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Abram, Sara (ed.), La Crocifissione di Tintoretto (Turin: Editoria, 2000, 2013).

Acidini Luchinat, C. (ed.), I restauri nel Palazzo Medici Riccardi. Rinascimento e Barocco (Cinisello Balsamo, Milan: Silvana, 1992).

Adam, William, Description of Buxton, Chatsworth, and Castleton, in Gem of the Peak (Derby: Henry Mozley & Sons, and W. & W. Pike, 1847),

Adelson, Warren, William H. Gerdts, Elaine Kilmurray, Rosella Mamoli Zorzi, Richard Ormond and Elizabeth Oustinoff (eds.), Sargent’s Venice (New Haven, CT and London: Yale University Press, 2006).

Adelswaerd-Fersen de, J., Ébauches et Débauches (Paris: Librairie Léon Vanier, 1901),

Afinoguénova, Eugenia, ‘Art Education, Class, and Gender in a Foreign Art Gallery: Nineteenth-Century Cultural Travelers and the Prado Museum in Madrid’, Nineteenth-Century Contexts 32 (2010), 47–63.

Allen, Harriet Trowbridge, Travels in Europe and the East: During the Years 1858–59 and 1863–64 (New Haven, CT: Tuttle, Morehouse & Taylor, 1879),

Anderson, Isabel (ed.), Larz Anderson: Letters and Journals of a Diplomat (Whitefish, MT: Literary Licensing, LLC, 2011).

Andrikopoulos, Panos, ‘Democratising Museums: A Brief History of Museum Lighting’, Heritage Science Research Network, 6 June 2016,

Arata, Stephen D., ‘Object Lessons: Reading the Museum in The Golden Bowl’, in Alison Booth (ed.), Famous Last Words: Changes in Gender and Narrative Closure (Charlottesville, VA: University Press of Virginia, 1993), pp. 199–229.

Arregui, Juan P., ‘Luminotecnia teatral en la primera mitad del siglo XIX: de la herencia barroca a la introducción del gas’, Stichomythia 3 (2005), 1–49.

Aso, Noriko, Public Properties: Museums in Imperial Japan (Durham: Duke University Press, 2014).

Auchard, John (ed.), Italian Hours (University Park, PA.: The Pennsylvania State University Press, 1992).

Austen, Jane, Pride and Prejudice (London: Egerton, 1813),

Avery, Kevin, Church’s Great Picture: The Heart of the Andes (New York: Metropolitan Museum of Art, 1993).

Bachelor, A., Traces of the Roman and the Moor (New York: Lamport, Blakeman, & Law, 1897).

Baedeker, Karl, Great Britain. Handbook for Travellers (Leipzig: Karl Baedeker Publisher, 1890),

Baker, Paul R., The Fortunate Pilgrims: Americans in Italy. 1800–1860 (Cambridge, MA: Harvard University Press and Oxford University Press, 1964).

Bailey, Brigitte, ‘Gender, Nation, and the Tourist Gaze’, American Literary History 14.1 (2002), 60–82.

Baldin, Mario, La illuminazione pubblica a Venezia. Il nuovo impianto (Venice: Tipografia di S. Lazzaro, 1928).

Baldwin, Peter, In the Watches of the Night: Life in the Nocturnal City, 1820–1930 (Chicago, IL: The University of Chicago University Press, 2015).

Barbantini, Nino, ‘La mostra di Tintoretto: un grande successo’, La Gazzetta di Venezia, 22 April 1937, R.S.7, n. 414,

Barber, Julia Langdon, Mediterranean Mosaics; or, The cruise of the Yacht Sapphire, 1893–1894 (New York: privately printed, [1895]),

Barberis, M. et al. (eds.), Mariano Fortuny (Venice: Marsilio, 1999).

Barker, Shirley, ‘The Female Artist in the Public Eye: Women Copyists in the Uffizi, 1770–1859’, in T. Balducci and H. Belnap Jensen (eds.), Femininity and Public Space in European Visual Culture, 1789–1914 (London: Routledge, 2014), pp. 65–77.

Baxley, Henry Willis, Spain. Art-remains and Art-realities, painters, priests, and princes. Being notes of things seen, and of opinions formed, during nearly three years’ residence and travels in that country, 2 vols. (New York: Appleton, 1875),

Beaufort, C. de (Comtesse de la Grandville), Souvenirs de voyage, ou, Lettres d’une voyageuse malade, 2 vols. (Paris: Ad. Le Clère, 1836),

Belin, Jules Leonard, Le Simplon et L’Italie septentrionale: promenades et pélerinages, 2nd ed. (Paris: Belin-Leprieur, 1843),

Bell, Ian F. A., Henry James: Fiction as History (Lanham, MD: Rowman & Littlefield, 1985).

Beltran, Alain and Patrice A. Carré, La fée et la servante: La societé française face a l’électricité (Paris: Éditions Belin, 1991).

Bercovitch, Sacvan, The Rites of Assent (London and New York: Routledge Press, 1993).

Black’s Tourist Guide to Derbyshire: its towns, watering places, dales and mansions, with map of the county, plan of Chatsworth and Haddon Hall (Edinburgh: Black, 1868),

Blaugrund, Annette, ‘The Tenth Street Studio Building: A Roster’, The American Art Journal 14 (Spring 1982), 64–71.

Bolzan, Loredana, ‘Una lunga (in)fedeltà. Vite veneziane e non di Henri e Marie de Régnier’, in Personaggi stravaganti a Venezia (Crocetta del Montello: Antiga, 2010).

Boni, G., Venezia imbellettata (Rome: Stabilimento Tipografico Italiano, 1887).

Boone, Elizabeth, Vistas de España. American Views of Life and Art in Spain, 1860–1914 (New Haven, CT: Yale University Press, 2007).

Bortolan, Gino (ed.), Il Patriarcato di Venezia 1974 (Venice: Tipo-Litografia Armena, 1974).

Boschini, Marco, La carta del navegar pittoresco (Venice: Baba, 1660),

Boschini, Marco, La carta del navegar pittoresco, critical edition by Anna Pallucchini (Venice and Rome: Istituto per la collaborazione culturale, 1966).

Bourdieu, Pierre, The Field of Cultural Production (New York: Columbia University Press, 1986).

Bradley, Carol, ‘Copisti Americani nelle Gallerie Fiorentine’, in M. Bossi and L. Tonini (eds.), L’Idea di Firenze: Temi e interpretazioni dell’arte straniera dell’Ottocento (Florence: Centro Di, 1989), pp. 61−67.

Brewer, Cecil, ‘American Museum Buildings’, Journal of the Royal Institute of British Architects, 3rd series, 20 April 1913, 306–403.

Brewster, Anne, ‘A Landmark in Rome,’ undated journal clipping, Anne Hampton Brewster Manuscript Collection, Historical Society of Pennsylvania.

Brewster, Anne, St. Martin’s Summer (Boston, MA: Ticknor & Fields, 1866),

Brewster, Anne, ‘Letter from Rome,’ Philadelphia Evening Bulletin, 28 June 1869.

Brewster, Anne, ‘Correspondence. Letter from Rome. The Last Days of the Carnival,’ Philadelphia Evening Bulletin, 24 February 1871.

Brewster, Anne, ‘New Treasures Brought to Light at Pompeii,’ Boston Daily Advertiser, recorded on 7 August 1875; published on 21 August 1875.

Brewster, Anne, ‘The Old Monuments — A Remarkable Etruscan Statue — Memorials of an Ancient Lady — Interesting Speculations,’ Boston Daily Advertiser, 1 January 1878.

Brewster, Anne, ‘Italian Notes,’ Philadelphia Daily Evening Telegraph, 17 January 1881, p. 8.

Brewster, Anne, Journal of Anne Hampton Brewster, 4 November 1868–1892, Box 4, folder 2, Anne Hampton Brewster Manuscript Collection, The Library Company of Philadelphia.

Bridgeland, Judith I, ‘Salvator Rosa’s “Landscape with Jacob’s Dream”’, 18 July 2012,

Brieu-Galaup, Florence, Venise, un refuge romantique (1830–48) (Paris: L’Harmattan, 2007).

Brigham, Gertrude Richardson, ‘Freer Collection Viewed in Private’, Washington Post, 2 May 1923.

Brooks, Van Wyck, The Dream of Arcadia: American Writers and Artists in Italy, 1760–1915 (London: Dent, 1959).

Brooks, Van Wyck, Fenollosa and His Circle (New York: Dutton, 1962).

Brusegan, Marcello, Catalogo dei manoscritti del Fondo Mariutti Fortuny (Venice: Biblioteca Nazionale Marciana, 1997).

Bryant, William Cullen, Letters of a Traveller (New York: Appleton, 1859).

Burbitt, Elihu, A Walk from London to John O’Groats with Notes by the Way, 2nd ed. (London: Sampson Low, Son, & Marston, 1864),

Burbitt, Elihu, The Works of the Reverend Orville Dewey D. D. (London: Simms and McIntyre, 1844),

Butor, Michel, ‘Voyage et récriture’, Romantisme 4 (1972), 4–19.

Carbon, Claus C. and Pia Deininger, ‘Golden Perception’, i-PERCEPTION 4.6 (2013), 468–76.

Chagnon-Burke, Véronique, ‘Rue Laffitte: Looking at and Buying Contemporary Art in Mid-Nineteenth Century Paris’, Nineteenth Century Art Worldwide 11.2 (2012), 31–54

Chamberlain, Joshua Lawrence, John De Witt and John Howard Van Amringe, Universities and Their Sons: History, Influence, and Characteristics of American Universities (Boston, MA: R. Herndon Co., 1898).

Chatsworth House Trust, Your Guide to Chatsworth (Leicester: Streamline Press Ltd., 2011).

Chiari Moretto Wiel, Maria Agnese, ‘L’Annunciazione di Tiziano nella Scuola Grande di San Rocco. Appunti’, in Scuola Grande Arciconfraternita di San Rocco, Notiziario 37 (May 2017), 50–57.

Church, John A., ‘Scientific Miscellany: A New Electric Light’, The Galaxy. A Magazine of Entertaining Reading 30.3 (1875), 415–16,;view=1up;seq=425

Ciotti, A., ‘Curiosando sulla Scuola Grande Arciconfraternita di San Rocco’, Quaderni della Scuola Grande di San Rocco 7 (2001).

Clegg, Jeanne, Ruskin and Venice (London: Junction Books, 1981).

Clegg, Jeanne and Paul Tucker (eds.), The Dominion of Daedalus (St. Albans, UK: Brenthan Press, 1994).

Cole, Alphaeus P. and Margaret W. Cole, Timothy Cole Wood Engraver (Dublin, New Hampshire, NH: William L. Bauhan Publisher, 1935).

Cole, Thomas, Salvator Rosa Painting Banditti (Boston, MA: Museum of Fine Arts, 1832–40).

Cole, Timothy and W. J. Stillman, Old Italian Masters Engraved by Timothy Cole with Historical Notes by W. J. Stillman and Brief Comments by the Engraver (New York: The Century Co., 1892),

Coleman Sellers, Charles, Charles Willson Peale (New York: W. W. Norton & Co., 1969).

Coleman Sellers, Charles, Mr. Peale’s Museum, Charles Willson Peale and the First Popular Museum of Natural Science and Art (New York: W.W. Norton & Co., 1980).

Comment, Bernard, The Panorama (London: Reaktion Books, 1999).

Conlin, Jonathan, The Nation’s Mantelpiece: A History of the National Gallery (London: Pallas Athene, 2006).

Conn, Steven, ‘Where Is the East: Asian Objects in American Museums, from Nathan Dunn to Charles Freer’, Winterthur Portfolio 35 (2000), 168–73.

Cook, Joel, England Picturesque and Descriptive. A Reminiscence of Foreign Travel (Philadelphia: Porter and Coates 1882),

Cooper, James Fenimore, Excursions in Italy (London: Bentley, 1838),

Cooper, James Fenimore, Gleanings in Europe, 2 vols. (Philadelphia: Carey, 1838),

Coronato, Rocco, Shakespeare, Caravaggio, and the Indistinct Regard (Milton: Taylor & Francis, 2017).

Cortissoz, Royal, ‘The Freer Gallery’, New York Tribune, 6 May 1923.

Cortissoz, Royal, ‘The New Freer Gallery as a Test of Taste’, Literary Digest, 2 June 1923.

Cunha Resende, Aimara de, Journey Through Light and Darkness: A Study of Duplication in Shakespeare, Master’s thesis, Universidade federal de Minas Gerais, 1983.

Cushing, Caroline, Letters Descriptive of Public Monuments, Scenery and Manners in France and Spain, 2 vols. (Newburyport, MA: Allen, 1832).

Dall’Acqua Giusti, Antonio, L’Accademia e la Galleria di Venezia. Due relazioni storiche per l’esposizione di Vienna del 1873 (Venice: Visentini, 1873),

Davanzo Poli, Doretta, Seta e oro. La collezione tessile di Mariano Fortuny (Venice: Cassa di Risparmio-Biblioteca Nazionale Marciana, 1997–98).

De Benedictis, Cristina, et al., La Palazzina dei Servi a Firenze (Firenze: Edifir, 2014).

De Biasio, Anna, Romanzi e musei (Venezia: Istituto Veneto di Scienze, Lettere ed Arti, 2006).

De Luxán García de Diego, Margarita, ‘Restauración de la iluminación natural’, Informes de la construcción 40 (1989), 37–41.

De Mille, J. B., The Dodge Club or Italy in 1859 (Philadelphia, PA: published for private circulation, 1869),

‘Death of Albert Bierstadt, Landscape-Painter’, The American Architect and Building News 75 (1902), [n.p.].

Dickens, Charles, The Uncommercial Traveller (New York: Charles Scribner’s Sons, 1905),

Dorey, Helen, ‘Exquisite Hues and Magical Effects’, in Sandra Coley (ed.), ‘The Stained Glass Collection of Sir John Soane’s Museum.’ The Journal of Stained Glass, special number 27 (2004).

Downes, William Howe, Spanish Ways and By-Ways, with a glimpse of the Pyrenees (Boston, MA: Cupples, 1883),

Druzik, James and Bent Eshoj, ‘Museum Lighting: Its Past and Future Development’, in T. Padfield and K. Borchersen (eds.), Museum Microclimates, Contributions to the Conference in Copenhagen, 19–23 November 2007 (Copenhagen: National Museum of Denmark, 2007), pp. 51–56,

Dyson, Stephen, The Last Amateur: The Life of William J. Stillman (Albany, NY: State University of New York Press, 2014).

‘Electric Lighting at Chatsworth’, Sheffield and Rotherham Independent, 9 December 1893, 174–75.

‘Electric Lighting in Boston’, Electrical World and Engineer, 19 September 1903. Reprinted in General Electric Company Review, 1 November 1903.

Ellison, Ralph, ‘The Novel as a Function of American Democracy’, in his Going to the Territory (New York: Random House, 1986), pp. 308–20.

Emerson, Ralph Waldo, Essays. First Series (Boston, MA: Houghton, Mifflin, 1876),

Emerson, Ralph Waldo, The Letters of R. W. Emerson, R. L. Rusk (ed.), 6 vols. (New York: Columbia University Press, 1939).

Ernest, Philippe, Marquis de Beauffort, Souvenirs d’Italie, par un catholique (Paris: Société des beaux-arts, 1839),

Evans, Augusta Jane, St. Elmo: A Novel (New York: Carleton, 1867),

Fenollosa, Ernest, Epochs of Chinese and Japanese Art, 2 vols. (New York: Dover, 1963).

Field, Kate, Ten Days in Spain (Boston, MA: Osgood, 1875),

Filippin, Sara, ‘Fotografie e fotografia nella storia dell’Accademia di Belle Arti di Venezia, 1850–1950’, in Nico Stringa (ed.), L’Accademia di Belle Arti di Venezia, l’Ottocento, 2 vols. (Crocetta del Montello, TV: Antiga edizioni, 2016), I, pp. 233–69.

Fresa, Franca Marina, ‘Monumenti di carta, monumenti di pietra’, in G. Romanelli (ed.), Palazzo Ducale. Storia e restauri (Verona: San Giovanni Lupatoto, 2004), pp. 205–22.

Fuller, Margaret Ossoli, At Home and Abroad or Things and Thoughts in America and Europe, Arthur B. Fuller (ed.) (Boston, MA: Brown, Taggard and Chase, 1860; 2nd ed. New York: The Tribune Association, 1869,

Fulton, Charles C., Europe Through American Spectacles (Philadelphia: J. B. Lippincott, 1874).

Fuso, Silvio and Alessandro Mescola (eds.), Immagini e materiali del laboratorio Fortuny (Venice: Marsilio, 1978).

‘Gas at Chatsworth’, Sheffield and Rotherham Independent, 29 November 1861.

Gautier, Théophile, Italia, 2nd ed. (Paris: Hachette, 1855).

Gilman, Benjamin Ives, Museum Ideals of Purpose and Method (Cambridge, MA: Harvard University Press, 1923; 1st ed. Cambridge: Printed by order of the trustees of the Museum at the Riverside Press, 1918,

Goldstein, Malcolm, Landscape with Figures: A History of Art Dealing in the United States (New York: Oxford University Press, 2000).

Goncourt, E. et J. de, ‘Venise la nuit. Rêve’, in L’Italie d’hier, Notes de voyages, 1855–1856 (Paris: G. Charpentier et E. Fasquelle, 1894),

Gotti, Aurelio, Le Gallerie di Firenze. Relazione al Ministero della Pubblica Istruzione in Italia (Florence: Celini alla Galileiana, 1872).

Haacke, Hans, ‘Museums: Managers of Consciousness’, in Matthias Flügge and Robert Fleck (eds.), Hans Haacke: For Real: Works 1959–2006 (Düsseldorf: Richter, 2006), pp. 271–81.

Hale, Edward Everett, Seven Spanish Cities (Boston, MA: Little, Brown, 1883).

Hamilton, James, London Lights: The Minds that Moved the City that Shook the World, 1805–51 (London: John Murray, 2007).

Hammer, William, ‘Notes on Building, Starting and Early Operating of the First Central Station in the World, Holborn Viaduct, London, England.’ Private Memorandum book, Hammer Papers, Box 20, folder 1, Smithsonian Institution Archives.

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Harrison, James Albert, Spain in Profile: a summer among the olives and aloes (Boston, MA: Houghton, Osgood, 1879),

Hartridge, Gustavus, ‘The Electric Light and its Effects Upon the Eyes’, The British Medical Journal 1.1625 (20 February 1892), 382–83,

Havard, H., Amsterdam et Venise (Paris : E. Plon et Cie, 1877),

Hawthorne, Nathaniel, Passages from the French and Italian Notebooks, ed. by Sophia Peabody Hawthorne (Boston, MA: Houghton, Mifflin, 1871; London, Strahan & Co., 1871 ed. available at,

Hawthorne, Nathaniel, The Marble Faun, or the Romance of Monte Beni (Boston, MA: Ticknor and Fields, 1860),

Hawthorne, Sophia Peabody, Notes on England and Italy (New York: Putnam, 1869),

Hay, John, Castilian Days (Boston, MA: Osgood, 1871),

Hazlitt, William, ‘On Going a Journey’, in Table-Talk, or, Original Essays (New York: Chelsea House, 1983), pp. 249–61.

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Howat, John K., Frederic Church (New Haven, CT and London: Yale University Press, 2005).

‘Inauguration Ball. The Largest and Most Brilliant Ever Had’, Washington Evening Star 57.8, 5 March 1881,

Inwood, Stephen, City of Cities: The Birth of Modern London (London: Macmillan, 2005).

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James, Henry, A Little Tour in France (Oxford: Oxford University Press, 1984).

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James, Henry, The Wings of the Dove (Baltimore: Penguin, 1976).

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James, P. D., Death Comes to Pemberley (New York: Alfred A. Knopf, 2011).

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Jarves, Deming, Reminiscences of Glass-Making (Boston, MA: Eastburn’s Press, 1854),

Jarves, James Jackson, Art Studies: The ‘Old Masters’ of Italy (New York: Derby and Jackson, 1861),

Jarves, James Jackson, Italian Sights and Papal Principles Seen Through American Spectacles (New York: Harper and Brothers, 1856),

Jarves, James Jackson, Letters Relating to a Collection of Pictures Made by Mr. J. J. Jarves (Cambridge, MA: H. O. Houghton & Co., 1859),;

Jarves, James Jackson, The Art-Idea: Sculpture, Painting, and Architecture in America (New York: Hurd and Houghton, 1865),

Jewitt, Llewellynn (ed.), Black’s Tourist’s Guide to Derbyshire: Its Towns, Watering Places, Dales and Mansions, With Map of the County, Plan of Chatsworth and Haddon Hall (Edinburgh: A. and C. Black, 1868),

Johnson, Kendall, Henry James and the Visual (Cambridge: Cambridge University Press, 2007).

Jones, Franklin D., Engineering Encyclopedia: A Condensed Encyclopedia and Mechanical Dictionary for Engineers, Mechanics, Technical Schools, Industrial Plants, and Public Libraries, Giving the Most Essential Facts about 4500 Important Engineering Subjects, 3rd ed. (New York: The Industrial Press, 1941).

Kagan, Richard L., ‘Yankees in the Prado. A Historiographical Overview’, Boletín del Museo del Prado 25 (2007), 32–45.

Kaplan, Fred, Henry James: The Imagination of Genius, a Biography (Baltimore, MD: Johns Hopkins University Press, 1999).

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Kummerow, Burton K. and Mary K. Blair, BGE at 200 Years, Moving Smart Energy Forward, A History (Baltimore, ME: Maryland Historical Society Press, 2016).

Lanzi, Luigi Antonio, La Real Galleria di Firenze accresciuta e riordinata (Florence: Comune di Firenze, 1782),

Lapucci, Roberta, Caravaggio e l’ottica (Florence: Il Prato, 2010).

Larrabee, Denise M., Anne Hampton Brewster: 19th-Century Author and ‘Social Outlaw’ (Philadelphia, PA: The Library Company of Philadelphia, 1992).

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Lecomte, Jules, Venise ou coup-d’oeil littéraire, artistique, historique, poétique et pittoresque (Paris: Hippolyte Souverain, 1844),

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