Works Cited
Adam, Helen, ‘The Bells of Dis’, in Kristin Prevallet (ed.), A Helen Adam Reader (Orono, ME: The National Poetry Foundation, 2007), pp. 187–88.
Alencar, José de, Iracema in José de Alencar: Ficção completa e outros escritos (Rio de Janeiro: Companhia Aguilar Editoram, 1964), pp. 1061–136.
Almeida Faria, Benigno, O Conquistador (Lisbon: Caminho, 1990).
Alphen, Ernst van, Francis Bacon and the Loss of Self (London: Reaktion Books, 1992).
Anon., ‘I sing of a maiden’, music by Lennox Berkeley, in Chester Book of Carols (London: Chester [n.d.]).
Anon., ‘Sorrows of the Blessed Virgin Mary’, in The Catholic Encyclopaedia (New York: Robert Appleton Company, 1912), pp. 151–52.
Antunes, José Freire, Kennedy e Salazar: o leão e a raposa (Lisbon: Difusão Cultural, 1991).
Aristotle, ‘On the Art of Poetry’, in Aristotle, Horace, Longinus, Classical Literary Criticism (London: Penguin, 1985), pp. 29–75.
Armstrong, Nancy, ‘The Politics of Domestic Fiction: Dickens, Thackeray and the Brontës’, in Kiernan Ryan (ed.), New Historiscism and Cultural Materialism: A Reader (London, New York, Sidney and Auckland: Arnold, 1996), pp. 157–65.
Armstrong, Nancy and Tennenhouse, Leonard (eds.), The Violence of Representation: Literature and the History of Violence (New York: Routledge, 1989).
Atwood, Margaret, The Handmaid’s Tale (London: Virago, 1987).
Auerbach, Nina, Woman and the Demon: The Life of a Victorian Myth (London and Cambridge, MA: Harvard University Press, 1984).
Augustine, Saint, Confessions, trans. by R. S. Pine-Coffin (London: Penguin, 1961).
Austen, Jane, Pride and Prejudice (London: Penguin, [1813], 1985).
Aulich, James and Lynch, John (eds.), Critical Kitaj: Essays on the Work of R. B. Kitaj (Manchester: Manchester University Press, 2000).
Bal, Mieke, ‘De-Discipling the Eye’, Critical Inquiry 16:3 (1990), 506–31.
Bann, Stephen, The Clothing of Clio: A Study of the Representations of History in Nineteenth-Century Britain and France (Cambridge: Cambridge University Press, 1984).
Bann, Stephen and Allen, William (eds.), Interpreting Contemporary Art (London: Reaktion Books, 1991).
Barrell, John, The Political Theory of Painting from Reynolds to Hazlitt: The Body of the Public (New Haven and London: Yale University Press, 1986).
Barry, Judith and Flitterman-Lewis, Sandy, ‘Textual Strategies: The Politics of Art-Making’, in Arlene Raven, Cassandra L. Langer and Joanna Frueh (eds.), Feminist Art Criticism: An Anthology (Ann Arbor and London: UMI Research Press, 1988), pp. 87–98.
Bataille, Georges, ‘Emily Brontë’, in Literature and Evil, trans. by Alastair Hamilton (London and New York: Marion Boyars Ltd., 1985), pp. 13–31.
Beauvoir, Simone de, The Second Sex, trans. and ed. by H. M. Parshley (London: Picador Classics, 1988).
Becker, Udo, The Element Encyclopaedia of Symbols (Dorset: Element Books Limited, 1994).
Bell, Vicky, Interrogating Incest: Feminism, Foucault and the Law (Sociology of Law and Crime) (London: Routledge, 1993).
Belsey, Catherine, ‘Towards Cultural History — In Theory and Practice’ in K. Ryan (ed.), New Historicism and Cultural Materialism: A Reader (London: Arnold, 1996), pp. 82–91.
Benjamin, Jessica, ‘A Desire of One’s Own: Psychoanalytic Feminism and Intersubjective Space’, in Teresa de Lauretis (ed.), Feminist Studies, Critical Studies (Bloomington: University of Indiana Press, 1986), pp. 78–101.
Benjamin, Walter, Selected Writings: Volume 3, 1935–1938 (Cambridge, MA: Harvard University Press, 1996).
Benston, Alice N., ‘Framing and Being Framed by Art: Theatricality and Voyeurism in Balthus’, Style 22:2 (1988), 341–60.
Berger, John, Ways of Seeing (Harmondsworth: Penguin, 1972).
Bettelheim, Bruno, ‘Janusz Korczak: A Tale for Our Time’, in Recollections and Reflections (London: Penguin, 1992), pp. 191–206, https://archive.org/details/JanuszKorczak-ATaleForOurTime
Bettelheim, Bruno, The Uses of Enchantment: The Meaning and Importance of Fairy Tales (London: Penguin, 1991).
Betterton, Rosemary, An Intimate Distance: Women, Artists, and the Body (London: Routledge, 1996).
Blake, William, The Marriage of Heaven and Hell (Oxford: Oxford University Press, 1990).
Blake, William, Songs of Innocence and Experience ([n.p.]: jVu Editions E-books, Global Language Resources, Inc., 2001), http://triggs.djvu.org/djvu-editions.com/BLAKE/SONGS/Download.pdf
Blixen, Karen (Dinesen, Isak), Letters from Africa (London: Weidenfeld and Nicolson Limited, 1981).
Blixen, Karen (Dinesen, Isak), ‘Babette’s Feast’, in Anecdotes of Destiny (London: Penguin, 1986).
Blixen, Karen (Dinesen, Isak), Out of Africa (London: Penguin, 1988).
Bloom, Harold, The Anxiety of Influence: A Theory of Poetry, 2nd ed. (New York and Oxford: Oxford University Press, 1997).
Bloom, Harold, ‘The One with the Beard is God, the Other is the Devil’, in Bloom’s Modern Critical Views: José Saramago (Philadelphia: Chelsea House Publishers, 2005), pp. 63–74.
Bradley, Fiona, ‘Introdução: Narrativa Automática’, in Paula Rego (Lisbon: Fundação das Descobertas Centro Cultural de Belém, Ministério da Cultura and Quetzal Editores, 1997), pp. 9–33.
Bradley, Fiona, Paula Rego (London: Tate Publishing, 2002).
Bronfen, Elizabeth, ‘The Lady Vanishes: Sophie Freud and Beyond the Pleasure Principle’, South Atlantic Quarterly 88 (1989), 961–91.
Bronfen, Elizabeth, Over Her Dead Body: Death, Femininity and the Aesthetic (Manchester: Manchester University Press, 1992).
Brontë, Charlotte, Jane Eyre (London: Penguin, 1978).
Brookshaw, David, Paradise Betrayed: Brazilian Literature of the Indian (Amsterdam: CEDLA, 1988).
Brunel, Georges, Boucher, trans. by Simon Rees, Janet Fairweather, John Beaven and Dyanne Cullinane (London: Trefoil Books Ltd., 1986).
Bryson, Norman, ‘Intertextuality and Visual Poetics’, Style 22:2 (1988), 183–93.
Bryson, Norman, Looking at the Overlooked: Four Essays on Still Life Painting (London: Reaktion Books, 1990).
Cabrita, Felícia, Mulheres de Salazar (Lisbon: Editorial Notícias, 1999).
Caeiro, Alberto, Poemas de Alberto Caeiro, 4th ed. (Lisbon: Edições Ática, 1970).
Cameron, James (dir.), The Terminator (Orion Pictures, 1984).
Camões, Luís Vaz de, The Lusiads, trans. by Leonard Bacon ([1572], New York: The Hispanic Society of America, 1950).
Caplan, Jane, ‘Introduction to Female Sexuality in Fascist Ideology’, Feminist Review 1 (1979), 59–66.
Carter, Angela, The Sadeian Woman: An Exercise in Cultural History (London: Virago, 1987).
Carter, Angela, ‘The Bloody Chamber’, in The Bloody Chamber (London: Vintage, 1995), pp. 7–41.
Carter, Angela, ‘The Company of Wolves’, in The Bloody Chamber (London: Vintage, 1995), pp. 110–18.
Carver, Raymond, ‘What We Talk About When We Talk About Love’, in Where I’m Calling From (London: Harvill, Harper Collins, 1993), pp. 138–50.
Chisholm, Margaret, ‘Mother Goose Elucidated’, Elementary English 49:8 (1972), 1141–44.
Chodorow, Nancy, The Reproduction of Mothering: Psychoanalysis and the Sociology of Gender (Berkeley, Los Angeles and London: The University of California Press, 1979).
Christian, Barbara, ‘Shadows Uplifted’, in Judith Newton and Deborah Rosenfelt (eds.), Feminist Criticism and Social Change: Sex, Class and Race in Literature and Culture (New York and London: Methuen, 1985), pp. 181–215.
Cole, Lloyd, My Baby, My Body, My Choice (Maidenhead: Lloyd Cole, 1992).
Collins, Judith, ‘Os Desenhos de Paula Rego’, in Paula Rego (Lisbon: Fundação das Descobertas Centro Cultural de Belém, Ministério da Cultura and Quetzal Editores, 1997), pp. 121–40.
Comissão para a Igualdade e Para os Direitos das Mulheres/Presidência do Conselho de Ministros, Portugal: Situação das Mulheres (Lisbon, 1995).
Corbett, David Peters, ‘Authority and Visual Experience: Word and Image in R. B. Kitaj’, in James Aulich and John Lynch (eds.), Critical Kitaj: Essays on the Work of R. B. Kitaj (Manchester, Manchester University Press, 2000), pp. 44–57.
Corner, George W., ‘An Embryologist’s View’, in Abortion in a Changing World (New York: Columbus University Press, 1970), I, pp. 3–15.
Cornwell, John, ‘Burnt Offerings’, Sunday Times Magazine, 23 August 1998.
Cornwell, John, Hitler’s Pope: The Secret History of Pius XII (London: Penguin, 1999).
Dabner, Jack Duane (dir.), The Silent Scream (American Portrait Films, 1984), https://www.youtube.com/watch?v=4Hb3DFELq4Y
Datlow, Ellen and Windling, Terry, ‘White as Snow: Fairy Tales and Fantasy’, in Snow White, Blood Red (New York: Avon Books, 1993), pp. 1–14.
Derrida, Jacques, Of Grammatology, trans. by Gayatri Chakravorti Spivak (Baltimore and London: Johns Hopkins University Press, 1976).
Desnos, Robert, Chantefables (Mayfield, East Sussex: Agenda Editions, 2014).
Dinnerstein, Dorothy, The Rocking of the Cradle and the Ruling of the World (London: The Women’s Press, 1987).
Duffy, Eamon, ‘True and False Madonnas’, The Tablet, 6 February 1999, pp. 169–71.
Duncan, Carol, ‘Virility and Domination in Early Twentieth-Century Vanguard Painting’, Artforum, December 1973, pp. 30–39.
Duncan, Carol, ‘The Aesthetics of Power in Modern Erotic Art’, in Arlene Raven, Cassandra L. Langer, and Joanna Frueh (eds.), Feminist Art Criticism: An Anthology (Ann Arbor and London: UMI Research Press, 1988), pp. 59–70.
Dundes, Alan, Interpreting Folklore (Bloomington: Indiana University Press, 1980).
Dworkin, Andrea, Woman Hating (New York: Penguin Books, 1974).
Eagleton, Terry, Sweet Violence: The Idea of the Tragic (Oxford: Wiley-Blackwell, 2003).
Eça de Queirós, José Maria, Obra Completa, 3 vols. (Porto: Lello & Irmão, 1979).
Eça de Queirós, José Maria (a), O Crime do Padre Amaro (Lisbon: Livros do Brasil, n.d.).
Eça de Queirós, José Maria (b), O Primo Basílio (Lisbon: Livros do Brasil, n.d.).
Eça de Queirós, José Maria (c), Os Maias (Lisbon: Livros do Brasil, n.d.).
Eça de Queirós, José Maria, A Tragédia da Rua das Flores (Lisbon: Livros do Brasil, 1984).
Eça de Queirós, José Maria, Cousin Bazilio (Sawstry: Dedalus, 2011).
Eça de Queirós, José Maria, The Crime of Father Amaro (Sawstry: Dedalus, 2011).
Eça de Queirós, José Maria, The Maias (Sawstry: Dedalus, 2009).
Eça de Queirós, José Maria, The Tragedy of the Street of Flowers (Sawstry: Dedalus, 2009).
Elderfield, John, Pleasuring Painting: Matisse’s Feminine Representations (London: Thames and Hudson, 1995).
Eliot, T. S., ‘The Love Song of J. Alfred Prufrock’, in Selected Poems (Aylesbury: Penguin, 1948), pp. 9–14.
Evans, G. R., Augustine on Evil (Cambridge: Cambridge University Press, 1982).
Euripedes, Medea and Other Plays (London: Penguin, 1989).
Faludi, Susan, Backlash: The Undeclared War Against Women (London: Chatto & Windus, 1991).
Felthous, Alan R., ‘Aggression Against Cats, Dogs and People’, Child Psychiatry and Human Development 10 (1980), 169–77.
Ferreira, Mafalda Durão, ‘Entrevista com Paula Rego’, Expresso, n. 1319, 7 February 1998, p. 11.
Ferro, António, Salazar: Portugal and Her Leader, trans. by H. de Barros Gomes and John Gibbons, with a preface by Sir Austen Chamberlain, K.G., and foreword by António de Oliveira Salazar (London: Faber & Faber, 1939).
Findley, Timothy, Not Wanted on the Voyage (Ontario: Penguin, 1987).
Fletcher, Joseph F., ‘Abortion and Morality’, in Abortion in a Changing World (New York: Columbus University Press, 1970), I, pp. 89–134.
Flunser Pimentel, Irene, História das Organizações Femininas no Estado Novo (Mem-Martins: Círculo de Leitores, 2000).
Fosse, Bob (dir.), Cabaret (Allied Artists, 1972).
Freud, Sigmund, ‘Three Essays on the Theory of Sexuality’, in James Strachley (ed. and trans.), The Standard Edition of the Complete Psychological Works of Sigmund Freud, 24 vols. ([1905], London: Hogarth Press, 1962), VII, pp. 45–86.
Freud, Sigmund, The Interpretation of Dreams, ed. and trans. by James Strachey, in Art and Literature, The Penguin Freud Library, 15 vols. ([1900], London: Penguin, 1983), IV.
Freud, Sigmund, ‘The Uncanny’, in Art and Literature, The Penguin Freud Library, 15 vols. ([1919], London: Penguin, 1990), XIV, pp. 335–76.
Freud, Sigmund, Civilization and its Discontents, in James Strachey (ed. and trans.), The Standard Edition of the Complete Psychological Works of Sigmund Freud, 24 vols. (London: Vintage, 2001), XXI.
Freud, Sigmund, Introductory Lectures on Psycho-Analysis, in James Strachey (ed. and trans.), The Standard Edition of the Complete Psychological Works of Sigmund Freud, 24 vols. ([1916–1917], London: Hogarth Press, 1953–1974), XV and XVI.
Freud, Sigmund, Totem and Taboo (London: Taylor and Francis, 2001).
Freud, Sigmund, ‘On Narcissism: An Introduction’, in Angela Richards (ed.), On Metapsychology: The Theory of Psychoanalysis ([1914], London: Penguin Freud Library, 1991), pp. 59–97.
Friedlander, Saul, Probing the Limits of Representation: Nazism and the Final Solution (Cambridge, MA and London: Harvard University Press, 1992).
Frueh, Joanna, ‘Towards a Feminist Theory of Art Criticism’, in Arlene Raven, Cassandra L. Langer and Joanna Frueh (eds.), Feminist Art Criticism: An Anthology (Ann Arbor and London: UMI Research Press, 1988), pp. 153–66.
Gallagher, Catherine and Greenblatt, Stephen, Practicing New Historicism (Chicago and London: University of Chicago Press, 2000).
Gaunt, William, Everyman’s Dictionary of Pictorial Art (London and New York: J. M. Dent & Sons and E. P. Dutton & Co, 1962).
Gellrich, Michelle, Tragedy and Theory: The Problem of Conflict Since Aristotle (Princeton: Princeton University Press, 1998).
Genet, Jean, The Maids and Deathwatch: Two Plays by Jean Genet, trans. by Bernard Frechtman (London: Faber, 1989).
Gerarde, John, The Herbal or General Historie of Plantes (London: Adam Islip, John Norton and Richard Whitakers, 1633).
Gilbert, Sandra M. and Gubar, Susan, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (New Haven and London: Yale University Press, 1984).
Glaspell, Susan, ‘A Jury of Her Peers’, Every Week Magazine, 5 March 1917, https://www.learner.org/exhibits/literature/story/fulltext.html
Gleadell, Colin, ‘A Twist in the Tale’, Telegraph Magazine, 3 June 2000, pp. 50–54.
Golding, William, Lord of the Flies (London: Faber & Faber, 2002).
Goleman, Daniel, ‘Child’s Love of Cruelty May Hint at the Future Killer’, The New York Times, 7 August 1991.
Goodman, Nelson, Languages of Art: An Approach to a Theory of Symbols (Indianapolis: Hackett, 1976).
Gramsci, Antonio, Selections from the Prison Notes of Antonio Gramsci, ed. and trans. by Quintin Hoare and Geoffrey Nowell Smith (London: Lawrence and Wishart, 1971).
Greaves, G., ‘Observations on Some of the Causes of Infanticide’, Report of the Manchester Statistical Society, quoted in Jenni Calder, Women and Marriage in Victorian Fiction (London: Thames and Hudson, 1976), pp. 160–61.
Greer, Germaine, The Female Eunuch (London: Paladin, 1985).
Greer, Germaine, ‘Paula Rego’, Modern Painters (Autumn 1988), 28–34.
Greer, Germaine and Wiggins, Colin, ‘Paula Rego: Tales from the National Gallery’, The Guardian, 20 November 2004.
Griffin, Jasper, Homer (Oxford: Oxford University Press, 1980).
Guitton, Jean, Essay on Human Love ([1948], Liverpool, London and Prescot: Rockliff Publishing Corporation, 1951).
Habermas, Jürgen, Knowledge and Human Interests, trans. by Jeremy J. Shapiro, 2nd English ed. (London: Heinemann Educational, 1978).
Hadley, Janet, Abortion: Between Freedom and Necessity (London: Virago, 1996).
Hahner, June E., Emancipating the Female Sex: The Struggle for Women’s Rights in Brazil, 1850–1940 (Durham and London: Duke University Press, 1990).
Hall, James, Dictionary of Subjects and Symbols in Art (London: John Murray, 1991).
Harris, Thomas (a), The Silence of the Lambs in The Silence of the Lambs & Red Dragon (London: Peerage Books, 1991).
Harris, Thomas (b), Hannibal (London: Arrow Books, 2000).
Haskell, Francis, History and Its Images: Art and the Interpretation of the Past (New Haven and London: Yale University Press, 1993).
Hatcher, John, The Black Death: An Intimate History of a Village in Crisis, 1345–1350 (London: Weidenfeld & Nicolson, 2010).
Hawkins, Roberta, ‘Nursery Rhymes: Mirrors of a Culture’, Elementary English 48:6 (1971), 617–21.
Hawthorn, Jeremy, Cunning Passages: New Historicism, Cultural Materialism and Marxism in the Contemporary Literary Debate (London, New York, Sidney and Auckland: Edward Arnold, 1996).
Hess, Thomas B. and Nochlin, Linda (eds.), Woman as Sex Object: Studies in Erotic Art, 1730–1930 (New York: Newsweek, Inc., 1972).
Hillel, Rabbi, Pirke Avot 1:12–14, 2:5–6. https://www.sefaria.org/Pirkei_Avot.1.14?lang=bi
Hitler, Adolf, Mein Kampf, trans. by Ralph Manheim (London: Pimlico, [1925], 1992).
Hoffman, Frank L., ‘Animal Abuse & Human Abuser: Partners in Crime’, a reprint of a People for the Ethical Treatment of Animals (PETA) article, 1998
Holloway, Memory, ‘Rear View Mirror: Looking Back, Moving Forward’, in Memory Holloway and Ruth Rosengarten (eds.), Open Secrets: Drawings and Etchings by Paula Rego (Dartmouth: University Art Gallery, University of Massachussetts, Dartmouth, 1999), pp. 7–24.
Holloway, Memory, ‘Praying in the Sand: Paula Rego and Visual Representations of the First Mass in Brazil’, Portuguese Literary and Cultural Studies (Spring/Fall 2000), 697–705.
Homer, The Odyssey (Harmondsworth: Penguin, 1984).
Horney, Karen, Feminine Psychology (New York: Norton, 1973).
Hutcheon, Linda, ‘Fringe Interference: Postmodern Border Tensions’, Style 22:2 (1988), 299–323.
Jackson, Rosemary, Fantasy: The Literature of Subversion (London and New York: Routledge, 1981).
Jameson, Frederic, The Political Unconscious: Narrative as a Socially Symbolic Act (London: Methuen, 1981).
Jameson, Frederic, ‘Magical Narratives: Romance as Genre’, New Literary History 7:1 (1975), 135–63.
Januszczak, Waldemar, ‘The Ecstasy and the Agony’, Sunday Times, Culture, 5 August 2001, pp. 6–7.
John Paul II, The Observer, 7 December 1986, p. 11.
John Paul II, ‘Carta do Papa João Paulo II aos Artistas’, Arte Ibérica (September 1999), https://w2.vatican.va/content/john-paul-ii/en/letters/1999/documents/hf_jp-ii_let_23041999_artists.html
Kenny, Mary, Abortion: The Whole Story (London and New York: Quartet Books, 1986).
Kent, Sarah, ‘Pop Goes the Weasel: Interview with Paula Rego’, Time Out, n. 1451, 10–17 June 1998, pp. 14–15.
Kingsolver, Barbara, The Poisonwood Bible (London: Faber & Faber, 2008).
Kipling, Rudyard, Rudyard Kipling’s Verse: Inclusive Edition, 1885–1918 (London: Hodder & Stoughton, 1919).
Kolodny, Annette, ‘A Map for Rereading: Gender and the Interpretation of Literary Texts’, in Elaine Showalter (ed.), The New Feminist Criticism: Essays on Women, Literature and Theory (London: Virago, 1986), pp. 46–62
Kolodny, Annette, ‘Dancing through the Minefield: Some Observations on the Theory, Practice and Politics of a Feminist Literary Criticism’ in Elaine Showalter (ed.), The New Feminist Criticism: Essays on Women, Literature and Theory (London: Virago, 1986), pp. 44–67.
Krabbenhoft, Kenneth, ‘Saramago, Cognitive Estrangement and Original Sin?’ in Anna Klobucka (ed.), On Saramago: Special Issue of Portuguese Literary and Cultural Studies 6 (Spring 2001), pp. 123–36.
Kristeva, Julia, La révolution du langage poétique (Paris: Seuil, 1974).
Kristeva, Julia, Powers of Horror: An Essay on Abjection (New York and Oxford: Columbia University Press, 1982).
Kristeva, Julia, ‘About Chinese Women’, in Toril Moi (ed.), The Kristeva Reader (Oxford, UK and Cambridge, MA: Blackwell, 1986), pp. 138–59.
Lacan, Jacques, Écrits: A Selection (London: Routledge and Tavistock, 1992).
Lacerda, Alberto, ‘Portuguese Art Since 1910’, Art Monthly 20 (1978), 12–14.
Laidlaw, Robert W., ‘Abortion and Morality’, in Abortion in a Changing World (New York: Columbus University Press, 1970), II, pp. 89–134.
Lambirth, Andrew, ‘Paula Rego: A Passion for Paint through the Sins of the Father’, The Independent, ‘Wednesday Review’, 17 June 1998, p. 10.
Lanchester, John, ‘Bulletins From the Sex-War Front’, The Daily Telegraph, Arts and Books, 27 June 1998, p. A5.
Langer, Cassandra L., ‘Against the Grain: A Working Gynergenic Art Criticism’, in Arlene Raven, Cassandra L. Langer and Joanna Frueh (eds.), Feminist Art Criticism: An Anthology (Ann Arbor and London: UMI Research Press, 1988), pp. 111–32.
Leigh, Mike (dir.), Vera Drake (Momentum and Thin Man Pictures, 2004).
Lemaire, Ria, ‘Re-reading Iracema: The Problem of the Representation of Women in the Construction of a National Brazilian Identity’, Luso-Brazilian Review 26:2 (1989), 59–73.
Levi, Primo, If This Is a Man, trans. by Stuart Woolf (London: Abacus, 2014).
Lévy, Maurice, Le roman gothique anglais (France: Toulouse, 1968).
Lippard, Lucy, From the Center: Feminist Essays in Women’s Art (New York: Dutton, 1976).
Lipstadt, Deborah, Denying the Holocaust (New York: Plume Books, 1994).
Lisboa, Maria Manuel, ‘Admirável Mundo Novo? A Primeira Missa no Brasil de Paula Rego’ in João Cézar de Castro Rocha (ed.), Nenhum Brasil existe: pequena enciclopédia (Rio de Janeiro: Topbooks Editora, 2003), pp. 73–91.
Lisboa, Maria Manuel, ‘Mother/land: Complexities of Love and Loyalty in Alexandre Herculano, Eça de Queirós and Hélia Correia’, Luso-Brazilian Review 47:1 (2010), 168–89.
Lisboa, Maria Manuel, A Heaven of Their Own: Heresy and Heterodoxy in Portuguese Literature from the Eighteenth Century to the Present (Oxford: Peter Lang, 2018).
Lisboa, Maria Manuel. ‘A Mother is a Boy’s Best Friend: Birth and Kinslaying in the Brazilian Foundation Novel’ in Portuguese Studies 13 (1997), 95–107.
Lispector, Clarice, A Hora da Estrela (Rio de Janeiro: Francisco Alves Editora, 1990).
Lowder Newton, Judith, ‘History as Usual? Feminism and the “New Historicism”’, in H. Aram Veeser (ed.), The New Historicism (New York and London: Routledge, 1989), pp. 152–67.
Lubbock, Tom, ‘Lost the Plot, Lost Her Way’, The Independent: Arts, 23 June 1998, https://www.independent.co.uk/arts-entertainment/arts-lost-the-plot-lost-her-way-1166908.html#
Lyotard, Jean-François, The Postmodern Condition: A Report on Knowledge, trans. by Geoff Bennington and Brian Massumi (Minneapolis: University of Minnesota Press, 1984).
MacDonald, Marianne, ‘St. Paula’, Observer Life Magazine, 7 June 1998, pp. 4–8.
Macedo, Ana Gabriela, ‘Pintura como denúncia: entrevista com Paula Rego’, Jornal de Letras, Artes e Ideias, 19 May—1 June 1999, pp. 12–13.
Macedo, Ana Gabriela, ‘Through the Looking Glass: Paula Rego’s Visual Rhetoric, An “Aesthetics of Danger”’, Textual Practice 15:1 (2001), 67–85.
Macedo, Ana Gabriela, Paula Rego e o Poder da Visão: ‘A minha pintura é como uma história interior’ (Lisbon: Cotovia, 2010).
Macciocchi, Maria Antonietta (ed.), Élements pour une Analyse du Fascisme (Paris: UGE 1976).
Macciocchi, Maria Antonietta, ‘Female Sexuality in Fascist Ideology’, Feminist Review 1 (1979), 67–82.
Maitland, Sara, Gossip From The Forest: The Tangled Roots of Our Forests and Fairy Tales (London: Granta, 2013).
Marques Gastão, Ana, ‘Melancolia, riso e tragédia’, interview with Paula Rego, Diário de Notícias, Artes e Multimédia, 14 May 1997, pp. 38–39.
Marques Gastão, Ana, ‘Paixão, culpa, anjos e morte’, interview with Paula Rego, Diário de Notícias, Artes e Multimédia, 2 May 1999, pp. 44–45.
Marques Gastão, Ana, ‘As Meninas Exemplares’, Diário de Notícias, Suplemento DNA, 5 May 1999, pp. 58–59.
Marques Gastão, Ana, ‘Aborto talvez antes da anunciação’, Diário de Notícias, Artes, 2002, p. 40.
Marques, A. H. de Oliveira, História de Portugal (Lisbon: Imprensa Nacional — Casa da Moeda, 1991).
Mauperrin, Maria José, ‘Sermões aos Crentes’, Expresso, 26 June 1998.
McEwen, John, Paula Rego, 2nd ed. (London: Phaidon, 1997).
Medina, João, ‘A Ditadura Portuguesa do “Estado Novo” (1926 a 1974): Síntese de Ideologia e Mentalidade do Regime Salazarista-Marcelista’, in José Tengarrinha (ed.), A Historiografia Portuguesa Hoje (São Paulo: Editora HUCITEC, 1999), pp. 209–28.
Merrill, Judith, The Shadow on the Hearth (New York: Doubleday, 1950).
Miller, Sanda, ‘Paula Rego’s “Nursery Rhymes”’, Print Quarterly 8:1 (1991), 53–60.
Ministério da Educação Nacional, O Livro da Terceira Classe (Lisbon: Ministério da Educação Nacional, n.d.).
Mitchell, Margaret, Gone With the Wind (New York: Limited Editions Club, 1968).
Mo, Timothy, The Redundancy of Courage (London: Chatto & Windus, 1991).
Morrison, Blake, ‘Ballad of the Yorkshire Ripper’, in Ballad of the Yorkshire Ripper and Other Poems (London: Chatto and Windus, 1987), pp. 23–36.
Morrison, Blake, ‘Moth’, in Ballad of the Yorkshire Ripper and Other Poems (London: Chatto and Windus, 1987), pp. 37–38.
Morrison, Blake, introduction to Paula Rego’s The Children’s Crusade (London: Enitharmon Press, 1999).
Morton, Tom, ‘Malcolm Morley, Paula Rego’, Modern Painters (Summer 2001), 107–8.
Mulvey, Laura, ‘Visual Pleasure and Narrative Cinema’, Screen 16:3 (1975), 6–18.
Nemésio, Vitorino, ‘Nas Sete Dores de Nossa Senhora’ in Obras Completas, Vol. II Poesia (Lisbon: Imprensa Nacional — Casa da Moeda, 1999), p. 287.
Newitt, Malyn, A History of Mozambique (London: Hurst and Company, 1995).
Nochlin, Linda, ‘Eroticism and Female Imagery in Nineteenth-Century Art’ in Thomas B. Hess and Linda Nochlin (eds.), Woman as Sex Object: Studies in Erotic Art, 1730–1970 (London: Allen Lane, 1973), pp. 9–15.
Noonan, John T., ‘How to Argue about Abortion’, in Nancy C. Ostheimer and John M. Ostheimer, Life or Death: Who Controls? (New York: Springer Publishing Company, 1976).
Nunley, Charles, ‘Robert Desnos: Sounding the Limits of Resistance Memory: Comics, and Nursery Rhymes’, The French Review 84:2 (2010), 284–98.
O’Brien, Robert C., Z for Zacchariah (London: Puffin, 1998).
Opie, Iona and Opie, Peter (eds.), The Oxford Dictionary of Nursery Rhymes (Oxford and NewYork: Oxford University Press, 1997).
Osborne, John, A Patriot for Me/A Sense of Detachment ([1966], London: Faber, 1983).
Parker, Roszika and Pollock, Griselda, Old Mistresses: Women, Art and Ideology (New York: Pantheon, 1991).
Pessoa, Fernando, Mensagem, 13th ed. (Lisbon: Editora Ática, 1979).
Pessoa, Fernando, Poesia (Rio de Janeiro: Agir, 1981).
Peyrouton de Ladebat, Monique, The Village that Slept, trans. by Thelma Niklaus (London: The Bodley Head, 1963).
Pinharanda, João, ‘Paula, Portugal e Poder: Interview with Paula Rego’, Público, Artes e Ócios, 14 May 1999, pp. 2–3.
Pires de Lima, Isabel, ‘Ecce Femina: Das Paixões. Das Mulheres’ in José Maria Eça de Queirós, O Crime do Padre Amaro (Porto: Campo das Letras, 2001), pp. 7–42.
Plato, Philebus, trans. by J. C. B. Gosling (Oxford: Clarendon Press, 1975).
Plato, The Symposium, trans. by Walter Hamilton (London: Penguin Classics, 1985).
Plato, The Republic, trans. by Desmond Lee (London: Penguin Classics, 1987).
Poe, Edgar Allan, ‘The Philosophy of Composition’. Graham’s Magazine 28:4 (April 1846), 163–67.
Pointon, Marcia, Spellbound: Art and Film, exh. cat. (London: Hayward Gallery, 1996).
Policarpo, Don José, quoted in Isabel Soares, ‘Sim a Tolerancia’, Expresso, 20 June 1998, p. 39.
Pollock, Griselda, Vision and Difference: Femininity, Feminism and Histories of Art (London and New York: Routledge, 1988).
Pollock, Griselda, Differencing The Canon: Feminism And The Writing Of Arts Histories, Re Visions: Critical Studies In The History & Theory (London: Routledge, 1999).
Pomeroy, Wardell B., ‘Abortion and Morality’, in Abortion in a Changing World (New York: Columbus University Press, 1970), II, pp. 89–134.
Poster, Mark (ed.), Jean Baudrillard: Selected Writings (Stanford: Stanford University Press, 1988).
Prendreville, Brendan, Realism in 20th Century Painting (London: Thames and Hudson, 2000).
Propp, Vladimir, Morphology of the Folktale (Mansfield: Martino Publishing, 2015).
Raven, Arlene, Langer, Cassandra and Frueh, Joanna, Feminist Art Criticism: An Anthology (Ann Arbor and London: UMI Press, 1988).
Rego, Paula and Bessa-Luis, Agustina, As Meninas: Pinturas Paula Rego, Texto Agustina Bessa-Luis, 2nd ed. (Lisbon: Três Sinais Editores, 2001).
Rego, Paula, interviewed by Edward King in Paula Rego: Celestina’s House (Abbot Hall Art Gallery, Kendal, 2001 and Yale Center for British Art, New Haven, 2002).
Rego, Paula, interviewed by Ana Marques Gastão, Diário de Notícias, 19 July 2002.
Rego, Paula, interviewed by Anabela Mota Ribeiro, Diário de Notícias, 1 February 2003, p. 10.
Rego, Paula, interviewed by Kathleen Gomes, Público, 8 February 2003, p. 38.
Rego, Paula, interviewed by Anabela Mota Ribeiro, Diário de Notícias, 1 February 2003, p. 8.
Rego, Paula, interviewed by Richard Zimler, Diário de Notícias (Grande Reportagem), Lisbon, April 2003, pp. 57–63. English version from Richard Zimler’s original transcript.
Rego, Paula, interviewed by Rocha de Sousa, Jornal de Letras, Artes e Idéias, 5 March 2003.
Rego, Paula, Desert Island Discs, BBC Radio 4, 14 November 1997.
Rego, Paula, Dulwich Picture Gallery Catalogue, 17 June — 26 July 1998.
Rego, Paula, The Children’s Crusade, with an introduction by Blake Morrison (London: Enitharmon Press, 1999).
Rego, Paula, Untitled, Centro de Arte Moderna José de Azeredo Perdigão, Lisbon, 18 May–29 August 1999.
Rhys, Jean, Wide Sargasso Sea (London: Penguin, 2000).
Rich, Adrienne, Of Woman Born: Motherhood as Experience and Institution (London: Virago, 1992).
Rich, Adrienne, On Lies, Secrets and Silence: Selected Prose 1966–1978 (London: Virago, 1986).
Riley, Bridget, ‘The Hermaphrodite’, in Thomas B. Hess and Elizabeth C. Baker (eds.), Art and Sexual Politics: Why Have There Been No Great Women Artists? (London and New York: Collier Macmillan Publishers, 1971).
Rodrigues da Silva, ‘Paula Rego: Inocências & Travessuras’, Jornal de Letras, Artes e Ideias 721 (1998), 9–11.
Rollin, Lucy, Cradle and All: A Cultural and Psychoanalytic Study of Nursery Rhymes (Jackson: University of Mississippi Press, 1992).
Rose, Jacqueline, Sexuality in the Field of Vision (London: Verso, 1986).
Rosengarten, Ruth, ’Verdades Domésticas: O trabalho de Paula Rego’ in Paula Rego (Lisbon: Centro Cultural de Belém; Ministério da Cultura; Quetzal Editores, 1997), pp. 43–117.
Rosengarten, Ruth (a), Paula Rego e O Crime do Padre Amaro (Lisbon: Quetzal Editores, 1999).
Rosengarten, Ruth (b), ‘Nurturing the Adult Within: Drawings and Etchings by Paula Rego’, in Memory Holloway and Ruth Rosengarten (eds.), Open Secrets: Drawings and Etchings by Paula Rego (Dartmouth: University Art Gallery, University of Massachusetts Dartmouth, 1999), pp. 25–39.
Rosengarten, Ruth, ‘Verdades Domésticas: O Trabalho de Paula Rego’, in Paula Rego (Lisbon: Fundação das Descobertas Centro Cultural de Belém, Ministério da Cultura and Quetzal Editores, 1997), pp. 43–77.
Rosoff, Meg, How I Live Now (London: Puffin, 2005).
Rotman, Brian, Signifying Nothing: The Semiotics of Zero (Stanford: Stanford University Press, 1993).
Ryan, K. (ed.), New Historicism and Cultural Materialism: A Reader (London: Arnold, 1996).
Sadlier, Darlene J., The Question of How: Women Writers and New Portuguese Literature (New York and London: Greenwood Press, 1989).
Salazar, António de Oliveira, Discursos e notas políticas, 6 vols. (Coimbra: Coimbra Editora, 1945), II.
Salazar, António de Oliveira, Doctrine and Action: Internal and Foreign Policy of the New Portugal (1928–1939), trans. by Robert Edgar Broughton (London: Faber & Faber, 1939).
Sampaio, Jorge, Diário de Notícias, Lisbon, 15 February 2003, pp. 40–41.
Saramago, José The Gospel According to Jesus Christ, trans. by Giovanni Pontieri (London: Panther, 1999).
Saramago, José, O Evangelho Segundo Jesus Cristo (São Paulo: Companhia das Letras, 2005).
Sartre, Jean-Paul, ‘“Aminadab” or the Fantastic Considered as a Language’, in Situations I (1947), 56–72.
Schimmel, Annemarie, The Mystery of Numbers (New York and Oxford: Oxford University Press, 1993).
Schor, Naomi, Reading in Detail: Aesthetics and the Feminine (New York and London: Methuen, 1987).
Segal, Naomi (1990) ‘Patrilinear and Matrilinear’ in Wilcox, Halen et al. (eds.), The Body and the Text: Hélène Cixous, Reading and Teaching (New York and London: Harvester Wheatsheaf), pp. 131–46.
Sérgio, António, ‘Interpretação Não Romântica do Sebastianismo’, in Ensaios, 8 vols. (Lisbon: Livraria Sá da Costa Editora, 1976), I.
Série Escolar Educação de António Figueirinhas, Livro de Leitura Para a 2a Classe do Ensino Primário Elementar (Porto: Editora de Educação Nacional, Lta, n.d.).
Série Escolar Educação de António Figueirinhas, Livro de Leitura Para a 4a Classe do Ensino Primário Elementar (Porto: Editora de Educação Nacional, Lda., n.d.).
Série Escolar Educação de António Figueirinhas, Moral e Educação Cívica Para a 2a, 3a e 4a classes do Ensino Primário Elementar (Porto: Editora de Educação Naciona, Lda., n.d.).
Smith, Joan, Misogynies (London and Boston: Faber & Faber, 1980).
Snyder, Louis L., Roots Of German Nationalism (Bloomington: Indiana University Press, 1978).
Spiegel, Celina and Buchmann, Christina, Out of the Garden: Women Writers on the Bible (New York: Ballantine Books, 1995).
Steinberg, Leo, Other Criteria: Confrontations with Twentieth-Century Art (London, Oxford and New York: Oxford University Press, 1975).
Stowe, Harriet Beecher, Uncle Tom’s Cabin, or, Life Among the Lowly (London: Blackie, 1979).
Swindells, Robert E., Brother in the Land (Oxford: Oxford Children’s Modern Classics, 1999).
Tavares, Manuela, Movimentos de Mulheres em Portugal: Décadas de 70 e 80 (Lisbon: Livros Horizonte, 2000).
Tatar, Maria, The Classic Fairy Tales (New York: W. W. Norton, 1999).
Teale, Polly, After Mrs. Rochester (London: Nick Herne, 2003).
Todorov, Tzevetan, ‘The Ghosts of Henry James’, in The Poetics of Prose (Ithaca, New York: Cornell University Press 1977).
Torga, Miguel, ‘Vicente’, in Bichos, 17th ed. (Coimbra: Edições do Autor, 1987), pp. 127–34.
Torga, Miguel, Antologia Poética (Coimbra: Edições do Autor, 1992).
Tusa, John, ‘Interview with Paula Rego’, The Independent on Sunday, 3 June 2001, p. 10. Also broadcast in full on BBC Radio 3, Sunday Feature, 3 June 2001.
Vogel, Lise, ‘Fine Arts and Feminism: the Awakening Conscience’, in Arlene Raven, Cassandra L. Langer and Joanna Frueh (eds.), Feminist Art Criticism: An Anthology (Ann Arbor and London: UMI Research Press, 1988).
Warner, Marina, Alone of All her Sex: The Myth and Cult of the Virgin Mary (London: Picador, 1985).
Warner, Marina, introduction to Nursery Rhymes, illus. by Paula Rego (London: Thames and Hudson, 1994).
Warner, Marina, Once Upon a Time: A Short History of Fairy Tale (Oxford: Oxford University Press, 2014).
Warner, Marina, Fairy Tale: A Very Short Introduction (Oxford: Oxford University Press, 2018).
Waugh, Patricia, Practising Postmodernism Reading Modernism (London: Edward Arnold, 1992).
Willing, Nick (dir.), Paula Rego: Stories and Lies (documentary) (BBC, 2017).
Willing, Victor, Foreword to cat. exh. Paula Rego. Paintings 1982–1983 (London: Edward Totah Gallery, 1983), repr. in McEwen, John, Paula Rego (London: Phaidon, 1997), p. 272.
Willing, Victor, ‘Inevitable Prohibitions: Essay for the Catalogue of the Paula Rego Retrospective at the Gulbenkian Foundation’ (1988), repr. in McEwen, John, Paula Rego (London: Phaidon, 1997), p. 273.
Willing, Victor, ‘The Imagiconography of Paula Rego’, in Colóquio Artes, April 1971, pp. 43–49.
Willing, Victor, ‘A Imagética e Iconografia em Paula Rego’, in Paula Rego (Lisbon: Fundação das Descobertas Centro Cultural de Belém, Ministério da Cultura and Quetzal Editores, 1997), pp. 34–41.
Wolff, Janet, ‘The Impolite Boarder: “Diasporist” Art and its Critical Response’, in James Aulich and John Lynch (eds.), Critical Kitaj: Essays on the Work of R. B. Kitaj (Manchester: Manchester University Press, 2000), pp. 29–43.
Woolf, Virginia, ‘Professions for Women’, in The Death of the Moth and Other Essays (London: Readers Union and the Hogarth Press, 1943), pp. 149–54.
Woolf, Virginia, Walter Sickert: A Conversation (London: Bloomsbury Workshop, 1992).
Zipes, Jack, The Irresistible Fairy Tale: The Cultural and Social History of a Genre (Princeton and Oxford: Princeton University Press, 2012).