E-figures
Introduction
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‘Salazar and Queen Elizabeth II in 1957’. Posted by M. Durruti, ‘Salazar: elected the “Greatest Portuguese of all time”’, Durruti’s Flames, 26 March 2007 (scroll down the page, fifth image from the top), http://durrutilog.blogspot.com/2007/03/salazar-elected-greatest-portuguese-of.html |
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Jaime Martins Barata, God, Motherland, Family: A Trilogy of National Education (1938). Lithograph, 78 cm x 112 cm. © Biblioteca Nacional de Portugal, all rights reserved. Posted by José António Bandeirinha, ‘All Quiet on the Western Front’, arch daily, 22 October 2014, https://www.archdaily.com.br/br/755754/all-quiet-on-the-western-front-jose-antonio-bandeirinha/54457bbae58ecea2d500000d |
Chapter 1
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Paula Rego, Iberian Dawn (1962). Collage and oil on canvas, 71.5 x 92 cm, all rights reserved. Posted by Paula Mariño, ‘Paula Rego: A Vontade Subversiva e Liberadora (Parte I)’, Muller-Árbore, 12 May 2014 (scroll down the page to the third image: click on it to expand), http://paulampazo.blogspot.com/2014/05/paula-rego-vontade-subversiva-e.html |
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Paula Rego, Two Girls and a Dog (1987). Acrylic paint on paper on canvas 150 x 150 cm. © Paula Rego Gallery. Posted by leninimports.com, http://www.leninimports.com/paula_rego_gallery_2.html |
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Picasso’s lithograph Monkey as Painter (1954), 50.6 x 37.2 cm. © icollector.com. Posted by icollector.com, https://www.icollector.com/Monkey-as-Painter-Pablo-Picasso-Lithograph_i30709487 |
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Paula Rego, Girl and Dog Untitled a (1986). Acrylic on paper, 112 x 76 cm. © hundkunst. Posted by Petra Hartl, ‘Paula Rego — Girl and Dog‘, hundkunst, 30 November 2018 (sixth image down, on right-hand side of panel), http://www.petrahartl.at/hundundkunst/2018/11/30/paula-rego-girl-and-dog |
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Paula Rego, Girl Shaving a Dog (Girl and Dog f) (1986). Acrylic on paper, 112 x 76 cm. © artnet. Posted by artnet.com, http://www.artnet.com/artists/paula-rego/untitled-girl-shaving-a-dog-vlh_T0Pcp27ldu8Pf4n-fQ2 |
Chapter 2
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Photograph posted by ‘This day in History — 25 April 1974: Portugal’s Carnation Revolution’, Club of Mozambique, 25 April 2017, © Club of Mozambique, https://clubofmozambique.com/news/this-day-in-history-25-april-1974-portugals-carnation-revolution/ |
Chapter 3
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Paula Rego, Centaur (1964). Collage and oil on canvas, 140 x 139 cm. Casa das Histórias, Cascais, Portugal, all rights reserved. Posted by Martin Gayford, ‘Remarkable and powerful — you see her joining the old masters: Paula Rego reviewed’, The Spectator, 22 June 2019, https://www.spectator.co.uk/2019/06/remarkable-and-powerful-you-see-her-joining-the-old-masters-paula-rego-reviewed/ |
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Paula Rego, Annunciation (1981). Collage and acrylic on canvas, 200 x 250 cm. Posted by Cave to Canvas, https://i.pinimg.com/originals/4a/de/b4/4adeb42a69e4a06df9ca617140898be1.jpg |
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Paula Rego, Pendle Witches (1996). Etching and aquatint on paper, 35.7 x 29.7 cm. Tate, London, all rights reserved, https://www.tate.org.uk/art/artworks/rego-pendle-witches-p77906 |
Chapter 6
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Paula Rego, Swallows the Poisoned Apple (1995). Pastel on board, 170 x 150 cm. Saatchi Gallery, all rights reserved, https://www.saatchigallery.com/artists/artpages/rego_paula_swallows_poisoned_apple.htm |
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Snow White and Her Stepmother (1995). Posted by yigruzeltil, 28 February 2013, Wikiart, https://www.wikiart.org/en/paula-rego/snow-white-and-her-stepmother-1995 |
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Snow White Playing with Her Father’s Trophies (1995). Posted by yigruzeltil, 28 February 2013, Wikiart, https://www.wikiart.org/en/paula-rego/snow-white-playing-with-her-father-s-trophies-1995 |
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Paula Rego, Snow White Riding the Prince’s Horse (1995). Pastel on paper. Posted by Artodyssey (scroll down to image no. 21), http://artodyssey1.blogspot.com/2009/08/paula-rego-paula-figueiroa-rego-born.html |
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Dressing Him up as Bluebeard (2002). Lithography on Somerset wove paper. Christies, https://pccdn.perfectchannel.com/christies/live/images/item/PaulaRego11105/5880026/large/CKS_11105_0048%20.jpg |
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Paula Rego, Inês de Castro (2014). Oil on canvas, 122 x 145 cm. Murray Edwards College, Cambridge, for the college’s 60th anniversary. Photograph courtesy of Marlborough Fine Art, all rights reserved, https://www.cam.ac.uk/sites/www.cam.ac.uk/files/styles/content-885x432/public/news/news/regoinesdecastro.gif?itok=hxVuDC8h |
Chapter 7
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Antony Gormley, Still Being (2012). Centro Cultural Banco do Brasil, São Paulo, Brazil. Antonygormley.com, © Antony Gormley, all rights reserved, http://www.antonygormley.com/uploads/images/5088fd0b55c70.jpg |
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Damien Hirst, God Alone Knows (2007). Glass, painted stainless steel, silicone, mirror, stainless steel, plastic cable ties, sheep and formaldehyde solution with steel and Carrara marble plinths, 323.6 x 171 x 61.1 cm. (Left) | 380.5 x 201.4 x 61.1 cm. (Centre) | 323.6 x 171 x 61.1 cm. (Right). Photo by Prudence Cuming Associates © Damien Hirst and Science Ltd., all rights reserved, http://damienhirst.com/images/hirstimage/DHS6003_771_0.jpg |
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Marion Coutts, Decalogue (2001). Skittles, enamel, vinyl lettering, dimensions variable, 35 cm. marioncoutts.com, © Marion Coutts, all rights reserved, http://www.marioncoutts.com/img//th/13.jpg |
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Paula Rego, Our Lady of Sorrows (2013). Acrylic, graphite and pastel on paper mounted on aluminium. Marlborough Fine Art, London. Posted by The New Statesman, https://www.newstatesman.com/sites/default/files/images/2014%2B41%20Our%20Lady%20of%20Sorrows22(1).jpg |
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Max Ernst, The Virgin Spanking the Infant Jesus in Front of Three Witnesses (1926). Oil on canvas, 196 x 130 cm. Museum Ludwig, Cologne. Wikiart, https://uploads6.wikiart.org/images/max-ernst/the-virgin-spanking-the-christ-child-before-three-witnesses-andre-breton-paul-eluard-and-the-1926.jpg!Large.jpg |
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Unattributed (Antinoe, Egypt), Clay rattle of a woman giving birth (c. 100–150). Clay, 8.5 x 6 x 6 cm. Fitzwilliam Museum, Cambridge, United Kingdom, all rights reserved, http://data.fitzmuseum.cam.ac.uk/id/object/51735 |
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Paula Rego, Up the Tree (2002). Lithograph. Image size: 96.5 x 61.6 cm. Posted by the Metropolitan Museum of Art, https://www.metmuseum.org/art/collection/search/492818 |