List of Illustrations
Introduction
0.1 |
Rembrandt, Bathshebah at Her Bath (1654). Oil on canvas, 142 x 142 cm. Wikimedia, CC BY-SA, https://commons.wikimedia.org/wiki/File:Bathsheba_at_Her_Bath.png |
Chapter 1
1.1 |
Paula Rego, Salazar Vomiting the Homeland (1960). Oil on canvas, 94 x 120 cm. Calouste Gulbenkian Foundation, Lisbon, Portugal. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.2 |
Paula Rego, When We Had a House in the Country (1961). Collage and oil on canvas, 49.5 x 243.5 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.3 |
Paula Rego, The Fitting (1990). Acrylic on paper on canvas, 183 x 132 cm. Saatchi Collection, London. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.4 |
Paula Rego, The Maids (1987). Acrylic on paper on canvas, 212.4 x 242.9 cm. Saatchi Collection, London. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.5 |
El Greco, Annunciation (c. 1595–1600). Oil on canvas, 91 x 66.5 cm. Museum of Fine Arts, Budapest. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:El_Greco_-_The_Annunciation_-_Google_Art_Project.jpg |
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1.6 |
Marcantonio Raimondi, The Last Judgement; Christ with Lily and Sword at Top, Flanked by Virgin and St John the Baptist Interceding on Behalf of the Humans Below, after Dürer (ca. 1500–1534). Print, 11.8 x 10 cm. Metropolitan Museum of Art. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:The_Last_Judgment;_Christ_with_lily_and_sword_at_top,_flanked_by_Virgin_and_St_John_the_Baptist_interceeding_on_behalf_of_the_humans_below,_after_D%C3%BCrer_MET_DP820341.jpg |
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1.7 |
Hans Memling, The Last Judgement, triptych, central panel (c. 1467–1471). Oil on panel, 242 x 180 cm. National Museum, Gdańsk, Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:MemlingJudgmentCentre.jpg |
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1.8 |
Paula Rego, Time: Past and Present (1990–1991). Acrylic on paper on canvas, 183 x 183 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.9 |
Benjamin Cole, A Mermaid with Measuring Scale after A. Gautier D’Agoty (1759). Line engraving, 19 x 10.6 cm. Wellcome Collection, CC BY, https://wellcomecollection.org/works/ahv53sks/items?sierraId= |
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1.10 |
Paula Rego, The Interrogator’s Garden (2000). Pastel on paper mounted on aluminium, 120 x 110 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.11 |
Paula Rego, Olga (2003). Pastel on paper mounted on aluminium, 160 x 120 cm. The Saatchi Gallery, London, United Kingdom, all rights reserved. |
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1.12 |
Paula Rego, Dog Women (Baying) (1994). Pastel on canvas, 100 x 76 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.13 |
Paula Rego, Abracadabra (1986). Acrylic on paper on canvas, 157 x 150 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved |
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1.14 |
Andrea di Bonaiuto, Church Militant and Triumphant (1365–1367). Fresco, Basilica of Santa Maria Novella, Florence. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Andrea_di_bonaiuto,_dettaglio_dal_cappoellone_degli_spagnoli.jpg |
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1.15 |
Paula Rego, In the Garden (1986). Acrylic on paper on canvas, 150 x 150 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.16 |
George Stubbs, A Monkey (1799). Oil on panel, 70 x 55.9 cm. Walker Gallery, Liverpool, Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:George_Stubbs_-_A_Monkey_-_Google_Art_Project.jpg |
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1.17 |
Zacharie Noterman, Monkey Art (1890). Oil on panel, 54 x 65 cm. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Zacharie_Noterman_-_Monkey_art.jpg |
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1.18 |
Pseudo-Jan van Kessel II, Still Life of Fruit with a Monkey and a Dog (after c. 1660). Oil on copper, 16.5 x 22 cm. Dorotheum, Vienna, Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Pseudo-Jan_van_Kessel_II_-_Still_life_of_fruit_with_a_monkey_and_a_dog.jpg |
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1.19 |
Jean-Baptiste Siméon Chardin, The Antique Monkey (1726). Oil on canvas, 81.5 x 65.4 cm. The Louvre, Paris. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Chardin,_la_scimmia_antiquaria,_1726_ca._02.JPG |
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1.20 |
Paula Rego, Red Monkey Drawing (1981). Acrylic on paper, 76.5 x 56 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.21 |
Paula Rego, Looking Back (1987). Acrylic on paper on canvas, 150 x 150 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.22 |
Paula Rego, Girl Lifting Up Her Skirt to a Dog (1986). Acrylic on paper, 80 x 60 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.23 |
Paula Rego, Snare (1987). Acrylic on paper on canvas, 150 x 150 cm. British Council Collection. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.24 |
John Thornton (glazier), Apocalypse (detail Christ on Horse (Apocalypse) (1405–1408). Great East Window, York Minster, United Kingdom. Wikimedia, public domain, https://commons.wikimedia.org/w/index.php?search=christ%2C+horse&title=Special%3ASearch&go=Go#/media/File:York_Minster_-_Christ_on_the_White_horse.jpg |
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1.25 |
Luca Giordano, Series of The Four Parts of the World: Europe (between 1634 and 1705). Oil on canvas, 60 x 75 cm. Fundación Banco Santander, Madrid, Spain. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Luca_Giordano,_copies_-_Series_of_the_Four_Parts_of_the_World._Europe_-_Google_Art_Project.jpg |
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1.26 |
Paula Rego, The Little Murderess (1987). Acrylic on paper on canvas, 150 x 150 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.27 |
Paula Rego, Sleeping (1986). Acrylic on paper on canvas, 150 x 150 cm. Arts Council of Great Britain. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.28 |
Paula Rego, Prey (1986). Acrylic on paper on canvas, 150 x 150 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.29 |
Paula Rego, Girl and Dog Untitled b (1986). Acrylic on paper, 112 x 76 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.30 |
Paula Rego, Girl and Dog Untitled c (1986). Acrylic on paper, 112 x 76 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.31 |
Paula Rego, Girl and Dog Untitled d (1986). Acrylic on paper, 112 x 76 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.32 |
Paula Rego, Girl and Dog Untitled e (1986). Acrylic on paper, 112 x 76 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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1.33 |
Paula Rego, Girl and Dog Untitled g (1986). Acrylic on paper, 112 x 76 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
Chapter 2
2.1 |
Paula Rego, Pregnant Rabbit Telling her Parents (1982). Acrylic on paper, 103 x 141 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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2.2 |
Lorenzo Lotto, Nativity (1523). Oil on panel, 46 x 35.9 cm. National Gallery of Art, Washington. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Lorenzo_Lotto_017.jpg |
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2.3 |
Paula Rego, The Red Monkey Beats His Wife (1981). Acrylic on paper, 61 x 105 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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2.4 |
Paula Rego, Wife Cuts Off Red Monkey’s Tail (1981). Acrylic on paper, 68 x 101 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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2.5 |
Paula Rego, The Dance (1988). Acrylic on paper on canvas, 212.4 x 273.3 cm. Tate Modern, London. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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2.6 |
A view of the ruins of Fort Chapora, Goa, India. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Chapora_fort.JPG |
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2.7 |
Caxias Fortress (Forte de São Bruno), Lisbon, Portugal. Wikimedia, CC BY-SA, https://commons.wikimedia.org/wiki/File:Forte_de_S._Bruno_-_Oeiras_(108723153).jpg |
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2.8 |
Paula Rego, Departure (1988). Acrylic on paper on canvas, 212.4 x 151.4 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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2.9 |
Paula Rego, The Cadet and His Sister (1988). Acrylic on paper on canvas, 212.4 x 212.4 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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2.10 |
Paula Rego, The Bullfighter’s Godmother (1990–1991). Acrylic on paper on canvas, 122 x 151.4 cm. Private collection. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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2.11 |
Paula Rego, The Soldier’s Daughter (1987). Acrylic on paper on canvas, 212.4 x 151.4 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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2.12 |
Anonymous, Leda and the Swan (16th century). Oil on panel, 131.1 x 76.2 cm. Philadelphia Museum of Art. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Leda_and_the_Swan_(Philadelphia_Museum_of_Art).jpg |
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2.13 |
Paula Rego, The Policeman’s Daughter (1987). Acrylic on paper on canvas, 212.4 x 151.4 cm. Saatchi Collection, London. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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2.14 |
Paula Rego, The Family (1988). Acrylic on paper on canvas, 212.4 x 212.4 cm. The Saatchi Collection, London. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
Chapter 3
3.1 |
Paula Rego, The Company of Women (1997). Pastel on paper mounted on aluminium, 170 x 130 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.2 |
Paula Rego, The Cell (1997). Pastel on paper mounted on aluminium, 120 x 160 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.3 |
Johannes Vermeer, A Lady Writing (c. 1665). Oil on canvas, 45 x 39.9 cm. National Gallery of Art, Washington. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Johannes_Vermeer_-_A_Lady_Writing_-_Google_Art_Project.jpg |
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3.4 |
Paula Rego, The Ambassador of Jesus (1997). Pastel on paper mounted on aluminium, 180 x 180 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.5 |
Paula Rego, Girl with Gladioli and Religious Figures (1997). Pastel on paper mounted on aluminium, 160 x 120 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.6 |
Paula Rego, Crivelli’s Garden (left-hand panel) (1990–1991). Acrylic on paper on canvas, left panel, 190 x 240 cm. Sainsbury Wing (brasserie), National Gallery, London. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.7 |
Paula Rego, Lying (1998). Pastel on paper mounted on aluminium, 100 x 80 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.8 |
Paula Rego, Girl with Chickens (1997). Pastel on paper mounted on aluminium, 120 x 80 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.9 |
Paula Rego, Looking Out (1997). Pastel on paper mounted on aluminium, 180 x 130 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.10 |
Paula Rego, Joseph’s Dream (1990). Acrylic on paper on canvas, 183 x 122 cm. Private collection. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.11 |
Bartolomé Esteban Murillo, Two Women at a Window (c. 1655–1660). Oil on canvas, 125.1 x 103.5 cm. Widener Collection, National Gallery of Art, Washington. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Bartolom%C3%A9_Esteban_Perez_Murillo_014.jpg |
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3.12 |
Paula Rego, The Coop (1998). Pastel on paper mounted on aluminium, 150 x 150 cm. Private collection. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.13 |
Francesco Solimena, The Birth of the Virgin (c. 1690). Oil on canvas, 203.5 x 170.8 cm. Metropolitan Museum of Art, New York. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:The_Birth_of_the_Virgin_MET_DT11676.jpg |
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3.14 |
Paula Rego, The Rest on the Flight into Egypt (1998). Pastel on paper mounted on aluminium, 170 x 150 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.15 |
Fra Bartolomeo, Rest on the Flight into Egypt (c. 1509). Oil on panel, 129.5 x 106.7 cm. J. P. Getty Centre, Los Angeles. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Fra_Bartolomeo_-_The_Rest_on_the_Flight_into_Egypt_with_St._John_the_Baptist_-_Google_Art_Project.jpg |
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3.16 |
Orazio Gentileschi, Rest on the Flight into Egypt (c. 1625–1626). Oil on canvas, 137.1 x 215.9 cm. Kunsthistorisches Museum, Vienna. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Orazio_Gentileschi_-_Rest_on_the_Flight_to_Egypt.JPG |
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3.17 |
Nicolas Poussin, Rest on the Flight into Egypt (c. 1627). Oil on canvas, 76.2 x 62.5 cm. Metropolitan Museum of Art, New York. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:The_Rest_on_the_Flight_into_Egypt_MET_DT4169.jpg |
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3.18 |
Manuel Anastácio, António de Oliveira Salazar (n.d.). Drawing. Wikimedia, CC BY-SA, https://commons.wikimedia.org/wiki/File:Ant%C3%B3nio_de_Oliveira_Salazar,_drawing.jpg |
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3.19 |
Paula Rego, Mother (1997). Pastel on paper mounted on aluminium, 180 x 130 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.20 |
Paula Rego, Perch (1997). Pastel on paper mounted on aluminium, 120 x 100 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.21 |
Paula Rego, Amélia’s Dream (1998). Pastel on paper mounted on aluminium, 162 x 150 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.22 |
Paula Rego, Dancing Ostriches from Disney’s ‘Fantasia III (1995). Pastel on paper mounted on aluminium. Triptych right panel 150 x 150 cm. Saatchi Collection, London. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.23 |
Paula Rego, In the Wilderness (1998). Pastel on paper mounted on aluminium, 180 x 130 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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3.24 |
The Portuguese project of Pink Map (‘Mapa Cor-de-Rosa’) (1886).Wikimedia, CC-BY-SA, https://commons.wikimedia.org/wiki/File:Mapa_Cor-de-Rosa.svg |
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3.25 |
Gaspar Dias, The Appearance of the Angel to St. Roch (c. 1584). Oil on panel, 350 x 300 cm. Church of St. Roque, Lisbon. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Apari%C3%A7%C3%A3o_do_Anjo_a_S%C3%A3o_Roque_Gaspar_Dias.jpg |
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3.26 |
The Archangel Gabriel (Power of God) (1729). Marble. Chiesa dei Gesuiti, Venice. Wikimedia, CC-BY-SA, https://commons.wikimedia.org/wiki/File:Interior_of_Chiesa_dei_Gesuiti_(Venice)_-_Center_of_the_transept_-_Archangel_Gabriel.jpg |
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3.27 |
Paula Rego, Angel (1998). Pastel on paper mounted on aluminium, 180 x 130 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
Chapter 4
4.1 |
Anonymous, Statue of a childbirth handicraft from Peru (2013). Photo by Peter van der Sluijs. Wikimedia, CC-BY-SA, https://commons.wikimedia.org/wiki/File:Statue_of_a_childbirth_handicraft_Peru.jpg |
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4.2 |
Geertgen tot Sint Jans, The Nativity at Night (c. 1490). Oil on oak panel, 34 x 25.3 cm. National Gallery, London. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Geertgen_tot_Sint_Jans,_The_Nativity_at_Night,_c_1490.jpg |
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4.3 |
Paula Rego, Untitled x (1998). Pastel on paper mounted on aluminium, 110 x 100 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.4 |
Paula Rego, Untitled n. 5 (1998–1999). Pastel on paper mounted on aluminium, 110 x 100 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.5 |
Paula Rego, Untitled Sketch n. 5 (1998–1999). Pastel on paper mounted on aluminium, 60 x 42 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.6 |
Female body. Photo by Xmm (2005). Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Female_body.jpg |
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4.7 |
Alberto Magliozzi, Manuela Arcuri (1994). Published in Playboy, special issue (2000). Wikimedia, CC BY-SA, https://commons.wikimedia.org/wiki/File:Manuela_Arcuri_(1994).jpg |
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4.8 |
Jean-Auguste-Dominique Ingres, La Source (1856). Oil on canvas, 163 x 80 cm. Musée d’Orsay, Paris. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Jean_Auguste_Dominique_Ingres_-_The_Spring_-_Google_Art_Project_2.jpg |
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4.9 |
Sandro Botticelli, The Birth of Venus (1483–1485). Tempera on panel, 278.5 x 171.5 cm. Uffizi Gallery, Florence. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Sandro_Botticelli_-_La_nascita_di_Venere_-_Google_Art_Project_-_edited.jpg |
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4.10 |
Pierre-Auguste Renoir, Blonde Bather (1881). Oil on canvas, 82 x 66 cm. Sterling and Francine Clark Institute, Williamstown, MA, USA. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Pierre-Auguste_Renoir_-_Baigneuse_blonde.jpg |
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4.11 |
Alberto Magliozzi, Eva Henger Cleaning Boots (2012). Wikimedia, CC BY-SA, https://commons.wikimedia.org/wiki/File:Eva_Henger_cleaning_boots.jpg |
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4.12 |
Paul Gauguin, Nevermore (1897). Oil on canvas, 50 x 116 cm. Courtauld Institute of Art, London. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Paul_Gauguin_091.jpg |
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4.13 |
François Boucher, Portrait of Louise O’Murphy (1752). Oil on canvas, 59 x 73 cm. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Fran%C3%A7ois_Boucher,_Marie-Louise_O%27Murphy_de_Boisfaily.jpg |
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4.14 |
Paula Rego, Untitled n. 4 (1998–1999). Pastel on paper mounted on aluminium, 110 x 100 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.15 |
Paula Rego, Untitled n. 6 (1998–1999). Pastel on paper mounted on aluminium, 110 x 100 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.16 |
Artemisia Gentileschi, Judith Beheading Holofernes (1611–1612). Oil on canvas, 158.8 x 125.5 cm. Museo Nazionale di Capodimonte. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Gentileschi_Artemisia_Judith_Beheading_Holofernes_Naples.jpg |
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4.17 |
Raphael, The Niccolini-Cowper Madonna (1506). Oil on panel, 80.7 x 57.5 cm. Andrew Mellon Collection, National Gallery of Art, Washington, D.C. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Grande_madonna_cowper.jpg |
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4.18 |
Michaelangelo, Pietá (1498–1499). Marble, 230.4 x 307.2 cm. St. Peter’s Basilica, Rome. Wikimedia, CC-BY-SA, https://commons.wikimedia.org/wiki/File:Michelangelo%27s_Pieta_5450_cropncleaned_edit.jpg |
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4.19 |
Titian, Tarquin and Lucretia (c. 1570). Oil on canvas, 188 x 145.1 cm. Fitzwilliam Museum, Cambridge. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Tizian_094.jpg |
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4.20 |
Peter Paul Rubens, The Rape of the Daughters of Leucippus (c. 1618). Oil on canvas, 224 x 210.5 cm. Alte Pinakothek, Munich. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Peter_Paul_Rubens_-_The_Rape_of_the_Daughters_of_Leucippus.jpg |
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4.21 |
Giambologna, The Rape of the Sabines (1583). Marble, 106.4 x 160 cm. Piazza della Signoria, Florence (south view). Wikimedia, CC BY-SA, https://commons.wikimedia.org/wiki/File:Firenze_-_Florence_-_Piazza_della_Signoria_-_View_South_on_The_Rape_of_the_Sabine_Women_1583_by_Giambologna.jpg |
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4.22 |
George Breitner, Anne, Lying Naked on a Yellow Cloth (c. 1888). Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:George_Breitner_-_Reclining_Nude.jpg |
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4.23 |
Pierre-Auguste-Dominique Ingres, The Grand Odalisque (1814). Oil on canvas, 91 x 162 cm. The Louvre, Paris. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Ingre,_Grande_Odalisque.jpg |
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4.24 |
Paula Rego, Untitled n. 3 (1998–1999). Pastel on paper mounted on aluminium, 110 x 100 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.25 |
Paula Rego, Untitled n. 7 (1998–1999). Pastel on paper mounted on aluminium, 110 x 100 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.26 |
Paula Rego, Untitled Triptych (left-hand panel) (1998–1999). Pastel on paper mounted on aluminium, 110 x 100 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.27 |
Amedeo Modigliani, Reclining Nude (1917). Oil on canvas, 60.6 x 91.7 cm. Metropolitan Museum of Art, New York. Wikimedia, CC BY 2.0, https://commons.wikimedia.org/wiki/File:Amedeo_Modigliani,_1916,_Reclining_Nude_(Nu_couch%C3%A9),_oil_on_canvas,_65.5_x_87_cm,_Foundation_E.G._B%C3%BChrle.jpg |
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4.28 |
W. Gajir, Sculpture of Childbirth (n.d.), Mas, Bali. Photo by Kattiel. Wikimedia, CC-BY-SA, https://commons.wikimedia.org/wiki/File:Bevalling_Bali.jpg |
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4.29 |
Juan de Valdés Leal, Pietá (late 17th century). Drawing, 17.6 x 23.5 cm. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:La_Piedad_(Vald%C3%A9s_Leal).jpg |
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4.30 |
Paula Rego, Untitled Sketch n. 3 (1998). Pencil on paper, 31 x 42 cm. Artist’s collection. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.31 |
Paula Rego, Untitled Triptych b (centre panel) (1998). Pastel on paper mounted on aluminium. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.32 |
Paula Rego, Moth (1994). Pastel on canvas, 160 x 120 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.33 |
Thomas Rowlandson, Sleeping Woman Watched by a Man (n.d.). Watercolour with pen and grey ink on paper, 13.1 x 19.7 cm. Yale Centre for British, Art. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Thomas_Rowlandson_-_Sleeping_Woman_Watched_by_a_Man_-_Google_Art_Project.jpg |
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4.34 |
Paula Rego, Love (1995). Pastel on paper mounted on aluminium, 120 x 160 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.35 |
Paula Rego, Bride (1994). Pastel on canvas, 120 x 160 cm. Tate, London. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.36 |
Paula Rego, Target (1995). Pastel on canvas, 160 x 120 cm. Calouste Gulbenkian Foundation, Lisbon. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.37 |
Paula Rego, Hand-Coloured Sketch n. 1 (1998). Pencil on paper mounted on aluminium, 31 x 42 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.38 |
Paula Rego, Untitled Triptych c (right panel) (1998). Pastel on paper mounted on aluminium, 110 x 100 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.39 |
Pierre-Auguste Renoir, Girl with Hoop (1885). Oil on canvas, 125.7 x 76.6 cm. National Gallery of Art, Washington, D.C. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Girl_with_a_hoop.jpg |
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4.40 |
Hans Olaf Heyerdahl, Little Girl on the Beach (n.d.). Oil on canvas, 60 x 45 cm. Private collection. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Hans_Olaf_Heyerdahl_-_Little_girl_on_the_beach.jpg |
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4.41 |
Paula Rego, Untitled n. 9 (1998–1999). Pastel on paper mounted on aluminium, 110 x 100 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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4.42 |
Carlo Crivelli, Annunciation (1486). Egg and oil on canvas, 207 x 147 cm. National Gallery, London. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Crivelli_Carlo,_Annunciation.jpg |
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4.43 |
Master of Erfurt, The Virgin Weaving (c. 1400). Staatliche Museen zu Berlin. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Master_of_Erfurt,_The_Virgin_Weaving,_Upper_Rhine,_ca_1400_(Berlin).jpg |
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4.44 |
Mary Cassat, The Child’s Bath (1893). Oil on canvas, 100.3 x 66 cm. Art Institute of Chicago. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Mary_Cassatt_-_The_Child%27s_Bath_-_Google_Art_Project.jpg |
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4.45 |
Käthe Kollwitz, Mother with Twins (1932–1936). Bronze. Käthe-Kollwitz-Museum, Berlin-Charlottenburg. Wikimedia, CC BY, https://commons.wikimedia.org/wiki/File:Kaethe_Kollwitz_-_Mutter_mit_Zwillingen-2.jpg |
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4.46 |
Raphael, Temptation of Adam and Eve (1508). Fresco, 120 x 105 cm. Vatican, Stanza della Segnatura. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Raffael_052.jpg |
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4.47 |
Artemisia Gentileschi, Salome with the Head of St. John the Baptist (1610–1615). Oil on canvas, 84 x 92 cm. Museum of Fine Arts, Budapest, Hungary. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Salome_with_the_Head_of_Saint_John_the_Baptist_by_Artemisia_Gentileschi_ca._1610-1615.jpg |
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4.48 |
Peter Paul Rubens, Samson and Delilah (1609–1610). Oil on panel, 185 x 205 cm. National Gallery, London. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Samson_and_Delilah_by_Rubens.jpg |
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4.49 |
Paula Rego, Untitled Sketch n. 9 (1998). Pencil on paper, 31 x 42 cm. Artist’s collection. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
Chapter 5
5.1 |
Vítor Meirelles, First Mass in Brazil (1860). Oil on canvas, 268 x 356 cm. Museu Nacional de Belas Artes, Rio de Janeiro. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Meirelles-primeiramissa2.jpg |
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5.2 |
Paula Rego, First Mass in Brazil (1993). Acrylic on paper laid on canvas, 130 x 180 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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5.3 |
J. Medeiros, Iracema (1884). Oil on canvas, 168.3 x 255 cm. Museu Nacional de Belas Artes, Rio de Janeiro. Wikimedia, CC BY-SA, https://commons.wikimedia.org/wiki/File:Iracema.jpg |
Chapter 6
6.1 |
Paula Rego, Red Riding Hood (Mother Takes Revenge) (2003). Pastel on paper, 104 x 79 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.2 |
Paula Rego, Red Riding Hood (Mother Wears Wolf’s Pelt) (2003). Pastel on paper, 84 x 67 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.3 |
Paula Rego, Baa, Baa, Black Sheep (1989). Etching and aquatint, plate size: 31.3 x 21.6 m; paper size: 52 x 38 cm. Edition of 50 signed and numbered included in portfolio. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.4 |
Paula Rego, Ring-a-Ring o’ Roses (1989). Etching and aquatint, plate size: 21.2 x 21.6 cm; paper size: 52 x 38 cm. Edition of 50 signed and numbered, included in portfolio. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.5 |
Paula Rego, There Was a Man of Double Deed (1989). Etching and aquatint, plate size: 31.3 x 21.5 cm; paper size: 52 x 38 cm. Edition of 50 signed and numbered included in portfolio. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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6.6 |
Paula Rego, Mary, Mary, Quite Contrary I. Etching and aquatint. Plate size: 21.3 x 21.3 cm; paper size: 52 x 38 cm. Edition of 50 signed and numbered, included in portfolio. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.7 |
Paula Rego, Mary, Mary, Quite Contrary II. Etching and aquatint. Plate size: 21.2 x 22.1 cm; paper size: 52 x 38 cm. Edition of 50 signed and numbered, not included in portfolio. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.8 |
Paula Rego, Little Miss Muffet. Etching and aquatint. Plate size: 21.9 x 21.2 cm; paper size: 52 x 38 cm. Edition of 50 signed and numbered, included in portfolio. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.9 |
Paula Rego, Three Blind Mice. Etching and aquatint. Plate size: 21.1 x 21.6 cm; paper size: 52 x 37.6 cm. Edition of 50 signed and numbered, included in portfolio. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.10 |
Paula Rego, Rock-a-Bye Baby. Etching and aquatint. Plate size: 21.1 x 21.6 cm; paper size: 52 x 37.6 cm. Edition of 50 signed and numbered, included in portfolio. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.11 |
Paula Rego, A Frog He Would A-Wooing Go. Etching and aquatint. Plate size: 21.3 x 21.6 cm, Paper size: 52 x 38 cm. Edition of 50 signed and numbered, included in portfolio. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.12 |
Walter C. Kiedaisch, Bluebeard Greets His Latest Wife (1904). Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Miss_Bluebeard_1904.jpg |
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6.13 |
Winslow Homer, The Blue Beard Tableau: Fatima Enters the Forbidden Closet (1868). Wood engraving, 11.4 x 11.7 cm. Boston Public Library, Print Department. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Blue_beard_tableau_(Boston_Public_Library).jpg |
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6.14 |
Paula Rego, Bad Dog (1994). Pastel on canvas, 120 x 160 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.15 |
Paula Rego, Biting (2001–2002). Coloured lithograph, image size: 77 x 50.5 cm; paper size: 90 x 62 cm. Edition of 35 signed and numbered, printed on Somerset textured paper. Print 8 from Jane Eyre — The Guardians. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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6.16 |
Paula Rego, Jane (2001–2002). Lithograph, image size: 86 x 43.5 cm; paper size: 88 x 63.5 cm. Edition of 35 signed and numbered, printed on Somerset velvet paper. Print 1 from Jane Eyre — The Guardians. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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6.17 |
Paula Rego, Jane Eyre (2001–2002). Lithograph, image size: 86.0 x 44.5 cm; paper size: 88.0 x 64.5 cm. Edition of 35, signed and numbered, printed on Somerset velvet paper. Print 1 from Jane Eyre — The Guardians. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.18 |
Paula Rego, Come to Me (2001–2002). Coloured lithograph. Image size: 88.5 x 59 cm; paper size: 99.5 x 67 cm. Edition of 35 signed and numbered, printed on Somerset textured paper. Print 9 from Jane Eyre — The Guardians. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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6.19 |
Paula Rego, Edward (2002). Pastel on paper mounted on aluminium, 100 x 80 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.20 |
Paula Rego, Inspection (2001). Lithograph on stone. Image size: 38 x 26 cm; paper size: 53 x 38 cm. Edition of 35 signed and numbered, printed on Somerset Book White paper. Print 2 from Jane Eyre — The Sensuality of the Stone. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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6.21 |
Paula Rego, Dame with the Goat’s Foot II (Singing on the Hill Side) (2011–2012). Pastel on paper, 137 x 102 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
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6.22 |
Paula Rego, Dame with the Goat’s Foot III (Death of the Hunter’s Dog) (2011–2012). Pastel on paper, 150 x 170 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.23 |
Paula Rego, Dame with the Goat’s Foot V (Levitation) (2011–2012). Pastel on paper, 242 x 120 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
6.24 |
Tombs of Pedro and Inês at the Monastery of Santa Maria, Alcobaça, Portugal. Photo by Mário Novais (c. 1954). Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Mosteiro_de_Santa_Maria,_Alcoba%C3%A7a,_Portugal_(3598156818)_(2).jpg |
Chapter 7
7.1 |
Paula Rego, Annunciation (2002). Pastel on paper mounted on aluminium, 54 x 52 cm. Belém Palace, Lisbon, Portugal. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
7.2 |
Leonardo da Vinci, Annunciation (c. 1472–1475) (detail). Oil on panel. Uffizi Gallery, Florence. Wikimedia, CC-BY-SA, https://commons.wikimedia.org/wiki/File:Leonardo_da_Vinci_Annunciazione_1472_Uffizien_Florenz-03.jpg |
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7.3 |
Paula Rego, Nativity (2002). Pastel on paper mounted on aluminium, 54 x 52 cm. Belém Palace, Lisbon. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
7.4 |
Juan de Flandes, Nativity of Jesus Christ (c.1435–1438). Oil on panel, 48.5 x 36.9 cm. Royal Chapel, Granada. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Juan_de_Flandes_Nativity_Granada_012.jpg |
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7.5 |
Bronzino, Deposition of Christ (1543–1545). Oil on panel, 268 x 173 cm. Musée de Beaux Arts et d’Archéologie, Besançon, France. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:D%C3%A9ploration_sur_le_Christ_mort_(Bronzino).jpg |
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7.6 |
Rembrandt (workshop of), Descent from the Cross (1634). Oil on canvas, 158 x 117 cm. Hermitage Museum. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Descent_from_the_Cross_(Rembrant).jpg |
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7.7 |
Anonymous (Wrocław), Christ as Man of Sorrows (1443). Tempera on larch wood, 180 x 136 cm. National Museum, Warsaw. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Wroc%C5%82aw_Christ_as_Man_of_Sorrows.jpg |
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7.8 |
Anonymous (Germany), Altarpiece with the Passion of Christ: Entombment (c. 1480–1495). Oil on panel, 129.5 x 119.7 cm. Walters Arts Museu, Baltimore. Wikimedia, CC-BY-SA, https://commons.wikimedia.org/wiki/File:German_-_Altarpiece_with_the_Passion_of_Christ_-_Entombment_-_Walters_37664.jpg |
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7.9 |
Paula Rego, Adoration (2002). Pastel on paper mounted on aluminium 54 x 52 cm. Belém Palace, Lisbon, Portugal. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
7.10 |
Paula Rego, Purification at the Temple (2002) Pastel on paper mounted on aluminium, 54 x 52 cm. Belém Palace, Lisbon, Portugal. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
7.11 |
Paula Rego, Flight into Egypt (2002) Pastel on paper mounted on aluminium, 54 x 52 cm. Belém Palace, Lisbon, Portugal. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
7.12 |
Paula Rego, Lamentation (2002). Pastel on paper mounted on aluminium, 54 x 52 cm. Belém Palace, Lisbon, Portugal. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
7.13 |
Joos Van Cleve, Lamentation of Christ (first quarter of 16th century). Oil on oak, 71.5 x 55 cm. National Museum of Warsaw. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Joos_van_Cleve_(follower)_Lamentation_of_Christ.jpg |
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7.14 |
Paula Rego, Deposition (1998). Pastel on paper, 160 x 120 cm. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
7.15 |
Sébastien Bourdon, Descent from the Cross (third quarter of 17th century). Oil on canvas, 111 x 78 cm. National Museum, Warsaw. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Bourdon_Descent_from_the_Cross.jpg |
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7.16 |
Peter Paul Rubens, Descent from the Cross (c. 1612–1614). Oil on panel, 420.5 x 320 cm. Our Lady’s Cathedral, Antwerp. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Peter_Paul_Rubens_-_Descent_from_the_Cross_-_WGA20212.jpg |
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7.17 |
Anonymous, Entombment (c. 1495 and 1505). Oil on panel. Art Institute of Chicago, Chicago. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:German_School_-_Entombment_-_1926.570_-_Art_Institute_of_Chicago.jpg |
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7.18 |
Tintoretto, The Resurrection of Christ (1579–1581). Oil on canvas, 529 x 485 cm. Scuola Grande di San Rocco, Venice. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Jacopo_Tintoretto_-_The_Resurrection_of_Christ_-_WGA22555.jpg |
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7.19 |
Paula Rego, Pietá (2002). Pastel on paper mounted on aluminium, 54 x 52 cm. Belém Palace, Lisbon, Portugal. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
7.20 |
Paula Rego, Assumption (2002). Pastel on paper mounted on aluminium, 54 x 52 cm. Belém Palace, Lisbon, Portugal. Photograph courtesy of Marlborough Fine Art, all rights reserved. |
|
7.21 |
Andrea Mantegna, Christ’s Descent into Limbo (1470–1475). Tempera on wood, 38.8 x 41.3 cm. Lent to the Frick Museum, NYC from the Barbara Piasecka Johnson Collection. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:MantegnaDescentLimbo.jpg |
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7.22 |
Titian, Assumption of Mary (1516–1518). Oil on panel, 690 x 360 cm. Santa Maria Gloriosa dei Frari, Venice. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Tizian_041.jpg |
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7.23 |
Andrea del Sarto, Assumption of the Virgin (1530). Oil on panel 309 x 205 cm. Poppi altar piece, Palazzo Pitti, Florence. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Andrea_del_Sarto_-_Assumption_of_the_Virgin_(Poppi_Altarpiece)_-_WGA0416.jpg |
Chapter 8
8.1 |
William Hogarth, Marriage à-la-Mode 2 (The Tête à Tête) (c. 1743). Oil on canvas, 69.9 x 90.8 cm. National Gallery, London. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Marriage_A-la-Mode_2,_The_T%C3%AAte_%C3%A0_T%C3%AAte_-_William_Hogarth.jpg |
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8.2 |
William Hogarth, Marriage à-la-Mode 1, The Marriage Settlement (c. 1743). Oil on canvas, 69.9 x 90.8 cm. National Gallery, London. Wikimedia, public domain, https://commons.wikimedia.org/wiki/File:Marriage_A-la-Mode_1,_The_Marriage_Settlement_-_William_Hogarth.jpg |
|
8.3 |
Paula Rego, Marriage à la Mode (The Betrothal after ‘Marriage à la Mode’ by Hogarth) (1999). Pastel on paper mounted on aluminium, 150 x 160 cm. Photographs courtesy of Marlborough Fine Art, all rights reserved. |
|
8.4 |
Paula Rego, Marriage à la Mode (Lessons after ‘Marriage à la Mode’ by Hogarth) (1999). Pastel on paper mounted on aluminium, 150 x 90 cm. Photographs courtesy of Marlborough Fine Art, all rights reserved. |
|
8.5 |
Paula Rego, Marriage à la Mode (The Shipwreck after ‘Marriage à la Mode’ by Hogarth) (1999). Pastel on paper mounted on aluminium, 150 x 160 cm. Photographs courtesy of Marlborough Fine Art, all rights reserved. |
|
8.6 |
Jorge Colaço, Adamastor (Sea Monster) (1907). Tiled panel. Buçaco Palace Hotel, Buçaco, Portugal. Wikimedia, CC BY-SA, https://commons.wikimedia.org/wiki/File:Palace_Hotel_do_Bu%C3%A7aco_-_Azulejo.jpg |
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8.7 |
Paula Rego, War (2003). Pastel on paper mounted on aluminium, 160 x 120 cm. Photo courtesy of Marlborough Fine Art, all rights reserved, https://www.wikiart.org/en/paula-rego/war-2003 |