783412324889
Schmidt, Suzanne Kathleen Karr and Kimberly Nichols. Altered and Adorned: Using Renaissance Prints in Daily Life. 1st ed. Chicago: Art Institute of Chicago; New Haven: Distributed by Yale University Press, 2011.
Schoengen, M. and P. C. Boeren. Monasticon Batavum. 3 vols. Amsterdam: Noord-Hollandsche Uitg. Maatschappij, 1942.
Schreiber, Wilhelm Ludwig. Manuel de l’Amateur de la Gravure sur Bois et sur Métal au XVe Siècle. 8 vols. Berlin: A. Cohn, 1891–1911.
Schuppisser, Frizt Oskar. ‘Copper Engravings of the “Mass Production” Illustration Netherlandish Prayer Manuscripts.’ In Masters and Miniatures: Proceedings of the Congress on Medieval Manuscript Illumination in the Northern Netherlands (Utrecht, 10–13 December 1989), ed. by K. van der Horst and Johann-Christian Klamt, 3, pp. 389–400. Doornspijk: Davaco, 1991.
Shestack, Alan. Fifteenth Century Engravings of Northern Europe from the National Gallery of Art, 2 vols. Washington: National Gallery of Art, 1967.
Simons, Walter. ‘Reading a Saint’s Body: Rapture and Bodily Movement in the ‘Vitae’ of Thirteenth-Century Beguines’. In Framing Medieval Bodies, ed. by Sarah Kay and Miri Rubin, pp. 10–23. Manchester; New York: Manchester University Press, distributed by St. Martin’s Press, 1994.
Smentek, Kristel. ‘The Collector’s Cut: Why Pierre-Jean Mariette Tore up His Drawings and Put Them Back Together Again’, Master Drawings 46, no. 1 (2008), pp. 36–60.
Smeyers, Maurits. Vlaamse Miniaturen Voor Van Eyck, ca. 1380-ca. 1420: Catalogus: Cultureel Centrum Romaanse Poort, Leuven, 7 September-7 November 1993. Corpus of Illuminated Manuscripts = Corpus van Verluchte Handschriften, 6. Leuven: Peeters, 1993.
Smith, Kathryn A. ‘The Neville of Hornby Hours and the Design of Literate Devotion’, The Art Bulletin 81, no. 1 (1999), pp. 72–92.
Smith, Kathryn A. Art, Identity, and Devotion in Fourteenth-Century England: Three Women and Their Books of Hours. London: British Library and University of Toronto Press, 2003.
Smyth, Adam. Material Texts in Early Modern England. Cambridge: Cambridge University Press, 2018. https://doi.org/10.1017/9781108367868
Stanton, Anne Rudloff. ‘The Psalter of Isabelle, Queen of England 1308–1330: Isabelle as the Audience.’ Word & Image: A Journal of Verbal/Visual Enquiry 18, no. 4 (2002), pp. 1–27. https://doi.org/10.1080/02666286.2002.10404973
Steiner, Emily and Lynn Ransom, eds. Taxonomies of Knowledge: Information and Order in Medieval Manuscripts. Philadelphia: The Schoenberg Institute for Manuscript Studies, University of Pennsylvania Libraries, 2015.
Stock, Jan van der. Early Prints: The Print Collection of the Royal Library of Belgium. London: Harvey Miller Publishers, 2002.
Stooker, Karl and Theo Verbeij. Collecties op Orde: Middelnederlandse Handschriften uit Kloosters en Semi-Religieuze Gemeenschappen in De Nederlanden. 2 vols. Miscellanea Neerlandica. Leuven: Peeters, 1997.
Voigts, Linda E. and Michael R. McVaugh, ‘A Latin Technical Phlebotomy and Its Middle English Translation’, Transactions of the American Philosophical Society 74, no. 2 (1984), pp. 1–69.
Voragine, Jacobus de. The Golden Legend: Readings on the Saints. Translated by William Granger Ryan. 2 vols. Princeton, N.J.: Princeton University Press, 1993.
Warnar, Geert. ‘Servatius in School.’ Omslag: Bulletin van de Universiteitsbibliotheek Leiden en het Scaliger Instituut 3 (2010) [n.p.].
Weekes, Ursula. ‘Convents as Patrons and Producers of Woodcuts in the Low Countries around 1500.’ In The Woodcut in Fifteenth-Century Europe, ed. by Peter W. Parshall, 75, 258–75. Washington, D.C.: National Gallery of Art, 2009.
–––. Early Engravers and Their Public: The Master of the Berlin Passion and Manuscripts from Convents in the Rhine-Maas Region, Ca. 1450–1500. London: Harvey Miller, 2004.
Weigel, Theodor Oskar. Katalog frühester Erzeugnisse der Druckerkunst der T. O. Weigel’schen Sammlung: Zeugdrucke, Metallschnitte, Holzschnitte …Versteigerung 27.(-29.) Mai 1872. Leipzig: Weigel, 1872.
Wieck, Roger S. ‘Special Children’s Books of Hours in the Walters Art Museum’, in Als Ich Can: Liber Amicorum in Memory of Professor Dr. Maurits Smeyers, ed. by Bert Cardon, Jan van der Stock, Dominique Vanwijnsberghe and Katharina Smeyers. Corpus of Illuminated Manuscripts = Corpus van Verluchte Handschriften, pp. 1629–39. Leuven: Peeters, 2002.
Wijsman, Hanno, with the collaboration of Ann Kelders and Susie Speakman Sutch, eds. Books in Transition at the Time of Philip the Fair: Manuscripts and Printed Books in the Late Fifteenth and Early Sixteenth Century Low Countries. Burgundica, 15. Turnhout: Brepols, 2010. https://doi.org/10.1484/m.burg-eb.6.09070802050003050209080404
Winston-Allen, Anne. Stories of the Rose: The Making of the Rosary in the Middle Ages. University Park, PA: Pennsylvania State University Press, 1997.
Ziegler, Joanna E. Sculpture of Compassion: The Pietà and the Beguines in the Southern Low Countries, C.1300-C.1600. Etudes d’Histoire de l’Art, 6. Brussels; Turnhout: Institut Historique Belge de Rome; Brepols, 1992.