Bibliography
This bibliography is in no way exhaustive or authoritative. It lists references made in the text and selected additional titles. Its aim is simply to point readers towards some useful editions and critical/biographical works. The following authors may be especially recommended for new readers and as being outstanding or definitive: Rueben Arthur Brower, David Fairer (1984, 1989), Maynard Mack (1969, 1985), David B. Morris, Winifred Nowottny, A. D. Nuttall, Pat Rogers (all items), Felicity Rosslyn, John Sitter (all items), Frank Stack, Aubrey L. Williams. The Cambridge Companion to Alexander Pope, edited by Pat Rogers (2007) contains excellent short essays on many aspects of Pope and serves as a useful indicator of the range of writing on Pope in the early twenty-first century.
Archer-Hind, L., ed. and intro., Lives of the English Poets, 2 vols, by Ben Jonson (London: Dent, 1925)
Audra, E., and Aubrey Williams, eds, Alexander Pope: Pastoral Poetry and An Essay on Criticism (1961), vol. 1 of 11 of The Twickenham Edition of The Poems of Alexander Pope (London: Methuen, 1939–69)
Ault, Norman, ed., The Prose Works of Alexander Pope [vol. 1]: The Earlier Works, 1711–1720 (Oxford: Blackwell, 1936)
Barnard, John, ed., Pope: The Critical Heritage (London: Routledge and Kegan Paul, 1973)
Bateson, F. W., ed., Epistles to Several Persons (Moral Essays), vol. 3, part 2 (1951) of The Twickenham Edition of the Poems of Alexander Pope (London: Methuen, 1939–69)
Bond, Donald F., ed., The Spectator, 5 vols (1711–14) (Oxford: Oxford University Press, 1965–1987)
Brower, Reuben Arthur, Alexander Pope: The Poetry of Allusion (Oxford: Clarendon Press, 1959)
Brownell, Morris R., Alexander Pope and the Arts of Georgian England (Oxford: Oxford University Press, 1978)
Bullard, Paddy, ed., The Oxford Handbook of Eighteenth-Century Satire (Oxford: Oxford University Press, 2019),
https://doi.org/10.1093/oxfordhb/9780198727835.001.0001
Bulloch, A. W., ‘Hellenistic Poetry’, in The Cambridge History of Classical Literature, 2 vols (Cambridge: Cambridge University Press, 1982–85), I: Greek Literature, ed. by P. E. Easterling and B. M. W. Knox (1985), pp. 541–621
Burke, Edmund, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, ed. by Adam Phillips (Oxford: Oxford University Press, 1990)
Butt, John, ed., Alexander Pope: Imitations of Horace (1939; 2nd edn, 1953), vol. 4 of The Twickenham Edition of The Poems of Alexander Pope (London: Methuen, 1939–69)
_____ The Poems of Alexander Pope [a one-volume version of the Twickenham Edition] (London: Methuen, 1963)
Cousins, A. D., and Daniel Derrin, eds, Alexander Pope in the Reign of Queen Anne: Reconsiderations of his Early Career (New York: Routledge, 2021)
Rosemary Cowler, ed., The Prose Works of Alexander Pope [vol. 2]: The Major Works, 1725–1744 (Oxford: Blackwell, 1986)
Curtius, Ernst Robert, European Literature and the Latin Middle Ages (London: Routledge and Kegan Paul, 1953)
Damrosch, Leo, Jonathan Swift: His Life and His World (New Haven: Yale University Press, 2013)
Edwards, Thomas R., This Dark Estate (Berkeley: University of California Press, 1963)
Elwin, Whitwell, and William John Courthope, eds, The Works of Alexander Pope, 10 vols (London: John Murray, 1871–79)
Empson, William, Seven Types of Ambiguity, 3rd edn (London: Chatto and Windus, 1953)
Erskine-Hill, Howard, The Augustan Idea in English Literature (London: Arnold, 1983)
_____ ‘Pope and the Poetry of Opposition’, in The Cambridge Companion to Alexander Pope, ed. by Pat Rogers (Cambridge: Cambridge University Press, 2007), pp. 134–49
_____ The Social Milieu of Alexander Pope (New Haven: Yale University Press, 1975)
Fairer, David, The Poetry of Alexander Pope (Harmondsworth: Penguin 1989)
_____ Pope’s Imagination (Manchester: Manchester University Press, 1984)
Foxon, David, Pope and the Early Eighteenth-Century Book Trade, ed. by James McLaverty (Oxford: Clarendon Press, 1991),
https://archive. org/details/popeearlyeightee0000foxo
Griffin, Dustin H., Alexander Pope: The Poet in the Poem (Princeton: Princeton University Press, 1979)
Hagstrum, Jean H., The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray (Chicago: University of Chicago Press, 1958)
Halsband, Robert, The Rape of the Lock and its Illustrators 1714–1896 (Oxford: Oxford University Press, 1980)
Harris, John, The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick (New Haven and London: Yale University Press, 1994)
G. B. Hill, ed., Samuel Johnson: Lives of the English Poets, 3 vols (Oxford: Clarendon Press, 1905)
Homer: The Iliad, trans. by E. V. Rieu (Harmondsworth: Penguin, 1950; rev. by Peter Jones with D. C. H. Rieu, 2003)
Hone, Joseph, Alexander Pope in the Making (Oxford: Oxford University Press, 2021),
https://doi.org/10.1093/oso/9780198842316.001.0001
Honour, Hugh, Neo-Classicism (Harmondsworth: Penguin, 1968; rev. edn 1977)
Horace: Satires and Epistles; Persius, Satires, trans. by Niall Rudd (Harmondsworth: Penguin, 1979)
Hutchings, William, Living Poetry: Reading Poems from Shakespeare to Don Paterson (Basingstoke: Palgrave Macmillan, 2012)
Johnston, Arthur, ed., Francis Bacon: The Advancement of Learning and New Atlantis (Oxford: Clarendon Press, 1974)
Jones, Edmund D., ed., English Critical Essays (Nineteenth Century) (Oxford: Oxford University Press, 1916)
Jones, Peter, ‘Introduction’, in Homer: the Iliad, trans. by E. V. Rieu (Harmondsworth: Penguin, 1950; rev. by Peter Jones with D. C. H. Rieu, 2003), pp. ix–xlvi
Jones, Tom, An Essay on Man (Princeton: Princeton University Press, 2016)
Kerby-Miller, Charles, ed., Memoirs of the Extraordinary Life, Works, and Discoveries of Martinus Scriblerus (New Haven: Yale University Press, 1950; reissued 1966),
http://name.umdl.umich.edu/004809278.0001.000
Kirk, G. S., ‘Homer’, in The Cambridge History of Classical Literature, 2 vols (Cambridge: Cambridge University Press, 1982–85), i: Greek Literature, ed. by P. E. Easterling and B. M. W. Knox (1985), pp. 42–91,
https://doi.org/10.1017/CHOL9780521210423
Langer, Susanne K., Feeling and Form (London: Routledge and Kegan Paul, 1963)
Le Faye, Deirdre, ed., Jane Austen’s Letters, 3rd edn (Oxford: Oxford University Press, 1997)
Leranbaum, Miriam, Alexander Pope’s ‘Opus Magnum’ 1729–1744 (Oxford: Clarendon Press, 1977)
Lonsdale, Roger, ed., The Poems of Thomas Gray, William Collins, Oliver Goldsmith (London: Longman, 1969),
https://archive.org/details/poemsofthomasgra00gray_0
_____ Lives of the Poets, 4 vols, by Samuel Johnson (Oxford: Clarendon Press, 2006)
Lynch, Jack, ed., The Oxford Handbook of British Poetry, 1660–1800 (Oxford: Oxford University Press, 2016),
https://doi.org/10.1093/oxfordhb/9780199600809.001.0001
McLaverty, Jim, Pope, Print and Meaning (Oxford: Oxford University Press, 2001)
Mack, Maynard, ed., Alexander Pope: An Essay on Man (1950), vol. 3 (Part 1) of The Twickenham Edition of The Poems of Alexander Pope (London: Methuen, 1939–69)
Mack, Maynard, Alexander Pope: A Life (New Haven and London: Yale University Press, 1985)
_____ Collected in Himself: Essays Critical, Biographical, and Bibliographical on Pope and Some of His Contemporaries (Newark: University of Delaware Press, 1982)
_____ The Garden and the City (London: Oxford University Press, 1969)
_____ The Last and Greatest Art: Some Unpublished Poetical Manuscripts of Alexander Pope (Newark: University of Delaware Press, 1984)
Marshall, Ashley, ‘The Myth of Scriblerus’, Journal for Eighteenth-Century Studies, 31 (2008), 77–99,
https://doi.org/10.1111/j.1754-0208.2008.00005.x
Morris, David B., Alexander Pope: The Genius of Sense (Cambridge: Harvard University Press, 1984)
Nichol, Donald W., ed., Anniversary Essays on Alexander Pope’s The Rape of the Lock (Toronto: University of Toronto Press, 2016),
https://doi.org/10.3138/9781442669673
Nowottny, Winifred, The Language Poets Use (London: The Athlone Press, 1962 and 1965)
Nuttall, A. D., Pope’s Essay on Man (London: Allen and Unwin, 1984)
Osborn, James M., ed., Observations, Anecdotes, and Characters of Books and Men, 2 vols, by Joseph Spence (Oxford: Oxford University Press, 1966)
Oswald, Alice, Memorial: An Excavation of the Iliad (London: Faber and Faber, 2011)
Ovid: The Erotic Poems, trans. by Peter Green (Harmondsworth: Penguin, 1982)
Panofsky, Erwin, ‘Et in Arcadia Ego: Poussin and the Elegiac Tradition’, in Meaning in the Visual Arts (Harmondsworth: Penguin, 1970), pp. 340–67
Parfitt, George, ed., Ben Jonson, the Complete Poems (Harmondsworth: Penguin, 1975)
Ricks, Christopher, Milton’s Grand Style (Oxford: Clarendon Press, 1963)
Rogers, Pat, The Alexander Pope Encyclopedia (Westport, CT: Greenwood Press, 2004)
Rogers, Pat, ed., Alexander Pope: The Major Works (Oxford: Oxford University Press, 2006)
_____ The Cambridge Companion to Alexander Pope, (Cambridge: Cambridge University Press, 2007),
https://doi.org/10.1017/CCOL9780521840132
_____ Essays on Pope (Cambridge: Cambridge University Press, 1993)
_____ Grub Street: Studies in a Subculture (London: Routledge, 1972)
_____ Hacks and Dunces: Pope, Swift and Grub Street (London: Methuen, 1980)
[a shortened version of Grub Street]
_____ An Introduction to Pope (London: Routledge, 1975)
_____ A Political Biography of Alexander Pope (London: Routledge, 2016)
_____ Pope and the Destiny of the Stuarts: History, Politics, and Mythology (Oxford: Oxford University Press, 2005)
_____ ‘Pope in Arcadia: Pastoral and its Dissolution’, in The Cambridge Companion to Alexander Pope, ed. by Pat Rogers (Cambridge: Cambridge University Press, 2007), pp. 105–17
Rosslyn, Felicity, Alexander Pope: A Literary Life (London: Macmillan, 1990)
Rudd, Niall, Horace: Satires and Epistles; Persius: Satires, revised edition (Harmondsworth: Penguin, 1979)
_____ The Satires of Horace (Cambridge: Cambridge University Press, 1966)
Rumbold, Valerie, Women’s Place in Pope’s World (Cambridge: Cambridge University Press, 1989)
_____ ‘Pope and Gender’, in The Cambridge Companion to Alexander Pope, ed. by Pat Rogers (Cambridge: Cambridge University Press, 2007), pp. 198–209
Rumbold, Valerie, ed., The Dunciad in Four Books, Longman Annotated Texts (London: Routledge, 1999)
Sherburn, George, ed., The Correspondence of Alexander Pope, 5 vols (Oxford: Oxford University Press, 1956)
Sitter, John, ed., The Cambridge Companion to Eighteenth-Century Poetry (Cambridge: Cambridge University Press, 2001),
https://doi.org/10.1017/CCOL0521650909
_____ The Cambridge Introduction to Eighteenth-Century Poetry (Cambridge: Cambridge University Press, 2011)
_____ The Poetry of Pope’s ‘Dunciad’ (Minneapolis: University of Minnesota Press, 1971)
_____ ‘Pope’s Versification and Voice’, in The Cambridge Companion to Alexander Pope, ed. by Pat Rogers (Cambridge: Cambridge University Press, 2007), pp. 37–48
Stack, Frank, Pope and Horace: Studies in Imitation (Cambridge: Cambridge University Press, 1985)
Thomas, Claudia N., Alexander Pope and his Eighteenth-Century Women Readers (Carbondale: Southern Illinois Press, 1994)
Tillotson, Geoffrey, On the Poetry of Pope (Oxford: Clarendon Press, 1938)
_____ Pope and Human Nature (Oxford: Oxford University Press, 1958)
_____ Augustan Studies (Oxford: Oxford University Press, 1961)
Warton, Joseph, An Essay on the Genius and Writings of Pope, 2 vols (London: printed for M. Cooper, 1806 [1757, 1784]),
https://books.google.co.uk/books?id=OBcfAAAAMAAJ
Watson, George, ed., John Dryden, Of Dramatic Poesy and other Critical Essays, 2 vols (London: Dent, 1962)
Weinbrot, Howard D., Alexander Pope and the Traditions of Formal Verse Satire (Princeton: Princeton University Press, 1982)
_____ Augustus Caesar in ‘Augustan’ England (Princeton: Princeton University Press, 1978)
_____ ‘Pope and the Classics’, in The Cambridge Companion to Alexander Pope, ed. by Pat Rogers (Cambridge: Cambridge University Press, 2007), pp. 76–88
Willey, Basil, The Seventeenth Century Background (London: Chatto and Windus, 1934), https://archive.org/details/in.ernet.dli.2015.458724
_____ The Eighteenth Century Background (London: Chatto and Windus, 1940), [1950 edn:]
https://archive.org/details/eighteenthcentur0000will
Williams, Aubrey L., Pope’s Dunciad: A Study of its Meaning (London: Methuen, 1955)
Williamson, Paul, ‘Gray’s Elegy and the Logic of Expression’, in Thomas Gray: Contemporary Essays, ed. by W. B. Hutchings and William Ruddick (Liverpool: Liverpool University Press, 1993), pp. 39–72