Proposed Influences

Table 2 Proposed influences in the adaptation techniques from the Greco-Roman texts to the Indian texts.

Greco-Roman texts

Adaptation techniques

Indian texts

Iliad 9 > Phoenix

1. character subtraction-cum-merging

2. theme addition-cum-emphasis

MBh. 5 > The Embassy

Iliad 10 > Rhesus

1. theme subtraction-cum-merging

2. character addition-cum-emphasis

3. changing of space and time

4. ignoring of death and violence

MBh. 4 > The Five Nights

Odyssey 9 > Cyclops

1. contaminatio

2. theme addition-cum-emphasis

3. changing of space and time

MBh. 1 > The Middle One

Followed Chronologies

Table 4 Followed chronologies for the Greco-Roman world and India.

Greco-Roman world

Dates

India208

Homer (ca. 800-750)

  • Iliad (ca. 775)
  • Odyssey (ca. 775)

8th c. BCE

Aeschylus (b. 524)

6th c. BCE

Aeschylus (d. 455)

Euripides (480-406)

  • Phoenix (ca. 425)
  • Cyclops (ca. 408)

5th c. BCE

Ps.-Euripides

  • Rhesus (ca. 336)

Aristotle (384-322)

4th c. BCE

Alexander’s Indian Campaign (327-325)

Hegesippus the epigrammatist

Mnasalces of Sicyon

Nicias of Miletus

Plautus (b. 254)

3rd c. BCE

Pillars of Aśoka (first written sources)

Greco-Bactrian kingdom (begins)

Greek theater at Aï Khanoum (opened ca. 225)

Plautus (d. 184)

Terence (185-159)

2nd c. BCE

Greco-Bactrian kingdom (ends)

Indo-Greek kingdom (begins)

Greek theater at Aï Khanoum (closed ca. 150)

Meleager of Gadara

Virgil (70-19)

  • Aeneid (Posth. 17)

1st c. BCE

Indo-Greek kingdom (ends)

Indian Embassies to Augustus (ca. 27)

Dio Chrysostom (b. in 40)

Plutarch (b. in 46)

1st c. CE

Kushan Empire (begins)

Vyāsa

Mahābhārata

Dio Chrysostom’s (d. in 115)

Plutarch (d. in 119)

Philostratus (b. in 170)

Aelian (b. in 175)

2nd c. CE

Kushan Empire (continues)

Bharata

(Ps.-)Bhāsa

  • The Embassy
  • The Five Nights
  • The Middle One

Aelian (d. in 235)

Philostratus (d. in 250)

3rd c. CE

Kushan Empire (ends)


  1. 208 The authors and texts included in the chronology are limited to those mentioned in this study. Even though, generally speaking, India’s literary tradition antedates the Greco-Roman ones, in the case of epic and theater, especially in relation to the motifs of the embassy, the ambush, and the ogre, the situation is reversed.

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