A People Passing Rude
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Illustrations

  4.1  Mother of God of Vladimir icon (before 1918). Kremlin Museums (The Armoury Chamber). Reproduced in E.K. Guseva et al. (ed.) Bogomater’ Vladimirskaia k 600 letiiu Sretenia ikony Bogomateri Vladimirskoi v Moskve 26 avgusta (8 sentiabria) 1995: Sbornik materialov, katalog vystavki (Moscow 1995).

  4.2  Mother of God of Vladimir icon after cleaning and removal of oklad. © Tretyakov Gallery (Museum-Church of St Nicholas in Tolmachi).

  4.3  St Nicholas icon (18th century). © Christ Church College, Oxford.

  4.4  Cast-metal and enamel Old Believer cross (19th century). Private collection.

  4.5  Victoria & Albert Museum Russian Ikon Exhibition poster (1929). Reproduced in M. Farbman (ed.), Masterpieces of Russian Painting (London, 1930), p. 121.

  4.6  General view of the Russian Ikon Exhibition (1929), Victoria & Albert Museum. Reproduced in M. Farbman (ed.), Masterpieces of Russian Painting (London, 1930), p. 119.

  5.1  Ignatii Pavlovich Sazikov (1796-1868), Covered Cup (1851), St Petersburg, Russia. Silver gilt. Hillwood Estate, Museum, & Gardens, Washington, D.C. Photography: Edward Owen.

  6.1  Advertisement for the Russian Opera Company, Western Mail, Cardiff (24 September 1888). © The British Library.

  6.2  The Jodrell Theatre’s announcement, The Standard (22 October 1888). © The British Library.

  6.3  ‘Sketches at the Russian Opera’, Dart: The Midland Figaro, Birmingham (27 July 1888). © The British Library.

  9.1  Photograph of the 1908 Exhibition of the Allied Artists’ Association at the Royal Albert Hall in London, Illustrated London News (18 July 1908). © Illustrated London News Ltd/Mary Evans.

  9.2  Mariia Tenisheva, Enamelled Amaranth Chest (c.1907). Reproduced in Denis Roche, Les émaux champlevés de la princesse Marie Ténichév (Paris, 1907).

  9.3  Mariia Tenisheva, Enamelled Mirror Frame (c.1907). Reproduced in Denis Roche, Les émaux champlevés de la princesse Marie Ténichév (Paris, 1907).

  9.4  Mariia Tenisheva, Ornamental Chest (c.1907). Reproduced in Denis Roche, Les émaux champlevés de la princesse Marie Ténichév (Paris, 1907).

  9.5  Vasilii Kandinskii, Improvisation No. 6 (‘Afrikanisches’) (1910). Oil on canvas, 107 x 95.5cm. Städtische Galerie im Lenbachhaus und Kunstbau München. © ADAGP, Paris and DACS, London 2012.

   9.6  Petr Konchalovskii, Les oliviers (1910). Oil on canvas, 70.5 x 90.2 cm. Private Collection. Reproduced by permission of Sotheby’s.

17.1  Filipp Maliavin, Country Ablutions (1930). Oil on canvas, 73 x 60.5cm. Private Collection. Reproduced by permission of Sotheby’s.

17.2  Filipp Maliavin, Troika (1933). Oil on canvas, 201 x 224cm. Private Collection. © Stockholms Auktionsverk.

17.3  Filipp Maliavin, Portrait of Leon Trotskii. Oil on canvas, whereabouts unknown. 26 October 1935. © Illustrated London News Ltd/Mary Evans.

19.1  ‘Coal output in the USSR’, The Struggle for Five Years in Four (Moscow, 1932). Otto & Marie Neurath Isotype Collection, University of Reading.

19.2  ‘Isotype Vocabulary’, Landsmen and Seafarers (London, 1945). Otto & Marie Neurath Isotype Collection, University of Reading.

19.3  ‘Large Town Development in Britain, Large Town Development in Russia’, How do you do, Tovarish? (London, 1947). Otto & Marie Neurath Isotype Collection, University of Reading.

19.4  ‘Climate: Rain and Temperature’, Landsmen and Seafarers (London, 1945). Otto & Marie Neurath Isotype Collection, University of Reading.

19.5  ‘What a Briton Can Own, What a Russian Can Own’, How do you do, Tovarish? (London, 1947). Otto & Marie Neurath Isotype Collection, University of Reading.

20.1  Entrance façade of ‘USSR at Earls Court’ (1968). Press photo EC & O Venues Archive, Box 1601.

20.2  Plan of the first Soviet Earls Court exhibition (1961). Exhibition guide. EC & O Venues Archive, Box 1009.