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The URLs given are current as of the writing of this book, except where noted.

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——. 2018. ‘The ontology of musical works and the role of intuitions: An experimental study’, European Journal of Philosophy, 26(1): 348–367

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——. 2021. ‘Reacting to the top 10 songs on iTunes. . .BTS WTF?’, 26 May $<$ https://www.youtube.com/watch?v=XG9Y2LBuoww $>$

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——. 1955b. ‘WINS issues ban on copy records’, 27 August, p. 21

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——. 1968. ‘U.S.’ Spanish chart inroads, fall of cover are cited by Milhaud’, 19 October, p. 75

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——. 1973a. ‘The evolution of children’s records: Rising manufacturing costs endanger low price kiddie disks’, 7 July, p. 40

——. 1973b. ‘“Tie a ribbon” answer poses cover query— programmers waiting’, 7 July, p. 29

——. 1974. ‘Billboard’s top single picks’, 29 June, p. 78

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——. 1961b. ‘DJ’s toast oldie trend’, Billboard, 6 February, pp. 1, 41

——. 1961c. ‘Vintage disks stealing show’, Billboard, 17 April, pp. 1, 8

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Covach, John, and Andrew Flory. 2018. What’s that sound?, fifth edition (New York and London: W. W. Norton & Company)

Coyle, Michael. 2002. ‘Hijacked hits and antic authenticity: Cover songs, race, and postwar marketing’, in Rock Over the Edge: Transformations in Popular Music Culture, ed. by Roger Beebe, Denise Fulbrook, and Ben Saunders, editors (Durham: Duke University Press), pp. 133–157

Cummings, Jon. 1994. ‘Shawn Colvin models others’ songs’, Billboard, 9 July, pp. 14, 18

Cusic, Don. 2005. ‘In defense of cover songs’, Popular Music and Society, 28(2): 171–177

Davies, Stephen. 2001. Musical Works and Performances: A Philosophical Exploration (Oxford: Clarendon Press)

DiGangi, Diana. 2019. ‘’80s pop star Tiffany reboots nostalgic smash hit “I Think We’re Alone Now”’, WLJA, 1 May $<$ https://wjla.com/news/entertainment/80s-pop-star-tiffany-reboots-nostalgic-smash-hit-i-think-were-alone-now $>$

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Frith, Simon. 1996. Performing rites: On the value of popular music (Cambridge, Massachusetts: Harvard University Press)

Gabler, Milt. 1955. ‘Talent and tunes’, Cashbox, 27 July, p. 2

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——. 1974. ‘A radical solution to the species problem’, Systematic Zoology, 23(4): 536–544

——. 2009. Metaphysics and classification: Update and overview, Biological Theory, 4(3): 253–259

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——. 2018b. ‘Hayley Kiyoko watches fan covers on YouTube — Glamour, YouTube, December 27 $<$ https://www.youtube.com/watch?v=O8F6akdgvZQ $>$

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Goehr, Lydia. 2007. The Imaginary Museum of Musical Works, revised edition (Oxford University Press)

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——. 2001. I wanna be me: Rock music and politics of identity (Philadelphia: Temple University Press)

——. 2007. ‘Allusions and intentions in popular art’, in Philosophy and the Interpretation of Pop Culture, ed. by William Irwin and Jorge J. E. Gracia (Lanham, Maryland: Rowman & Littlefield), pp. 65–87

——. 2012/3. ‘Covers and communicative intentions’, The Journal of Music and Meaning, 11: 22–46 $<$ https://jmm11.musicandmeaning.net/ $>$

——. 2021. ‘The philosophy of jazz, popular music and art’, interview by Richard Marshall $<$ https://www.3-16am.co.uk/articles/the-philosophy-of-jazz-popular-music-and-art?c=end-times-series $>$

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Haas, Riley. 2020. ‘Michelle Kash takes “Personal Jesus” from sinister to sexy’, Cover Me blog, 23 January $<$ https://www.covermesongs.com/2020/01/michelle-kash-personal-jesus-cover.html $>$

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Hirsch, Lily E. 2020. Weird Al: Seriously (Lanham, Maryland: Rowman & Littlefield)

Hodge, Will. 2021. ‘Social Distortion’s Mike Ness on his 10 best country-punk covers’, Rolling Stone, 23 March $<$ https://www.rollingstone.com/music/music-country-lists/social-distortions-mike-ness-on-his-10-best-country-punk-covers-110874/ $>$

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——. 1978. ‘A matter of individuality’, Philosophy of Science, 45(3): 335–360

Inglis, Ian. 2005. ‘Embassy Records: Covering the market, marketing the cover’, Popular Music and Society, 28(2): 163–170

Irwin, William. 2001. ‘What is an allusion?’, Journal of Aesthetics and Art Criticism, 59(3): 287–297

——, ed. 2013. Black Sabbath and Philosophy: Mastering Reality (Chichester, West Sussex: John Wiley & Sons)

JJJ (Triple J). 2021a. ‘Behind JK-47’s “Changes” Like a Version (interview)’, YouTube, 11 February $<$ https://www.youtube.com/watch?v=VtQ8krwI7x0 $>$

——. 2021b. ‘Behind Something for Kate’s Taylor Swift Like a Version (interview)’, YouTube, 29 July $<$ https://www.youtube.com/watch?v=2E8Kfdfbp1M $>$

Jones, Gaynor, and Jay Rahn. 1977. ‘Definitions of popular music: Recycled’, The Journal of Aesthetic Education, 11(4): 79–92

Kania, Andrew. 2006. ‘Making tracks: The ontology of rock music’, Journal of Aesthetics and Art Criticism, 64(4): 401–414

——. 2020. The Philosophy of Western Music: A Contemporary Introduction (New York and London: Routledge)

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Londergan, Tim. 2018. ‘Oh boy! Sonny West; the Crickets; Brian Setzer’, Tim’s Cover Story, 5 November $<$ https://timscoverstory.wordpress.com/2018/11/05/oh-boy-sonny-west-the-crickets-brian-setzer/ $>$

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——. 2012. Scientific Enquiry and Natural Kinds: From Planets to Mallards (Basingstoke, Hampshire: Palgrave MacMillan)

——. 2013. ‘Historical individuals like Anas platyrhynchos and “Classical gas”’, in Art & Abstract Objects, ed. by Christy Mag Uidhir (Oxford University Press) pp. 108–124

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——. 2020. I’m Your Fan: The Songs of Leonard Cohen (Sterling, Bloomsbury Academic)

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——. 2010. I Don’t Sound Like Nobody: Remaking Music in 1950s America (Ann Arbor: University of Michigan Press)

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