List of Illustrations
Chapter 1
1.1 |
Winston Churchill walks through the ruins of Coventry Cathedral. Photograph by William G. Horton, 1941. Washington, DC, Library of Congress, Prints and Photographs Division. |
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1.2 |
Charles Friant as Jean in Massenet’s Le jongleur de Notre Dame. Photograph by Studio Harcourt, 1941 or earlier. Published in a program for the Théâtre national de l’Opéra Comique (January 19, 1941), 2. |
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1.3 |
Cast list for Massenet’s Le jongleur de Notre Dame, with German language instruction advertised at bottom (in German). Published in a program for the Théâtre national de l’Opéra Comique (January 19, 1941), 11. |
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1.4 |
Cast list for Massenet’s, with deluxe shoes advertised at bottom (in French). Published in a program for the Théâtre national de l’Opéra Comique (January 6, 1934), 15. |
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1.5 |
From right to left, Jérôme and Jean Tharaud, in their garden. Photograph Agence de presse Meurisse, 1932, https://commons.wikimedia.org/wiki/File:Frères_Tharaud_a_Meurisse_1932.jpg |
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1.6 |
Front page of Marianne 7, no. 339, April 19, 1939. |
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1.7 |
Henri Brochet, with Virgin and Child on desk in left foreground. Photograph, date and photographer unknown. |
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1.8 |
“Roger Bontemps.” Illustration by Henri Gerbault, printed on lithograph promotional card, “Les chansons” (2nd series), by de Ricqlès & Cie, 1910. |
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1.9 |
“Hippodrome au Pont de l’Alma: Cadet Roussel.” Poster illustrated by Jules Chéret, printed by Chaix, 1882. |
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1.10 |
Léon Chancerel. Photograph, 1942. Photographer unknown. |
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1.11 |
Front cover of Léon Chancerel, Frère Clown, ou Le jongleur de Notre-Dame (Lyons, France: La Hutte, 1943). |
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1.12 |
Front cover of Rutebeuf, Le miracle de Théophile, transposed by Gustave Cohen (Paris: Delagrave, 1934). |
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1.13 |
The staging of Le miracle de Théophile. Photograph, 1933. Photographer unknown. Published in Rutebeuf, Le miracle de Théophile, transposed by Gustave Cohen (Paris: Delagrave, 1934), 3. |
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1.14 |
Front cover of Gustave Cohen, Mystère de la Passion des théophiliens (Paris: Richard-Masse, 1950). |
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1.15 |
Alexandre Glasberg at Chansaye. Photographer unknown, ca. 1941–1944. Image courtesy of the Mémorial de la Shoah. All rights reserved. |
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1.16 |
Staging of Massenet’s Le jongleur de Notre Dame outside the Cathédrale Saint-Charles Borromée, Saint-Étienne, France. Photograph, 1942. Photographer unknown. Saint-Étienne, Archives municipales, Bulletin municipal de 1942. |
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1.17 |
Four-franc Vichy French postage stamp with portrait of Jules Massenet to commemorate the centenary of his birth (1942). |
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1.18 |
First-day cover with portrait of Jules Massenet to commemorate the centenary of his birth (1942). |
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1.19 |
Holy card of children in supplication before the Virgin (Paris: A. Leclerc, 1944). |
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1.20 |
Postcard of the Virgin and Child, flanked by prominent French cathedrals and names of Marian miracle sites (1942). |
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1.21 |
Henri Perrin, Le capitaine Darreberg, 7th ed. (Corps: Association des pèlerins de La Salette, 1983), front cover. Courtesy of Association des pèlerins de La Salette. |
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1.22 |
Commemorative medallion (obverse) to honor Resistance, depicting Gilbert Renault (Colonel Rémy), ca. 1940–1944, by Jean-Paul Luthringer, struck in 1988 by Monnaie de Paris. |
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1.23 |
Commemorative medallion (reverse), depicting the Virgin with the Cross of Lorraine and the abbreviation CND (Confrérie Notre-Dame), by Jean-Paul Luthringer, struck in 1988 by Monnaie de Paris. |
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1.24 |
Front cover of Anatole France, Le jongleur de Notre-Dame, illus. Pierre Watrin (Paris: Éditions de l’Amitié—G. T. Rageot, 1944). |
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1.25 |
The monks are appalled by the juggler’s improvised ritual. Illustration by Pio Santini. Published in Jérôme et Jean Tharaud, Les contes de la Vierge (Paris: Société d’éditions littéraires françaises, 1946), between pp. 172 and 173. |
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1.26 |
Henry Bordeaux. Photograph by Henri Manuel, date unknown. Reproduced on postcard stock (Paris, 1920). |
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1.27 |
The juggler performs. Illustration by Sax R. Shaw, calligraphy by Irene Wellington. Manuscript of Del tumbeor Nostre Dame, lines 223–25 (Edinburgh, 1942), fol. 10r. Courtesy of Newberry Library, Chicago, Illinois. |
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1.28 |
Preface to Anatole France, Le jongleur de Notre-Dame, trans. Frederic Chapman ([no place]: printed for the friends of Jarrett and Robert Schmid, Christmas 1944). |
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1.29 |
Cover illustration to the story “Handsprings and Somersaults” by Arnold Robert Verduin, published in 1945. |
Chapter 2
2.1 |
Virgin Mary on crescent and globe, trampling serpent. One-lira Vatican commemorative coin (reverse), engraved by Aurelio Mistruzzi (1933). |
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2.2 |
“These four Ezquiogans saw the Virgin.” Photograph by Charles Trampus, 1931. Published in Le Miroir du monde 2.78, August 29, 1931, 244. |
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2.3 |
“Ezquioga sera-t-il un nouveau Lourdes?” Le Miroir du monde 2.78, August 29, 1931, 243. |
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2.4 |
Postcard of the replica of the Lourdes grotto in Beauraing, Belgium (Brussels: Ernest Thill, 1930s). |
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2.5 |
Postcard recreating the apparition in Beauraing, Belgium (Brussels: Marco Marcovici, 1930s). |
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2.6 |
Postcard of crowd at the tree and bridge, locations of the apparition in Beauraing, Belgium (Brussels: Ernest Thill, 1930s). |
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2.7 |
“The crowd hearing the revelations of Côme Tilman, Beauraing.” A bit left of the middle, bareheaded and facing the camera, the farmworker who experienced a miracle. Photograph, 1930s. Photographer unknown. |
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2.8 |
Postcard of the site of the apparition in Banneux, Belgium (Brussels: A. Dohmen, ca. 1934). |
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2.9 |
Postcard of Leonie Van den Dyck, the visionary of Onkerzele, Belgium, outside her home, ca. 1933. |
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2.10 |
Front cover of Franz Johannes Weinrich, De danser van Onze Lieve Vrouw: Een klein mirakelspel, trans. Wies Moens, woodcut by Prosper De Troyer (Antwerp, Belgium: De Sikkel, 1930). |
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2.11 |
Postcard of Het Heilige Maagdcollege, Dendermonde, Belgium (Brussels: Ernest Thill, 1930s). |
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2.12 |
Wies Moens. Photograph taken before 1926, photographer unknown. |
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2.13 |
Prosper De Troyer, self-portrait, 1929. From Frans Mertens, Prosper De Troyer (Antwerp, Belgium: Standaard, 1943), front cover. |
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2.14 |
Henri Ghéon. Drawing by Jean Veber, 1898, https://commons.wikimedia.org/wiki/File:Henri_Ghéon_by_Jean_Veber.jpg |
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2.15 |
Front cover of Dietzenschmidt [Anton Franz Schmid], Die Sanct Jacobsfahrt: Eyn Legendenspiel in drey Aufzügen (Berlin: Oesterheld, 1920). Woodcut by Johannes Othmar, 1920. |
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2.16 |
Front cover of Wies Moens, De spitsboog (Bruges, Belgium: Wiek op, 1943). |
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2.17 |
Arthur Masson in his student quarters in Louvain. Photograph, 1919. Photographer unknown. |
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2.18 |
Front cover of E. H. Blondeel, Wintze, of De Tuimelaar van O. L. Vrouw: Legendeverhaal (Torhout, Belgium: Becelaere, 1933). |
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2.19 |
August Defresne. Photograph by Hanna Elkan, 1940. |
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2.20 |
Charlotte Köhler as jongleur, in monastic habit. Photograph by Godfried de Groot, ca. 1933. Published on the front cover of August Defresne, De vrome speelman (Amsterdam: “De Gulden Ster,” 1933). |
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2.21 |
Victor Emanuel van Vriesland, age 70. Photograph by Jacob de Nijs, 1962, CC BY-SA 3.0. The Hague, Nationaal Archief, https://commons.wikimedia.org/wiki/File:Victor_van_Vriesland_(1962).jpg |
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2.22 |
Victor Emanuel van Vriesland as a sad clown (top left), age 22. Photograph, 1914. Photographer unknown. |
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2.23 |
Title page of Victor Emanuel van Vriesland, trans., De potsenmaker van Onze Lieve Vrouwe, illus. Bob Buys, De Uilenreeks, vol. 44 (Amsterdam: Bigot en Van Rossum, 1941). |
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2.24 |
The juggler enters the monastery. Illustration by Bob Buys, 1941. Published in Victor Emanuel van Vriesland, trans., De potsenmaker van Onze Lieve Vrouwe, illus. Bob Buys, De Uilenreeks, vol. 44 (Amsterdam: Bigot en Van Rossum, 1941), 6. |
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2.25 |
The juggler slips down into the crypt during prayer. Illustration by Bob Buys, 1941. Published in Victor Emanuel van Vriesland, trans., De potsenmaker van Onze Lieve Vrouwe, illus. Bob Buys, De Uilenreeks, vol. 44 (Amsterdam: Bigot en Van Rossum, 1941), 42. |
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2.26 |
Gabriël Smit, age 42. Photograph, 1952. Photographer unknown. Image courtesy of Katholiek Documentatie Centrum, Radboud Universiteit, Nijmegen, Netherlands. All rights reserved. |
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2.27 |
A monk discovers the juggler’s performance. Illustration by Cuno van den Steene, 1945. Published in Gabriël Smit, Zeven Marialegenden (Utrecht, Netherlands: Spectrum, 1944), 80. |
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2.28 |
Caricatures of Gabriël Smit, with note indicating that originally he belonged to the Old Catholic Church. Drawings by M. J. H. M. Wertenbroek, 1936. Image courtesy of Katholiek Documentatie Centrum, Radboud Universiteit, Nijmegen, Netherlands. All rights reserved. |
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2.29 |
Front cover of Frank Valkenier [Frans van der Ven], De tuimelaar van Onze Lieve Vrouw (Tilburg, Netherlands: Private printing, 1944). |
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2.30 |
Title page of Frank Valkenier [Frans van der Ven], De tuimelaar van Onze Lieve Vrouw (Tilburg, Netherlands: Private printing, 1944). |
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2.31 |
Grootseminarie Haaren. Photograph, ca. 1942–1955. Photographer unknown. Image courtesy of Brabants Historisch Informatie Centrum. All rights reserved. |
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2.32 |
Dedication of Frank Valkenier [Frans van der Ven], De tuimelaar van Onze Lieve Vrouw (Tilburg, Netherlands: Private printing, 1944). |
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2.33 |
Title page of Augustinus Wichmans, Brabantia Mariana (Antwerp, Belgium: Joannes Cnobbaert, 1632). Munich, Bayerische Staatsbibliothek. |
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2.34 |
Title page of Curt Sigmar Gutkind, Mussolini e il suo fascismo (Heidelberg, Germany: Merlinverlag, 1927), with introduction by Benito Mussolini. |
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2.35 |
“Two Peoples and One Struggle.” German postage stamp (12, with a supplement of 38). 1941. |
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2.36 |
Postcard of the Arandora Star (before 1940). |
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2.37 |
Süß shows off his wealth. Photograph, 1940. Photographer unknown. Published in J. R. George [Hans Hömberg], Jud Süß: Roman (Berlin: Ufa-Buchverlag, 1941), facing p. 32. |
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2.38 |
Süß’s elderly rabbi. Photograph, 1940. Photographer unknown. Published in J. R. George [Hans Hömberg], Jud Süß: Roman (Berlin: Ufa-Buchverlag, 1941), facing p. 97. |
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2.39 |
The juggler arrives at the monastery. Illustration by Ernst von Dombrowski, 1961. Published in Hans Hömberg, Der Gaukler unserer lieben Frau (Vienna: Eduard Wancura, 1961), 13. |
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2.40 |
The juggler performs before a smiling Madonna and Child. Illustration by Ernst von Dombrowski, 1961. Published in Hans Hömberg, Der Gaukler unserer lieben Frau (Vienna: Eduard Wancura, 1961), 25. |
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2.41 |
Postcard of the Minoritenkirche, Vienna (Vienna: Kunstanstalt Kilophot, early twentieth century). |
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2.42 |
Postcard of the Votivkirche, Vienna (early twentieth century). |
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2.43 |
Postcard of the Kirche Maria vom Siege, Vienna (Vienna: K. Ledermann, early twentieth century). |
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2.44 |
Postcard of the Rathaus, Vienna (Vienna: K. Ledermann, early twentieth century). |
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2.45 |
Postcard of the Viennese Parliament, Rathaus, and Votivkirche (early twentieth century). |
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2.46 |
Georg Ritter von Schönerer. Engraving. F. F. Masaidek, Georg Schönerer und die deutschnationale Bewegung (Vienna: F. Schalk, 1898), frontispiece. |
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2.47 |
Hanns Hörbiger. Drawing, 1930. Artist unknown. Published in Rudolf von Elmayer-Vestenbrugg, Rätsel des Weltgeschehens, Kampfschriften der Obersten SA-Führung, vol. 4 (Munich: Eher, 1937), frontispiece. |
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2.48 |
The hagal rune. Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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2.49 |
Guido von List. Photograph by Conrad H. Schiffer, 1909. Berlin, Deutsches Bundesarchiv, CC BY-SA 3.0. |
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2.50 |
Hagal runes flanking a swastika, on the title page of Die Kunde 4 (April 1936). |
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2.51 |
SS Totenkopf ring, with hagal rune visible. Image courtesy of Craig Gottlieb, 2015. All rights reserved. |
Chapter 3
3.1 |
Wallace Fowlie, age 60. Photograph, 1968. Photographer unknown. Durham, NC, Duke University Archives Photograph Collection. Image courtesy of Duke University Libraries. All rights reserved. |
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3.2 |
Edward Sorin, with Madonna. Photograph, before 1890. Photographer unknown. Image courtesy of the University of Notre Dame Archives. All rights reserved. |
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3.3 |
The Ave Maria 10.9, August 30, 1919. Image courtesy of Ave Maria Press. All rights reserved. |
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3.4 |
Replica of the Chapel of Loreto, Saint Mary’s, Notre Dame, IN. Photograph, before the Church of Loretto (sic) was built in front of it in 1886. Photographer unknown. Image courtesy of Sisters of the Holy Cross Archives and Records, Notre Dame, Indiana. All rights reserved. |
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3.5 |
Altar (with Madonna in center and cap i pota-style replica at left) in the replica of the Chapel of Loreto, Saint Mary’s, Notre Dame, IN. Photograph, before 1886. Photographer unknown. Image courtesy of Sisters of the Holy Cross Archives and Records, Notre Dame, Indiana. All rights reserved. |
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3.6 |
Our Lady of the Angels, Notre Dame, IN, replica of the Porziuncola, Santa Maria degli Angeli, near Assisi, Italy. Photographer unknown. Image courtesy of the University of Notre Dame Archives. All rights reserved. |
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3.7 |
The Porziuncola, in the Basilica of Santa Maria degli Angeli, Assisi. Photograph by Ludmiła Pilecka, 2007, CC BY 3.0, https://commons.wikimedia.org/wiki/File:Santa_Maria_degli_Angeli_(Porcjunkula).JPG |
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3.8 |
Postcard of the Santuario di Oropa, Biella, Italy (Turin: S.A.C.R.O., 1943). |
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3.9 |
Postcard of the National Shrine Grotto of Lourdes, Mount St. Mary’s University, Emmitsburg, MD (Gettysburg, PA: L. E. Smith Wholesale Distributors, date unknown). |
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3.10 |
The Grotto, University of Notre Dame, IN. Photograph, ca. 1896. Photographer unknown. Image courtesy of the University of Notre Dame Archives. All rights reserved. |
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3.11 |
Postcard of the Grotto, University of Notre Dame, IN (South Bend, IN: City News Agency, early twentieth century). |
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3.12 |
Postcard of the Basilica of the Sacred Heart and Main Building of the University of Notre Dame, IN (early twentieth century). |
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3.13 |
Workers maintaining the electric lights on the Main Building dome, University of Notre Dame, IN. Photograph, ca. 1922. Photographer unknown. Image courtesy of the University of Notre Dame Archives. All rights reserved. |
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3.14 |
La Colonna dell’Immacolata, Rome. Photograph by Wikimedia user Monopoli91, 2014, CC BY-SA 4.0, https://commons.wikimedia.org/wiki/File:Immacolatacolonnaroma.JPG |
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3.15 |
Postcard of the South Dining Hall, University of Notre Dame, IN (Notre Dame, IN: Notre Dame Bookstore, date unknown). |
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3.16 |
Richard Sullivan. Image courtesy of the University of Notre Dame Archives. All rights reserved. |
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3.17 |
Front cover of Richard Sullivan, Notre Dame: Reminiscences of an Era (Notre Dame, IN: University of Notre Dame Press, 1951). |
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3.18 |
Postcard of Sacred Heart Church and the Main Building by moonlight, University of Notre Dame, IN (Fort Wayne, IN: Fort Wayne Printing Co., early twentieth century). |
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3.19 |
To left, R. O. Blechman, The Juggler of Our Lady: The Classic Christmas Story, 3rd ed. (Mineola, NY: Dover Publications, 2015); to right, R. O. Blechman, The Juggler of Our Lady: A Medieval Legend, 1st ed. (New York: Henry Holt and Company, 1953). Photograph by Joe Mills, 2018. |
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3.20 |
R. O. Blechman at work. Photograph, November 2013. Photographer unknown. Image courtesy of R. O. Blechman. All rights reserved. |
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3.21 |
Boris Karloff, age 45. Photograph by MGM Studios, 1932, https://commons.wikimedia.org/wiki/File:Borris_Karloff_still.jpg |
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3.22 |
Boris Karloff as Frankenstein’s monster in The Bride of Frankenstein (1935), CC BY-SA 4.0, https://commons.wikimedia.org/wiki/File:Boris_Karloff_as_Frankenstein's_monster.jpg |
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3.23 |
The Virgin’s hand extends a rose to the juggler. Illustration by R. O. Blechman, 1953. Published in R. O. Blechman, The Juggler of Our Lady: The Classic Christmas Story, 3rd ed. (Mineola, NY: Dover Publications, 2015), 110 (unnumbered). Image courtesy of R. O. Blechman. All rights reserved. |
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3.24 |
Filming The Fred Waring Show. Photograph, ca. 1949–1954. Photographer unknown. |
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3.25 |
The tumbler dancing. Illustration by Wilhelm Preetorius, in Wilhelm Preetorius, Der Tänzer unserer lieben Frau (Zurich: Die Waage, 1964), 29. |
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3.26 |
The tumbler dancing. Illustration by Wilhelm Preetorius, in Wilhelm Preetorius, Der Tänzer unserer lieben Frau (Zürich: Die Waage, 1964), 31. |
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3.27 |
R. O. Blechman, cover art. To left, Hamlet with Yorick’s skull; to right, Yorick the court jester with juggling ball. Story, Spring 1992. Image courtesy of R. O. Blechman. All rights reserved. |
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3.28 |
From left, Thomas Merton, Robert Lax, and Ralph de Toledano, editors of the Jester. Photograph, ca. 1937. Photographer unknown. New York, Columbia University Archives. Image courtesy of the Columbia University Archives. All rights reserved. |
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3.29 |
Tony Curtis as the juggler in The Young Juggler, dir. Ted Post (1960). Photograph, 1960. Photographer unknown. |
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3.30 |
Tony Curtis contemplates the Madonna in The Young Juggler, dir. Ted Post (1960). Photograph, 1960. Photographer unknown. |
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3.31 |
French prelates in a circus round watch a juggling performance. Photograph, 1967. Photographer unknown. |
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3.32 |
W. H. Auden, age 60. Photograph by Jill Krementz, 1967. |
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3.33 |
W. H. Auden, The Ballad of Barnaby, illus. Edward Gorey. Pre-existing poem and artwork, distributed to complement the Memorial Service in St. John the Divine, New York City, Wednesday, October 3, 1973. All rights reserved. |
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3.34 |
Hanged Criminals. Woodcut illustration to François Villon, Le Grant Testament et le Petit, Son Codicille, Le Jargon et ses Balades, 1st ed. (Paris: Pierre Levet, 1489), https://commons.wikimedia.org/wiki/File:PendusVillon.jpg |
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3.35 |
John Ciardi. Photograph from late 1950s, photographer unknown. Image courtesy of Rutgers University Libraries. All rights reserved. |
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3.36 |
Turner Cassity. Photograph, date and photographer unknown. Atlanta, GA, Emory University, Robert W. Woodruff Library. Image courtesy of Emory University Archives. All rights reserved. |
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3.37 |
Alfred Huth. Photograph by Ernst Huth, date unknown, CC BY-SA 3.0, https://commons.wikimedia.org/wiki/File:Alfred_Huth.jpg |
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3.38 |
Francis Poulenc. Photograph by Joseph Rosmand, before 1922. Miniature Essays: Francis Poulenc (London: J. & W Chester, 1922), 2. |
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3.39 |
Poster based on a watercolor by Léon Bakst, for a 1921 dance recital by Caryathis. |
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3.40 |
Caryathis, in a costume designed by Jean Cocteau, in a dance show that included a performance of Le Jongleur. Photograph, 1921. Photographer unknown. |
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3.41 |
Ulysses Kay, left foreground, at the reception after the premiere of his opera The Juggler of Our Lady at Xavier University, February 23, 1962. Xavier University of Louisiana Archives and Special Collections. Copyright by Xavier University of Louisiana. All rights reserved. |
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3.42 |
The juggler Colin and his musician are received by the monks. Ulysses Kay’s opera The Juggler of Our Lady (1956), premiere at Xavier University, February 23, 1962. Xavier University of Louisiana Archives and Special Collections. Copyright by Xavier University of Louisiana. All rights reserved. |
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3.43 |
The drama unfolds within the monastery. Ulysses Kay’s opera The Juggler of Our Lady (1956), premiere at Xavier University, February 23, 1962. Xavier University of Louisiana Archives and Special Collections. Copyright by Xavier University of Louisiana. All rights reserved. |
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3.44 |
Colin performs before the Madonna. Ulysses Kay’s opera The Juggler of Our Lady (1956), premiere at Xavier University, February 23, 1962. Xavier University of Louisiana Archives and Special Collections. Copyright by Xavier University of Louisiana. All rights reserved. |
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3.45 |
The image of the Virgin with the jongleur after his collapse. Ballet Nacional Chileno, November 17, 1961, Viña del Mar, and Teatro Victoria, Santiago, April 19, 1962. Image courtesy of Juan Orrego. |
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3.46 |
The jongleur, holding his vielle, with one of the young women serving the Virgin. Ballet Nacional Chileno, November 17, 1961, Viña del Mar, and Teatro Victoria, Santiago, April 19, 1962. Image courtesy of Juan Orrego. |
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3.47 |
Sir Peter Maxwell Davies. Photograph by the University of Salford Press Office, 2012, CC BY 2.0, https://commons.wikimedia.org/wiki/File:Peter_Maxwell_Davies.jpg |
Chapter 4
4.1 |
Google Ngram data for the phrase “Juggler of Notre Dame.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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4.2 |
Photograph of Czesław Miłosz, 1976, by G. Paul Bishop. Image courtesy of G. Paul Bishop. All rights reserved. |
|
4.3 |
Konstanty Ildefons Gałczyński. Photograph by Henryk Hermanowicz, 1947, https://commons.wikimedia.org/wiki/File:KonstantyIldefonsGalczynski1947.jpg |
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4.4 |
Advertisement for J. B. Gothic bras. Showcard, 1940s. |
|
4.5 |
“Notre-Dame, Quai de Montebello, Paris.” Photograph by Bettina Rheims, 2009. Published in the series “Rose, c’est Paris.” © Bettina Rheims. All rights reserved. |
|
4.6 |
Front cover of Gilbert Frankau, ed., A Century of Love Stories (London: Hutchinson & Co., 1935?). |
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4.7 |
“Vita Mystica [Monk in Cell].” Photograph by F. Holland Day, 1900. Image courtesy of The Royal Photographic Society, Bath. All rights reserved. |
|
4.8 |
A man looks at the front cover of the Mexican edition of Playboy (December 2008), featuring a suggestive Virgin Mary. Photograph, 2008. Photographer unknown. Image courtesy of Getty Images. All rights reserved. |
|
4.9 |
Arman, Jongleur de Notre Dame, 1994. Cast bronze statue with brass and glass light fixtures, 231 × 90 × 82 cm. New York, Arman Studio. Photograph by Francois Fernandez. Image courtesy of Arman Studio, New York. All rights reserved. |
|
4.10 |
Chris Ofili, The Holy Virgin Mary, 1996. Mixed media. Image courtesy of Chris Ofili. All rights reserved. |
|
4.11 |
John Cowper Powys. Photograph, ca. 1930. Photographer unknown, https://commons.wikimedia.org/wiki/File:John_cowper_powys.jpg |
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4.12 |
Front row, left to right: Sigmund Freud, G. Stanley Hall, and Carl Gustav Jung; back row, left to right: Abraham A. Brill, Ernest Jones, and Sándor Ferenczi. Photograph, September 1909, at Clark University, Worcester, MA. Photographer unknown, https://commons.wikimedia.org/wiki/File:Hall_Freud_Jung_in_front_of_Clark_1909.jpg |
|
4.13 |
Front cover of Josef Elias, Der Tänzer unserer lieben Frau: Ein altes Legendenspiel für die Bühne (Belp, Switzerland: Volksverlag Elgg, 1958). |
|
4.14 |
The jongleur, in full motley with dunce cap, before the Madonna. Josef Elias, Der Tänzer unserer lieben Frau: Ein altes Legendenspiel für die Bühne (Belp, Switzerland: Volksverlag Elgg, 1958), 23. |
Chapter 5
5.1 |
Advertisement from 1988 for the Citroën DS, featuring a quotation from Roland Barthes that compares automobiles and cathedrals. |
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5.2 |
Google Ngram data for “ivory tower.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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5.3 |
Lyonel Feininger, Die Kathedrale, cover design for the Bauhaus manifesto, 1919. Woodcut, 30.5 × 19 cm. |
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5.4 |
Google Ngram data for “corporate campus.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
|
5.5 |
Google Ngram data for “college campus.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
|
5.6 |
Google Ngram data for “university campus.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
|
5.7 |
Google Ngram data for “Anatole France” in five languages. Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
|
5.8 |
Google Ngram data for “Jules Massenet” in English. Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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5.9 |
Julie Harris. Photograph by ABC Television, 1973, https://commons.wikimedia.org/wiki/File:Julie_Harris_1973.JPG |
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5.10 |
Michel Zink, secrétaire perpétuel de l’Académie des inscriptions et belles-lettres, an immortel of the Académie française. Photographer: Brigitte Eymann. Copyright Académie des Inscriptions et Belles-Lettres, Paris. All rights reserved. |
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5.11 |
Front cover of Michel Zink, Le jongleur de Notre Dame: Contes chrétiens du Moyen Âge (Paris: Seuil, 1999). Image courtesy of Seuil. All rights reserved. |
|
5.12 |
Joseph Bédier. Photographer unknown, 1920s, https://commons.wikimedia.org/wiki/File:Joseph_Bedier.jpg |
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5.13 |
Google Ngram data for qualities once thought to be characteristic of medieval people, showing a steady decline in frequency since 1850. Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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5.14 |
Google Ngram data for “atone,” “penance,” “repent,” and “sin.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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5.15 |
Google Ngram data for “repent.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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5.16 |
Google Ngram data for “penance.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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5.17 |
Google Ngram data for “atone.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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5.18 |
Google Ngram data for “oneness.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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5.19 |
Google Ngram data for “complex.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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5.20 |
Google Ngram data for “cynicism” and “disbelief.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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5.21 |
Google Ngram data for “repeat offender.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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5.22 |
Google Ngram data for “vocational learning.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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5.23 |
Google Ngram data for “learning for learning’s sake.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
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5.24 |
Google Ngram data for “art for art’s sake.” Vector art by Melissa Tandysh, 2016. Image courtesy of Melissa Tandysh. All rights reserved. |
Acknowledgments
6.1 |
Cathedral of Justo Gallego Martínez. Mejorada del Campo, Madrid, 2005, CC BY-SA 3.0, https://commons.wikimedia.org/wiki/File:Cathedral_of_Justo_Gallego.JPG |
Notes
n.1 |
E. H. Blondeel, seated third from right in front row, among his cohort of newly-ordained priests. Photograph, 1942. Photographer unknown. Image courtesy of Webwinkel Beeldbank Brugge. All rights reserved. |
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n.2 |
Franz Werfel. Photograph, ca. 1940, by Trude Geiringer. Image courtesy of Leo Baeck Institute. All rights reserved. |
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n.3 |
Advertisement for the film adaptation of Franz Werfel’s The Song of Bernadette. Illustration by Norman Rockwell, 1943. Published in Life, December 13, 1943, 75. |
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n.4 |
Postcard of Blackstone Hotel, Chicago, IL (early twentieth century). |
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n.5 |
Front cover of Shin’ichi Nīkura, Eizō Kamizawa, and Taijirō Amazawa, eds. and trans., 奇蹟と愛と [Kiseki to ai to], vol. 4 of フランス中世文学集 [Furansu chūsei bungakushū] / Poètes et romanciers du Moyen Âge (Tokyo: Hakusuisha, 1996). Image courtesy of Harvard-Yenching Library. All rights reserved. |