Acknowledgements
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1
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Notes on Transliteration and Conventions
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3
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Notes on Contributors
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5
|
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1.
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Introduction: Modernism and the Spiritual in Russian Art
Louise Hardiman and Nicola Kozicharow
|
9
|
2.
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From Angels to Demons: Mikhail Vrubel and the Search for a Modernist Idiom
Maria Taroutina
|
37
|
3.
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‘The Loving Labourer through Space and Time’: Aleksandra Pogosskaia, Theosophy, and Russian Arts and Crafts, c. 1900–1917
Louise Hardiman
|
69
|
4.
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Kazimir Malevich, Symbolism, and Ecclesiastic Orthodoxy
Myroslava M. Mudrak
|
91
|
5.
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Spirituality and the Semiotics of Russian Culture: From the Icon to Avant-Garde Art
Oleg Tarasov
|
115
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6.
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Re-imagining the Old Faith: Larionov, Goncharova, and the Spiritual Traditions of Old Believers
Nina Gurianova
|
129
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7.
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‘Russian Messiah’: On the Spiritual in the Reception of Vasily Kandinsky’s Art in Germany, c. 1910–1937
Sebastian Borkhardt
|
149
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8.
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Ellis H. Minns and Nikodim Kondakov’s The Russian Icon (1927)
Wendy Salmond
|
165
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9.
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Stelletsky’s Murals at Saint-Serge: Orthodoxy and the Neo-Russian Style in Emigration
Nicola Kozicharow
|
195
|
10.
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The Role of the ‘Red Commissar’ Nikolai Punin in the Rediscovery of Icons
Natalia Murray
|
213
|
11.
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Ucha Japaridze, Lado Gudiashvili, and the Spiritual in Painting in Soviet Georgia
Jennifer Brewin
|
229
|
|
Select Bibliography
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265
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Illustrations
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289
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Index
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299
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