academic 1, 3–5, 7–8, 10–13, 44, 47, 54, 65, 76–77, 92–93, 101, 110–111, 120, 146–147, 150, 158, 182–185, 188, 190–192, 196, 204, 206–210, 214–217, 243–244, 246, 249, 262, 270, 273, 284, 309–315, 317–324, 327–333, 337, 339, 349, 352–353, 361, 365–367, 369–371, 408
academic publishing 3, 8, 77, 93, 120, 182, 184–185, 216, 312–314, 337, 349, 371
Actor Network Theory (ANT) 81–82
aesthetic 7, 24, 27–28, 274, 277
Africa, African 235–237, 322, 334
Ahmed, Sara 300
Alliance of Independent Authors 117
Amazon 84, 91, 102, 124, 130, 167, 406–410
amplification 14, 91, 96, 100–101, 103
anthropology 309–311, 315–316, 323, 325
appropriation 8, 13–14, 67, 81–83, 110–111, 120, 192, 243, 245, 248, 250, 260–263, 272–273, 275–278, 316, 328, 330–332, 334–336, 338–340, 348, 351–353, 355–357, 359, 363, 367, 370, 372, 395, 399
article processing charges (APCs) 10–11, 93, 185
Artificial Intelligence (AI) 13, 21–22, 29
artists 1, 3–6, 9, 12, 14, 24, 27, 33–38, 44, 47–49, 51–52, 55–58, 99, 109, 141, 146, 153, 164, 170–171, 181–182, 191, 195–196, 243, 246, 248, 252–253, 259, 267, 271–274, 276–282, 284, 291, 293, 296–297, 332, 334, 348, 362–363, 384–385, 387, 399–400, 411–414, 427
arts 1, 34, 36, 38, 40, 47, 52, 55, 61, 142, 154–155, 204, 216, 236, 251–252, 258–260, 268, 284, 310, 312, 317, 319–321, 325, 327–328, 338–339
Arts Council England (ACE) 39–40, 136, 230
Asia, Asian 136, 229–230, 233, 235–237, 239
Association of Authors’ Agents (AAA) 107–108
Australia, Australian 133, 235, 257, 324–325, 327, 334, 336, 379, 381–382, 385–386, 389, 391–398, 401
author 4, 7–8, 10, 13–15, 21–22, 24–27, 50, 65–81, 85, 93–96, 99, 103, 105–125, 129–131, 133, 137, 141–144, 146–147, 149–152, 158, 160, 163–166, 168–169, 172–173, 175, 181–182, 184, 188, 190, 194, 204, 215–216, 229, 231, 235–237, 240, 243–244, 247–248, 250, 252, 254, 256, 259–260, 262, 268, 271, 273–274, 279, 282, 284, 288–289, 292, 295, 298–299, 301, 314, 320–324, 326–328, 330, 337–339, 349–351, 354–359, 362, 365–366, 369, 371, 381–382, 385–394, 396–397, 405–408, 410, 416, 424, 427–428
authorship 13–14, 21, 28, 52, 69–75, 77–80, 82, 85, 244, 263, 267–268, 271, 273–275, 279–282, 287–290, 293–294, 297–298, 300, 310, 312, 315–316, 318–327, 329–332, 334, 338–339, 351, 353, 355, 358, 364–365
Authors’ Licensing & Collecting Society (ALCS) 65–72, 80–81, 85, 94, 149–151, 406
Banff Centre, The 252–253, 258
Barnes, Julian 133
barriers 9, 39, 92, 206, 232, 365
Benjamin, Walter 295
‘The Author as Producer’ 295
Berlin Declaration on Open Access to Knowledge in the Sciences and Humanities (2003) 332, 365–366
Berne Convention (1886) 424
Bethesda Statement on Open Access Publishing (2003) 333, 365–366
The Content Machine 96
Black 136, 229–230, 233, 235–237, 239
Blackman, Malorie 231
Blake, Carole 106
borrowing 14, 248, 383, 391, 418
Bruguera, Tania 37–38, 50–52, 54, 58–59
Budapest Open Access Initiative 365–366
Canada, Canadian 8, 35, 39, 133, 249, 252, 257–258, 348–349, 368–372
career 3, 93, 95–96, 111, 133, 156, 158, 160, 163, 165, 168, 172, 175, 234, 236, 238, 314
Carpenter, J. R. 1, 14, 243, 249–251, 253, 257
Fishes and Flying Things 253–254
Mythologies of Landforms and Little Girls 249, 258
Carr, Nicholas 94
censorship 33, 37, 41, 284, 287, 293
Centre for Copyright and New Business Models in the Creative Economy 54, 181
Chapman, Neil 291
citation 3, 217, 243, 248, 331
Hunted Down and Other Tales 379–381, 392–393, 398, 400
class 3, 233, 237, 239, 278, 405, 420
Coelho, Paolo 119
The Alchemist 119
Coleman, Gabriella 299
collective 13, 104, 112, 122, 146, 261, 267–268, 270–271, 291, 294, 296–297, 299–300, 332
College Art Association (CAA) 4, 283
Collins, Wilkie 193
comics 4, 164–165, 181–183, 185, 188, 191–193, 195–196, 198–201, 209, 215, 237
Comics Grid, The 182–183, 192, 208, 210
CommentPress 328
commodification 72, 81, 85, 349, 367
commodity 80, 262, 280, 309, 337
commons 13, 23–24, 27, 313–314
communication 9, 12, 74, 206, 217, 245, 286, 325, 327, 347, 351, 361–362, 365, 416
community 7, 35, 42–43, 46, 54, 75, 92, 111, 119, 135, 137, 183–184, 237, 256, 294, 328, 332–334, 336–338, 359–361, 366, 385, 414, 428
competition 6, 11, 92, 100, 103–104, 202, 214, 233, 239, 270, 300, 413
control 29, 33, 41, 77, 91, 97, 99, 117, 120, 124, 130, 164–166, 170, 173, 241, 260, 274, 280, 284, 291, 325, 336, 354, 357–358, 363, 365–366, 418, 421, 423, 427–428
copying 3, 6, 23, 82, 169, 192, 193, 198, 199, 200, 201, 205, 206, 208, 210, 287, 356, 369, 370, 371, 383, 384, 397, 398, 400, 418, 419, 423, 427, 428. See also plagiarism
copyright 1–9, 12–15, 19, 22–23, 29, 43, 45, 54–55, 66–68, 72–75, 80–81, 83–85, 93, 97–98, 105–106, 108–109, 111, 116–117, 141–150, 152–156, 158–165, 167–175, 181–185, 188, 190–193, 196, 198, 200–204, 206, 208–210, 214–216, 259, 267–269, 275–276, 278–279, 282, 284, 290, 294, 309–310, 312–321, 325–327, 330–340, 348–352, 355–356, 358–359, 365–372, 379, 381–385, 394–400, 406, 415–425, 427–428
Copyright Designs and Patents Act 1988 (CDPA) 192, 198, 201, 203, 209
Cornell, Joseph 250
cost 6, 10, 40, 49–50, 52–53, 77, 92–93, 95, 99, 109–110, 185, 214, 232, 240, 285, 322, 329, 339, 366, 383, 396, 409, 411, 427
Craig, Carys 72–74, 80–81, 83–85, 268, 288
CREATe 1, 5, 8, 142, 181–183, 403
creation 29, 68, 71, 74, 78–79, 96–97, 100, 170, 246, 260–261, 280, 283, 291, 318, 324, 329–331, 335, 340, 348, 350–351, 353–354, 358–359, 362, 364, 369, 386, 389, 396, 408, 411, 421
Creative Commons licenses 10, 75, 93, 120, 327, 337, 364, 395, 398
creative practice 1, 7–9, 12–14, 35, 141–142, 146–147, 149, 153–154, 156, 158–159, 162, 172–173, 283, 312, 316, 338, 340, 348–349, 361, 365, 371
creativity 1–3, 5–9, 12–14, 19, 23, 28, 35, 43–44, 65, 68–74, 79–86, 104, 109, 121–122, 132–134, 141–142, 146–147, 149, 152–156, 158–160, 162, 172–174, 194, 236, 238, 241, 260, 262, 268, 275, 282–283, 287, 296, 310–314, 316–318, 321, 324, 326, 331, 334, 336–340, 347–372, 385–388, 394, 396, 398, 400, 405–406, 409–412, 415, 418, 424, 427
creator 6–7, 67, 69–70, 72–73, 81, 105, 141–143, 146–148, 154–155, 158, 174, 268, 319, 321, 328, 350, 357–358, 360, 363, 369–370, 384, 396, 398, 406, 411–412, 417–424
Cuba, Cuban 13, 33–39, 41–42, 44–48, 50–51, 54–55, 59–61
culture 3–5, 7, 14, 22–24, 27–30, 60–61, 69–74, 80–81, 84–85, 91, 94, 98, 101, 125, 136, 161, 171, 188, 210, 233–237, 239, 243–244, 248, 255, 260, 263, 268, 271, 273, 281, 283–284, 286–287, 289, 296, 298, 309, 311–313, 315–317, 319, 321, 323, 325, 330–338, 340, 347–349, 352–355, 357–358, 361–363, 366–368, 371, 382, 384–385, 391–392, 396, 398–399, 406, 411–412, 415
Curham, Siobhan 112
Dear Dylan 112
The Tweets of @HenrySavery 392
Deleuze, Gilles 291
Proust and Signs 291
Department of Culture, Media and Sport (DCMS) 5, 57, 283
Derrida, Jacques 252
Paper Machine 252
design 40, 47, 49, 339, 380–381, 388, 390
Diamond, Beverley 324, 331–332
Great Expectations 193
digital 1–3, 6–7, 14, 21–22, 27–28, 35, 38, 41–42, 48–49, 53, 60, 67–68, 70–71, 78–80, 82–85, 92, 95, 102, 104, 108–109, 114, 117, 133–137, 143, 146, 154, 160–161, 165–166, 170, 183, 199, 206, 208, 215, 217, 233, 243–248, 250–254, 256, 258–263, 285, 288, 311, 313–315, 328–330, 337–339, 347–349, 358, 361–364, 367–368, 372, 380–385, 387–389, 392, 399–400, 406, 408–409, 411, 415–420, 422, 427–428
digital literature 78
digital publishing 67, 252, 256, 262
Digital Rights Management (DRM) 117, 256
digital technological protection measures (TPM) 363–364, 371–372
Dimita, Gaetano 65
dissemination 29, 96, 110, 114, 122, 206, 208, 214, 216–217, 259, 287, 290, 295, 310, 318, 325, 331, 334–335, 338, 348, 350, 355, 364, 366, 372, 413–414
diversity 12, 52, 101, 136, 160, 230–235, 238–241, 246, 259, 310–311, 317, 322, 333, 411
Dockray, Sean 42–43, 53–54, 61, 290
Ducasse, Isidore-Lucien (Le Comte de Lautréamont) 247–248, 260
The Songs of Maldoror 248
Duchamp, Marcel 196
Box in a Valise 196
Duchampian 281
earnings 7, 65, 66, 67, 94, 110, 142, 147, 148, 149, 150, 151, 152, 156, 157, 159, 160, 163, 167, 168, 172, 173, 174, 406. See also income
ebooks 130, 157, 166, 170, 259, 408–410
economic 2–3, 6–8, 10, 13, 22, 34, 50, 60, 68–70, 72, 81, 85, 92, 99–101, 137, 141–142, 146, 148, 152–154, 156–157, 161, 163–165, 167–169, 172–175, 184, 214, 217, 268, 274, 281, 313, 318, 320–322, 337, 340, 347–351, 353–354, 359–361, 368, 405–407, 417, 421
editing 4, 27, 36, 41, 82, 93, 123, 130–131, 217, 267, 288, 327, 385, 388–389, 411
editors 40, 42, 48–49, 54, 76–77, 109, 114, 131, 134, 235, 285, 320, 328, 385, 388, 405, 410
embargo 34, 45, 51, 61, 185, 314
Writing Interfaces: From the Digital to the Bookbound 254
entertainment 95, 104, 124, 259, 360
Ernst, Max 251
ethics 1, 3, 12–13, 70, 75–76, 80, 85–86, 106, 310, 312–313, 316–317, 339, 409
ethnicity 229, 230, 231, 232, 234, 235, 236, 237, 240, 311, 359. See also race
ethnomusicology 309–321, 323–324, 330–332, 334, 336–337
European Information Society Directive 2001 203
European Union (EU) 46, 108, 145, 327, 371, 406
Europe, European 10, 99, 108, 141, 184, 188, 203, 247, 309, 311, 335, 356, 371, 406, 408, 416
Eve, Martin Paul 11, 318, 321–322
exchange 33, 35, 45, 61, 71, 74, 81, 278, 281, 349, 365, 421
Facebook 45–46, 59, 61, 84, 94, 118, 143, 155, 415
fair dealing 8, 193, 196, 198, 202–205, 208–210, 214, 349, 369–372, 396
fair use 4, 22–23, 192, 276–277, 279, 283–284, 396
Feld, Steven 334
feminist 1, 4, 12–14, 72, 74, 76, 86, 288, 300, 323, 349
Finch Report 2012 206
Fitzpatrick, Kathleen 269, 271, 328
Generous Thinking 269
Foucault, Michel 72, 288, 310, 320–321
Foucauldian 80
Francke, Andrea 289
freedom 11–12, 34, 50–51, 54, 114, 185, 214, 395, 421
funding 9–11, 34–35, 38–40, 52–54, 57–58, 60–61, 66, 92–93, 110, 120, 122, 137, 142, 144, 158, 160–161, 184, 205, 213, 231–232, 239, 250, 259, 263, 293, 314, 318, 334, 337–339, 401, 407, 412
future 1, 5, 10, 13–14, 27, 105–106, 115, 117, 124–125, 133, 145, 149, 167, 173, 183, 217, 229, 239–241, 259, 276, 278, 295, 320, 325, 336, 340, 351, 360, 381, 385, 400, 406, 412
Gaiman, Neil 137
Genova, Lisa 121
Still Alice 121
Germany, German 66, 257–258, 295
government 2, 5, 11, 38, 41–42, 45, 47, 52, 56–58, 97–98, 144, 184–185, 208, 213–215, 263, 283, 286, 293, 337, 339, 350, 360, 367
graphic 48, 184, 188, 192, 254
Haaften-Schick, Lauren van 277
Hagedorn, Katherine 324
Hargreaves, Ian 5–6, 8–9, 15, 416
HarperCollins 231, 238–239, 241
Harris, Thomas 237
Havana 33–38, 41, 44, 46–50, 52, 56–60
Havana Times 47
Hayles, N. Katherine 22–23, 78, 245
Hindley, Victoria 4
Hocking, Amanda 131
Hodder, Clare 116
Holden-Brown, Heather 108, 110, 124
human 22, 24, 27–29, 69, 78–79, 82, 84, 112, 171, 261, 268, 311, 325, 349, 351–353, 359, 362, 366, 368
humanist 70–71, 83–84, 269, 323
humanities 1, 204, 215–216, 259, 310, 312, 317, 320–321, 327–329, 338–339
ideology 4–6, 29, 75–76, 170, 172
if:book Australia 379, 381–382, 385–389, 394–395, 398–399, 401
income 14, 60, 65, 66, 68, 94, 95, 117, 142, 144, 148, 149, 150, 151, 152, 156, 158, 159, 160, 161, 162, 163, 164, 165, 166, 168, 172, 173, 175, 230, 334, 406, 408. See also earnings
India, Indian 236–237, 239, 313
Indigenous 312–313, 315, 324–325, 331–336, 338–340, 361
individual 7, 15, 68–70, 72–74, 106, 111, 116, 122, 142, 150–152, 154, 157, 172, 181, 193, 195–196, 201, 207, 246, 267, 270, 274, 283, 288, 294, 297–298, 300, 313–314, 319, 327, 332, 336, 348, 350–351, 353, 355–357, 359, 384, 387, 399, 420, 424
information 34–35, 42, 54, 74, 82, 102, 104, 109, 112, 116–119, 122, 124, 183, 188, 192, 206, 255, 259–260, 314, 328, 330, 333–334, 337, 350, 352, 357, 361–364, 366–367, 369, 372, 383–384, 427
innovation 2–3, 6, 9–10, 24, 81, 84–85, 254, 260, 326, 348, 351–352, 354, 360, 362–363, 365, 368, 371, 405, 410, 412, 415, 418, 428
intellectual property 2, 6, 8–9, 13, 21–23, 28–29, 34, 43–45, 68–72, 74, 80–81, 83–84, 92–93, 95–96, 100–101, 108, 143, 147, 152–153, 164, 172, 174, 244, 268–269, 282–283, 285–286, 293, 312, 314, 320, 324–326, 330, 336–337, 339–340, 347–352, 354–361, 363–368, 370, 381–382, 384, 399, 417–418, 427
intellectual property law 6, 13, 74, 84, 244, 348–352, 354–360, 363, 366–368, 418
intellectual property rights 2, 68, 70, 74, 83, 147, 269, 325, 339–340, 360, 417
Internet 3, 23–24, 27–28, 35, 38, 41–42, 44, 91–92, 94, 135, 190, 208, 252, 254–255, 263, 314–315, 328, 332, 354, 361–364, 366, 382–384, 388, 401, 411–412, 415, 418–419
invention 3, 256, 350–351, 355, 368
James, E. L. 121
Jaszi, Peter 351
Johnson, Philip 65
Keay, John 158
King, Stephen 118
Koons, Jeff 278
labour 3–4, 12, 50, 68, 76–77, 84, 92, 182, 208, 294, 322, 353, 357, 383, 421
Lecercle, Jean-Jacques 244
A Marxist Philosophy of Language 244
legal 1, 4, 14, 22, 29, 53, 61, 72, 74, 94, 106–111, 114, 116–118, 123–125, 145, 153–154, 168, 174, 196, 208, 268, 274–276, 278, 280, 282, 285–288, 321, 325–326, 335, 339, 348–350, 353, 355–356, 358–359, 361, 364–365, 367–371, 383–384, 395–396, 417–418, 420–421, 423–424, 428
library 11, 35, 43–44, 53, 191, 216, 270, 290–294, 365, 371, 413–414
Lissitzky, El 252
literary 13, 21, 27–28, 65, 83, 85, 97–99, 106–107, 111–112, 114, 123, 130, 134, 137, 155, 193, 196, 204, 229–231, 235–238, 243–244, 247–248, 250–252, 258–260, 262, 299, 351, 365, 379–380, 387–391, 396–397, 399, 407, 415–416, 424
Literary Agency, The 114. See also Swift, Rebecca
literature 24, 36, 47, 78, 82–83, 98, 119, 135–136, 148–149, 169, 174, 215, 243, 246, 248, 250, 254, 256, 258, 260, 272, 317, 351–352, 357, 366, 381, 387–388, 397
Little, Brown Book Group 238, 271
The Laws of Cool: Knowledge Work and the Culture of Information 259
Llópiz, Julio César 48, 50, 56
London 2–3, 33–36, 38–39, 42, 44, 46, 48–50, 52–56, 58–61, 65, 97, 232, 234–235, 237, 250, 283, 291, 295, 406, 410, 412–413, 415
love 6, 46, 119, 162, 166, 182, 185, 248, 254, 256, 259, 385, 407
machines 21, 78–79, 82, 102, 208, 254, 269, 288, 293, 384, 416, 418–419
magazines 4, 8, 13, 34–35, 37, 41–43, 47–50, 54–55, 58–60, 136, 243, 250, 413
Malkani, Gautam 237
Londonstani 237
Mantel, Hilary 133
Wolf Hall 133
marketing 60, 92–93, 96, 103, 106, 114, 122, 131, 134, 137, 236, 367, 428
materiality 78–79, 244, 250, 291
methodology 66, 154, 243–244, 246–247, 318
money 6–7, 40, 92, 94, 100, 109, 118, 124, 134, 144, 151, 159, 161–162, 165–167, 231, 243, 259, 322, 332, 383, 405, 407–408, 421, 427–428
moral 7, 14, 22–23, 57, 73, 209, 268, 335, 350–351, 355–356, 398, 417, 422
moral rights 7, 14, 22–23, 335, 355–356
music 9, 14, 41, 45, 56, 59, 109, 142, 154, 160–161, 171, 204, 217, 244, 309–311, 313–315, 318–321, 323–324, 327–328, 330–332, 334–337, 339, 348, 356, 368, 387–388, 391, 400, 409, 411
narrative 9, 71–72, 82, 84, 86, 182, 196, 199, 249–250, 255, 324, 380–381, 389, 411
newspapers 4, 48, 102, 119, 134, 144, 196, 201, 237, 393, 406
New York 34, 38, 59, 102, 240, 258, 271, 273, 280, 328, 348
New Yorker Magazine 285
Cowboys Milking 280
object 24, 69–73, 76–77, 80–82, 84, 217, 245, 251, 258, 267, 270, 296, 338, 358
O’Hare, Louise 13–14, 33, 412–413
online 7, 9, 35–36, 40, 42, 47, 49, 53–54, 58, 61, 92, 102, 119, 121, 123, 131–136, 150, 155, 161, 166–167, 170–172, 181–182, 198–199, 207–208, 247, 254, 256–257, 262, 290–291, 298, 313, 328, 337, 363–365, 367, 385–386, 388, 393, 401, 411, 413–414, 416
Open Access (OA) 1–4, 8–14, 70, 74–75, 85, 92–93, 101, 110, 120, 182, 184–185, 205, 309–310, 312–318, 320–322, 326, 329–335, 337–340, 349, 361–362, 364–367, 371–372
Open Book Publishers 207–208, 313
Open Library of the Humanities 93, 101
openness 3, 10–12, 75, 92, 315, 332, 337–338
original 7, 13, 22, 24, 27, 70, 73, 79–81, 142, 154, 164, 173, 181, 183, 203, 214, 244, 268, 271, 273–274, 277, 292, 351–352, 380–381, 383, 388, 391, 393, 397–399, 413, 415, 424
originality 24, 73, 82, 244, 268, 273, 275, 279, 351, 353
Other, Otherness 81, 104, 108, 162, 229, 237–238, 290, 293, 313, 320, 322, 367
ownership 5, 22–23, 29, 49, 53, 58–59, 70–74, 80, 98, 100, 111, 119, 147–148, 157, 164–165, 175, 191–192, 196, 198, 208, 210, 238, 262, 275, 282, 291, 309, 312–314, 316, 320, 325, 327, 330–336, 356, 361, 364, 370, 394, 416, 418, 420–421
Paquete Semanal, El 35, 41–42, 45, 60
payment 94, 141, 164, 174, 215, 400
peer review 3, 11, 93, 101, 120, 184, 328, 330–331
Penguin Random House 94, 103, 107, 231, 233, 239, 241, 410–411
permission 4, 10, 37, 47, 58–59, 92, 116, 161, 182, 184–185, 188–193, 198, 208, 210, 214–216, 262, 284–285, 287, 320, 326, 387, 396, 400, 416, 419
photography 58, 193, 243, 248, 257–258, 262, 271, 273–274, 276, 278, 280, 311, 321, 356
piracy 45–46, 73, 81, 93, 97, 117, 119, 271–272, 286–287, 289, 293, 367, 383
Piracy Project 286–291, 293–294, 297
plagiarism 247, 260, 271. See also copying
platforms 34–35, 43, 48, 91–92, 94, 101, 118, 121, 124, 130, 132, 135, 137, 143, 217, 245, 252, 256, 263, 290–291, 311, 327, 329–330, 388, 411, 414–415
poetry 1, 78, 82–83, 235, 387, 389, 391, 410
policy 3, 5, 7, 10, 12, 14, 50, 61, 66, 81, 141, 143–147, 150, 154, 191–192, 205, 283, 291, 300, 311–312, 314, 318, 325, 337, 370–371, 414
politics 3–4, 9, 12, 22, 35, 69, 75–77, 98, 170, 273, 275, 285, 293, 295–297, 321, 347, 351, 353–354, 361–362, 368, 415
posthuman 70, 78–81, 83, 85–86
power 22–23, 29–30, 33, 54, 103, 107, 119, 134–135, 233, 281, 285, 321, 323, 330, 352, 354, 362
practice 1, 3, 7–9, 11–14, 21–23, 27–29, 35, 45, 49, 70, 76, 81, 85–86, 107, 111, 115–116, 141–142, 146–147, 149, 152–156, 158–164, 170, 172–174, 230, 238, 245–246, 248, 250, 262, 267–271, 283–284, 286, 288, 290, 292–300, 310–318, 320, 322, 326, 330–331, 333, 335–340, 347–349, 353, 355–356, 360–361, 365–368, 371, 398, 405, 411, 421, 424, 427
price 9, 50, 92, 94–95, 130, 280–281, 337, 379, 407–408, 428
Prince, Richard 96, 271–279, 281–282, 287, 289, 294
private 4, 9, 12, 41, 43, 45, 53, 61, 72, 204–206, 261, 268, 278, 280, 283, 327, 357–359, 361, 363–364, 366, 370, 394, 405
professional 9, 57, 66, 91, 94, 96–97, 100–101, 112–114, 122, 125, 133, 146, 149–151, 154–155, 160, 162, 164, 166, 168–169, 175, 184, 232, 238, 270, 298, 353, 406, 411, 416
public 4, 8–10, 12, 35, 38, 40–42, 45, 52–53, 57, 83, 92, 98, 100, 146, 160, 183, 205–207, 209, 214, 232–233, 235, 241, 253, 257, 259, 270, 276, 283–285, 291, 322, 326, 334–335, 350, 355, 357–359, 363–367, 370, 386, 389, 391, 394–395, 397–399, 405, 407, 413–414, 418, 420
publication 42, 47, 49, 94, 99, 107, 110–111, 113–114, 123, 137, 144, 146, 157, 160, 167, 173, 182–185, 188, 202, 207, 215–217, 237, 240, 243, 249, 263, 270–271, 278, 314, 319–320, 326, 349, 366, 393, 397, 400, 410, 413, 423, 427
Publication Studio 35, 49, 412–413
Public Library of Science 93, 101
publisher 1, 3–6, 8, 12, 14, 53, 91–94, 96–109, 111–115, 120, 122–124, 130–131, 133, 135–137, 148, 156–157, 165–171, 181, 183–185, 188–191, 196, 207–210, 216–217, 230–241, 244, 248, 252, 254, 256–257, 259–260, 262, 270–271, 276, 288, 292, 295, 298, 313, 317, 320, 324, 329, 331, 335, 337–339, 358, 366, 369, 396, 406–408, 410, 412–413, 416–417, 421, 423–424, 427–428
Publishers Association (PA) 5, 8, 106, 108, 192, 202, 206, 209–210, 216, 230, 238
publishing industry 2, 76, 97, 124, 130, 133–135, 168, 229, 244, 254, 262, 382, 405, 412
Queen Mary, University of London 65, 406
race 3, 229, 236, 237. See also ethnicity
Ranciere, Jacques 292
Ignorant Schoolmaster 292
readers 4, 13, 15, 21, 23, 28–29, 42, 76, 78, 103, 109, 112, 118–119, 121, 123–124, 130–132, 134–137, 144, 172, 188, 192–193, 195–196, 199, 208, 229–230, 236, 244, 249, 252–253, 255–256, 261, 263, 288–289, 292, 298, 313–314, 322, 330, 380–390, 394, 398–399, 405, 407–410, 412, 416
Readers Project, The 13, 21, 23, 28–29
relationality 13–15, 70, 73–75, 80–81, 83–86, 287, 348–349, 351–354, 357, 359–362, 364–367, 369–370, 372
relational creativity 348–349, 353, 360, 364, 367, 369–370, 372
remix 14–15, 73–74, 82–83, 260, 348, 379–380, 387–391, 393, 395–400
research 2, 4, 6, 8–12, 27, 35, 44, 65–66, 69, 92–94, 109, 111–112, 142, 147–148, 152–154, 156–157, 163, 172–174, 182, 184–185, 188, 196, 198, 202–206, 208, 210, 213–217, 230, 237–241, 243, 245, 270, 276, 284, 286–288, 298–299, 309–314, 318–319, 321–326, 328–329, 331, 334, 337–340, 349, 352, 354, 366–367, 370, 372, 407
responsibility 3–4, 67, 79, 85–86, 104, 107, 109–111, 115–116, 122–125, 188, 216, 241, 310, 312, 326, 333, 336–337, 409
reuse 10, 81–82, 92–93, 328, 395
rights 2, 6–7, 9–10, 13–15, 22–23, 40, 66–72, 74, 80, 83–84, 98, 105–106, 108–109, 115, 117, 119, 124–125, 135, 142, 147, 155–157, 159–162, 164–175, 188, 190, 210, 215, 268–269, 280–282, 284, 310, 312, 317, 319, 325–326, 329, 331–332, 335–337, 339–340, 349–350, 355–360, 363–365, 368–372, 382, 384–385, 394, 396, 398–400, 406, 416–424
Romantic 288, 348–349, 351, 353–354, 361
Rose, Mark 72–73, 268, 356, 411, 425
Rowling, J. K. 144
Royal Literary Fund 158
Rushdie, Salman 107
Satanic Verses 107
sales 40, 46, 95, 100, 103, 119, 130–131, 148, 157, 160–161, 165–166, 171–172, 214, 217, 243, 259, 274, 278, 280, 359, 410, 413, 424
The Catcher in The Rye 271
Sarmiento, Sergio Muñoz 277–278
Savery, Henry 392
self-publishing 91, 93, 95, 101, 103, 111–125, 130–133, 135–136, 247, 259, 291
Shakespeare, William 98–100, 248, 260
sharing 3, 10, 14, 35, 41–44, 53, 61, 104, 106, 110–111, 114, 116, 118, 122, 132, 147–148, 170–172, 230, 240, 250, 283–284, 290–291, 293, 310–314, 316–318, 320–321, 327–339, 349, 362–364, 367, 369, 384–385, 395, 399, 408, 413, 415
Sicot, Catherine 35–38, 41, 47–48, 57, 59, 61
Cerebus the Aardvark 193
social 2–4, 8, 14, 36, 72, 74, 77, 80, 94, 102, 116, 123, 131–132, 144, 146, 153, 155, 209, 229, 231, 241, 243, 267–268, 270, 273, 278, 286–287, 293, 296, 310–312, 317, 326–327, 330, 338–339, 347–349, 351, 353–355, 357, 359–361, 364, 367–368, 386, 405, 412, 415, 421
media 94, 102, 116, 123, 131–132, 144, 146, 155, 241, 311, 386, 415
Society for Ethnomusicology (SEM) 312, 314
Society of Authors (SoA) 105–106, 108–109, 115–116, 120, 133, 149–150, 407
Society of Young Publishers 231–232
Solomon, Nicola 52, 133, 407–408
source 71, 108, 131, 144, 149–150, 158–159, 165, 172, 232, 243, 246, 252, 256, 258–259, 263, 329, 351, 364, 366, 380, 387–388, 390–391, 395–396, 398–399, 405
Soviet Union 34
Spain, Spanish 35
Spinosa, Dani 78
Spivak, Gayatri 300
Spread the Word 136, 230, 238, 240
Statute of Anne 1710 141, 355–356, 423
Supreme Court of Canada (SCC) 349, 369–372
sustainability 40, 48–50, 70, 86, 124, 313, 318, 320, 329–330, 340, 405, 412
Swift, Rebecca 98, 114. See also Literary Agency, The
Swijghuisen Reigersberg, Muriel 14, 309, 324
technology 2–3, 5–6, 9, 67, 77–79, 84, 92, 101–102, 107, 109, 112, 117, 137, 268, 355–356, 362, 381, 383–385, 401, 409–412, 417–420, 422
text 8, 13, 24, 27–28, 34, 36, 43–44, 61, 73–74, 76, 78–80, 82, 84, 91, 95–96, 98, 102, 119, 182–183, 189, 243–248, 250–251, 253, 256, 258, 261–263, 270–271, 284, 286–288, 290, 292, 295, 297–300, 313, 315, 318–319, 321–324, 328–330, 334, 338, 348, 351–353, 356, 362–364, 366–367, 369, 371, 379–381, 386–388, 390, 393–394, 397–398, 409, 412, 420
theoretical 70, 273, 275, 295, 312, 318, 355
theory 22, 43, 46, 48, 78, 81, 93, 96, 100, 154, 250, 268, 311, 315, 323, 350, 353, 357, 421
University of Toronto 38
Trade-Related Aspects of Intellectual Property (TRIPS) Agreement 357, 359–360, 363
Turcotte, Joseph 13–14, 72–74, 347
Twitter 118, 155, 256, 392, 405, 412, 415
UK Research Integrity Office (UKRIO) 325–326
United Kingdom 2–6, 8, 10–12, 24, 35, 38–39, 48–49, 56–57, 59, 65–68, 70, 95, 97–99, 101, 104, 106, 123–124, 129–130, 133, 136, 141–143, 147–150, 152, 154, 159, 163–164, 169, 172, 184–185, 192, 206, 208, 210, 213, 216, 229–232, 234, 236, 238–241, 247, 257, 260, 283, 296, 325–327, 338, 355–356, 405–410, 416
United States 4, 33–36, 45–46, 50–53, 55–56, 59–61, 95, 102, 104, 117, 123–124, 133, 167, 192, 236, 240, 257–258, 271–273, 279–280, 283, 322, 324, 332, 334, 356–357, 360, 386, 396–397, 400, 407, 410
University of the Arts London (UAL) 39–40, 52–53, 283, 291
value 5, 6, 7, 8, 11, 12, 23, 28, 68, 69, 70, 71, 72, 73, 74, 76, 79, 84, 85, 96, 100, 101, 102, 103, 136, 142, 147, 152, 161, 163, 165, 168, 170, 173, 174, 183, 184, 217, 234, 269, 276, 281, 282, 295, 314, 321, 326, 388, 416, 428. See also worth
version 38, 42, 44–45, 59, 117, 119, 159, 166, 181–185, 207, 249, 258, 289, 292, 314, 387–388, 393, 399, 410
Building Stories 196
The Beach Beneath the Street: The Everyday Life and Glorious Times of the Situationist International 248
Wattpad 135
wealth 23, 30, 68, 96, 98, 278, 283, 320, 333, 406
Williams, Raymond 2
structure of feeling 2
Woodmansee, Martha 351
works 7–9, 11, 13–15, 21–22, 24, 27–29, 35–36, 40, 43–46, 48–52, 55–56, 60, 67, 69–70, 72–77, 80–82, 92–93, 95, 97–100, 102, 105–106, 108–112, 114–120, 122–124, 131, 133–134, 141, 144, 148, 152, 155, 157–158, 160, 162, 164–168, 170–172, 174, 181–183, 185, 188, 190–196, 198, 200–204, 206–210, 213–217, 231–232, 235–238, 241, 243–244, 248–250, 253–261, 263, 267–272, 274–275, 277–285, 287–289, 291, 294–295, 297–299, 311, 313–314, 316–317, 320–329, 332–333, 336–337, 340, 348–350, 352–353, 355–360, 362–367, 371–372, 380–392, 394–400, 406, 411–412, 415–421, 423–424, 427–428
World Trade Organization (WTO) 357, 359
worth 13, 68–71, 80, 86, 91, 93, 95–96, 100–104, 144, 152, 169–170, 184, 202–203, 298, 339, 351, 383, 397, 399, 406–407
writers 1, 5, 6, 7, 9, 14, 28, 29, 33, 35, 40, 44, 45, 47, 49, 65, 66, 67, 68, 69, 70, 78, 83, 91, 94, 95, 98, 99, 100, 105, 106, 114, 119, 123, 124, 130, 131, 132, 133, 134, 135, 136, 137, 141, 142, 143, 144, 146, 147, 148, 149, 150, 151, 152, 154, 155, 156, 157, 158, 159, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174, 175, 188, 229, 230, 232, 233, 234, 235, 236, 237, 239, 240, 241, 243, 244, 245, 252, 254, 256, 259, 262, 263, 272, 291, 293, 298, 328, 352, 367, 381, 382, 385, 386, 387, 388, 389, 390, 394, 396, 398, 399, 405, 406, 407, 412, 423, 424, 425
Writing the Future 136, 230, 231, 232, 233, 234, 235, 237, 238, 239, 240, 241
